{"took":10,"timed_out":false,"_shards":{"total":6,"successful":6,"skipped":0,"failed":0},"hits":{"total":{"value":98,"relation":"eq"},"max_score":null,"hits":[{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"t61hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-10","description":"One of five wholecloth quilts made by Gasperik, which like the others, showcases her fine quilting.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"007","TypeObjF008":"Finished quilt","OwnerNameF010":"Wholecloth Quilt (Doris)","AltNameF011":"Salmon Whole Cloth","OverallWidthF12a":"34 inches","OverallLengthF012b":"45 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Pink"],"OverallColorF14b":["One color/monochromatic"],"OverCondF015":"Excellent/like new","ContInscripF020":"MARY GASPERIK
\r\n1411 W. 174 ST
\r\nEAST HAZEL CREST
\r\nILLINOIS","LocInscripF022":["on back"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1940s","OtherExDateF023d":"1940s","OtherDateF023e":"Merikay Waldvogel","LayFormatF024":"Wholecloth","BordDescF034":"Quilting forms a border on all four sides.","FiberTypesF035":["Rayon"],"FabricTypeF036":["Satin"],"UniqueF037b":"Tafetta","FabFiberTypesF040":["Synthetic"],"ColorBackingF040b":["Blue or Navy"],"DescBackF043":["Same fabric used throughout","Solid/plain"],"QuiltTechF049":["Hand quilting"],"ThrColorF049b":"bright pink","KnotsF051b":"no","DesignF052b":["Feathering","Floral","Vines","Wreaths"],"DesignF052c":["Grid/crosshatch","Other"],"DesignF052d":"Lines radiate out from center oval wreath.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"ReasonsF060":["Baby or crib"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Pattern"],"CommSourceF064b":"Possibly McCall - not yet identified.","PattSourceF065":["Commercial pattern"],"ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nAttached cloth East Hazelcrest address label means it was probably sent to an Illinois State Fair.","ContestListF071a":"Illinois State Fair, unknown year (because of attached fabric Gasperik address label. It is believed that Gasperik moved to East Hazelcrest in late 1948.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","OwnershipF082":"Private","OwnerNameF082a":"Elmer Gasperik heirs - Kathy Jacob contact.","OwnerCountryF086b":["United States"],"IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-10/48-7C-1E.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-10/48-7C-1E-1.jpg"],"Detail 1 Caption":"another view","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-19","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0j0-a","Maker Associator":"18-47-2","Pattern":"WHOLECLOTH QUILT DORIS","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-1E","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:34","updated_at":"2024-02-26 14:31:27"},"sort":["WHOLECLOTH QUILT DORIS"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"tK1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-7","description":"Of the five wholecloth quilts by Gasperik, this is the only one made for a full-size bed. The wear on it indicates that it was heavily used, probably by Gasperik herself, on her own bed. A transfer pattern with a center medallion quiltING layout such as McCall Kaumagraph Transfer Pattern #1811 may have been the design source for Gasperik's quilting in this and possibly another wholecloth quilt.","essay":"There may be other, as yet unidentified, McCall patterns which can explain ALL of the Gasperik wholecloth quilts. McCall was a source Gasperik regularly consulted. Her spectacular Indiana Wreath quilts (#011, #032, #043 and #063) were based on McCall Quilt Pattern #524. Her Tree of Life Quilts (#031, #044 and #065) used a McCall crewelwork pattern. And her Grandmother's Fan (#051) may also have been a McCall pattern. A Susan Salser memory: "My sister Karen remembers seeing this quilt as an everyday quilt on grandma's bed at the house on Cottage Grove. My mom brought me this one at the same time (and with the same apologies) that she brought me Double Trellis. I was pretty dismayed, wondering what she was giving my sisters, but she also gave me 7 of grandma's quilt books because I was showing signs of taking up quilting myself . . . so all is forgiven."","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"042","TypeObjF008":"Finished quilt","QuiltTitleF009":"Wholecloth Quilt","OwnerNameF010":"Rayon Wholecloth Quilt (Susan)","OverallWidthF12a":"74 inches","OverallLengthF012b":"91 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Rounded","PredomColorsF014":["Pink"],"OverallColorF14b":["One color/monochromatic"],"OverCondF015":"Fair/worn","DamageF016":["Distortion or shrinkage","Uneven batting"],"RepairHistF018":"The wear on it indicates it was heavily used. ","DateQuiltF023":"1930-1949","OtherDateF023e":"Merikay