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Indiana Wreath; Indiana Wreath (Doris)
CITE THIS QUILT
Cite this Quilt
Gasperik, Mar. Indiana Wreath. 1938-1945. From Mary Gasperik Legacy Project, Mary Gasperik Private Collection. Published in The Quilt Index, https://quiltindex.org/view/?type=fullrec&kid=18-14-36. Accessed: 08/01/21
QUILT INDEX RECORD
DESCRIPTION OF ESSAY: Paragraph length description of the object.
Mary Gasperik made at least 4 Indiana Wreath quilts. It would seem that she picked this complicated and famous pattern precisely to demonstrate what a master quilter she was.
Where are the records for this quilt housed?
Mary Gasperik Legacy Project
Who documented this quilt?
Mary Gasperik Private Collection
CONTRIBUTING INSTITUTIONAL INVENTORY CONTROL NUMBERS: Enter the main control number for this item you are entering. For a museum, this will probably be your acquisition number. It may be the number given to the quilt by the state or county project.
TYPE OF QUILT OBJECT: Choose the best description for the quilt being documented.
QUILT'S TITLE, IF IT HAS ONE: Enter the name given to the quilt by the maker. Many quilts have no title, but contemporary quilters often give a name to their quilts. If the quilt has no title, leave this field blank.
OWNER'S NAME FOR QUILT'S PATTERN: Enter the name given to the quilt by the owner. This can be the name the family used to refer to the quilt as it passed through different generations, e.g. "Aunt Susie's quilt" or a pattern name that the owner used.
Indiana Wreath (Doris)
BRACKMAN NUMBER: If you have used Barbara Brackman's Encyclopedia of Pieced Patterns or Applique to identify the pattern, enter the number assigned by Brackman here.
OVERALL WIDTH: Enter how wide the quilt is. Specify units of measure (mm or in or inches)
OVERALL LENGTH: Enter how long the quilt is. Specify unit of measure (mm or in or inches).
SHAPE OF EDGE: Choose the best description for the edges of the quilt.
SHAPE OF CORNERS: Choose the best description for the corners of the quilt.
PREDOMINANT COLOR(S): CHECK ALL THAT APPLY: Enter all colors that are found in the quilt. Use ctrl + click to choose more than one.
Blue or Navy; Green; Red; White
OVERALL COLOR SCHEME: Choose the best color scheme description for the quilt being documented.
Bright or primary colors
OVERALL CONDITION: Choose the best description for the quilt being documented.
CONTENT OF INSCRIPTION(S): Enter the exact inscription here, including dates in the same form in which they appear on the quilt. Do not correct any spellings. If you are unsure of a letter or name, place a (?) to indicate uncertainty.
1411 W. 174 Street
EAST HAZEL CREST
METHOD OF INSCRIPTION: Choose the method used to inscribe the quilt. Use ctrl + click to choose more than one.
TIME PERIOD: Choose the time frame that best describes when the quilt was made. The date does not have to appear on the quilt to enter it in this field. This can be your best guess based on family stories or your own knowledge of quilts.
DATE FINISHED: Enter the date the quilt was finished (as mm-dd-yyyy or c.yyyy, e.g. c.1965). Leave blank if you don't know.
OTHER EXTERNAL OR PROFESSIONAL DATE ESTIMATION: If the date was estimated by an antique dealer, quilt historian or appraiser, enter that date (as mm-dd-yyyy or c.yyyy, e.g. c.1965).
OTHER DATE ESTIMATION BY WHOM: Enter the name and/or title of the person who estimated the quilt's date for field 23d.
FURTHER INFORMATION CONCERNING DATE(S): If you know anything else about the date the quilt was made, please tell the story.
Earliest estimated date is based on the fact that Indiana Wreath pattern #524 was offered in McCall's Needlework Magazine, Winter 1937-1938, pp 26-27. Mary Gasperik probably consulted this pattern when she designed her Indiana Wreath quilts. Use of a quilting pattern offered by Woman's Day in May, 1943 moves the estimated completion date to no earlier than 1943.
LAYOUT FORMAT: Choose the best description for the layout (or set) of the quilt.
