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Indians #5; Indians #5 (Robert Gasperik); Indian Boys, Seven Little Indians

CITE THIS QUILT

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quilt

QUILT INDEX RECORD

18-14-70

DESCRIPTION:

The three quilts made for her grandsons Michael, David, and Robert have an extra border, which their mother probably requested to fit their beds. This is Robert's quilt.

Where are the records for this quilt housed?

Mary Gasperik Legacy Project

Who documented this quilt?

Mary Gasperik Private Collection

CONTRIBUTING INSTITUTIONAL INVENTORY CONTROL NUMBERS: Enter the main control number for this item you are entering.

022

TYPE OF QUILT OBJECT: Choose the best description for the quilt being documented.

Finished quilt

QUILT'S TITLE, IF IT HAS ONE: Many quilts have no title, but contemporary quilters often give a name to their quilts.

Indians #5

OWNER'S NAME FOR QUILT'S PATTERN: Enter the name given to the quilt by the owner. This can be the name the family used to refer to the quilt as it passed through different generations, e.g. "Aunt Susie's quilt" or a pattern name that the owner used.

Indians #5 (Robert Gasperik)

ALTERNATE NAME(S) FOR QUILT'S PATTERN IN COMMON USE: This is the name of the quilt pattern that it is commonly used among quilt makers and historians. It may be different in different regions of the country.

Indian Boys, Seven Little Indians

OVERALL WIDTH: Enter how wide the quilt is.

63 inches

OVERALL LENGTH: Enter how long the quilt is.

80 inches

SHAPE OF EDGE: Choose the best description for the edges of the quilt.

Straight

SHAPE OF CORNERS: Choose the best description for the corners of the quilt.

Straight

PREDOMINANT COLOR(S): Enter all colors that are found in the quilt.

Brown; Gold; Green; Lavender; Orange; Pink; Rust; White

OVERALL COLOR SCHEME: Choose the best color scheme description for the quilt being documented.

Multicolor; Bright or primary colors

OVERALL CONDITION: Choose the best description for the quilt being documented.

Very good/almost new

TIME PERIOD: Choose the time frame that best describes when the quilt was made. The date does not have to appear on the quilt to enter it in this field. This can be your best guess based on family stories or your own knowledge of quilts.

1950-1975

DATE FINISHED: Enter the date the quilt was finished.

1954

FAMILY/OWNER'S DATE FOR QUILT: If there are family stories that indicate a date when the quilt was made, enter that date.

1954

OTHER DATE ESTIMATION BY WHOM: Enter the name and/or title of the person who estimated the quilt's date for field 23d.

Merikay Waldvogel

FURTHER INFORMATION CONCERNING DATE(S): If you know anything else about the date the quilt was made, please tell the story.

The individual framed Indian block which accompanied this quilt (#094) is embroidered "Robert 1954"

LAYOUT FORMAT: Choose the best description for the layout (or set) of the quilt.

Medallion or framed center

SUBJECT OF QUILT, IF IT HAS ONE: Some quilts are made with a specific intent (e.g. Commemoration of September 11, the 100th anniversary of a town, or an AIDS panel). Enter the subject of the quilt.

Indian Boys At Play

NUMBER OF BORDERS: Borders are the strips of fabric that are added after the blocks (and sashings) are put together. They appear on the outside edges of the quilt. Quilts often have multiple borders. Enter the number of borders on the quilt.

One

BORDER DESCRIPTION: Describe the style of the borders (i.e. pieced, appliqued, stenciled) and the width of each border, from the inside to the outside.

Wide gold border heavily quilted on four sides. Narrower outer rust border added on four sides.

FABRIC FIBER TYPES USED IN QUILT TOP: Choose all the types of fiber that are used to make the quilt top.

Cotton

FABRIC PATTERNS, STYLES, MOTIFS, OR PRINT CATEGORIES USED IN QUILT TOP: Choose all the types of prints that are used to make the quilt top.

Print; Solid/plain

CONSTRUCTION TECHNIQUES USED IN QUILT TOP: APPLIQUE TECHNIQUES: Choose the applique method used to construct the quilt.

Hand Applique

CONSTRUCTION TECHNIQUES USED IN QUILT TOP: EMBELLISHMENT TECHNIQUES: Choose the embellishment technique used to make the quilt.

Embroidery

FABRIC FIBER TYPES USED IN QUILT BACK: Choose the fiber type used to make the quilt back.

Cotton

MATERIALS USED IN QUILT BINDING: Choose the fiber type used to make the quilt binding.

Cotton

FABRIC STRUCTURE USED IN BINDING: Choose the fabric structure used to make the quilt binding.

Plain weave

CONSTRUCTION TECHNIQUES USED IN BINDING: Choose the construction technique used to make the quilt binding.

