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Nursery Rhymes; Nursery Rhymes
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QUILT INDEX RECORD
This is Gasperik's refashioning of a kit. The printed kit number (No 7145 CRIB QUILT) is partially visible at a point where Gasperik chose to quilt a design where an appliqué and embroidered image was originally placed. The kit is from Homeneedlecraft Creations, a source Gasperik used to make at least 5 other quilts. See Gasperik quilts #013, #024 and #061 - made from Homeneedlecraft Creations kit No. 7182, Gasperik quilt #025 - made from Homeneedlecraft Creations kit No. 7122, and Gasperik quilt #040 - made from Homeneedlecraft Creations kit No. 7069.
A photograph of a quilt of this same pattern (made by Mrs. Frances Dale of Detroit, Michigan for her new granddaughter) appears in the October 11, 1941 Detroit News page 12). Salser purchased a nearly completed applique top of this kit, along with its original envelope, in October 2013. The envelope is printed Colonial Art Needlework... "Nursery Catalogue" Crib Quilt No. 7145." There is no mention of Home Needlecraft Creations. It bears no date or place of origin; just the hand-penciled price of "1.39".
If Gasperik worked from an identical kit, as it appears she did, she added some embroidered and appliqued details, and substituted her own choices for some kit specifications (for example using the rich brown thread rather than blue thread to embroider the wording). Amusingly, the applique area showing "Contrary Mary" seems to display the greatest number of personal additions and changes. Gasperik completely altered the overall quilting pattern stamped on the quilt-top, stitching a denser grid, adding an embedded elaborately quilted feathered wreath as well as quilted hearts. She finished off the kit's edge with a quilted border of feathering and attached two additional, wide fabric borders, one in a delicate yellow flowered print and the other in solid gold with scalloped outer edge and interior overlapping arches of quilting. She often made multiple borders a prominent design feature of her quilts, creating large expanses of especially fine quilting. She transformed a fairly plain kit into a distinctively Gasperik quilt.
Where are the records for this quilt housed?
Mary Gasperik Legacy Project
Who documented this quilt?
Mary Gasperik Private Collection
CONTRIBUTING INSTITUTIONAL INVENTORY CONTROL NUMBERS: Enter the main control number for this item you are entering.
TYPE OF QUILT OBJECT: Choose the best description for the quilt being documented.
QUILT'S TITLE, IF IT HAS ONE: Many quilts have no title, but contemporary quilters often give a name to their quilts.
OWNER'S NAME FOR QUILT'S PATTERN: Enter the name given to the quilt by the owner. This can be the name the family used to refer to the quilt as it passed through different generations, e.g. "Aunt Susie's quilt" or a pattern name that the owner used.
OVERALL WIDTH: Enter how wide the quilt is.
OVERALL LENGTH: Enter how long the quilt is.
SHAPE OF EDGE: Choose the best description for the edges of the quilt.
SHAPE OF CORNERS: Choose the best description for the corners of the quilt.
PREDOMINANT COLOR(S): Enter all colors that are found in the quilt.
Blue or Navy; Green; Pink; Rust; White; Yellow
OVERALL COLOR SCHEME: Choose the best color scheme description for the quilt being documented.
Multicolor; Light or pastel colors; Bright or primary colors
OVERALL CONDITION: Choose the best description for the quilt being documented.
DAMAGE TO QUILT: Use this field to describe specific damage to the quilt.
COMMENTS OR NOTES ON QUILT'S CONDITION OR REPAIR HISTORY: Some quilts have had extensive or unusual repair work done. Please use this field to describe anything that didn't fit in the previous fields.
There are several blotchy gray stains of unknown origin in the center of this quilt.
TYPE(S) OF INSCRIPTION: Choose all the options that are found on the quilt.
CONTENT OF INSCRIPTION(S): Enter the exact inscription here, including dates in the same form in which they appear on the quilt. Do not correct any spellings. If you are unsure of a letter or name, place a (?) to indicate uncertainty.
Each block is embroidered with a nursery rhyme. phrase--"Market to Market", for example. Address label reads: "MARY GASPERIK 1411 W 174 STREET EAST HAZELCREST ILLINOIS"
METHOD OF INSCRIPTION: Choose the method used to inscribe the quilt.
LOCATION OF INSCRIPTION: Enter where the inscription was found on the quilt.
TIME PERIOD: Choose the time frame that best describes when the quilt was made. The date does not have to appear on the quilt to enter it in this field. This can be your best guess based on family stories or your own knowledge of quilts.
DATE FINISHED: Enter the date the quilt was finished.