Medallion or framed center
BORDER DESCRIPTION: Describe the style of the borders (i.e. pieced, appliqued, stenciled) and the width of each border, from the inside to the outside.
Outer edges on all four sides have an applique floral and leaf vine that frame the quilt.
FABRIC FIBER TYPES USED IN QUILT TOP: Choose all the types of fiber that are used to make the quilt top. Use ctrl + click to choose more than one.
FABRIC PATTERNS, STYLES, MOTIFS, OR PRINT CATEGORIES USED IN QUILT TOP: Choose all the types of prints that are used to make the quilt top. Use ctrl + click to choose more than one.
CONSTRUCTION TECHNIQUES USED IN QUILT TOP: APPLIQUE TECHNIQUES: Choose the applique method used to construct the quilt. Use ctrl + click to choose more than one. Skip the question if no applique appears on the quilt.
CONSTRUCTION TECHNIQUES USED IN QUILT TOP: EMBELLISHMENT TECHNIQUES: Choose the embellishment technique used to make the quilt. Use ctrl + click to choose more than one. If your answer in Field 38f was no, skip this question.
Embroidery; Other embellishment technique
UNIQUE OR OTHER CONSTRUCTION TECHNIQUES: Enter any unusual technique that hasn't been described in a previous field.
extra layer of batting pads the applique grapes
UNIQUE EMBELLISHMENTS: Enter any embellishment materials that don't appear in a previous field.
embroidered wheat in vase, below vase, and in birds' beaks
FABRIC FIBER TYPES USED IN QUILT BACK: Choose the fiber type used to make the quilt back. Use ctrl + click to choose more than one.
COLOR OF BACKING: Enter all colors that are found in the quilt backing. Use ctrl + click to choose more than one.
DESCRIPTION OF BACK: Choose the best description for the back of the quilt. Use ctrl + click to choose more than one.
MATERIALS USED IN QUILT BINDING: Choose the fiber type used to make the quilt binding. Use ctrl + click to choose more than one.
WIDTH OF QUILT BINDING: Choose the width (in inches) of the binding of the quilt. Measure from the front side only.
less than a half inch
MATERIAL USED FOR QUILT BATTING OR FILLING: Choose the fiber content that best describes the material used to fill the quilt.
QUILTING TECHNIQUES USED: Choose the technique that best describes the way the quilt layers are held together. Use ctrl + click to choose more than one.
THREAD COLOR: Enter the color(s) of thread used to hold the quilt layers together.
QUILTING DESIGNS USED: MOTIFS/OVERALL PATTERNS: Choose the overall quilt design found on the quilt top. Use ctrl + click to choose more than one. Skip the question if none of the designs appear on the quilt.
Grid/crosshatch; Single parallel lines
QUILTING DESIGNS USED: DECORATIVE PATTERNS: Choose the decorative quilt design found on the quilt top. Use ctrl + click to choose more than one. Skip the question if none of the designs appear on the quilt.
Feathering; Vines; Other
QUILTING DESIGNS USED: BACKGROUND FILL PATTERNS: Choose the background quilt design found on the quilt top. Use ctrl + click to choose more than one. Skip the question if none of the designs appear on the quilt.
Grid/crosshatch; Parallel lines
PLEASE DESCRIBE OTHER QUILTING DESIGNS USED: Describe any quilting designs that appear on the quilt, but were not listed in a previous field.
Elaborate feather medallion and bunches of grapes. Fern leaves quilted both separately and spilling from small cornucopias.
ANY OTHER FEATURES OR NOTES ABOUT THE QUILT'S APPEARANCE, MATERIALS, OR CONSTRUCTION: Describe anything about the physical appearance of the quilt that wasn't already recorded in a previous field.
The four Gasperik Indiana Wreath quilts can be divided into two sets of two. Each pair uses the same set of fabrics. Quilts #011 and #043 use a set of polka dots prints of different colors. These two quilts also have wheat stalks embroidered under the vase. Quilts #032 and #063 employ a wider range of fabrics: the wreath's flowers are executed in floral prints. The grapes are made from a print of white stars on dark purple, cut such that the effect is of water glistening on a rounded surface.