Waldvogel","LayFormatF024":"Wholecloth","FiberTypesF035":["Rayon"],"FabricTypeF036":["Satin"],"FabPrintF037":["Solid/plain"],"FabFiberTypesF040":["Satin/Sateen"],"ColorBackingF040b":["Pink"],"NumPiecesF042":"2","WidthPiecesF042a":"37\", 37\"","DescBackF043":["Same fabric used throughout","Solid/plain"],"MatUsedF044":["Other"],"FabStrucF045":["Satin"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","BattLoftF048a":"Thin (Less than 3/16","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","NumStitchedF050":"8","NumStitchF051":"8","WidthF051a":"1\" (most dense) 4\" (least dense), unusually wide for Gasperik.","KnotsF051b":"no","DesignF052b":["Feathering","Wreaths"],"DesignF052c":["Parallel lines"],"QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Elsie brought this to Susan around 1968-69, at the same time she gave Susan 1933 Double Trellis (#041). When she gave them to Susan she said she thought they should be preserved, even though she said Gasperik herself had asked Elsie to discard them, and even though they are very inferior examples of Gasperik's work. ","ReasonsF060":["Home decoration"],"QDesignF060b":["Bedding, special occasion"],"OtherQDesignF061a":"It is thought that Gasperik used this quilt on her own bed, perhaps as an everyday bed covering.","PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Pattern"],"PattSourceF065":["Commercial pattern"],"CommSourceF065b":"Possibly McCall Kaumagraph Transfer Pattern #1811","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n\r\nMerikay Waldvogel \"One American Dream Comes True\" Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Envelope Cover: McCall Kaumagraph Transfer Pattern #1811 (Collection of Susan Salser).","OwnershipF082":"Private","OwnerNameF082a":"Susan Krueger Salser","OwnerCountryF086b":["United States"],"IdentPersonF006":["Quilt owner","Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 S. Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-7/quiltiGasperik-a0a0j1-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-7/48-7C-1B-224-quiltiGasperik-a0a0j1-b_13049.jpg"],"Detail 1 Caption":"label","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-20","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0j1-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-81","Pattern":"WHOLECLOTH QUILT","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-1B","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:32","updated_at":"2024-02-23 19:07:39"},"sort":["WHOLECLOTH QUILT"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"ta1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-8","description":"Made for grandchild Karen Krueger, this is one of four crib-size wholecloth quilts Gasperik made. Karen's son Andy used the quilt as a security blanket until it ceased to exist in 1958. The quilt survives only as a photograph. The corner quilting motif on this quilt closely resembles McCall No. 1811Transfer Design for Quilt, 66 x 78 inches (yellow or blue). Price 75 cents. Even the advertising for the McCall pattern seems apropos to the Gasperik quilt: "Whether you use soft, lustrous silk, or rayon or any other synthetic fiber fabrics for the top of the quilt, you will find the graceful shell-and-feather design and the wide diamond quilting easy to follow and little work... full directions with transfer." (Complete Catalogue of McCall Designs, December 1931, p. 49.)","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"078","TypeObjF008":"Finished quilt","QuiltTitleF009":"Wholecloth Baby Quilt ","OwnerNameF010":"Wholecloth Baby Quilt (Karen)","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Gold","Green"],"OverallColorF14b":["One color/monochromatic"],"OverCondF015":"Unknown/Not Rated","DamageF016":["Other"],"OtherDamageF016a":"After much use by great-grandson Andy, it wore out.","RepairHistF018":"Only record of the quilt is the attached b/w photo.","DateQuiltF023":"1930-1949","DateFinishF023b":"1937","FamDateF023c":"1937","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"On back of photo is written \"Green and gold baby quilt for Karen 1937 -- in Elsie Gasperik Krueger's handwriting. And \"used by son Andy 1957--ceased to exist 1958\" in Karen Krueger Finn's handwriting. ","LayFormatF024":"Wholecloth","FiberTypesF035":["Rayon","Other synthetic"],"FabricTypeF036":["Satin"],"FabFiberTypesF040":["Satin/Sateen"],"ColorBackingF040b":["Gold"],"QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052a":["Grid diamond","Single parallel lines"],"DesignF052b":["Feathering","Wreaths","Other"],"DesignF052c":["Parallel lines"],"DesignF052d":"Large feather fan design at each corner. The quilted feathered wreath in the center of this quilt is the same design seen on quilt #027, which Gasperik made for her next Gasperik grand-daughter, Linda Krueger, a bit over a year later. Linda's quilt survives.