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African-American Quiltworks: A Continuing Tradition

December 19, 1982
Michigan State University Museum; Black Diaspora Quilt History Project; Cuesta Benberry Quilt and Ephemera Collection
Brooklyn, New York, United States
An exhibit from December 19, 1982 - February 28, 1983 at the Muse Community Museum of Brooklyn.
Mrs. Gilmore and Mrs. King
Harriet Tubman Center of Bethany Baptist Church

African-American Quiltworks: A Continuing Tradition
December 19, 1982 - February 28, 1983
The Muse Community Museum of Brooklyn
1530 Beford Avenue
Brooklyn, New York 11216

The Muse Community Museum is dedicated to celebrating and examining the past and present artistic and cultural contributions of African-American people. Our workshop program staffed by outstanding practicing artists, such as Roland Alexander, saxophone; Sonelius Smith, piano; Ed King, photography; Clebert Ford, drama; Afida Derby, dance and others nurtures, preserves and passes on to a new generation our special artistic flame. The temporary exhibition program embraces every medium and sometimes lovingly, often poignantly commands African-Americans and others to re-examine, reflect and rejoice on events large and small and rituals as well dominating the lives of our particular community. QUILTS AND KWAANZA, from December 19, 1982-February 28, 1983 is, thus, a fitting exhibit for us to host. While recently integrated into the fabric of Western African-American life style, Kwanzaa, as we understand it, as celebrated in much of Africa, pre-dated the birth of Christ. The seven principles (Nguzo Saba): Umoja, Unity; Kujichagulia, Self-Determination; Ujima, Collective Work and Responsibility; Ujamaa, Cooperative Economics; Nia, Purpose; Kuumba, Creativity; and Imani, Faith remind us that in every truly successful society, the needs of the community must sometimes take precedent over those of the individual. Historically, the craft of quilting speaks to our creativity and the determination of our people to maintain cultural and social customs which have their origin in our African heritage.

The Muse has had -- as many institutions in our community -- a sometimes difficult, but nonetheless enviable track record of commitment and service.

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