QUILT TOP MADE BY: Enter the name of the person(s) who made the quilt top. Names must be listed last name first, followed by first name and middle name or initials; last name should be followed by a comma and space.
QUILTED BY: Enter the name of the person(s) who quilted the top. Names must be listed last name first, followed by first name and middle name or initials; last name should be followed by a comma and space.
CITY: Enter the name of the city where the quilt was made. Skip the question if you don't know where the quilt was made.
COUNTY: Enter the name of the county where the quilt was made. Skip the question if you don't know where the quilt was made.
STATE: Enter the name of the state where the quilt was made. Skip the question if you don't know where the quilt was made.
COUNTRY: Enter the name of the country where the quilt was made. Skip the question if you don't know where the quilt was made.
HOW WAS QUILT ACQUIRED BY OWNER: Choose the best description for how the owner acquired the quilt. Use ctrl + click to choose more than one. Skip the question if you don't know how the owner acquired the quilt.
OCCASION, DATE, PERSON INHERITED FROM, ETC: If the quilt was inherited, enter any information you know about the inheritance. Skip the question if the quilt was not passed on through a family.
This quilt was a direct gift from Mary Gasperik to her son and daughter-in-law (Elmer and Doris Gasperik)
QUILTMAKER'S REASONS FOR MAKING THE QUILT: If the quilt was made for a specific purpose, choose the reason from the list. Use ctrl + click to choose more than one.
Art or personal expression
QUILT WAS ORIGINALLY DESIGNED TO BE USED AS: Not all quilts were made for beds. Choose how the quilt was originally used. Use ctrl + click to choose more than one.
Bedding, special occasion
QUILT IS PRESENTLY USED AS: Choose how the quilt is being used by the present owner. Use ctrl + click to choose more than one.
OTHER PRESENT USE(S) OF QUILT: If you chose Other, please explain the quilt's present use.
Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.
SOURCE OF QUILT'S MATERIALS: Choose how the quilt maker acquired the fabric for this quilt. Use ctrl + click to choose more than one.
OTHER SOURCE(S) OF QUILT'S MATERIALS: If you chose Other, please explain how the quilt maker acquired the fabric for this quilt.
Gasperik's own fabric choices.
QUILT TOP PATTERN SOURCE: Choose where the quilt maker found the pattern for this quilt. Use ctrl + click to choose more than one.
Commercial/Published source: Book; Commercial/Published source: Pattern
OTHER TOP PATTERN SOURCE(S): If you chose Other, please explain where the pattern was found.
Inspiration for the Indiana Wreath quilt made famous by Marie Webster who used a 19th century quilt in this pattern as the frontispiece of her quilt book.
McCalls produced a commercial pattern. Other designers including Rose Kretsinger made their own.
COMMERCIAL SOURCE NAME(S): If you know the commercial name of the pattern used for this quilt, please enter it. This may include books, magazines, newsletters, pattern companies, computer software programs, and kits.
Probably McCall's #524 Indiana Wreath published circa 1935.
The pattern for the three hovering blue birds may be borrowed from a quiltING pattern offered in a Nancy Page Quilting Club Column in the newspaper.
QUILTING DESIGN PATTERN SOURCE: Choose where the quilt maker found the pattern for the quilting design used in this quilt. Use ctrl + click to choose more than one.
OTHER QUILTING DESIGN PATTERN SOURCE: If you chose Other, please explain the where the quilting design pattern was found.
3 grape clusters and 2 elaborate feather medallions copied from Plates IV and V quiltING patterns by Rose Kretsinger in Romance of the Patchwork Quilt.
Coat of Arms quilting pattern pictured in Woman's Day Magazine, May, 1943, p. 42.
COMMERCIAL QUILTING DESIGN SOURCE NAME: If you know the commercial name of the quilting design used for this quilt, please enter it. This may include books, magazines, newsletters, pattern companies, etc.
Fern pattern C5573 from Aunt Martha's Answers to How Shall I Quilt It?
ANY ADDITIONAL NOTES OR STORIES ABOUT THE QUILT'S DESIGN OR MATERIALS SOURCE: Describe anything about the design of the quilt that wasn't already recorded in a previous field.
