QUILT INDEX RECORD

18-14-4

ESSAY:

This quilt probably made early in her career in 1934, incorporates a Nancy Cabot (Chicago Tribune) pattern that honors the 1933 Century of Progress Exposition.

This quilt, which is dated 1934, shows how quickly Mary developed her quilting skills, when compared with quilt #041 (Double Trellis) made in 1933. Once she discovered quilts in 1933, making quilts became her life's passion. The Chicago Tribune published this block in the Nancy Cabot quilt column after the Fair ended. The Moon Face embroidery pattern was published by another Chicago company.

We know Mary Gasperik was inspired by quilts at the Century of Progress Exposition (the Chicago World's Fair), and that she did not enter the 1933 Sears National Quilt Contest held in conjunction with the Fair. The family thinks she probably saw the final round quilts on display and was inspired to make quilts. Sears offered a bonus prize of $200 if the grand prize quilt was made in the theme "A Century of Progress," and some quilters simply embroidered or quilted those words on their quilts to be eligible for the extra prize winnings. Mary Gasperik, not fully understanding the significance of the words, may have thought her quilts should carry her name and the words "Century of Progress." Five of her quilts made in 1933-34 are embroidered with these words, but it is not suggested that any of them were exhibited either with the Sears Contest quilts or in the Tuley Park Quilt Club booth at the Fair.

Made after the World's Fair, this quilt honors the Century of Progress Exposition held in her hometown in 1933-34. The rocket and star pattern named Star Arcturus refers to the distant star 40 light years away. Fair officials reminded Chicagoans that the light coming from the star began its journey in 1893 when Chicago's first world's fair was held. Light transmitted from the Star Arcturus was not only used to illuminate the opening of the fair, it was used to turn on the exposition's myriad lights each night. The star became a World's Fair logo adorning many souvenirs. Mary Gasperik chose an especially potent symbol of the fair to use in this early and creative quilt-making project. Although the Cabot pattern provides the basis for her design, it is Gasperik's own individual choices (the colors) and additions (the corner moons) which make this an especially artful and expressive quilt. For her masterpiece quilt Colonial Quilting Bee (#034) made 16 years later, she resurrected this pattern when she used the rocket-stars on the miniature quilt at the center of the quilt frame and on a miniature quilt placed on the lap of one of the quilters. In doing so, she was not only referencing her own earlier quilt, but also the occasion which ignited her passion for making quilts - the Chicago World's Fair of 1933.

Where are the records for this quilt housed?

Mary Gasperik Legacy Project

Who documented this quilt?

Mary Gasperik Private Collection

CONTRIBUTING INSTITUTIONAL INVENTORY CONTROL NUMBERS: Enter the main control number for this item you are entering.

048

TYPE OF QUILT OBJECT: Choose the best description for the quilt being documented.

Finished quilt

QUILT'S TITLE, IF IT HAS ONE: Many quilts have no title, but contemporary quilters often give a name to their quilts.

Star Arcturus-Century of Progress

OWNER'S NAME FOR QUILT'S PATTERN: Enter the name given to the quilt by the owner. This can be the name the family used to refer to the quilt as it passed through different generations, e.g. "Aunt Susie's quilt" or a pattern name that the owner used.

Star Arcturus-Century of Progress

BRACKMAN NUMBER: If you have used Barbara Brackman's Encyclopedia of Pieced Patterns or Applique to identify the pattern, enter the number assigned by Brackman here.

3713

OVERALL WIDTH: Enter how wide the quilt is.

77 inches

OVERALL LENGTH: Enter how long the quilt is.

91 inches

SHAPE OF EDGE: Choose the best description for the edges of the quilt.

Scalloped

SHAPE OF CORNERS: Choose the best description for the corners of the quilt.

Rounded

PREDOMINANT COLOR(S): Enter all colors that are found in the quilt.

Blue or Navy; Orange; Yellow

OVERALL COLOR SCHEME: Choose the best color scheme description for the quilt being documented.

Bright or primary colors

OVERALL CONDITION: Choose the best description for the quilt being documented.

Very good/almost new

TYPE(S) OF INSCRIPTION: Choose all the options that are found on the quilt.

Message

CONTENT OF INSCRIPTION(S): Enter the exact inscription here, including dates in the same form in which they appear on the quilt. Do not correct any spellings. If you are unsure of a letter or name, place a (?) to indicate uncertainty.

