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Indian Feather Star; Indian Feather Star; Feather Star (Marie Webster)
CITE THIS QUILT
QUILT INDEX RECORD
Gasperik followed a custom of expert quiltmakers to look to antique quilts for inspiration and design possibilities. An overall photo of the antique quilt on which this Gasperik design is based appears in Marie Webster's 1915 book. The six appliqué feathers are borrowed from a different antique quilt also featured by Webster and also used by Gasperik (see #006, #045 and #081).
Mary Gasperik made seven quilts that are recreations of antique quilts. They are all based on three different quilts presented by Marie D. Webster in her iconic quilt book Quilts: Their Story and How To Make Them, first published in 1915. The three Webster antique quilts which Gasperik chose as her models are: (1) Indiana Wreath (frontispiece, and praised at length by Webster in her text), (2) "Feather Star (shown in Figure 19, which is a photograph of a complete quilt, made about 1850) and (3) "Feather Star With Applique" (shown in Figure 35, a photograph of only the corner of a quilt and captioned: "This quilt, which is the only one of this pattern, was made about 1835. It was designed by a Mr. Hamill for his sweetheart, Mary Hayward".
Quilt #030 is Gasperik’s re-creation of (2) above. The family calls it “Indian Feather Star” and Gasperik herself called it “Feather Star” (as written on a paper exhibit tag from a Tuley Park quilt show). In order to make this quilt Gasperik recycled a pattern that she had on hand from making quilt (3), the antique Webster calls “Feather Star with Applique” and Gasperik called “Double Feather Star”. It was difficult to translate that Webster quilt into a useable pattern, and, Gasperik enlisted the help of her daughter Elsie to do it. She described this to Edith B. Crumb, the director of The Detroit News Quilt Club Corner and creator of the Detroit quilt shows. Edith wrote about this in one of her quilt columns published in The Detroit News, February 11, 1936, page 24. Even the title of this column (“there are 1467 Pieces in This charming Top”), captures the complexity of the pattern painstakingly created from that small Webster photograph. The article also mentions that Gasperik had completed one black and white top and one red and white top, using the pattern. That red and white version, was shown – completed and quilted – at the 1937 Detroit News Quilt Show. When Edith wrote the 1936 quilt column she evidently did not know that Gasperik had already completed a different red and white version of the quilt, dated 1935. Crumb praised her for making two versions of a very complicated quilt, when, in fact, Gasperik had made three. All of this activity (three quilts) argues that Gasperik was pleased with her achievement and wanted to make good use of the hard-won pattern.
It must have been with some pleasure that she discovered she could use that pattern - yet again - to make a completely different quilt from another antique featured by Webster. Comparing the block on her “Double Feather Star” quilt #045 with the feather star block on her sister Linda’s “Indian Feather Star”, Salser concluded that the same pattern can account for the feather star blocks in both quilts. She believes that her grandmother’s decision to appliqué curved feathers (taken from Gasperik’s re-creation of Webster #035) into the corners of her re-creation of Webster #019 is her way of (humorously) memorializing the connection between the two very different antique quilt reproduction projects. Four Gasperik quilts tell the story (#006, #030 (this quilt), #045 and #081).
Where are the records for this quilt housed?
Mary Gasperik Legacy Project
Who documented this quilt?
Mary Gasperik Private Collection
CONTRIBUTING INSTITUTIONAL INVENTORY CONTROL NUMBERS: Enter the main control number for this item you are entering.
TYPE OF QUILT OBJECT: Choose the best description for the quilt being documented.
QUILT'S TITLE, IF IT HAS ONE: Many quilts have no title, but contemporary quilters often give a name to their quilts.
Indian Feather Star
OWNER'S NAME FOR QUILT'S PATTERN: Enter the name given to the quilt by the owner. This can be the name the family used to refer to the quilt as it passed through different generations, e.g. "Aunt Susie's quilt" or a pattern name that the owner used.
Indian Feather Star
ALTERNATE NAME(S) FOR QUILT'S PATTERN IN COMMON USE: This is the name of the quilt pattern that it is commonly used among quilt makers and historians. It may be different in different regions of the country.
Feather Star (Marie Webster)
OVERALL WIDTH: Enter how wide the quilt is.
OVERALL LENGTH: Enter how long the quilt is.
SHAPE OF EDGE: Choose the best description for the edges of the quilt.
SHAPE OF CORNERS: Choose the best description for the corners of the quilt.
PREDOMINANT COLOR(S): Enter all colors that are found in the quilt.
OVERALL COLOR SCHEME: Choose the best color scheme description for the quilt being documented.