McCall probably obtained its pattern #524 Indiana Wreath from a quilt businesswoman named Cecilia Knapp of Monroe Michigan.
The Winter 1937-38 issue of McCall's Needlework Magazine on pages 26-27 in an article titled "Cotton Prints" features, in text on page 26, pattern "No.524, Authentic - at least 100 years old! It's the Indiana wreath (facing page) and you mustn't miss it if you are a quilt-maker. Single bed size 72 x 100 inches; double, 84 x 100. Blue. Pattern, 45 cents."
On page 27 a picture of Cecilia Knapp faces a picture of a completed Indiana Wreath quilt, and the entire text on this page is about Mrs. Knapp and her quilt business. In part this text reads: "Before very long Mrs. Knapp began taking orders for quilts, giving advice on color combinations, and recommending good materials to use. Very often women will make their own quilt tops and turns them over to her to finish with the quilting designs. We're glad to say that Mrs. Knapp finds among her customers many users of McCall quilt patterns, who like them for their beautiful designs and the helpful instructions on quilt making that come with each pattern. On these pages we are showing two beautiful quilt patterns in applique work that are well worth the time it takes to make them. The gorgeous Indiana wreath, No. 524, (shown above) is an authentic old-timer. It is quite perfect in a lovely combination of plain percales and the quaint Peter Pan Old Colony prints. With this pattern the graceful feather motifs for quilting are included... If any of our readers wish to buy either of the two quilts (No. 524 and No. 514) with applique basted on, all ready for sewing, write for particulars to McCall Needlework Department, 230 Park Avenue, New York, N.Y."
I think that this joint featuring of pattern No. 524 together with Cecilia Knapp, together with the fact that Gasperik kept an actual Cecilia Knapp business card, suggests that Gasperik got her Indiana Wreath pattern directly from Mrs. Knapp. Both women were active members of The Detroit News Quilt Club Corner and probably met when Gasperik attended the Detroit News Quilt Shows in 1935, 1937, 1938 and 1940. It should be noted that Gasperik did not use Knapp's feather quilting pattern, but rather seems to have used an adaptation of Kretsinger's Plate IV feather medallion which was in May 1943 offered as "Coat of Arms" by Women's Day Magazine.
EXHIBITIONS (LIST ALL): List all known exhibits where this quilt has been displayed including: Title, Location, Dates, Venue of Exhibit and Catalog Title or publications, if applicable. Use this field for all information.
The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.
CONTESTS ENTERED (LIST ALL): List contest entered including: Contest Name, Location, Dates, Awards or Prizes, and Contest Catalog or Publications, if applicable. Use this field for all contests.
Illinois State Fair 1953, Second Place. In The East Hazel Crest News of September 23, 1953, it mentions a second place ribbon was placed on her “Indiana Wreath”. Since the clipping was collected by Doris Gasperik, it's a clue that it was Doris' Indiana Wreath that won this ribbon. However, the ribbon was not found in the collection of Kathy Jacobs (Doris and Elmer's daughter), so it can't be confirmed definitively that this was the Indiana Wreath quilt that took Second place in 1953 at the Illinois State Fair.
A Second Place ribbon from the Illinois State Fair, 1953.
A photograph of the Indiana Wreath, with its Second Place ribbon, on display at the Illinois State Fair, 1953.
OTHER RELATED ITEMS SUCH AS IMAGE, ORAL HISTORY, OR EPHEMERA: Use this box to list other materials that exist about this quilt. This may include oral history, articles, additional photos or publications, etc.
Quilts: Their Story and How to Make Them, Marie D. Webster, Doubleday, Doran & Company Inc., 1928, frontispiece is a hand-tinted photograph of the 1858 quilt made by Elizabeth J. Hart. Also see text about 'Indiana Wreath' on pages 84-86.
Romance of the Village Quilts, Mary A, McElwain, Susan Salser private collection.
McCall Indiana Wreath pattern envelope and instruction sheet; Winter 1937-38
McCall magazine with Indiana Wreath pattern featured. Salser has not been able to locate an actual McCall pattern No. 524 although she has a color copy of the Winter 1937-38 McCall Needlework Magazine pages 26-27 as well as a photocopy of a page from a 1938 McCall countertop catalog listing the McCall Indiana Wreath pattern No. 524.