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"ReasonsF060":["Baby or crib"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Other"],"OthPresUseF062a":"Quilt was accidentally destroyed. ","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Pattern"],"PattSourceF065":["Commercial pattern"],"CommSourceF065b":"Possibly McCall No. 1811 Wholecloth pattern","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"McCall No. 1811 (collection of Susan Salser). This is a transfer pattern for making a large quilt - 66 x 78. Complete Catalog of McCall Design, December 1931, p49 presents a corner of the pattern and reference to the \"graceful shell and feather design\" seen on this quilt and Gasperik #042 (a large pink satin wholecloth quilt). That 1931 McCall counter catalog is in the collection of Susan Salser.","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Black and White","SourceF077":"CD-ROM","photocredit079a1":"unknown, family photo","AccessF080":"Restricted","HolderF080a":"Hank Finn","CopyRestF080c":"Karen Finn","DistribRestF080d":"Karen Kinn","DisplayResF080e":"Karen Finn","LicenseF080f":"Karen Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-8/48-7C-1C.jpg"],"verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-21","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0j2-a","Maker Associator":"18-47-2","Pattern":"WHOLECLOTH BABY QUILT ","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-1C","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:33","updated_at":"2024-02-23 19:07:39"},"sort":["WHOLECLOTH BABY QUILT "]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"-q1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-81","description":"Mary Gasperik is known to have made at least five taffeta or rayon wholecloth quilts, four of which survive. See also #007, #027, #042 and #078. This one is owned by grand-daughter Joanne Gasperik, who dearly treasures it as a tangible link to her quilting heritage.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"079","TypeObjF008":"Finished quilt","QuiltTitleF009":"Wholecloth Baby Quilt","OwnerNameF010":"Satin Wholecloth Baby Quilt (Joanne)","OverallWidthF12a":"44 inches","OverallLengthF012b":"59 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Pink"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Excellent/like new","DateQuiltF023":"1930-1949","DateFinishF023b":"1949-before","FamDateF023c":"Pre 1949","OtherDateF023e":"Merikay Waldvogel","NumBordersF033":"None","BordDescF034":"Quilted feathered border.","FiberTypesF035":["Rayon"],"FabPrintF037":["Solid/plain"],"FabFiberTypesF040":["Synthetic"],"ColorBackingF040b":["Blue or Navy"],"DescBackF043":["Same fabric used throughout"],"QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052b":["Feathering","Wreaths"],"DesignF052c":["Grid/crosshatch"],"QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ReasonsF060":["Baby or crib"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"PattSourceF065":["Published material"],"CommSourceF065b":"QuiltING design Q517B from Colonial Quilts by Hubert Ver Mehren/Home Art Studios is quilted into the four corners.","AddNotesF066":"The large quilted wreath forming the centerpiece of this quilt is from a pattern Gasperik also used as the centerpiece of her morning glory quilts (see #009, #016, #026 and #062). Although the pattern very closely resembles a 14\" by 17\" oval quilted wreath pattern offered by Hubert Ver Mehren (as #521 in Colonial Quilts and #5210 in Hope Winslow's Qult Book) Gasperik's wreath, although having the same proportions, is larger. ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","OwnershipF082":"Private","OwnerNameF082a":"Joanne Gasperik","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"2007-09-11","DateF079_era":"CE","photocredit079a1":"Joanne Gasperik","DigDateF079a_era":"CE","DigDateF079a":"2007-09","AccessF080":"Restricted","HolderF080a":"Joanne Gasperik","CopyRestF080c":"Joanne Gasperik","DistribRestF080d":"Joanne Gasperik","DisplayResF080e":"Joanne Gasperik","LicenseF080f":"Joanne Gasperik","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-81/48-7C-66.jpg"],"verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-21","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0h6-a","Maker Associator":"18-47-2","Pattern":"WHOLECLOTH BABY QUILT","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-66","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:21","updated_at":"2024-02-23 19:07:39"},"sort":["WHOLECLOTH BABY QUILT"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"-61hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-82","description":"This wholecloth quilt, one of five by Gasperik, was made in 1937-38 for the birth of a grand-daughter who still treasures it today. See also #007, #042, #078 and #079.