OTHER EXTERNAL OR PROFESSIONAL DATE ESTIMATION: If the date was estimated by an antique dealer, quilt historian or appraiser, enter that date.
OTHER DATE ESTIMATION BY WHOM: Enter the name and/or title of the person who estimated the quilt's date for field 23d.
FURTHER INFORMATION CONCERNING DATE(S): If you know anything else about the date the quilt was made, please tell the story.
Estimated date is based on the date of similar kits.
LAYOUT FORMAT: Choose the best description for the layout (or set) of the quilt.
SUBJECT OF QUILT, IF IT HAS ONE: Some quilts are made with a specific intent (e.g. Commemoration of September 11, the 100th anniversary of a town, or an AIDS panel). Enter the subject of the quilt.
NUMBER OF QUILT BLOCKS: This field only applies to quilts with a block format. Some blocks are harder to count than others (e.g. Storms at Sea, Double Wedding Ring). If needed, describe how the blocks were counted or if there are half blocks/corner blocks
ARRANGEMENT OF QUILT BLOCKS: BLOCK ORIENTATION: This field only applies to quilts with a block format. Choose the best description for how the quilt blocks appear in the quilt.
SPACING RELATIVE TO OTHER BLOCKS: This field only applies to quilts with a block format. Choose the best description for how the quilt blocks are set together.
Separated by plain sashing
OTHER SPACING: If none of the options in Field 29 describe the quilt, explain the quilt setting here. May relate to Fields 26 & 27, if the blocks sizes are not the same throughout the quilt.
In fact, these are not individual blocks. The appliques were stamped on the white foundation cloth.
NUMBER OF DIFFERENT BLOCK PATTERNS PRESENT: Enter the number of different block patterns used in the quilt.
BLOCK STYLE: Some patterns use the same shape template throughout the quilt (i.e. Charm quilts, Grandmother Flower Garden, Brick wall, Lone Star). If this applies to your quilt, choose the best description.
NUMBER OF BORDERS: Borders are the strips of fabric that are added after the blocks (and sashings) are put together. They appear on the outside edges of the quilt. Quilts often have multiple borders. Enter the number of borders on the quilt.
two borders surround the kit
BORDER DESCRIPTION: Describe the style of the borders (i.e. pieced, appliqued, stenciled) and the width of each border, from the inside to the outside.
A wide white border of lightly printed cloth added to kit. This is surrounded by a second border of solid yellow which is cut with triangular protrusions on the inside and ends with a bound scalloped edge.
FABRIC FIBER TYPES USED IN QUILT TOP: Choose all the types of fiber that are used to make the quilt top.
FABRIC PATTERNS, STYLES, MOTIFS, OR PRINT CATEGORIES USED IN QUILT TOP: Choose all the types of prints that are used to make the quilt top.
CONSTRUCTION TECHNIQUES USED IN QUILT TOP: APPLIQUE TECHNIQUES: Choose the applique method used to construct the quilt.
CONSTRUCTION TECHNIQUES USED IN QUILT TOP: EMBELLISHMENT TECHNIQUES: Choose the embellishment technique used to make the quilt.
UNIQUE OR OTHER CONSTRUCTION TECHNIQUES: Enter any unusual technique that hasn't been described in a previous field.
Border with triangular cutouts on inside edge and scallops on the outside edge.
FABRIC FIBER TYPES USED IN QUILT BACK: Choose the fiber type used to make the quilt back.
COLOR OF BACKING: Enter all colors that are found in the quilt backing.
DESCRIPTION OF BACK: Choose the best description for the back of the quilt.
MATERIALS USED IN QUILT BINDING: Choose the fiber type used to make the quilt binding.
CONSTRUCTION TECHNIQUES USED IN BINDING: Choose the construction technique used to make the quilt binding.
WIDTH OF QUILT BINDING: Choose the width (in inches) of the binding of the quilt. Measure from the front side only.
less than a half inch
MATERIAL USED FOR QUILT BATTING OR FILLING: Choose the fiber content that best describes the material used to fill the quilt.
QUILTING TECHNIQUES USED: Choose the technique that best describes the way the quilt layers are held together.
THREAD COLOR: Enter the color(s) of thread used to hold the quilt layers together.
QUILTING DESIGNS USED: MOTIFS/OVERALL PATTERNS: Choose the overall quilt design found on the quilt top.
Grid/crosshatch; Single parallel lines
QUILTING DESIGNS USED: DECORATIVE PATTERNS: Choose the decorative quilt design found on the quilt top.
Feathering; Wreaths; Other
QUILTING DESIGNS USED: BACKGROUND FILL PATTERNS: Choose the background quilt design found on the quilt top.