Business card which belonged to Mary Gasperik, which reads "Cecilia Knapp, Quilts and Patchwares by The Woman Who Makes Them, 712 S. Monroe St., Monroe, Mich. PATTERNS AND STAMPINGS". Mary Gasperik archive, care of Karen Finn.
Coat of Arms quilting pattern pictured in Woman's Day Magazine, May, 1943, p. 42. Susan Salser private collection.
The East Hazelcrest News issue No. 18, dated Sept. 23,1953, published by American Legion Post 1139 mentions that "one of the women of our village, Mrs. Stephen Gasperik, was awarded 2 first prizes & a second prize at the Ill. State Fair for her quilts. The 2 first were given for her "Delectable Mountain" quilt & "Bridal Bouquet". The second place ribbon was placed on her "Indiana Wreath”. Last year she won a 1st & two 3rds. Quilting is almost a lost art, requiring a tremendous amount of patience & skill with a needle." Elmer Gasperik heirs, private collection.
AVAILABLE SOURCES FOR QUILTMAKER: List other source materials about this quiltmaker such as photos, oral histories, book or newspaper publications, fame for some other reason or event.
Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103.
Merikay Waldvogel "One American Dream Comes True", Quilters Newsletter Magazine, March 2008, 46-49.
OWNERSHIP OF THIS QUILT IS: Choose whether the quilt is owned by a person (private) or a museum or public collection.
NAME OF QUILT OWNER: Add name of Quilt Owner if public other.
Elmer Gasperik heirs - Kathy Jacob contact
QUILT OWNER COUNTRY: Country of current quilt owner
AUTHOR/INTERVIEWEE: The person who brought the quilt for documentation is the source. Enter his/her name here.
Author/researcher; Blood relative of quiltmaker
OTHER RELATIONSHIP TO SOURCE: If you chose Other, for the relationship to the source, describe the relationship here.
OTHER INFORMATION ON SOURCE PERSON TO QUILT: If you chose other, please describe how the quilt maker participated in the design.
Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting.
QUILTMAKER'S MAIDEN NAME: Enter the maiden name of the quilt maker.
GENDER: Choose the gender of the quilt maker(s). Use ctrl + click to choose more than one.
BIRTH DATE: Enter the birth date of the quilt maker (as mm-dd-yyyy or c.yyyy, e.g. c.1965).
DEATH DATE, IF APPLICABLE: Enter the date of death of the quilt maker (if applicable, as mm-dd-yyyy or c.yyyy, e.g. c.1965).
QUILTMAKER'S ETHNIC BACKGROUND/TRIBAL AFFILIATION: Enter the ethnic background or tribal affiliation of the quilt maker.
EDUCATIONAL BACKGROUND: Enter the last level of education completed by the quilt maker.
QUILT MAKER'S COUNTRY OF BIRTH: Select the quilt maker's country of birth, if known.
IN WHICH KIND OF ENVIRONMENT DID THE QUILTMAKER GROW UP: Choose the kind of environment the quilt maker(s) are from. Use ctrl + click to choose more than one.
COUNTY: Enter the county where the quilt maker lives/lived.
CITY: Enter the city where the quilt maker lives/lived.
STATE: Enter the state where the quilt maker lives/lived.
COUNTRY: Enter the country where the quilt maker lives/lived.
FATHER'S NAME: Enter the name of the quilt maker's father.
FATHER'S BIRTHPLACE: Enter the birthplace of the quilt maker's father.
FATHER'S ETHNIC/TRIBAL BACKGROUND: Enter the ethnic background or tribal background of the quilt maker's father.
MOTHER'S NAME: Enter the name of the quilt maker's mother.
MOTHER'S BIRTHPLACE: Enter the birthplace of the quilt maker's mother.
MOTHER'S ETHNIC/TRIBAL BACKGROUND: Enter the ethnic background or tribal background of the quilt maker's mother.
SPOUSE'S/SPOUSES' ETHNIC/TRIBAL BACKGROUND(S): Enter the ethnic background or tribal background of the quilt maker's spouse.
