BACK TO QUILTS

Indian Feathers; Indian Teepee; 1000 Pyramid variation, Sugar Loaf variation

CITE THIS QUILT

img
quilt

Cite this Quilt

Findley, Mary Jane Rees. Indian Feathers. 1876-1900. From Briscoe Center for American History, University of Texas at Austin, Texas Sesquicentennial Quilt Association, Texas Quilt Search. Published in The Quilt Index, https://quiltindex.org/view/?type=fullrec&kid=25-21-370. Accessed: 10/17/21

QUILT INDEX RECORD

25-21-370

Who documented this quilt?

Texas Sesquicentennial Quilt Association, Texas Quilt Search

Where are the records for this quilt housed?

Briscoe Center for American History, University of Texas at Austin

CONTRIBUTING INSTITUTIONAL INVENTORY CONTROL NUMBERS: Enter the main control number for this item you are entering. For a museum, this will probably be your acquisition number. It may be the number given to the quilt by the state or county project.

tqs_0036

AUTHOR/INTERVIEWEE: The person who brought the quilt for documentation is the source. Enter his/her name here.

Quilt owner; Relative of quiltmaker; Other

OTHER RELATIONSHIP TO SOURCE: If you chose Other, for the relationship to the source, describe the relationship here.

This quilt was identified and reviewed during the Texas Sesquicentennial Quilt Association's Texas Quilt Search, 1983-1985. Karey Bresenhan served as quilt historian.

DATE OF DATA COLLECTION: Enter the date the state or county documentation form was filled out (as mm-dd-yyyy or c.yyyy, e.g. c.1965).

1983-1985

RELATIONSHIP OF SOURCE PERSON TO QUILT: Choose the best description of the relationship of the source to the quilt. Use ctrl + click to choose more than one.

Quilt owner

IF SOURCE PERSON IS QUILT OWNER: If the source is the owner, choose how they came to own the quilt. Use ctrl + click to choose more than one.

Inherited

OTHER INFORMATION ON SOURCE PERSON TO QUILT: If you chose other, please describe how the quilt maker participated in the design.

The quiltmaker was the great aunt of the present owner of this quilt.

TYPE OF QUILT OBJECT: Choose the best description for the quilt being documented.

Finished quilt

OWNER'S NAME FOR QUILT'S PATTERN: Enter the name given to the quilt by the owner. This can be the name the family used to refer to the quilt as it passed through different generations, e.g. "Aunt Susie's quilt" or a pattern name that the owner used.

Indian Feathers

ALTERNATE NAME(S) FOR THE QUILT'S PATTERN IN COMMON USE: This is the name of the quilt pattern that it is commonly used among quilt makers and historians. It may be different in different regions of the country.

Indian Teepee; 1000 Pyramid variation, Sugar Loaf variation

OVERALL WIDTH: Enter how wide the quilt is. Specify units of measure (mm or in or inches)

72 in.

OVERALL LENGTH: Enter how long the quilt is. Specify unit of measure (mm or in or inches).

79 in.

SHAPE OF EDGE: Choose the best description for the edges of the quilt.

Straight

SHAPE OF CORNERS: Choose the best description for the corners of the quilt.

Straight

PREDOMINANT COLOR(S): CHECK ALL THAT APPLY: Enter all colors that are found in the quilt. Use ctrl + click to choose more than one.

Gray; Green; Orange; Red; White

OVERALL COLOR SCHEME: Choose the best color scheme description for the quilt being documented.

Multicolor; Bright or primary colors

OVERALL CONDITION: Choose the best description for the quilt being documented.

Very good/almost new

DAMAGE TO QUILT: Use this field to describe specific damage to the quilt. Use ctrl + click to choose more than one.

Fading; Quilting thread broken or ties missing; Stains; Tears or holes

REPAIRS TO QUILT: If the quilt has been repaired or restored, use this field to describe the work that was done. Leave the field blank if the quilt has had no repairs.

Patched with new fabrics

COMMENTS OR NOTES ON QUILT'S CONDITION OR REPAIR HISTORY: Some quilts have had extensive or unusual repair work done. Please use this field to describe anything that didn't fit in the previous fields.

