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Indiana Wreath ; Indiana Wreath (Karen)

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Cite this Quilt

Gasperik, Mar. Indiana Wreath . 1940s. From Mary Gasperik Legacy Project, Mary Gasperik Private Collection. Published in The Quilt Index, https://quiltindex.org/view/?type=fullrec&kid=18-14-97. Accessed: 10/17/21

QUILT INDEX RECORD

18-14-97

DESCRIPTION OF ESSAY: Paragraph length description of the object.

Gasperik made four Indiana Wreath quilts. She may have used McCall's #524 Indiana Wreath pattern, or obtained her pattern directly from Cecilia Knapp, the Monroe, Michigan quilt businesswoman who was the probable source of McCall pattern #524 and was a prominent member of The Detroit News Quilt Club Corner (where Mary probably met her, at one of the annual quilt shows in Detroit). The McCall pattern was offered in 1937-38. If Gasperik got her pattern directly from Knapp, she might have gotten it earlier than that. Indiana Wreath quilts, including those made by master quilters Rose Kretsinger and Charlotte Jane Whitehill, are based on the 1850s Indiana Wreath appliqué quilt which appeared in color in Quilts: Their Story and How to Make Them by Marie Webster. The trio of bluebirds were added by Gasperik from another source.

Where are the records for this quilt housed?

Mary Gasperik Legacy Project

Who documented this quilt?

Mary Gasperik Private Collection

CONTRIBUTING INSTITUTIONAL INVENTORY CONTROL NUMBERS: Enter the main control number for this item you are entering. For a museum, this will probably be your acquisition number. It may be the number given to the quilt by the state or county project.

063

TYPE OF QUILT OBJECT: Choose the best description for the quilt being documented.

Finished quilt

QUILT'S TITLE, IF IT HAS ONE: Enter the name given to the quilt by the maker. Many quilts have no title, but contemporary quilters often give a name to their quilts. If the quilt has no title, leave this field blank.

Indiana Wreath

OWNER'S NAME FOR QUILT'S PATTERN: Enter the name given to the quilt by the owner. This can be the name the family used to refer to the quilt as it passed through different generations, e.g. "Aunt Susie's quilt" or a pattern name that the owner used.

Indiana Wreath (Karen)

BRACKMAN NUMBER: If you have used Barbara Brackman's Encyclopedia of Pieced Patterns or Applique to identify the pattern, enter the number assigned by Brackman here.

80.22, 80.23

OVERALL WIDTH: Enter how wide the quilt is. Specify units of measure (mm or in or inches)

80 inches

OVERALL LENGTH: Enter how long the quilt is. Specify unit of measure (mm or in or inches).

101 inches

SHAPE OF EDGE: Choose the best description for the edges of the quilt.

Straight

SHAPE OF CORNERS: Choose the best description for the corners of the quilt.

Straight

PREDOMINANT COLOR(S): CHECK ALL THAT APPLY: Enter all colors that are found in the quilt. Use ctrl + click to choose more than one.

Green; Red; White

OVERALL COLOR SCHEME: Choose the best color scheme description for the quilt being documented.

Bright or primary colors

OVERALL CONDITION: Choose the best description for the quilt being documented.

Excellent/like new

OTHER TYPE(S) OF INSCRIPTION: If you chose Other, please describe the type of inscription here. This is not the field for the actual inscription, just the type of inscription.

cloth label sewn to back lower left

CONTENT OF INSCRIPTION(S): Enter the exact inscription here, including dates in the same form in which they appear on the quilt. Do not correct any spellings. If you are unsure of a letter or name, place a (?) to indicate uncertainty.

MARY GASPERIK
1411 W 174 STREET
EAST HAZELCREST
ILLINOIS

METHOD OF INSCRIPTION: Choose the method used to inscribe the quilt. Use ctrl + click to choose more than one.

Attached label

LOCATION OF INSCRIPTION: Enter where the inscription was found on the quilt.

on back

TIME PERIOD: Choose the time frame that best describes when the quilt was made. The date does not have to appear on the quilt to enter it in this field. This can be your best guess based on family stories or your own knowledge of quilts.

1930-1949

DATE BEGUN: Enter the date the quilt was started (as mm-dd-yyyy or c.yyyy, e.g. c.1965). Leave blank if you don't know.