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"027","TypeObjF008":"Finished quilt","QuiltTitleF009":"Wholecloth Baby Quilt","OwnerNameF010":"Pink Satin Wholecloth (Linda)","AltNameF011":"Satin Whole Cloth","OverallWidthF12a":"34 inches","OverallLengthF012b":"51 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Pink"],"OverCondF015":"Excellent/like new","DateQuiltF023":"1930-1949","DateFinishF023b":"1937-1938","FamDateF023c":"1937-1938","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Quilt made for grand-daughter born in January 1938.","LayFormatF024":"Medallion or framed center","NumBordersF033":"None","FabricTypeF036":["Satin"],"FabPrintF037":["Solid/plain"],"FabFiberTypesF040":["Satin/Sateen"],"ColorBackingF040b":["Pink"],"DescBackF043":["Solid/plain"],"QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052a":["Grid diamond"],"DesignF052b":["Feathering","Wreaths"],"DesignF052c":["Grid/crosshatch"],"DesignF052d":"The pattern used for the large quilted wreath will be identifiable by the unusual way the rows of feathering meet in the center top and center bottom.","FeaturesF053":"Gasperik uses the blank canvas of this wholecloth quilt to exhibit her quilting expertise. An oval feathered wreath fills the center. Smaller circular wreaths are in each corner.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Quilt given to owner at time of her birth.","ReasonsF060":["Baby or crib"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Unknown"],"AddNotesF066":"Pattern source is not known. Comparison to McCall Kaumagraph patterns as well as to Eleanor Beard and Wilkinson Sister quilt designs might be informative.","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Linda MacLachlan has the original white percale cover for her quilt. It is eyelet trimmed and has a central cut-out in the shape of the middle medallion.","OwnershipF082":"Private","OwnerNameF082a":"Linda Krueger MacLachlan","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-82/48-7C-67.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-82/48-7C-67-224-quiltiGasperik-a0a0h7-b_13049.jpg"],"Detail 1 Caption":"another view","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-27","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0h7-a","Maker Associator":"18-47-2","Pattern":"WHOLECLOTH BABY QUILT","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-67","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:22","updated_at":"2024-02-23 19:07:39"},"sort":["WHOLECLOTH BABY QUILT"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"4a1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-54","description":"This quilt is one of a pair. Its twin, a quilt called What Are Little Boys Made Of was made for Karen's sister Linda and is long missing. Gasperik made matching pillow shams, now lost, with appliqué bows like those on the quilts. Gasperik used this pattern set on four different quilts. The pair of doll quilts, using the little girl (#054) and little boy figures (#075) is probably her first use of the pattern (~1940). Gasperik reused the pattern for the little girl in child's quilt Sugar and Spice (#008) given to another grand-daughter. Still later, in 1957, she resurrected the pattern for the little boy to create a child's quilt for her first great-grandson (#058).","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"054","TypeObjF008":"Finished quilt","QuiltTitleF009":"What Are Little Girls Made Of?","OwnerNameF010":"What Are Little Girls Made Of?","OverallWidthF12a":"22 inches","OverallLengthF012b":"24 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Red","White","Yellow"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Very good/almost new","DateQuiltF023":"1930-1949","DateFinishF023b":"1940","FamDateF023c":"1940","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"A family photo shows Gasperik, and Elsie showing the pair of doll quilts 'What Are Little Girls Made Of?' and 'What Are Little Boys Made Of?' to their recipients: Karen and Linda Krueger. ","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"a nursery rhyme","NumBordersF033":"1","BordDescF034":"Wide quilted border surrounds the center block.","FiberTypesF035":["Cotton"],"FabPrintF037":["Dotted","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052a":["All-over-design","Other"],"DesignF052d":"Straight lines of quilting radiate out from behind the center of the figure of the girl except in the triangular area above the girl's head, where the quilting consists of diamond crosshatching, a metaphorical halo.