"Star Arcturus/A CENTURY OF PROGPESS 1934 M.G."

DATE OF INSCRIPTION: Enter the date found on the quilt.

1934

METHOD OF INSCRIPTION: Choose the method used to inscribe the quilt.

Embroidery; Other

OTHER METHOD OF INSCRIPTION: If you chose Other, please describe the method used to inscribe the quilt.

English was not Mary's native tongue. She embroidered "PROGPESS" instead of "PROGRESS"

LOCATION OF INSCRIPTION: Enter where the inscription was found on the quilt.

on back

TIME PERIOD: Choose the time frame that best describes when the quilt was made. The date does not have to appear on the quilt to enter it in this field. This can be your best guess based on family stories or your own knowledge of quilts.

1930-1949

DATE BEGUN: Enter the date the quilt was started.

1933-1934

DATE FINISHED: Enter the date the quilt was finished.

1934

OTHER EXTERNAL OR PROFESSIONAL DATE ESTIMATION: If the date was estimated by an antique dealer, quilt historian or appraiser, enter that date.

1934

OTHER DATE ESTIMATION BY WHOM: Enter the name and/or title of the person who estimated the quilt's date for field 23d.

Merikay Waldvogel

FURTHER INFORMATION CONCERNING DATE(S): If you know anything else about the date the quilt was made, please tell the story.

Date based on Nancy Cabot quilt pattern by the same name published on Oct 22, 1933 in the Chicago Tribune.

LAYOUT FORMAT: Choose the best description for the layout (or set) of the quilt.

Block pattern

SUBJECT OF QUILT, IF IT HAS ONE: Some quilts are made with a specific intent (e.g. Commemoration of September 11, the 100th anniversary of a town, or an AIDS panel). Enter the subject of the quilt.

Star Arcturus, Chicago World's Fair

NUMBER OF QUILT BLOCKS: This field only applies to quilts with a block format. Some blocks are harder to count than others (e.g. Storms at Sea, Double Wedding Ring). If needed, describe how the blocks were counted or if there are half blocks/corner blocks

30

SIZE OF QUILT BLOCKS (L X W): Applies only to block pattern quilts; block patterns are by far the most common layout formats. Block patterns don't have to be square (Double Wedding Ring and Grandmother's Flower Garden are common non-square blocks).

13 x 13

ARRANGEMENT OF QUILT BLOCKS: BLOCK ORIENTATION: This field only applies to quilts with a block format. Choose the best description for how the quilt blocks appear in the quilt.

Straight

SPACING RELATIVE TO OTHER BLOCKS: This field only applies to quilts with a block format. Choose the best description for how the quilt blocks are set together.

Other

OTHER SPACING: If none of the options in Field 29 describe the quilt, explain the quilt setting here. May relate to Fields 26 & 27, if the blocks sizes are not the same throughout the quilt.

Star Block alternates with a blue block with five small stars appliqued to it.

NUMBER OF DIFFERENT BLOCK PATTERNS PRESENT: Enter the number of different block patterns used in the quilt.

2

BLOCK STYLE: Some patterns use the same shape template throughout the quilt (i.e. Charm quilts, Grandmother Flower Garden, Brick wall, Lone Star). If this applies to your quilt, choose the best description.

Squares

NUMBER OF BORDERS: Borders are the strips of fabric that are added after the blocks (and sashings) are put together. They appear on the outside edges of the quilt. Quilts often have multiple borders. Enter the number of borders on the quilt.

One scalloped border.

BORDER DESCRIPTION: Describe the style of the borders (i.e. pieced, appliqued, stenciled) and the width of each border, from the inside to the outside.

Scallops with appliqued 3-color fans alternate with plain, pointy, scallops. Orange moons with embroidered faces are appliqued into the four corners of the quilt.

FABRIC FIBER TYPES USED IN QUILT TOP: Choose all the types of fiber that are used to make the quilt top.

Cotton

FABRIC PATTERNS, STYLES, MOTIFS, OR PRINT CATEGORIES USED IN QUILT TOP: Choose all the types of prints that are used to make the quilt top.

Solid/plain

CONSTRUCTION TECHNIQUES USED IN QUILT TOP: PIECING TECHNIQUES: Choose the piecing method used to make the quilt.