Not known

DATE FINISHED: Enter the date the quilt was finished (as mm-dd-yyyy or c.yyyy, e.g. c.1965). Leave blank if you don't know.

1940s

FAMILY/OWNER'S DATE FOR QUILT: If there are family stories that indicate a date when the quilt was made, enter that date (as mm-dd-yyyy or c.yyyy, e.g. c.1965).

Circa 1940; Possibly 1950s

OTHER EXTERNAL OR PROFESSIONAL DATE ESTIMATION: If the date was estimated by an antique dealer, quilt historian or appraiser, enter that date (as mm-dd-yyyy or c.yyyy, e.g. c.1965).

The Indiana Wreath pattern #524 was offered in McCall's Needlework Magazine, Winter 1937-1938, pp 26-27. Mary Gasperik probably consulted this pattern when she designed her Indiana Wreath quilts. QuiltING pattern from Woman's Day, May 1943 , seen on this quilt indicates it was probably completed in or after 1943.

OTHER DATE ESTIMATION BY WHOM: Enter the name and/or title of the person who estimated the quilt's date for field 23d.

Merikay Waldvogel

FURTHER INFORMATION CONCERNING DATE(S): If you know anything else about the date the quilt was made, please tell the story.

Of the four Gasperik Indiana Wreath quilts, only this one has a distinctive lime green backing, which might date it to the early 1950s rather than the 1940s.

LAYOUT FORMAT: Choose the best description for the layout (or set) of the quilt.

Medallion or framed center

SUBJECT OF QUILT, IF IT HAS ONE: Some quilts are made with a specific intent (e.g. Commemoration of September 11, the 100th anniversary of a town, or an AIDS panel). Enter the subject of the quilt. If there is no subject, leave the field blank.

The quilt called Indiana Wreath made by Elizabeth Hart and dated 1858, made famous by Marie D. Webster.

NUMBER OF BORDERS: Borders are the strips of fabric that are added after the blocks (and sashings) are put together. They appear on the outside edges of the quilt. Quilts often have multiple borders. Enter the number of borders on the quilt.

One

BORDER DESCRIPTION: Describe the style of the borders (i.e. pieced, appliqued, stenciled) and the width of each border, from the inside to the outside.

Outer edges on all four sides have an applique floral and leaf vine that frame the quilt.

FABRIC FIBER TYPES USED IN QUILT TOP: Choose all the types of fiber that are used to make the quilt top. Use ctrl + click to choose more than one.

Cotton

FABRIC PATTERNS, STYLES, MOTIFS, OR PRINT CATEGORIES USED IN QUILT TOP: Choose all the types of prints that are used to make the quilt top. Use ctrl + click to choose more than one.

Print; Solid/plain

CONSTRUCTION TECHNIQUES USED IN QUILT TOP: APPLIQUE TECHNIQUES: Choose the applique method used to construct the quilt. Use ctrl + click to choose more than one. Skip the question if no applique appears on the quilt.

Hand Applique

CONSTRUCTION TECHNIQUES USED IN QUILT TOP: EMBELLISHMENT TECHNIQUES: Choose the embellishment technique used to make the quilt. Use ctrl + click to choose more than one. If your answer in Field 38f was no, skip this question.

Embroidery; Other embellishment technique

UNIQUE OR OTHER CONSTRUCTION TECHNIQUES: Enter any unusual technique that hasn't been described in a previous field.

extra layer of batting pads the applique grapes

CONTAINS PAPER REMAINS: This field is for quilts that have been either string pieced on a paper foundation or English template pieced. Choose yes if you can feel or see paper on the quilt that was used as a construction aid.

no

UNIQUE EMBELLISHMENTS: Enter any embellishment materials that don't appear in a previous field.

embroidered wheat in vase and in birds' beaks

FABRIC FIBER TYPES USED IN QUILT BACK: Choose the fiber type used to make the quilt back. Use ctrl + click to choose more than one.

Cotton

COLOR OF BACKING: Enter all colors that are found in the quilt backing. Use ctrl + click to choose more than one.

Green

DESCRIPTION OF BACK: Choose the best description for the back of the quilt. Use ctrl + click to choose more than one.

Solid/plain

MATERIALS USED IN QUILT BINDING: Choose the fiber type used to make the quilt binding. Use ctrl + click to choose more than one.