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"This quilt was made for its owner, Karen Krueger Finn","ReasonsF060":["Gift or presentation"],"QDesignF060b":["Doll quilt/toy"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","TopSourceF064":["Unknown"],"ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Family photo (circa 1940) exists of the two quilts \"Little Girls\" and \"Little Boys\" versions -- with Mary Gasperik, her daughter Elsie, and her two granddaughters Linda and Karen Krueger.","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club; The Detroit News Quilt Club Corner","LocGroupF121":"Chicago, IL; Detroit, MI","SpecialGroupF122":"Group showings of quilts and quilting demonstrations (Chicago). National quilt shows and contests (Detroit).","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-54/48-7C-4C.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-54/54-MaryStephendoll1940.jpg"],"Detail 1 Caption":"Stephen and Mary Gasperik, c1940 with the Sugar and Spice quilt.","Detail 2":["https://kora.quiltindex.org/files/18-14-54/54a.jpg"],"verify":"yes","verifiedby":"Salser, Susan","dateverified":"2009-01-14","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0f0-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-56","Pattern":"WHAT ARE LITTLE GIRLS MADE OF","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-4C","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:04","updated_at":"2024-02-26 14:31:27"},"sort":["WHAT ARE LITTLE GIRLS MADE OF"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"ua1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-12","description":"This missing quilt made for granddaughter Linda Krueger is a mate for Karen Krueger's What Are Little Girls Made Of? which still survives. The b/w photo is cropped from a larger photo (circa 1940) which shows the quiltmaker, her daughter Elsie and the two grand-daughters with the two quilts.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"075","TypeObjF008":"Finished quilt","QuiltTitleF009":"What Are Little Boys Made Of? ","OwnerNameF010":"Doll Quilt (Linda)","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Red","White","Yellow"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Unknown/Not Rated","DateQuiltF023":"1930-1949","DateFinishF023b":"1940","FamDateF023c":"1940","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"made at the same time as quilt #054, a quilt which survives.","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"a nursery rhyme","NumBordersF033":"1","BordDescF034":"Wide quilted border surrounds the center block.","FiberTypesF035":["Cotton"],"FabPrintF037":["Dotted","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["All-over-design","Other"],"DesignF052d":"Straight lines radiate out from the quilt center.","FeaturesF053":"The same fabrics and quilting appear on this doll quilt and its mate, quilt #054, a quilt called What Are Little Girls Made Of?","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"QuiltHistF059":"Whereabouts of quilt is not known. Quilt was traded away by three-year-old grand-daughter Linda Krueger. It was retrieved by her mother Elsie Krueger. Later it was lost for good. ","ReasonsF060":["Baby or crib"],"QDesignF060b":["Doll quilt/toy"],"PresUseF062":["Unknown"],"TopSourceF064":["Commercial/Published source: Kit"],"PattSourceF065":["Kit"],"AddNotesF066":"The pattern source for this quilt which has not yet been found may be the same for #008, #054 and #058. ","ContestListF071a":"Either this quilt, quilt #054, or both quilts (#075 and #054) probably exhibited at the (May) 1940 Detroit News quilt show. Although early Detroit quilt shows regarded the category \"childrens quilts\" as meaning quilts made BY children, at the 1940 show this had become quilts made FOR children. These would have qualified.\r\n

\r\nA May 3, 1940 letter to Gasperik from Edith B. Crumb of The Detroit News (and director of its quilt club and shows) reads: \"I was so glad to hear from you and know for certain that you are planning to attend the show. Of course, the doll's quilt may be entered under the children's section. I think there are going to be quite a lot of doll's quilts at the show. Everybody is going to be delighted to see your Hungarian Girls quilt, because that little block you sent me was borrowed by a great many. I am looking forward to seeing you at the show. Sincerely...\"\r\n