OVERALL CONDITION: Choose the best description for the quilt being documented.
CONTENT OF INSCRIPTION(S): Enter the exact inscription here, including dates in the same form in which they appear on the quilt. Do not correct any spellings. If you are unsure of a letter or name, place a (?) to indicate uncertainty.
MARY GASPERIK 1411 W. 174 ST. EAST HAZELCREST ILLINOIS
METHOD OF INSCRIPTION: Choose the method used to inscribe the quilt.
LOCATION OF INSCRIPTION: Enter where the inscription was found on the quilt.
TIME PERIOD: Choose the time frame that best describes when the quilt was made. The date does not have to appear on the quilt to enter it in this field. This can be your best guess based on family stories or your own knowledge of quilts.
DATE FINISHED: Enter the date the quilt was finished.
FAMILY/OWNER'S DATE FOR QUILT: If there are family stories that indicate a date when the quilt was made, enter that date.
OTHER EXTERNAL OR PROFESSIONAL DATE ESTIMATION: If the date was estimated by an antique dealer, quilt historian or appraiser, enter that date.
FURTHER INFORMATION CONCERNING DATE(S): If you know anything else about the date the quilt was made, please tell the story.
One of the pattern elements used in this quilt also appears in a quilt dated 1935. The lime green backing may indicate it was completed at a much later date.
LAYOUT FORMAT: Choose the best description for the layout (or set) of the quilt.
NUMBER OF QUILT BLOCKS: This field only applies to quilts with a block format. Some blocks are harder to count than others (e.g. Storms at Sea, Double Wedding Ring). If needed, describe how the blocks were counted or if there are half blocks/corner blocks
12 pieced blocks; 6 applique blocks
ARRANGEMENT OF QUILT BLOCKS: BLOCK ORIENTATION: This field only applies to quilts with a block format. Choose the best description for how the quilt blocks appear in the quilt.
On point or rotated on 45 degrees
SPACING RELATIVE TO OTHER BLOCKS: This field only applies to quilts with a block format. Choose the best description for how the quilt blocks are set together.
Side by side
NUMBER OF DIFFERENT BLOCK PATTERNS PRESENT: Enter the number of different block patterns used in the quilt.
BLOCK STYLE: Some patterns use the same shape template throughout the quilt (i.e. Charm quilts, Grandmother Flower Garden, Brick wall, Lone Star). If this applies to your quilt, choose the best description.
NUMBER OF BORDERS: Borders are the strips of fabric that are added after the blocks (and sashings) are put together. They appear on the outside edges of the quilt. Quilts often have multiple borders. Enter the number of borders on the quilt.
BORDER DESCRIPTION: Describe the style of the borders (i.e. pieced, appliqued, stenciled) and the width of each border, from the inside to the outside.
Wide plain white outer border. Narrower inner pieced border of flying geese frames the central field.
FABRIC FIBER TYPES USED IN QUILT TOP: Choose all the types of fiber that are used to make the quilt top.
FABRIC PATTERNS, STYLES, MOTIFS, OR PRINT CATEGORIES USED IN QUILT TOP: Choose all the types of prints that are used to make the quilt top.
CONSTRUCTION TECHNIQUES USED IN QUILT TOP: PIECING TECHNIQUES: Choose the piecing method used to make the quilt.
CONSTRUCTION TECHNIQUES USED IN QUILT TOP: APPLIQUE TECHNIQUES: Choose the applique method used to construct the quilt.
UNIQUE EMBELLISHMENTS: Enter any embellishment materials that don't appear in a previous field.
Applique feathers in corners are borrowed from a different quilt pattern (found on #006 and #045)
FABRIC FIBER TYPES USED IN QUILT BACK: Choose the fiber type used to make the quilt back.
COLOR OF BACKING: Enter all colors that are found in the quilt backing.
DESCRIPTION OF BACK: Choose the best description for the back of the quilt.
MATERIALS USED IN QUILT BINDING: Choose the fiber type used to make the quilt binding.
WIDTH OF QUILT BINDING: Choose the width (in inches) of the binding of the quilt. Measure from the front side only.
less than a half inch
MATERIAL USED FOR QUILT BATTING OR FILLING: Choose the fiber content that best describes the material used to fill the quilt.
QUILTING TECHNIQUES USED: Choose the technique that best describes the way the quilt layers are held together.
THREAD COLOR: Enter the color(s) of thread used to hold the quilt layers together.
QUILTING DESIGNS USED: MOTIFS/OVERALL PATTERNS: Choose the overall quilt design found on the quilt top.
