QUILT INDEX RECORD

18-14-70

Description:

The three quilts made for her grandsons Michael, David, and Robert have an extra border, which their mother probably requested to fit their beds. This is Robert's quilt.

Where are the records for this quilt housed?

Mary Gasperik Legacy Project

Who documented this quilt?

Mary Gasperik Private Collection

Gasperik Legacy Project Number:

022

This is a:

Finished quilt

Quilt's title:

Indians #5

Owner's name for quilt:

Indians #5 (Robert Gasperik)

Names for quilt's pattern in common use:

Indian Boys, Seven Little Indians

How wide is the quilt?

63 inches

How long is the quilt?

80 inches

Shape of edge:

Straight

Shape of corners:

Straight

What color is the quilt?

Brown; Gold; Green; Lavender; Orange; Pink; Rust; White

Overall color scheme:

Multicolor; Bright or primary colors

Quilt's condition:

Very good/almost new

Time period:

1950-1975

When was the quilt finished?

1954

Family/owner's date for quilt:

1954

Who estimated the quilt's date?

Merikay Waldvogel

Further information concerning dates:

The individual framed Indian block which accompanied this quilt (#094) is embroidered "Robert 1954"

Describe the quilt's layout:

Medallion or framed center

Subject of the quilt:

Indian Boys At Play

Number of borders:

One

Describe the borders:

Wide gold border heavily quilted on four sides. Narrower outer rust border added on four sides.

Fiber types used to make the quilt top:

Cotton

Fabric styles used in the quilt top:

Print; Solid/plain

Applique techniques used to make the quilt top:

Hand Applique

Embellishment techniques used to make the quilt top:

Embroidery

Materials used to make the back:

Cotton

Materials used in the quilt binding:

Cotton

Fabric structure of the binding:

Plain weave

How is the binding made?

Bias grain

What is the width of the binding (measure on the top only)?

less than a half inch

What kind of filling is used in the quilt?

Cotton

How are the layers held together?

Hand quilting

Color of thread used in the quilting:

white

Quilting designs used, overall motifs:

Grid diamond; Grid square; Patches outlined/in the ditch; Single parallel lines

Quilting designs used, decorative motifs:

Cables; Feathering; Other

Quilting designs used, background fills:

Grid/crosshatch; Parallel lines

Describe the quilting designs used:

The quilting on this quilt is exactly like the quilting on brother Michael's quilt (#019)with one exception - an element quilted into the lower corners of the white ground on Michael's quilt (which resembles a butterfly) is left off of this one. Rust border filled with square grid quilting. Gold border has Ver Mehren cable feathering along two sides and bottom. Cornucopias spilling fern leaves are quilted into the two upper corners of the gold border. Connecting those cornucopias is a band of connected waves. White ground is diamond cross-hatching with embedded separate patterns including fern leaves from Aunt Martha's Answer #C5573. In the upper corners of the white ground are two nested quilted waves, elaborations of the wave pattern in the gold border. Rounded quilted mounds fill the bottom center of the white ground.

Features or notes about the quilt's appearance, materials, or construction:

Gasperik added another border to this quilt and to #019 and #077, made for Robert's brothers.

Quilt top made by:

Gasperik, Mary

Quilted by:

Gasperik, Mary

Where the quilt was made, city:

East Hazelcrest

Where the quilt was made, county:

Cook County

Where the quilt was made, state:

Illinois (IL)

Where the quilt was made, country:

United States

How was this quilt acquired?

Gift

Why was the quilt made?

Gift or presentation

Details about why the quilt was made:

Presented to a grandchild.

The quilt was made to be used for:

Bedding, special occasion

Quilt is presently used as:

Keepsake/memento

Describe present uses of the quilt:

Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.

Where did the maker find their pattern?

Unknown

Where did the quiltmaker find the pattern for the quilting design on the quilt?

Original to maker

What is the commercial name of the quilting design used for this quilt?