Machine Piecing

CONSTRUCTION TECHNIQUES USED IN QUILT TOP: APPLIQUE TECHNIQUES: Choose the applique method used to construct the quilt.

Hand Applique

CONSTRUCTION TECHNIQUES USED IN QUILT TOP: EMBELLISHMENT TECHNIQUES: Choose the embellishment technique used to make the quilt.

Embroidery

CONTAINS PAPER REMAINS: This field is for quilts that have been either string pieced on a paper foundation or English template pieced. Choose yes if you can feel or see paper on the quilt that was used as a construction aid.

no

EMBELLISHMENT MATERIALS USED IN TOP: Choose the embellishment material used to make the quilt.

Cotton thread

FABRIC FIBER TYPES USED IN QUILT BACK: Choose the fiber type used to make the quilt back.

Cotton

COLOR OF BACKING: Enter all colors that are found in the quilt backing.

Blue or Navy

NUMBER OF PIECES: Enter the number of pieces of fabric used in the quilt back.

3

WIDTH OF PIECES: Enter, in inches, the width of the pieces of fabric on the back of the quilt.

33 inches, 33 inches, 11 inches

DESCRIPTION OF BACK: Choose the best description for the back of the quilt.

Solid/plain

MATERIALS USED IN QUILT BINDING: Choose the fiber type used to make the quilt binding.

Cotton

FABRIC STRUCTURE USED IN BINDING: Choose the fabric structure used to make the quilt binding.

Plain weave

CONSTRUCTION TECHNIQUES USED IN BINDING: Choose the construction technique used to make the quilt binding.

Bias grain; Machine sewn

WIDTH OF QUILT BINDING: Choose the width (in inches) of the binding of the quilt. Measure from the front side only.

less than a half inch

MATERIAL USED FOR QUILT BATTING OR FILLING: Choose the fiber content that best describes the material used to fill the quilt.

Cotton

QUILTING TECHNIQUES USED: Choose the technique that best describes the way the quilt layers are held together.

Hand quilting

THREAD TYPE: Describe the fiber content or type of quilting thread used on the quilt.

cotton

THREAD COLOR: Enter the color(s) of thread used to hold the quilt layers together.

off-white

NUMBER OF QUILTING STITCHES PER INCH (PLACE 1): Count only the stitches that are visible on the top and measure in one place on the quilt. Enter the measurement.

11

NUMBER OF QUILTING STITCHES PER INCH (PLACE 2): Count only the stitches that are visible on the top and measure in a different place on the quilt. Enter the measurement.

11

QUILTING DESIGNS USED: MOTIFS/OVERALL PATTERNS: Choose the overall quilt design found on the quilt top.

Echo; In-the-ditch; Outline

QUILTING DESIGNS USED: DECORATIVE PATTERNS: Choose the decorative quilt design found on the quilt top.

Wreaths

QUILTING DESIGNS USED: BACKGROUND FILL PATTERNS: Choose the background quilt design found on the quilt top.

None

ANY OTHER FEATURES OR NOTES ABOUT THE QUILT'S APPEARANCE, MATERIALS, OR CONSTRUCTION: Describe anything about the physical appearance of the quilt that wasn't already recorded in a previous field.

In this quilt, the backing fabric is the same color as the front. It is an unusual choice for Mary Gasperik. Since it is one of her earliest quilts, one wonders if it was personal choice or advice from the Tuley Park Quilt Club.

QUILT TOP MADE BY: Enter the name of the person(s) who made the quilt top.

Gasperik, Mary

QUILTED BY: Enter the name of the person(s) who quilted the top.

Gasperik, Mary

CITY: Enter the name of the city where the quilt was made.

Chicago

COUNTY: Enter the name of the county where the quilt was made.

Cook County

STATE: Enter the name of the state where the quilt was made.

Illinois (IL)

COUNTRY: Enter the name of the country where the quilt was made.

United States

HOW WAS QUILT ACQUIRED BY OWNER: Choose the best description for how the owner acquired the quilt.

Inheritance

DETAILS ON HOW THE QUILT WAS ACQUIRED:

Selected by daughter Elsie during a division of quilts after Gasperik died in 1969. In 1988, Elsie Krueger's three daughters divided up the quilts left to them after Elsie's death. Susan Salser selected Star Arcturus in the fourth round. At the time, the quilt was under-appreciated by all three of them!