Cotton

WIDTH OF QUILT BINDING: Choose the width (in inches) of the binding of the quilt. Measure from the front side only.

less than a half inch

MATERIAL USED FOR QUILT BATTING OR FILLING: Choose the fiber content that best describes the material used to fill the quilt.

Cotton

QUILTING TECHNIQUES USED: Choose the technique that best describes the way the quilt layers are held together. Use ctrl + click to choose more than one.

Hand quilting

THREAD TYPE: Describe the fiber content or type of quilting thread used on the quilt.

cotton

THREAD COLOR: Enter the color(s) of thread used to hold the quilt layers together.

white

QUILTING DESIGNS USED: MOTIFS/OVERALL PATTERNS: Choose the overall quilt design found on the quilt top. Use ctrl + click to choose more than one. Skip the question if none of the designs appear on the quilt.

Double parallel lines; In-the-ditch; Single parallel lines

QUILTING DESIGNS USED: DECORATIVE PATTERNS: Choose the decorative quilt design found on the quilt top. Use ctrl + click to choose more than one. Skip the question if none of the designs appear on the quilt.

Feathering; Floral; Wreaths; Other

QUILTING DESIGNS USED: BACKGROUND FILL PATTERNS: Choose the background quilt design found on the quilt top. Use ctrl + click to choose more than one. Skip the question if none of the designs appear on the quilt.

Grid/crosshatch; Parallel lines

PLEASE DESCRIBE OTHER QUILTING DESIGNS USED: Describe any quilting designs that appear on the quilt, but were not listed in a previous field.

Floral border quilted around 4 sides, including corners. 4 Double feathered circular wreaths. 2 large feathered hearts and 2 smaller feathered hearts filled with diamond quilting. 2 large cornucopias spilling flowers and fruit. Portions of 2 Rose Kretsinger quilting designs: grape clusters and feather medallion.

ANY OTHER FEATURES OR NOTES ABOUT THE QUILT'S APPEARANCE, MATERIALS, OR CONSTRUCTION: Describe anything about the physical appearance of the quilt that wasn't already recorded in a previous field.

The four Gasperik Indiana Wreath quilts can be divided into two sets of two. Each pair uses the same set of fabrics. Quilts #011 and #043 use a set of polka dots prints of different colors. These two quilts also have wheat stalks embroidered under the vase. Quilts #032 and #063 employ a wider range of fabrics: the wreath's flowers are executed in floral prints. The grapes are made from a print of white stars on dark purple, cut such that the effect is of water glistening on a rounded surface. The other 3 Gasperik versions of Indiana Wreath are backed with a pale creamy yellow fabric. This one (#063) is backed with a bright lime green fabric.

QUILT TOP MADE BY: Enter the name of the person(s) who made the quilt top. Names must be listed last name first, followed by first name and middle name or initials; last name should be followed by a comma and space.

Gasperik, Mary

QUILTED BY: Enter the name of the person(s) who quilted the top. Names must be listed last name first, followed by first name and middle name or initials; last name should be followed by a comma and space.

Gasperik, Mary

CITY: Enter the name of the city where the quilt was made. Skip the question if you don't know where the quilt was made.

Chicago

COUNTY: Enter the name of the county where the quilt was made. Skip the question if you don't know where the quilt was made.

Cook County

STATE: Enter the name of the state where the quilt was made. Skip the question if you don't know where the quilt was made.

Illinois (IL)

COUNTRY: Enter the name of the country where the quilt was made. Skip the question if you don't know where the quilt was made.

United States

HOW WAS QUILT ACQUIRED BY OWNER: Choose the best description for how the owner acquired the quilt. Use ctrl + click to choose more than one. Skip the question if you don't know how the owner acquired the quilt.

Inheritance

OCCASION, DATE, PERSON INHERITED FROM, ETC: If the quilt was inherited, enter any information you know about the inheritance. Skip the question if the quilt was not passed on through a family.

The is one of the quilts from Elsie's collection divided up by her daughters Karen, Linda and Susan. Susan originally picked it, and later traded it to sister Karen.

QUILTMAKER'S REASONS FOR MAKING THE QUILT: If the quilt was made for a specific purpose, choose the reason from the list. Use ctrl + click to choose more than one.

Art or personal expression

PLEASE EXPLAIN OTHER OCCASION, IF APPLICABLE: If you chose Other, please explain the occasion.