Grid diamond; Outline; Single parallel lines
QUILTING DESIGNS USED: DECORATIVE PATTERNS: Choose the decorative quilt design found on the quilt top.
QUILTING DESIGNS USED: BACKGROUND FILL PATTERNS: Choose the background quilt design found on the quilt top.
Grid/crosshatch; Parallel lines
PLEASE DESCRIBE OTHER QUILTING DESIGNS USED: Describe any other quilting designs that appear on the quilt.
Feather band quilted around entire border. Feathered hearts quilted in the corners. Feathered wreaths quilted 24 times around the border of the center panel
ANY OTHER FEATURES OR NOTES ABOUT THE QUILT'S APPEARANCE, MATERIALS, OR CONSTRUCTION: Describe anything about the physical appearance of the quilt that wasn't already recorded in a previous field.
It should be noted that the lime green backing on this quilt might indicate its approximate date of completion. Three Gasperik quilts have an unusual yellow-green backing (#063 - Indiana Wreath and #021 Delectable Mountains are the other two). The year 1953 is quilted into Delectable Mountains. Salser is not sure if the backing is the same color on all three quilts. This can be checked.
QUILT TOP MADE BY: Enter the name of the person(s) who made the quilt top.
QUILTED BY: Enter the name of the person(s) who quilted the top.
CITY: Enter the name of the city where the quilt was made.
COUNTY: Enter the name of the county where the quilt was made.
STATE: Enter the name of the state where the quilt was made.
COUNTRY: Enter the name of the country where the quilt was made.
HOW WAS QUILT ACQUIRED BY OWNER: Choose the best description for how the owner acquired the quilt.
DETAILS ON HOW THE QUILT WAS ACQUIRED:
Selected by daughter Elsie during a division of quilts after Gasperik died in 1969. After Elsie died, in 1969, daughteres Karen, Linda and Susan divided Elsie's quilts. Linda selected this one.
QUILTMAKER'S REASONS FOR MAKING THE QUILT: If the quilt was made for a specific purpose, choose the reason from the list.
QUILT IS PRESENTLY USED AS: Choose how the quilt is being used by the present owner.
OTHER PRESENT USE(S) OF QUILT: If you chose Other, please explain the quilt's present use.
Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.
SOURCE OF QUILT'S MATERIALS: Choose how the quilt maker acquired the fabric for this quilt.
QUILT TOP PATTERN SOURCE: Choose where the quilt maker found the pattern for this quilt.
Commercial/Published source: Book
OTHER TOP PATTERN SOURCE(S): If you chose Other, please explain where the pattern was found.
Figure 19 "Feather Star" and Figure 35 "Feather Star with Applique" from Marie D. Webster photos of antique quilts.
COMMERCIAL SOURCE NAME(S): If you know the commercial name of the pattern used for this quilt, please enter it. This may include books, magazines, newsletters, pattern companies, computer software programs, and kits.
Gasperik made her own patterns based on Webster.
QUILTING DESIGN PATTERN SOURCE: Choose where the quilt maker found the pattern for the quilting design used in this quilt.
OTHER QUILTING DESIGN PATTERN SOURCE: If you chose Other, please explain the where the quilting design pattern was found.
"Aunt Martha's Answer How to Quilt It" (1935?)
COMMERCIAL QUILTING DESIGN SOURCE NAME: If you know the commercial name of the quilting design used for this quilt, please enter it. This may include books, magazines, newsletters, pattern companies, etc.
Feather Band quilting pattern # C5576. 24-petal feathered wreath and feathered heart from Needleart Guild "Original Master Quilting Patterns".
EXHIBITIONS: List all known exhibits where this quilt has been displayed.
Cloth address label indicates this quilt was likely sent to an Illinois State Fair. 2 family photos by Elmer Gasperik show this quilt on display at an Illinois State Fair. The pictures capture the elaborate display case, and show that textiles were displayed folded. Yellow paper exhibit tag indicates it was hung at a Tuley Park quilt show.
The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.
This is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.
OTHER RELATED ITEMS: List other materials that exist about this quilt like oral histories, wills, diaries, or patterns.
Quilts: Their Story and How to Make Them, Marie D. Webster, Doubleday, Doran & Company Inc., 1928, quilt photograph facing page 40.
AVAILABLE SOURCES FOR QUILTMAKER: List other source materials about this quiltmaker such as photos, oral histories, book or newspaper publications, fame for some other reason or event.
Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103.
Merikay Waldvogel "One American Dream Comes True", Quilters Newsletter Magazine, March 2008, 46-49.