QUILTMAKER'S REASONS FOR MAKING THE QUILT: If the quilt was made for a specific purpose, choose the reason from the list.

Commemorative

QUILT WAS ORIGINALLY DESIGNED TO BE USED AS: Choose how the quilt was originally used.

Unknown

QUILT IS PRESENTLY USED AS: Choose how the quilt is being used by the present owner.

Exhibit; Keepsake/memento

OTHER PRESENT USE(S) OF QUILT: If you chose Other, please explain the quilt's present use.

Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.

SOURCE OF QUILT'S MATERIALS: Choose how the quilt maker acquired the fabric for this quilt.

Purchased new

QUILT TOP PATTERN SOURCE: Choose where the quilt maker found the pattern for this quilt.

Commercial/Published source: Newspaper; Other

OTHER TOP PATTERN SOURCE(S): If you chose Other, please explain where the pattern was found.

Source of embroidered moon faces in the four corners is Modern Hand Embroidery Patterns: The Wonder Package offered by Donald F. Duncan Inc., a Chicago company, in 1933.

COMMERCIAL SOURCE NAME(S): If you know the commercial name of the pattern used for this quilt, please enter it. This may include books, magazines, newsletters, pattern companies, computer software programs, and kits.

Nancy Cabot/Chicago Tribune: Star Arcturus Century of Progress

QUILTING DESIGN PATTERN SOURCE: Choose where the quilt maker found the pattern for the quilting design used in this quilt.

Commercial pattern; Original to maker

OTHER QUILTING DESIGN PATTERN SOURCE: If you chose Other, please explain the where the quilting design pattern was found.

COMMERCIAL QUILTING DESIGN SOURCE NAME: If you know the commercial name of the quilting design used for this quilt, please enter it. This may include books, magazines, newsletters, pattern companies, etc.

QuiltING patterns Q403 and Q504 (Hubert Ver Mehren Home Art Studio) were used in the blocks. Q403 (side portion only) used in border. Q504 (transformed for use as an applique two-color pieced star).

ANY ADDITIONAL NOTES OR STORIES ABOUT THE QUILT'S DESIGN OR MATERIALS SOURCE: Describe anything about the design of the quilt that wasn't already recorded in a previous field.

A clipping of the original October 22, 1933 Nancy Cabot newspaper column which presented the Century of Progress rocket-star pattern is pasted into Mary Gasperik's album of quilt patterns. This Nancy Cabot pattern was published in The Chicago Sunday Tribune, Part 6, page 2. It was later reproduced by The Quilters Journal No. 27 pp 10-11 in 1985. Mary transformed the plain spacer blocks proposed by the October 22 pattern into blocks containing smaller appliqued 6-star versions of the comet block's 6-pointed star. The central star in her 'spacer' block nests inside a quilted wreath and is smaller than the Comet star, but larger than the tiny stars appliqued into the corners of the 'spacer' block. This is probably Gasperik's own invention but may have been inspired by the Nancy Cabot block pattern called 'Evening Star' which was published in The Chicago Tribune on October 23, 1933, the day after the comet block quarter-quilt-section was published. The Cabot 'Evening Star' shows a center 8-point star executed in two different solid colors (unlike the Arcturus comet 6-point star) with four small diamond appliques in each corner. Instead of copying the diamonds, Gasperik made miniature stars, each composed of 6 miniature diamonds, a much more challenging job. The corner moons (not a Nancy Cabot pattern) were perhaps inspired by the moon cutout at Chicago's Riverview Park. The family has a circa 1945 photo of Gasperik's granddaughters Karen, Linda and Susan Kruger, wearing matching Gasperik red, white and blue pinafores (one of these survives), seated on the amusement park's photo booth cutout. There is also a photograph of Mary and Stephen Gasperik seated on the moon. Gasperik sent 3 pattern tracings of her quilt border and two sample blocks (with attached fabrics) to a fellow Detroit News Quilt Club Corner member in Sturgis, Michigan named Emma Zawatski. In 2007 granddaughter Susan miraculously happened to find the Zawaski materials for sale on e-Bay and purchased them. The fabrics and patterns exactly match the Gasperik quilt. Re-reading a list of names and addresses shakily hand-written by Mary Gasperik (probably a list of potential invitees to Gasperik's 50th wedding anniversary celebration in 1956) Susan saw the name Emma Zawatski with a Sturgis, Michigan address on that 3-page list, confirming that Mary Gasperik and Emma Zawatski knew each other, probably having met at the first Detroit News quilt show Mary Gasperik attended, in October 1935. The Gasperik Star Arcturus quilt is probably among the quilts Gasperik sent to be exhibited at this (3rd) Detroit News quilt show, her first appearance in Detroit. She attended and sent quilts to every subsequent Detroit News quilt show. The Detroit News quilt club and show editor, Edith Crumb wrote about Gasperik for the first time in the October 22, 1935 newspaper. In the February 11, 1936 Detroit News Crumb devoted a whole column to Gasperik and the Gasperik quilt (one of Gasperik's Double Feather Star quilts) which arrived too late to be exhibited at the October 1935 show. Although Star Arcturus IS based on a published pattern it should be stressed that Gasperik made major creative revisions with her star-studded spacer blocks and corner moons. Also, the Cabot pattern ignores the subject of quiltING and Gasperik's fine quiltING is a major design element in ALL of her quilts. Arcturus is no exception, even though it is a very early Gasperik quilt and is so clearly associated with a commercial pattern.