Feather quilting for all Gasperik Indian Quilts is QB421-9 inch Feather Colonial Quilts by Hubert Ver Mehren (Des Moines, IA: 1932).

Describe anything about the design of the quilt that wasn't already recorded in a previous field:

Gasperik made framed applique/embroidered Indian blocks for the same six grandchildren who received the quilts. The block which accompanied this quilt is #094.

Exhibitions where this quilt was displayed:

The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.

This is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.

Publications (including web sites) where this quilt or maker was featured:

Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103.

Merikay Waldvogel "One American Dream Comes True", Quilters Newsletter Magazine, March 2008, 46-49.

Related items such as diaries, obituaries, wills, household inventories, or pictures of the quiltmaker:

Framed Indian applique block embroidered "Robert 1954" #094 (Collection of Robert Gasperik).

In an e-mail to Susan Salser (January 11, 2009) Elmer and Doris Gasperik’s daughter Kathy Jacob described to Susan her parents’ support of Mary Gasperik’s quilting and the appreciation for the quilts which they instilled in her. She wrote: “I know that my Mother took great care of our quilts. Dedicated to them as if her own mother had made them. It is from my mother that I learned to lovingly care for the quilts and appreciate the work that grandma had done. And I was told that my father made her the very quilting frame that she used to create these wonderful quilts. I was also told he would buy her batting and once a children’s book for the pictures perhaps for reference.” A children’s book illustration is possibly the genesis of this Gasperik quilt design.

Ownership of this quilt is:

Private

Quilt owner's name:

Robert Gasperik

Quilt owner's country:

United States

Person filling out this form is:

Relative of quiltmaker; Author/researcher

If you are a relative of the quiltmaker, how are you related? The quiltmaker is my:

Grandmother

Describe the relationship to the quilt's maker:

Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting.

Quiltmaker's maiden name:

Mihalovits, Maria

Quiltmaker's gender:

Female

Quiltmaker's birth date:

01/25/1888

Quiltmaker's birthplace, country:

Hungary

Quiltmaker's date of death:

05/25/1969

Quiltmaker's ethnic background/tribal affiliation:

Hungarian

Quiltmaker's educational background:

Elementary School

In which kind of environment did the quiltmaker live?

Rural

Quiltmaker's city:

Chicago

Quiltmaker's county:

Cook

Quiltmaker's state:

Illinois (IL)

Quiltmaker's country:

United States

Quiltmaker's father's name:

Mihalovits, Istvan

Quiltmaker's father's birthplace:

Hungary

Quiltmaker's father's ethnic/tribal background:

Hungarian

Quiltmaker's mother's name:

Mihalovits, Vidoszava

Quiltmaker's mother's birthplace:

Hungary

Quiltmaker's mother's ethnic/tribal background:

Hungarian

Quiltmaker's spouse's/spouses' and/or partner's/partners' ethnic/tribal background:

Hungarian

Quiltmaker's spouse's/spouses' and/or partner's/partners' occupation:

Milk Dealer/Grocery Store Owner/Butcher

Number of children:

3

How many of the quiltmaker's children were girls?

1 (Elsie 1909-1988)

How many of the quiltmaker's children were boys?

2 (Elmer and Stephen)

How did the quiltmaker learn to quilt?

From guild or club member; Self-Taught

When did the quiltmaker learn to quilt?

Age 40-49

Why does the quiltmaker quilt?

Pleasure; Other

Other notes on how the quiltmaker learned, and how and why they quilt:

To exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.

Does/did the quiltmaker belong to a group? Name of the group?

Tuley Park Quilt Club and Detroit News Quilt Club

Does/did the quiltmaker belong to a group?

Chicago, IL and Detroit, Michigan

What are the main activities of the group?

Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.

Estimated number of quilts made by this quiltmaker:

more than 50

Does/did the quiltmaker sell quilts?

no

Does/did the quiltmaker teach quilting?

no

Who photographed this quilt?

Don Gonzalez

Access and copyright information:

Restricted

Copyright holder:

Susan Salser

Details

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