Mary Gasperik made at least 4 Indiana Wreath quilts. It would seem that she picked this complicated and famous patterns precisely to demonstrate what a master quilter she was.

QUILT WAS ORIGINALLY DESIGNED TO BE USED AS: Not all quilts were made for beds. Choose how the quilt was originally used. Use ctrl + click to choose more than one.

Bedding, special occasion

QUILT IS PRESENTLY USED AS: Choose how the quilt is being used by the present owner. Use ctrl + click to choose more than one.

Keepsake/memento

OTHER PRESENT USE(S) OF QUILT: If you chose Other, please explain the quilt's present use.

Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.

SOURCE OF QUILT'S MATERIALS: Choose how the quilt maker acquired the fabric for this quilt. Use ctrl + click to choose more than one.

Purchased new

OTHER SOURCE(S) OF QUILT'S MATERIALS: If you chose Other, please explain how the quilt maker acquired the fabric for this quilt.

Gasperik's own choice of fabrics

QUILT TOP PATTERN SOURCE: Choose where the quilt maker found the pattern for this quilt. Use ctrl + click to choose more than one.

Commercial/Published source: Book; Commercial/Published source: Pattern

OTHER TOP PATTERN SOURCE(S): If you chose Other, please explain where the pattern was found.

Inspiration for the Indiana Wreath quilt made famous by Marie Webster who used a 19th century quilt in this pattern as the frontispiece of her quilt book. McCalls marketed a commercial pattern, which was probably designed by Cecilia Knapp, of Monroe, Michigan. Other designers including Rose Kretsinger made their own.

COMMERCIAL SOURCE NAME(S): If you know the commercial name of the pattern used for this quilt, please enter it. This may include books, magazines, newsletters, pattern companies, computer software programs, and kits.

Probably McCall's #524 Indiana Wreath, published in 1937. The pattern for the three hovering blue birds may be borrowed from a quiltING pattern called Bird Bath offered in a Nancy Page Quilting Club Column in the newspaper.

QUILTING DESIGN PATTERN SOURCE: Choose where the quilt maker found the pattern for the quilting design used in this quilt. Use ctrl + click to choose more than one.

Published material

OTHER QUILTING DESIGN PATTERN SOURCE: If you chose Other, please explain the where the quilting design pattern was found.

Rose Kretsinger quilting illustrations (Plates IV and V, pages 275 and 276 of Romance of the Patchwork Quilt in America are probable design source for grapes and feather medallion. Woman’s Day Magazine (May 1943, p.42) offered a quilting pattern called "Coat of Arms", similar to the Kretsinger feather medallion, which Gasperik probably quilted into three of her four Indiana Wreath quilts (the one owned by granddaughter Linda lacks this element, possibly dating its completion as pre-1943).

COMMERCIAL QUILTING DESIGN SOURCE NAME: If you know the commercial name of the quilting design used for this quilt, please enter it. This may include books, magazines, newsletters, pattern companies, etc.

Floral Border C7 and double feather circular wreath pattern A from Grandmother's Perforated Quilting Patterns, WLM Clark, St. Louis, 1934 (also offered in Needleart Guild's Original Master Quilting Patterns).

ANY ADDITIONAL NOTES OR STORIES ABOUT THE QUILT'S DESIGN OR MATERIALS SOURCE: Describe anything about the design of the quilt that wasn't already recorded in a previous field.

The interesting thing about the four Indiana Wreath quilts is that they show more experimentation with quilting design than experimentation with applique pattern. It is the selection of fabrics, and the quiltING patterns which distinguish these four quilts which look, at first glance, to be the 'same' quilt. Although the range of experimentation is narrow here, Mary did not duplicate her Indiana Wreath quilts. A quiltING pattern seen on this quilt appears to match the "Coat of Arms" pattern offered by Women's Day in May, 1943. The Woman's Day pattern is credited to Miss Emma Gerken of Kansas City, Missouri, who was one of the competitors in the magazine's national Needlework Competition in 1942. This would mean that this quilt was finished no earlier than 1943.

EXHIBITIONS (LIST ALL): List all known exhibits where this quilt has been displayed including: Title, Location, Dates, Venue of Exhibit and Catalog Title or publications, if applicable. Use this field for all information.