In 1985, as part of the preparations for the “Lone Stars: A Legacy of Texas Quilts, 1836-1936” exhibit in the Texas Capitol Rotunda, the Texas Sesquicentennial Quilt Association sponsored a Quilt Conservation Seminar. Part of the seminar was a two-day intensive hands-on laboratory attended by quilt experts who stabilized, backed, or otherwise prepared the quilts, including this one, for this exhibition.

TIME PERIOD: Choose the time frame that best describes when the quilt was made. The date does not have to appear on the quilt to enter it in this field. This can be your best guess based on family stories or your own knowledge of quilts.

1876-1900

FAMILY/OWNER'S DATE FOR QUILT: If there are family stories that indicate a date when the quilt was made, enter that date (as mm-dd-yyyy or c.yyyy, e.g. c.1965).

1885

OTHER EXTERNAL OR PROFESSIONAL DATE ESTIMATION: If the date was estimated by an antique dealer, quilt historian or appraiser, enter that date (as mm-dd-yyyy or c.yyyy, e.g. c.1965).

ca. 1885

OTHER DATE ESTIMATION BY WHOM: Enter the name and/or title of the person who estimated the quilt's date for field 23d.

Karey Bresenhan

FURTHER INFORMATION CONCERNING DATE(S): If you know anything else about the date the quilt was made, please tell the story.

Quiltmaker made it for her hope chest; she married in 1885.

LAYOUT FORMAT: Choose the best description for the layout (or set) of the quilt.

Block pattern

NUMBER OF QUILT BLOCKS: This field only applies to quilts with a block format. Some blocks are harder to count than others (e.g. Storms at Sea, Double Wedding Ring). If needed, describe how the blocks were counted or if there are half blocks/corner blocks

25

ARRANGEMENT OF QUILT BLOCKS: BLOCK ORIENTATION: This field only applies to quilts with a block format. Choose the best description for how the quilt blocks appear in the quilt.

Straight

SPACING RELATIVE TO OTHER BLOCKS: This field only applies to quilts with a block format. Choose the best description for how the quilt blocks are set together. Sashings are strips of fabric that separate the quilt blocks from one another.

Separated by cornerstones or connecting blocks sashing (different fabric in intersection); Separated by inner only sashing (no sashing along outer edge of outer blocks)

NUMBER OF DIFFERENT BLOCK PATTERNS PRESENT: Enter the number of different block patterns used in the quilt.

1

BLOCK STYLE: Some patterns use the same shape template throughout the quilt (i.e. Charm quilts, Grandmother Flower Garden, Brick wall, Lone Star). If this applies to your quilt, choose the best description.

Same block throughout; Squares

NUMBER OF BORDERS: Borders are the strips of fabric that are added after the blocks (and sashings) are put together. They appear on the outside edges of the quilt. Quilts often have multiple borders. Enter the number of borders on the quilt.

1 border at top and bottom only

BORDER DESCRIPTION: Describe the style of the borders (i.e. pieced, appliquéd, stenciled) and the width of each border, from the inside to the outside.

plain brown bad at top and bottom; no border on sides

FABRIC FIBER TYPES USED IN QUILT TOP: Choose all the types of fiber that are used to make the quilt top. Use ctrl + click to choose more than one.

Cotton

FABRIC TYPES USED IN QUILT TOP: Choose all the types of fabric that are used to make the quilt top.

Muslin

FABRIC PATTERNS, STYLES, MOTIFS, OR PRINT CATEGORIES USED IN QUILT TOP: Choose all the types of prints that are used to make the quilt top. Use ctrl + click to choose more than one.

Print; Solid/plain

OTHER FIBER, FABRIC OR FABRIC PRINT TYPES USED: Describe any fibers used in the quilt top that do not appear in Field 37, including any unique characteristics of fiber, fabric, or fabric prints used. There is a separate Field (38g) for embellishments.

strawberry print

CONSTRUCTION TECHNIQUES USED IN QUILT TOP: PIECING TECHNIQUES: Choose the piecing method used to make the quilt. Use ctrl + click to choose more than one. Skip the question if no piecing appears on the quilt.