Bias grain

WIDTH OF QUILT BINDING: Choose the width (in inches) of the binding of the quilt. Measure from the front side only.

less than a half inch

MATERIAL USED FOR QUILT BATTING OR FILLING: Choose the fiber content that best describes the material used to fill the quilt.

Cotton

QUILTING TECHNIQUES USED: Choose the technique that best describes the way the quilt layers are held together.

Hand quilting

THREAD COLOR: Enter the color(s) of thread used to hold the quilt layers together.

white

QUILTING DESIGNS USED: MOTIFS/OVERALL PATTERNS: Choose the overall quilt design found on the quilt top.

Grid diamond; Grid square; Patches outlined/in the ditch; Single parallel lines

QUILTING DESIGNS USED: DECORATIVE PATTERNS: Choose the decorative quilt design found on the quilt top.

Cables; Feathering; Other

QUILTING DESIGNS USED: BACKGROUND FILL PATTERNS: Choose the background quilt design found on the quilt top.

Grid/crosshatch; Parallel lines

PLEASE DESCRIBE OTHER QUILTING DESIGNS USED: Describe any other quilting designs that appear on the quilt.

The quilting on this quilt is exactly like the quilting on brother Michael's quilt (#019)with one exception - an element quilted into the lower corners of the white ground on Michael's quilt (which resembles a butterfly) is left off of this one. Rust border filled with square grid quilting. Gold border has Ver Mehren cable feathering along two sides and bottom. Cornucopias spilling fern leaves are quilted into the two upper corners of the gold border. Connecting those cornucopias is a band of connected waves. White ground is diamond cross-hatching with embedded separate patterns including fern leaves from Aunt Martha's Answer #C5573. In the upper corners of the white ground are two nested quilted waves, elaborations of the wave pattern in the gold border. Rounded quilted mounds fill the bottom center of the white ground.

ANY OTHER FEATURES OR NOTES ABOUT THE QUILT'S APPEARANCE, MATERIALS, OR CONSTRUCTION: Describe anything about the physical appearance of the quilt that wasn't already recorded in a previous field.

Gasperik added another border to this quilt and to #019 and #077, made for Robert's brothers.

QUILT TOP MADE BY: Enter the name of the person(s) who made the quilt top.

Gasperik, Mary

QUILTED BY: Enter the name of the person(s) who quilted the top.

Gasperik, Mary

CITY: Enter the name of the city where the quilt was made.

East Hazelcrest

COUNTY: Enter the name of the county where the quilt was made.

Cook County

STATE: Enter the name of the state where the quilt was made.

Illinois (IL)

COUNTRY: Enter the name of the country where the quilt was made.

United States

HOW WAS QUILT ACQUIRED BY OWNER: Choose the best description for how the owner acquired the quilt.

Gift

QUILTMAKER'S REASONS FOR MAKING THE QUILT: If the quilt was made for a specific purpose, choose the reason from the list.

Gift or presentation

PLEASE EXPLAIN OTHER OCCASION, IF APPLICABLE: If you chose Other, please explain the occasion.

Presented to a grandchild.

QUILT WAS ORIGINALLY DESIGNED TO BE USED AS: Choose how the quilt was originally used.

Bedding, special occasion

QUILT IS PRESENTLY USED AS: Choose how the quilt is being used by the present owner.

Keepsake/memento

OTHER PRESENT USE(S) OF QUILT: If you chose Other, please explain the quilt's present use.

Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.

QUILT TOP PATTERN SOURCE: Choose where the quilt maker found the pattern for this quilt.

Unknown

QUILTING DESIGN PATTERN SOURCE: Choose where the quilt maker found the pattern for the quilting design used in this quilt.

Original to maker

COMMERCIAL QUILTING DESIGN SOURCE NAME: If you know the commercial name of the quilting design used for this quilt, please enter it. This may include books, magazines, newsletters, pattern companies, etc.

Feather quilting for all Gasperik Indian Quilts is QB421-9 inch Feather Colonial Quilts by Hubert Ver Mehren (Des Moines, IA: 1932).

ANY ADDITIONAL NOTES OR STORIES ABOUT THE QUILT'S DESIGN OR MATERIALS SOURCE: Describe anything about the design of the quilt that wasn't already recorded in a previous field.

Gasperik made framed applique/embroidered Indian blocks for the same six grandchildren who received the quilts. The block which accompanied this quilt is #094.

EXHIBITIONS: List all known exhibits where this quilt has been displayed.

The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.

This is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.

OTHER RELATED ITEMS: List other materials that exist about this quilt like oral histories, wills, diaries, or patterns.

Framed Indian applique block embroidered "Robert 1954" #094 (Collection of Robert Gasperik).