OWNERSHIP OF THIS QUILT IS:
NAME OF QUILT OWNER:
Linda Krueger MacLachlan
QUILT OWNER'S COUNTRY:
AUTHOR/INTERVIEWEE'S RELATION TO THE QUILT:
Author/researcher; Blood relative of quiltmaker
OTHER RELATIONSHIP TO SOURCE: If you chose Other, for the relationship to the source, describe the relationship here.
OTHER INFORMATION ON SOURCE PERSON TO QUILT:
Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting.
QUILTMAKER'S MAIDEN NAME:
QUILTMAKER'S BIRTH DATE:
DEATH DATE OF THE QUILTMAKER, IF APPLICABLE:
QUILTMAKER'S ETHNIC BACKGROUND:
QUILTMAKER'S EDUCATIONAL BACKGROUND:
QUILTMAKER'S COUNTRY OF BIRTH:
IN WHICH KIND OF ENVIRONMENT DID THE QUILTMAKER GROW UP?
CITY WHERE THE QUILTMAKER LIVES/LIVED:
COUNTY WHERE THE QUILTMAKER LIVES/LIVED:
STATE WHERE THE QUILTMAKER LIVES/LIVED:
COUNTRY WHERE THE QUILTMAKER LIVES/LIVED:
QUILTMAKER'S FATHER'S NAME:
FATHER'S ETHNIC BACKGROUND:
QUILTMAKER'S MOTHER'S NAME:
MOTHER'S ETHNIC BACKGROUND:
SPOUSE'S ETHNIC BACKGROUND:
Milk Dealer/Grocery Store Owner/Butcher
NUMBER OF CHILDREN:
NUMBER OF FEMALE CHILDREN:
1 (Elsie 1909-1988)
NUMBER OF MALE CHILDREN:
2 (Elmer and Stephen)
HOW DID THE QUILTMAKER LEARN TO QUILT?
From guild or club member; Self-Taught
WHEN DID THE QUILTMAKER LEARN TO QUILT?
WHY DOES/DID THE QUILTMAKER QUILT:
OTHER, WHY THE QUILTMAKER QUILTS:
To exhibit in shows held by her >Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.
NAME OF QUILTING GROUP: If the quilt maker belonged to a group, enter the name of the group.
LOCATION OF GROUP:
Southside Chicago and Detroit MI
SPECIALIZED ACTIVITIES/EVENTS OF QUILTING GROUP: Enter activities the group participated in.
Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.
ESTIMATED NUMBER OF QUILTS MADE BY THIS QUILTER:
more than 50
DID THE QUILTMAKER SELL QUILTS?
DOES/DID QUILTMAKER TEACH QUILTING: Is the quilt maker also a quilt teacher?
ACCESS AND COPYRIGHT IS:
HOLDER OF COPYRIGHT:
Cite this Quilt
Gasperik, Mar. Indian Feather Star. 1935-1950. From Mary Gasperik Legacy Project, Mary Gasperik Private Collection. Published in The Quilt Index, https://quiltindex.org/view/?type=fullrec&kid=18-14-28. Accessed: 05/20/22
Quilts Made from Marie Webster Pattern...
Quilts Made from Marie Webster Patterns
Marie Daugherty Webster was an American quilt designer and historian. She lived in Marion, Indiana and created quilt patterns for the Ladies Home Journal starting in 1911. They often featured pastel colors and botannically accurate flowers and leaves.
Gasperik 02: Antique Quilt Design Sour...
Gasperik 02: Antique Quilt Design Sources
May; 12; 2005
The Quilts of Mary Gasperik
The Quilts of Mary Gasperik
In 1992, three of Mary Gasperik's granchildren, worked with other family members to present the quilts of their grandmother.
The Quilts of Mary Gasperik
The Quilts of Mary Gasperik
March; 14; 1992
An exhibit catalog for a display of quilts made by Mary Gasperik at Ravenswood Historic Site, Livermore, California. March 14-15, 1992.
Mary Gasperik and The Illinois State F...
Mary Gasperik and The Illinois State Fair
July; 8; 2021
Mary participated in the Illinois State Fair from 1940-1966 winning over 40 ribbons.
Mary Gasperik Quilters Hall of Fame In...
Mary Gasperik Quilters Hall of Fame Induction Exhibit
July; 22; 2021
The Mary Gasperik Hall of Fame Exhibit, was held at the Marion Public Library from July 15-17, 2021 as part of the Quilters Hall of Fame Celebration 2021.
Chicago; Illinois; United States
Mary Gasperik made more than 80 quilts while living in Chicago at the height of the quilt revival of the 1930s and 40s.18-47-2
Double Feather St...
Double Feather St...