Hand Piecing

CONTAINS PAPER REMAINS: This field is for quilts that have been either string pieced on a paper foundation or English template pieced. Choose yes if you can feel or see paper on the quilt that was used as a construction aid.

no

FABRIC FIBER TYPES USED IN QUILT BACK: Choose the fiber type used to make the quilt back. Use ctrl + click to choose more than one.

Cotton

COLOR OF BACKING: Enter all colors that are found in the quilt backing. Use ctrl + click to choose more than one.

White

DESCRIPTION OF BACK: Choose the best description for the back of the quilt. Use ctrl + click to choose more than one.

Same fabric used throughout; Solid/plain

WIDTH OF QUILT BINDING: Choose the width (in inches) of the binding of the quilt. Measure from the front side only.

less than a half inch

QUILTING TECHNIQUES USED: Choose the technique that best describes the way the quilt layers are held together. Use ctrl + click to choose more than one.

Hand quilting

THREAD TYPE: Describe the fiber content or type of quilting thread used on the quilt.

cotton

THREAD COLOR: Enter the color(s) of thread used to hold the quilt layers together.

white

QUILTING DESIGNS USED: MOTIFS/OVERALL PATTERNS: Choose the overall quilt design found on the quilt top. Use ctrl + click to choose more than one.

Other

QUILTING DESIGNS USED: DECORATIVE PATTERNS: Choose the decorative quilt design found on the quilt top. Use ctrl + click to choose more than one. Skip the question if none of the designs appear on the quilt.

Other

PLEASE DESCRIBE OTHER QUILTING DESIGNS USED: Describe any quilting designs that appear on the quilt, but were not listed in a previous field.

Arrowheads quilted into the corners of each block; around one block are three two-pronged arrowheads quilted into the sashing and irregularly spaced. Outline quilting in each diamond.

ANY OTHER FEATURES OR NOTES ABOUT THE QUILT'S APPEARANCE, MATERIALS OR CONSTRUCTION: Describe anything about the physical appearance of the quilt that wasn't already recorded in a previous field.

Quilt contains 1500 small pieced diamonds and the diamond shape is repeated in the quilting pattern. In three blocks gray replaces strawberry print in diamonds. Quilt offers optical illusions: for example, the four-pointed white star centered with a red square and bisected with green sashing gives an entirely different look to this quilt. Teepee motif is thoroughly American.

QUILT TOP MADE BY: Enter the name of the person(s) who made the quilt top. Names must be listed last name first, followed by first name and middle name or initials; last name should be followed by a comma and space.

Findley, Mary Jane Reese

QUILTED BY: Enter the name of the person(s) who quilted the top. Names must be listed last name first, followed by first name and middle name or initials; last name should be followed by a comma and space.

Findley, Mary Jane Reese

CITY: Enter the name of the city where the quilt was made. Skip the question if you don't know where the quilt was made.

Harmony Hill

COUNTY: Enter the name of the county where the quilt was made. Skip the question if you don't know where the quilt was made.

Rusk

STATE: Enter the name of the state where the quilt was made. Skip the question if you don't know where the quilt was made.

Texas (TX)

COUNTRY: Enter the name of the country where the quilt was made. Skip the question if you don't know where the quilt was made.

United States

HOW WAS QUILT ACQUIRED BY OWNER: Choose the best description for how the owner acquired the quilt. Use ctrl + click to choose more than one. Skip the question if you don't know how the owner acquired the quilt.

Inheritance

OCCASION, DATE, PERSON INHERITED FROM, ETC: If the quilt was inherited, enter any information you know about the inheritance. Skip the question if the quilt was not passed on through a family.

The quiltmaker made this quilt for her hope chest in 1885, the same year she married. She outlived her husband and three sons. The quilt passed to the present owner's mother, who passed it on to her.

ANY ADDITIONAL STORIES OR NOTES ABOUT THE QUILT'S OWNERSHIP OR HISTORY: Describe anything about the history of the quilt that wasn't already recorded in a previous field.

The quiltmaker also sewed and did embroidery. She was known a "brave, neat, and Christian woman."

QUILTMAKER'S REASONS FOR MAKING THE QUILT: If the quilt was made for a specific purpose, choose the reason from the list. Use ctrl + click to choose more than one.