SPOUSE'S/SPOUSES' OCCUPATION(S): Enter the occupation of the quilt maker's spouse.
Milk Dealer/Grocery Store Owner/Butcher
NUMBER OF CHILDREN: Enter the number of children of the quilt maker.
NUMBER OF FEMALE CHILDREN: Enter the number of daughters of the quilt maker.
1 (Elsie 1909-1988)
NUMBER OF MALE CHILDREN: Enter the number of sons of the quilt maker.
2 (Elmer and Stephen)
HOW DID THE QUILTMAKER LEARN TO QUILT: Choose the way(s) the quilt maker learned to quilt. Use ctrl + click to choose more than one.
From guild or club member; Self-Taught
WHEN LEARNED TO QUILT (CHECK ALL THAT APPLY): Choose the age when the quilt maker learned to quilt. Use ctrl + click to choose more than one.
WHY DOES/DID THE QUILTMAKER QUILT: Choose the best explanation(s) for why the quilt maker makes quilts. Use ctrl + click to choose more than one.
OTHER, WHY THE QUILTMAKER QUILTS: If you chose Other, explain the why the quilt maker quilts.
The four Indiana Wreath quilts (#011, #032, #043 and #063) were made to demonstrate the quilter's mastery of her art at a time when she was doing her best work. One alone would make a powerful statement. Four of them constitute a tour de force. She made quilts to exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.
NAME OF QUILTING GROUP: If the quilt maker belongs to a group, enter the name of the group.
LOCATION OF GROUP: Enter where the group meets. Include the name of the building, city, county, and state.
Chicago IL and Detroit MI
SPECIALIZED ACTIVITIES/EVENTS OF QUILTING GROUP: Enter activities the group participates in.
Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.
ESTIMATED NUMBER OF QUILTS MADE BY THIS QUILTER: Choose the number that approximates how many quilts the quilt maker has made.
more than 50
DOES/DID QUILTMAKER SELL QUILTS: Has the quilt maker ever sold a quilt or sold quilting services?
DOES/DID QUILTMAKER TEACH QUILTING: Is the quilt maker also a quilt teacher?
PHOTO CREDIT: Credit for photographer.
ACCESS AND COPYRIGHT INFORMATION FOR IMAGE: Choose whether this TIF is available to use other than in this database.
FOR HOLDER OF COPYRIGHT, CONTACT: Enter the name of the person or institution that owns the copyright to the image.
Gasperik 02: Antique Quilt Design Sour...
Gasperik 02: Antique Quilt Design Sources
May; 12; 2005
Mary Gasperik (1888-1969): Her Lif...
Mary Gasperik (1888-1969): Her Life and Her Quilts
May; 12; 2005
The Quilts of Mary Gasperik
The Quilts of Mary Gasperik
In 1992, three of Mary Gasperik's granchildren, worked with other family members to present the quilts of their grandmother.
The cover of the Indiana Wreath pattern published by McCall's in 1937-1938.
The Quilts of Mary Gasperik
The Quilts of Mary Gasperik
March; 14; 1992
An exhibit catalog for a display of quilts made by Mary Gasperik at Ravenswood Historic Site, Livermore, California. March 14-15, 1992.
Mary Gasperik and The Illinois State F...
Mary Gasperik and The Illinois State Fair
July; 8; 2021
Mary participated in the Illinois State Fair from 1940-1966 winning over 40 ribbons.
Mrs. Gasperik Wins Prizes
Chicago area newspaper
Mrs. Gasperik Wins Prizes
Chicago area newspaper
September; 23; 1953
Announcement of Gasperik winning prizes in Detroit.
Mary Gasperik Quilters Hall of Fame In...
Mary Gasperik Quilters Hall of Fame Induction Exhibit
July; 22; 2021
The Mary Gasperik Hall of Fame Exhibit, was held at the Marion Public Library from July 15-17, 2021 as part of the Quilters Hall of Fame Celebration 2021.
Chicago; Illinois; United States
Mary Gasperik made more than 80 quilts while living in Chicago at the height of the quilt revival of the 1930s and 40s.18-47-2