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Understanding Quilt-Specific Colors: Indigo Blue
Each of these color galleries represents a color given as a value for “Quilt-Specific Colors” in the Quilt Index Comprehensive Fields. Very specific “quilty” colors often reveal specific fabrics, a specific historical time period, or a particular quilting method. The quilts pictured in these galleries range from the late eighteenth century to the 1940s, and illustrate a wide variety of fabrics and techniques. Some quilts contain examples of more than one of these colors and thus appear in more than one gallery. In addition to these galleries, a good reference for learning more about quilt-specific colors is Eileen Jahnke Trestain’s book, Dating Fabrics: A Color Guide, 1800-1960.
Indigo Blue
Indigo dye has a long history in the United States, and was used in quiltmaking from the eighteenth century onward. In the period before 1830, indigo blue dye was very dark, often appearing black or violet, especially in digital images. Wool and flax were often dyed with this early indigo blue and used as a solid in wholecloth quilts and calamanco. Throughout much of the rest of the nineteenth century indigo blue was often seen as the background in prints, sometimes with the overlaying print in chrome yellow or orange. Indigo continued to be common in cotton fabrics through the Edwardian period. Today, indigo blue dyes very similar to those made in the eighteenth and nineteenth centuries are still common in African quiltmaking and are sometimes used in contemporary American art quilts.
In addition to these galleries, a good reference for learning more about quilt-specific colors is Eileen Jahnke Trestain’s book, Dating Fabrics: A Color Guide, 1800-1960.
Indigo Blue
Indigo dye has a long history in the United States, and was used in quiltmaking from the eighteenth century onward. In the period before 1830, indigo blue dye was very dark, often appearing black or violet, especially in digital images. Wool and flax were often dyed with this early indigo blue and used as a solid in wholecloth quilts and calamanco. Throughout much of the rest of the nineteenth century indigo blue was often seen as the background in prints, sometimes with the overlaying print in chrome yellow or orange. Indigo continued to be common in cotton fabrics through the Edwardian period. Today, indigo blue dyes very similar to those made in the eighteenth and nineteenth centuries are still common in African quiltmaking and are sometimes used in contemporary American art quilts.
In addition to these galleries, a good reference for learning more about quilt-specific colors is Eileen Jahnke Trestain’s book, Dating Fabrics: A Color Guide, 1800-1960.
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Documentation Project
Minnesota Quilt Project Minnesota Quilters Inc.
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Documentation Project
Connecticut Quilt Search -
Museum
National Quilt Museum -
Documentation Project
Michigan Quilt Project Michigan State University
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Museum
Michigan State University Museum Michigan Quilt Project
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Gallery
Understanding Quilt-Specific Colors: N...
Sikarskie, Amanda Grace
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1901-1929
Bear Paw Monkemeier, Mary Ma...
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1876-1900
pineapple -
1876-1900
double 9-patch or... -
ocean wave -
1876-1900
snowball -
1876-1900
mariner's compass... -
1876-1900
strippy quilt -
1901-1929
drunkard's path -
1876-1900
monkey wrench -
1901-1929
Irish chain Beckham, Mary Bebe ...
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1901-1929
triangles Beckham, Mary Bebe ...
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1876-1900
Checkerboard (36 ... -
1850-1875
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1876-1900
9 patch Page, Ida Gates
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1901-1929
Album Quilt -
1876-1900
Indigo Star, Appa... -
1876-1900
Double Irish Chai... Burns, Agnes
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1901-1929
Signature Quilt Richfield Methodist...
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1901-1929
Irish Chain -
1800-1849
Johnson Wedding Q... -
1811
Indigo wool whole... Bailey, Mary; Baile...
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1800-1849
Calamanco Paine, Betsy
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Pre-1799
Calamanco Rising, Asenath
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c1900
Pinwheel Blakeslee, Martha
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c1880
Rising Sun Ganong, Nancy
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1876-1900
Bursting Star and... Durkee, Mary Elizab...
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1897
Album Quilt -
Boxes Unknown, purchased ...
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ca 1970
Good Fortune -
c2001
Venda Folk Tale
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