In an e-mail to Susan Salser (January 11, 2009) Elmer and Doris Gasperik’s daughter Kathy Jacob described to Susan her parents’ support of Mary Gasperik’s quilting and the appreciation for the quilts which they instilled in her. She wrote: “I know that my Mother took great care of our quilts. Dedicated to them as if her own mother had made them. It is from my mother that I learned to lovingly care for the quilts and appreciate the work that grandma had done. And I was told that my father made her the very quilting frame that she used to create these wonderful quilts. I was also told he would buy her batting and once a children’s book for the pictures perhaps for reference.” A children’s book illustration is possibly the genesis of this Gasperik quilt design.

AVAILABLE SOURCES FOR QUILTMAKER: List other source materials about this quiltmaker such as photos, oral histories, book or newspaper publications, fame for some other reason or event.

Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103.

Merikay Waldvogel "One American Dream Comes True", Quilters Newsletter Magazine, March 2008, 46-49.

OWNERSHIP OF THIS QUILT IS:

Private

NAME OF QUILT OWNER:

Robert Gasperik

QUILT OWNER'S COUNTRY:

United States

AUTHOR/INTERVIEWEE'S RELATION TO THE QUILT:

Author/researcher; Blood relative of quiltmaker

OTHER RELATIONSHIP TO SOURCE: If you chose Other, for the relationship to the source, describe the relationship here.

Grand-daughter

OTHER INFORMATION ON SOURCE PERSON TO QUILT:

Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting.

QUILTMAKER'S MAIDEN NAME:

Mihalovits, Maria

QUILTMAKER'S GENDER:

Female

QUILTMAKER'S BIRTH DATE:

01/25/1888

DEATH DATE OF THE QUILTMAKER, IF APPLICABLE:

05/25/1969

QUILTMAKER'S ETHNIC BACKGROUND:

Hungarian

QUILTMAKER'S EDUCATIONAL BACKGROUND:

Elementary School

QUILTMAKER'S COUNTRY OF BIRTH:

Hungary

IN WHICH KIND OF ENVIRONMENT DID THE QUILTMAKER GROW UP?

Rural

CITY WHERE THE QUILTMAKER LIVES/LIVED:

Chicago

COUNTY WHERE THE QUILTMAKER LIVES/LIVED:

Cook

STATE WHERE THE QUILTMAKER LIVES/LIVED:

Illinois (IL)

COUNTRY WHERE THE QUILTMAKER LIVES/LIVED:

United States

QUILTMAKER'S FATHER'S NAME:

Mihalovits, Istvan

FATHER'S BIRTHPLACE:

Hungary

FATHER'S ETHNIC BACKGROUND:

Hungarian

QUILTMAKER'S MOTHER'S NAME:

Mihalovits, Vidoszava

MOTHER'S BIRTHPLACE:

Hungary

MOTHER'S ETHNIC BACKGROUND:

Hungarian

SPOUSE'S ETHNIC BACKGROUND:

Hungarian

SPOUSE'S OCCUPATION:

Milk Dealer/Grocery Store Owner/Butcher

NUMBER OF CHILDREN:

3

NUMBER OF FEMALE CHILDREN:

1 (Elsie 1909-1988)

NUMBER OF MALE CHILDREN:

2 (Elmer and Stephen)

HOW DID THE QUILTMAKER LEARN TO QUILT?

From guild or club member; Self-Taught

WHEN DID THE QUILTMAKER LEARN TO QUILT?

Age 40-49

WHY DOES/DID THE QUILTMAKER QUILT:

Pleasure; Other

OTHER, WHY THE QUILTMAKER QUILTS:

To exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.

NAME OF QUILTING GROUP: If the quilt maker belonged to a group, enter the name of the group.

Tuley Park Quilt Club and Detroit News Quilt Club

LOCATION OF GROUP:

Chicago, IL and Detroit, Michigan

SPECIALIZED ACTIVITIES/EVENTS OF QUILTING GROUP: Enter activities the group participated in.

Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.

ESTIMATED NUMBER OF QUILTS MADE BY THIS QUILTER:

more than 50

DID THE QUILTMAKER SELL QUILTS?

no

DOES/DID QUILTMAKER TEACH QUILTING: Is the quilt maker also a quilt teacher?

no

PHOTO CREDIT:

Don Gonzalez

ACCESS AND COPYRIGHT IS:

Restricted

HOLDER OF COPYRIGHT:

Susan Salser

Details

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Cite this Quilt

Gasperik, Mar. Indians #5. 1954. From Mary Gasperik Legacy Project, Mary Gasperik Private Collection. Published in The Quilt Index, https://quiltindex.org/view/?type=fullrec&kid=18-14-70. Accessed: 05/20/22

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