A color family photograph (circa 1960-1965) shows this quilt with an Illinois State Fair blue ribbon pinned to it. It is not known what became of this ribbon.

The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.

CONTESTS ENTERED (LIST ALL): List contest entered including: Contest Name, Location, Dates, Awards or Prizes, and Contest Catalog or Publications, if applicable. Use this field for all contests.

Illinois State Fair, year unknown

OTHER RELATED ITEMS SUCH AS IMAGE, ORAL HISTORY, OR EPHEMERA: Use this box to list other materials that exist about this quilt. This may include oral history, articles, additional photos or publications, etc.

Family photos showing Mary Gasperik standing next to this quilt (with attached blue ribbon) circa 1965.

Mary's own copy of Quilts: Their Story and How to Make Them by Marie D. Webster (inscribed "Property of Mary Gasperik" in Elsie's handwriting) Tudor Publishing Co., New York, 1943. This book is unmarked (unlike her copy of Ruth E. Finley's Old Patchwork Quilts). Mary must have owned or had access to an earlier printing of the Webster book in order to make her patterns for 'Double Feather Star' dated 1935, 'Double Feather Star' (undated) and 'Indian Feather Star' (undated).

Quilts: Their Story and How to Make Them, Marie D. Webster, Doubleday, Doran & Company Inc., 1928, frontispiece is a hand-tinted photograph of the 1858 quilt made by Elizabeth J. Hart. Also see text about 'Indiana Wreath' on pages 84-86. McCall Indiana Wreath pattern envelope and instruction sheet; Winter 1937-38 McCall magazine with Indiana Wreath pattern featured.

"Coat of Arms" quilting pattern pictured in Woman's Day Magazine, May, 1943, p.42, Susan Salser private collection. Business card which belonged to Mary Gasperik, which reads "Cecilia Knapp, Quilts and Patchwares by The Woman Who Makes Them, 712 S. Monroe St., Monroe, Mich. PATTERNS SND STAMPINGS". Mary Gasperik archive, care of Karen Finn.

AVAILABLE SOURCES FOR QUILTMAKER: List other source materials about this quiltmaker such as photos, oral histories, book or newspaper publications, fame for some other reason or event.

Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103.

Merikay Waldvogel "One American Dream Comes True", Quilters Newsletter Magazine, March 2008, 46-49.

OWNERSHIP OF THIS QUILT IS: Choose whether the quilt is owned by a person (private) or a museum or public collection.

Private

NAME OF QUILT OWNER: Add name of Quilt Owner if public other.

Karen Krueger Finn

QUILT OWNER COUNTRY: Country of current quilt owner

United States

AUTHOR/INTERVIEWEE: The person who brought the quilt for documentation is the source. Enter his/her name here.

Author/researcher; Blood relative of quiltmaker

OTHER RELATIONSHIP TO SOURCE: If you chose Other, for the relationship to the source, describe the relationship here.

Sister of quilt owner

RELATIONSHIP OF SOURCE PERSON TO QUILT: Choose the best description of the relationship of the source to the quilt. Use ctrl + click to choose more than one.

Other

OTHER INFORMATION ON SOURCE PERSON TO QUILT: If you chose other, please describe how the quilt maker participated in the design.

Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting.

QUILTMAKER'S MAIDEN NAME: Enter the maiden name of the quilt maker.

Mihalovits, Maria

GENDER: Choose the gender of the quilt maker(s). Use ctrl + click to choose more than one.

Female

BIRTH DATE: Enter the birth date of the quilt maker (as mm-dd-yyyy or c.yyyy, e.g. c.1965).

01/25/1888

DEATH DATE, IF APPLICABLE: Enter the date of death of the quilt maker (if applicable, as mm-dd-yyyy or c.yyyy, e.g. c.1965).

05/25/1969

QUILTMAKER'S ETHNIC BACKGROUND/TRIBAL AFFILIATION: Enter the ethnic background or tribal affiliation of the quilt maker.

Hungarian

EDUCATIONAL BACKGROUND: Enter the last level of education completed by the quilt maker.

Elementary School

QUILT MAKER'S COUNTRY OF BIRTH: Select the quilt maker's country of birth, if known.

Hungary

IN WHICH KIND OF ENVIRONMENT DID THE QUILTMAKER GROW UP: Choose the kind of environment the quilt maker(s) are from. Use ctrl + click to choose more than one.