EXHIBITIONS: List all known exhibits where this quilt has been displayed.

Probably exhibited at the third Detroit News Quilt Show October 18-20, 1935, the first Detroit show Mary Gasperik sent quilts to and attended.

Probably exhibited in at least one of the annual Tuley Park quilt shows between 1936 and 1949. We have an undated exhibit tag reading "Arcturus Star Quilt by Mrs. M. Gasperik".

--The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.

-- Patchwork Souvenirs of the 1933 Chicago World's Fair, nationally traveling exhibit in 1993-94 curated by Merikay Waldvogel and Barbara Brackman.

-- 1933 Chicago World's Fair Quilts at the Spring International Quilt Festival in Chicago (Rosemont), April 11-13, 2003, curated by Merikay Waldvogel.

This is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.

OTHER RELATED ITEMS: List other materials that exist about this quilt like oral histories, wills, diaries, or patterns.

Barbara Brackman, Making History Quilts & Fabric From 1890-1970, C & T Publishing, 2008, page 78 photograph of Gasperik Star Arcturus.

Merikay Waldvogel and Barbara Brackman, Patchwork Souvenirs of the 1933 World’s Fair, Rutledge Hill Press, Nashville, Tennessee, 1993, pp 102-103, photographs and text discussion.

"Patchwork Souvenirs of the 1933 Chicago World's Fair" by Barbara Brackman and Merikay Waldvogel, published in Quilter's Newsletter Magazine (July/August 1994), offered readers a pattern for making the moon Mary Gasperik put in the four corners of her Star Arcturus quilt.

"The 1933 World's Fair Quilt Contest and its Aftermath" in Piecework magazine (July/August 1995), pp. 71-77, presented a color photograph of the quilt and a pattern for making a bib using the star and rocket motif.

Family photos show this quilt, and other Gasperik quilts, airing on a clothesline.

Yellow paper exhibit tag (Tuley Park show) reading: "Arcturus Star Quilt by Mrs. M. Gasperik"

AVAILABLE SOURCES FOR QUILTMAKER: List other source materials about this quiltmaker such as photos, oral histories, book or newspaper publications, fame for some other reason or event.

Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103.

Merikay Waldvogel "One American Dream Comes True", Quilters Newsletter Magazine, March 2008, 46-49.

OWNERSHIP OF THIS QUILT IS:

Private

NAME OF QUILT OWNER:

Susan Krueger Salser

QUILT OWNER'S COUNTRY:

United States

AUTHOR/INTERVIEWEE'S RELATION TO THE QUILT:

Author/researcher; Blood relative of quiltmaker; Quilt owner

RELATIONSHIP OF SOURCE PERSON TO QUILT: Choose the best description of the relationship of the source to the quilt.

Quilt owner

IF SOURCE PERSON IS QUILT OWNER: If the source is the owner, choose how they came to own the quilt.

Inherited

OTHER INFORMATION ON SOURCE PERSON TO QUILT:

Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting.