Grid/crosshatch; Parallel lines
PLEASE DESCRIBE OTHER QUILTING DESIGNS USED: Describe any other quilting designs that appear on the quilt.
There are six quilted feathered hearts filled with cross-hatching. The solid yellow outer border is filled with concentric arch-shaped quilting. An impression of four separate borders is created by Gasperik's quiltING designs, although only two borders using different fabrics have been attached to the kit's center. Gasperik's quiltING greatly adds to the complexity of a commercial kit. A comparison of the Gasperik quilt to a Nursery Rhyme children's kit quilt purchased by Salser on eBay makes Gasperik's quiltING (and quilt applique) changes, as well as the added border, immediately apparent to the viewer.
ANY OTHER FEATURES OR NOTES ABOUT THE QUILT'S APPEARANCE, MATERIALS, OR CONSTRUCTION: Describe anything about the physical appearance of the quilt that wasn't already recorded in a previous field.
Printed quilt kit number #7145 is partially visible on quilt surface.
QUILT TOP MADE BY: Enter the name of the person(s) who made the quilt top.
QUILTED BY: Enter the name of the person(s) who quilted the top.
CITY: Enter the name of the city where the quilt was made.
COUNTY: Enter the name of the county where the quilt was made.
STATE: Enter the name of the state where the quilt was made.
COUNTRY: Enter the name of the country where the quilt was made.
HOW WAS QUILT ACQUIRED BY OWNER: Choose the best description for how the owner acquired the quilt.
DETAILS ON HOW THE QUILT WAS ACQUIRED:
This quilt was selected by Gasperik's daughter-in-law Doris in the division of quilts arranged by Elsie after her mother's death.
QUILTMAKER'S REASONS FOR MAKING THE QUILT: If the quilt was made for a specific purpose, choose the reason from the list.
Baby or crib
QUILT WAS ORIGINALLY DESIGNED TO BE USED AS: Choose how the quilt was originally used.
Bedding, special occasion
QUILT IS PRESENTLY USED AS: Choose how the quilt is being used by the present owner.
OTHER PRESENT USE(S) OF QUILT: If you chose Other, please explain the quilt's present use.
Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.
QUILT TOP PATTERN SOURCE: Choose where the quilt maker found the pattern for this quilt.
Commercial/Published source: Kit
COMMERCIAL SOURCE NAME(S): If you know the commercial name of the pattern used for this quilt, please enter it. This may include books, magazines, newsletters, pattern companies, computer software programs, and kits.
Homeneedlecraft Creations #7145 Crib Quilt.
QUILTING DESIGN PATTERN SOURCE: Choose where the quilt maker found the pattern for the quilting design used in this quilt.
Original to maker
ANY ADDITIONAL NOTES OR STORIES ABOUT THE QUILT'S DESIGN OR MATERIALS SOURCE: Describe anything about the design of the quilt that wasn't already recorded in a previous field.
Gasperik did not applique one of the blocks in the center. She left an open space into which she quilted an oval feathered wreath which was probably not part of the original kit. The block which she omitted is one of the kit's seven repetitions of the pink/yellow/blue triple flower block.
It should be noted that The Detroit News offered a nursery rhymes block quilt pattern, called Mother Goose Quilt Series 1643-ID80. It is not known if Gasperik ever used this pattern, but Elsie Krueger's typed list of "Quilts and tops which are still in East Hazelcrest" includes an item she described as "nursery rime unfinished top". None of the items in this section of Elsie's accounting survived and it isn't known what they looked like.
EXHIBITIONS: List all known exhibits where this quilt has been displayed.
The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.
This is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.
CONTESTS ENTERED: List contest(s) entered.
East Hazelcrest address label may indicate it was sent to Springfield Illinois State Fair
OTHER RELATED ITEMS: List other materials that exist about this quilt like oral histories, wills, diaries, or patterns.
Detroit News October 11, 1941 page 12 "Cornerites Gather for Reunion" by Edith B. Crumb. "Mrs. Frances Dale, 6187 Toledo avenue, brought a quilt she has just finished for her new granddaughter, Linda Ruth, daughter of Mr. and Mrs. H.C. Dale, 980 Berkeley Road, Columbus, Ohio." A photograph of Frances Dale standing by her quilt, a quilt which is made from the same pattern as Gasperik quilt #010, appears at the bottom of the page.
Grand-daughter Karen Finn was given some spare fabric from her grandmother's collection. She has a piece of the figured print used to make one of the borders of this quilt. Kathy Jacob has a piece of the yellow border fabric. A third piece of fabric from Gasperik which was saved by Karen is a piece of the red print for making "Road to Recovery" (Gasperik quilt #066). That piece has a maple leaf shape cut out.