Rural

COUNTY: Enter the county where the quilt maker lives/lived.

Cook

CITY: Enter the city where the quilt maker lives/lived.

Chicago

STATE: Enter the state where the quilt maker lives/lived.

Illinois (IL)

COUNTRY: Enter the country where the quilt maker lives/lived.

United States

FATHER'S NAME: Enter the name of the quilt maker's father.

Mihalovits, Istvan

FATHER'S BIRTHPLACE: Enter the birthplace of the quilt maker's father.

Hungary

FATHER'S ETHNIC/TRIBAL BACKGROUND: Enter the ethnic background or tribal background of the quilt maker's father.

Hungarian

MOTHER'S NAME: Enter the name of the quilt maker's mother.

Mihalovits, Vidoszava

MOTHER'S BIRTHPLACE: Enter the birthplace of the quilt maker's mother.

Hungary

MOTHER'S ETHNIC/TRIBAL BACKGROUND: Enter the ethnic background or tribal background of the quilt maker's mother.

Hungarian

SPOUSE'S/SPOUSES' ETHNIC/TRIBAL BACKGROUND(S): Enter the ethnic background or tribal background of the quilt maker's spouse.

Hungarian

SPOUSE'S/SPOUSES' OCCUPATION(S): Enter the occupation of the quilt maker's spouse.

Milk Dealer/Grocery Store Owner/Butcher

NUMBER OF CHILDREN: Enter the number of children of the quilt maker.

3

NUMBER OF FEMALE CHILDREN: Enter the number of daughters of the quilt maker.

1 (Elsie 1909-1988)

NUMBER OF MALE CHILDREN: Enter the number of sons of the quilt maker.

2 (Elmer and Stephen)

HOW DID THE QUILTMAKER LEARN TO QUILT: Choose the way(s) the quilt maker learned to quilt. Use ctrl + click to choose more than one.

From guild or club member; Self-Taught

WHEN LEARNED TO QUILT (CHECK ALL THAT APPLY): Choose the age when the quilt maker learned to quilt. Use ctrl + click to choose more than one.

Age 40-49

WHY DOES/DID THE QUILTMAKER QUILT: Choose the best explanation(s) for why the quilt maker makes quilts. Use ctrl + click to choose more than one.

Pleasure; Other

OTHER, WHY THE QUILTMAKER QUILTS: If you chose Other, explain the why the quilt maker quilts.

Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family. The four Indiana Wreath quilts (#011, #032, #043 and #063) were made to demonstrate the quilter's mastery of her art at a time when she was doing her best work. One alone would make a powerful statement. Four of them constitute a tour de force.

NAME OF QUILTING GROUP: If the quilt maker belongs to a group, enter the name of the group.

Tuley Park Quilt Club; Detroit News Quilt CLub Corner

LOCATION OF GROUP: Enter where the group meets. Include the name of the building, city, county, and state.

Southside Chicago and Detroit MI

SPECIALIZED ACTIVITIES/EVENTS OF QUILTING GROUP: Enter activities the group participates in.

Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.

ESTIMATED NUMBER OF QUILTS MADE BY THIS QUILTER: Choose the number that approximates how many quilts the quilt maker has made.

more than 50

DOES/DID QUILTMAKER SELL QUILTS: Has the quilt maker ever sold a quilt or sold quilting services?

no

DOES/DID QUILTMAKER TEACH QUILTING: Is the quilt maker also a quilt teacher?

no

ANY OTHER NOTES OR STORIES ABOUT THE QUILTMAKER: Enter any information about the quilt maker not already entered in a previous field.

The series of four Indiana Wreath quilts may have been completed after Mary moved, in 1948-1949, from the grocery store and apartment at 9314 S. Cottage Grove Ave. on Chicago's south side to East Hazelcrest, a suburb where she (finally!) had space and sunshine and time to garden. Salser believes her East Hazelcrest garden, and the pleasure she and her husband took in outdoor gardening, is reflected in her Indiana Wreath quilts.

PHOTO CREDIT: Credit for photographer.

Don Gonzalez

ACCESS AND COPYRIGHT INFORMATION FOR IMAGE: Choose whether this TIF is available to use other than in this database.

Restricted

FOR HOLDER OF COPYRIGHT, CONTACT: Enter the name of the person or institution that owns the copyright to the image.

Hank Finn

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