Wedding

QUILT WAS ORIGINALLY DESIGNED TO BE USED AS: Not all quilts were made for beds. Choose how the quilt was originally used. Use ctrl + click to choose more than one.

Bedding, special occasion

QUILT IS PRESENTLY USED AS: Choose how the quilt is being used by the present owner. Use ctrl + click to choose more than one.

Keepsake/memento

SOURCE OF QUILT'S MATERIALS: Choose how the quilt maker acquired the fabric for this quilt. Use ctrl + click to choose more than one.

Sewing scraps

QUILT TOP PATTERN SOURCE: Choose where the quilt maker found the pattern for this quilt. Use ctrl + click to choose more than one.

Public domain/traditional pattern; Traditional pattern variation

OTHER TOP PATTERN SOURCE(S): If you chose Other, please explain where the pattern was found.

Based on the Sugar Loaf pattern

EXHIBITIONS (LIST ALL): List all known exhibits where this quilt has been displayed including: Title, Location, Dates, Venue of Exhibit and Catalog Title or publications, if applicable. Use this field for all information.

One of 62 Texas quilts exhibited in “Lone Stars: A Legacy of Texas Quilts, 1836-1936,” Texas State Capitol Rotunda, Austin, Texas, April 19-21, 1986.

OWNERSHIP OF THIS QUILT IS: Choose whether the quilt is owned by a person (private) or a museum or public collection.

Private

NAME OF QUILT OWNER: Add name of Quilt Owner if public other.

Ann Thomas Williams

QUILT OWNER STATE: State of current quilt owner.

Texas (TX)

QUILT OWNER COUNTRY: Country of current quilt owner

United States

OTHER RELATED ITEMS SUCH AS IMAGE, ORAL HISTORY, OR EPHEMERA: Use this box to list other materials that exist about this quilt. This may include oral history, articles, additional photos or publications, etc.

Bresenhan, Karoline Patterson and Nancy O'Bryant Puentes, Lone Stars: A Legacy of Texas Quilts, Vol. I, 1836-1936 (Austin: University of Texas Press), p. 94-95.

QUILTMAKER'S MAIDEN NAME: Enter the maiden name of the quilt maker.

Reese, Mary Jane

GENDER: Choose the gender of the quilt maker(s). Use ctrl + click to choose more than one.

Female

BIRTH DATE: Enter the birth date of the quilt maker (as mm-dd-yyyy or c.yyyy, e.g. c.1965).

12/10/1865

DEATH DATE, IF APPLICABLE: Enter the date of death of the quilt maker (if applicable, as mm-dd-yyyy or c.yyyy, e.g. c.1965).

04/18/1959

OCCUPATION: Enter the occupation of the quilt maker (if retired, former occupation).

homemaker

QUILT MAKER'S BIRTH CITY AND/OR COUNTY: Name of the city where the quilt maker was born.

Harmony Hill, Rusk County

QUILT MAKER'S BIRTH STATE: Select the state of the quilt maker's birth.

Texas

QUILT MAKER'S COUNTRY OF BIRTH: Select the quilt maker's country of birth, if known.

United States

IN WHICH KIND OF ENVIRONMENT DID THE QUILTMAKER GROW UP: Choose the kind of environment the quilt maker(s) are from. Use ctrl + click to choose more than one.

Rural

SPOUSE'S/SPOUSES' OCCUPATION(S): Enter the occupation of the quilt maker's spouse.

farmer

NUMBER OF CHILDREN: Enter the number of children of the quilt maker.

3

NUMBER OF MALE CHILDREN: Enter the number of sons of the quilt maker.

3

AVAILABLE SOURCES FOR QUILTMAKER: List other source materials about this quiltmaker such as photos, oral histories, book or newspaper publications, fame for some other reason or event.

Texas Sesquicentennial Quilt Association’s Texas Quilt Search Archives

PHOTO CREDIT: Credit for photographer.

Sharon Risedorph

ACCESS AND COPYRIGHT INFORMATION FOR IMAGE: Choose whether this TIF is available to use other than in this database.

Restricted

FOR HOLDER OF COPYRIGHT, CONTACT: Enter the name of the person or institution that owns the copyright to the image.

Assistant Director Winedale

Details

  • img