A Nursery Rhyme applique quilt, made by an unknown person, was purchased by Susan Salser on ebay in 2003. This quilt, in Salser's private collection, measures 40" by 58" and appears to be a faithful execution of Homeneedlecraft Creations kit #7145.
AVAILABLE SOURCES FOR QUILTMAKER: List other source materials about this quiltmaker such as photos, oral histories, book or newspaper publications, fame for some other reason or event.
Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103.
Merikay Waldvogel "One American Dream Comes True", Quilters Newsletter Magazine, March 2008, 46-49.
OWNERSHIP OF THIS QUILT IS:
NAME OF QUILT OWNER:
Elmer Gasperik heirs - Kathy Jacob contact
QUILT OWNER'S COUNTRY:
AUTHOR/INTERVIEWEE'S RELATION TO THE QUILT:
Author/researcher; Blood relative of quiltmaker
OTHER RELATIONSHIP TO SOURCE: If you chose Other, for the relationship to the source, describe the relationship here.
OTHER INFORMATION ON SOURCE PERSON TO QUILT:
Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting.
QUILTMAKER'S MAIDEN NAME:
QUILTMAKER'S BIRTH DATE:
DEATH DATE OF THE QUILTMAKER, IF APPLICABLE:
QUILTMAKER'S ETHNIC BACKGROUND:
QUILTMAKER'S EDUCATIONAL BACKGROUND:
QUILTMAKER'S COUNTRY OF BIRTH:
IN WHICH KIND OF ENVIRONMENT DID THE QUILTMAKER GROW UP?
CITY WHERE THE QUILTMAKER LIVES/LIVED:
COUNTY WHERE THE QUILTMAKER LIVES/LIVED:
STATE WHERE THE QUILTMAKER LIVES/LIVED:
COUNTRY WHERE THE QUILTMAKER LIVES/LIVED:
QUILTMAKER'S FATHER'S NAME:
FATHER'S ETHNIC BACKGROUND:
QUILTMAKER'S MOTHER'S NAME:
MOTHER'S ETHNIC BACKGROUND:
SPOUSE'S ETHNIC BACKGROUND:
Milk Dealer/Grocery Store Owner/Butcher
NUMBER OF CHILDREN:
NUMBER OF FEMALE CHILDREN:
1 (Elsie 1909-1988)
NUMBER OF MALE CHILDREN:
2 (Elmer and Stephen)
HOW DID THE QUILTMAKER LEARN TO QUILT?
From guild or club member; Self-Taught
WHEN DID THE QUILTMAKER LEARN TO QUILT?
WHY DOES/DID THE QUILTMAKER QUILT:
OTHER, WHY THE QUILTMAKER QUILTS:
Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.
NAME OF QUILTING GROUP: If the quilt maker belonged to a group, enter the name of the group.
LOCATION OF GROUP:
Chicago, IL and Detroit, MI
SPECIALIZED ACTIVITIES/EVENTS OF QUILTING GROUP: Enter activities the group participated in.
Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.
ESTIMATED NUMBER OF QUILTS MADE BY THIS QUILTER:
more than 50
DID THE QUILTMAKER SELL QUILTS?
DOES/DID QUILTMAKER TEACH QUILTING: Is the quilt maker also a quilt teacher?
ACCESS AND COPYRIGHT IS:
HOLDER OF COPYRIGHT:
Cite this Quilt
Gasperik, Mar. Nursery Rhymes. 1935-1945. From Mary Gasperik Legacy Project, Mary Gasperik Private Collection. Published in The Quilt Index, https://quiltindex.org/view/?type=fullrec&kid=18-14-59. Accessed: 05/20/22
Gasperik 05: Gifts for Children
Gasperik 05: Gifts for Children
May; 12; 2005
The Quilts of Mary Gasperik
The Quilts of Mary Gasperik
In 1992, three of Mary Gasperik's granchildren, worked with other family members to present the quilts of their grandmother.
The Quilts of Mary Gasperik
The Quilts of Mary Gasperik
March; 14; 1992
An exhibit catalog for a display of quilts made by Mary Gasperik at Ravenswood Historic Site, Livermore, California. March 14-15, 1992.
Mary Gasperik Quilters Hall of Fame In...
Mary Gasperik Quilters Hall of Fame Induction Exhibit
July; 22; 2021
The Mary Gasperik Hall of Fame Exhibit, was held at the Marion Public Library from July 15-17, 2021 as part of the Quilters Hall of Fame Celebration 2021.
Chicago; Illinois; United States
Mary Gasperik made more than 80 quilts while living in Chicago at the height of the quilt revival of the 1930s and 40s.18-47-2