QUILTMAKER'S MAIDEN NAME:

Mihalovits, Maria

QUILTMAKER'S GENDER:

Female

QUILTMAKER'S BIRTH DATE:

01/25/1888

DEATH DATE OF THE QUILTMAKER, IF APPLICABLE:

05/25/1969

QUILTMAKER'S ETHNIC BACKGROUND:

Hungarian

QUILTMAKER'S EDUCATIONAL BACKGROUND:

Elementary School

QUILTMAKER'S COUNTRY OF BIRTH:

Hungary

IN WHICH KIND OF ENVIRONMENT DID THE QUILTMAKER GROW UP?

Rural

CITY WHERE THE QUILTMAKER LIVES/LIVED:

Chicago

COUNTY WHERE THE QUILTMAKER LIVES/LIVED:

Cook

STATE WHERE THE QUILTMAKER LIVES/LIVED:

Illinois (IL)

COUNTRY WHERE THE QUILTMAKER LIVES/LIVED:

United States

QUILTMAKER'S FATHER'S NAME:

Mihalovits, Istvan

FATHER'S BIRTHPLACE:

Hungary

FATHER'S ETHNIC BACKGROUND:

Hungarian

QUILTMAKER'S MOTHER'S NAME:

Mihalovits, Vidoszava

MOTHER'S BIRTHPLACE:

Hungary

MOTHER'S ETHNIC BACKGROUND:

Hungarian

SPOUSE'S ETHNIC BACKGROUND:

Hungarian

SPOUSE'S OCCUPATION:

Milk Dealer/Grocery Store Owner/Butcher

NUMBER OF CHILDREN:

3

NUMBER OF FEMALE CHILDREN:

1 (Elsie 1909-1988)

NUMBER OF MALE CHILDREN:

2 (Elmer and Stephen)

HOW DID THE QUILTMAKER LEARN TO QUILT?

From guild or club member; Self-Taught

WHEN DID THE QUILTMAKER LEARN TO QUILT?

Age 40-49

WHY DOES/DID THE QUILTMAKER QUILT:

Pleasure; Other

OTHER, WHY THE QUILTMAKER QUILTS:

This particular quilt was made at a time when Gasperik was just beginning what turned out to be her life's career. It was a time when she seems to have believed that all quilts should salute The Century of Progress Chicago World's Fair of 1933-34. She may have made it specfically to exhibit in a show held by her Tuley Park quilt club in Chicago. Later she made quilts to exhibit in the Detroit News quilt show in Detroit. After the Detroit shows ceased (following the 1940 show) she exhibited her quilts in many Illinois State Fairs, and at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.

NAME OF QUILTING GROUP: If the quilt maker belonged to a group, enter the name of the group.

Tuley Park Quilt Club, Detroit News Quilt Club Conducted by Edith Crumb, editor of the Home Page.

LOCATION OF GROUP:

Tuley Park is the Chicago public park closest to Mary's residence on Cottage Grove. Readers of The Detroit News quilt column were from far corners of the United States. They "met" through the quilt column in the Detroit News.

SPECIALIZED ACTIVITIES/EVENTS OF QUILTING GROUP: Enter activities the group participated in.

Readers of the column sent in patterns and pattern requests. The club actually met together at the time of the annual quilt show. IN October 1936 they began gathering every Friday afternoon AT The Detroit News.

ESTIMATED NUMBER OF QUILTS MADE BY THIS QUILTER:

more than 50

DID THE QUILTMAKER SELL QUILTS?

no

DOES/DID QUILTMAKER TEACH QUILTING: Is the quilt maker also a quilt teacher?

no

ANY OTHER NOTES OR STORIES ABOUT THE QUILTMAKER: Enter any information about the quilt maker not already entered in a previous field.

Mary Gasperik sent three pattern tracings of this quilt's border and two blocks (the Star and the five-star block) with attached fabrics to Emma Zawatski in Sturgis, Michigan, another quilter she met through the Detroit News column. Susan Salser purchased the tracings at an online auction site in November 1997. She found Zawatski's name on an invitation list Mary Gasperik had compiled for her 50th wedding anniversary. These tracings show that Gasperik shared her own designs with others at an early stage of her quilting career.

PHOTO CREDIT:

Don Gonzalez

ACCESS AND COPYRIGHT IS:

Restricted

HOLDER OF COPYRIGHT:

Susan Salser

Details

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