\r\nGasperik made third doll quilt - for granddaughter Susan Krueger (#038) - but it was made after 1940.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Family photo (circa 1940) exists of the two quilts \"Little Girls\" and \"Little Boys\" versions -- with Mary Gasperik, her daughter Elsie, and her two granddaughters Linda and Karen Krueger.","OwnershipF082":"Private","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","photocredit079a1":"uunknown, family photograph","DigDateF079a":"2008-05-14","DigDateF079a_era":"CE","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-12/quiltiGasperik-a0a0i1-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-12/54a.jpg"],"Detail 1 Caption":"Family photo (circa 1940) exists of the two quilts \"Little Girls\" and \"Little Boys\" versions -- with Mary Gasperik, her daughter Elsie, and her two granddaughters Linda and Karen Krueger.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-21","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0i1-a","Maker Associator":"18-47-2","Pattern":"WHAT ARE LITTLE BOYS MADE OF ","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-22","project_id":"18","form_id":"14","owner":"0","created_at":"2020-04-25 20:01:35","updated_at":"2024-02-26 14:31:27"},"sort":["WHAT ARE LITTLE BOYS MADE OF "]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"5K1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-57","description":"In this crib quilt made for a great-grandson, she again revamped a 1930s pattern. See also Tuley Park Quilt Club and Detroit News Quilt Club#054, #075 and #008.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"058","TypeObjF008":"Finished quilt","QuiltTitleF009":"What Are Little Boys Made Of?","OwnerNameF010":"What are Little Boys Made Of?","OverallWidthF12a":"48 inches","OverallLengthF012b":"72 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Gold","Gray","Green","Lavender","Rust","White"],"OverallColorF14b":["Multicolor"],"OverCondF015":"Excellent/like new","TypeInscripF019":["Message"],"ContInscripF020":"\"What Are Little Boys Made Of\" and \"Yankee Doodle\" and \"Simple Simon\"","MethodInscripF021":["Embroidery"],"LocInscripF022":["other"],"OtherLocInscripF022a":"On front -- one per little boy figure.","DateQuiltF023":"1950-1975","DateFinishF023b":"1957","FamDateF023c":"1957","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Quilt for a great grandson born in 1957.","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"nursery rhymes","NumBordersF033":"One","BordDescF034":"One wide green border on four sides. Just inside the green fabric border is a quilted border of feathering on white ground.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain","Striped"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery","Other embellishment technique"],"UniqueF038h":"The boys' garments include 'real' pockets and buttons.","EmbMatF039":["Buttons attached"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","BattLoftF048a":"Thin (Less than 3/16","QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052a":["Grid square","Patches outlined/in the ditch","Other"],"DesignF052b":["Feathering","Wreaths","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines","Other"],"DesignF052d":"The quilting in the top half of the quilt resembles Gasperik's 'Indiana Wreath', including the large elaborate quilted cornucopias spilling fruit and flowers as well as the embedded feathered heart and feathered wreaths. In the lower half of the quilt Gasperik took her inspiration from the applique Simple Simon fisher-boy. She quilted elaborate wave patterns with embedded sailboats (2) and fish (3). ","FeaturesF053":"It looks like two separate commercial sources were consulted in the design of the quilt top: one a pattern set for depicting nursery rhymes; and the other a kit containing the distinctive set of colored striped fabrics forming the applique flowers. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"East Hazelcrest","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Given by Gasperik to her grand-daughter Karen in celebration of the birth of Karen's first child, Andy, who was also Gasperik's first great-grandchild.","ReasonsF060":["Baby or crib"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Unknown"],"PattSourceF065":["Published material"],"CommSourceF065b":"Feathered wreath (Pattern B4 Grandmother's Perforated Quilting Patterns Package #32 WLM Clark, St. Louis, MO).
Fish quilted three times on this quilt is from Sheet 8 of Wonder Package (Embroidery Designs) (Chicago, IL, 1933).","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","ContestListF071a":"First prize, best novelty quilt, Illinois State Fair, 1957.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Sheet of embroidery transfers (with Fish) from The Wonder Package (Donald F. Duncan Inc., Chicago, 1933). Patterns found in this boxed package were also used to make the Japanese style lettering found in quilts: #020, #029, #040, #047, and #059, as the moon shaped appliques forming the four corners of quilt #048. The Wonder Package was available through The Detroit News, as well as newspaper advertisements.\r\n

\r\nIllinois State Fair 1957 blue ribbon (private collection of Karen Finn).\r\n

\r\nThere is a family photograph showing young Andy Finn (for whom this quilt was made) with his great grandmother (who made it). In the photograph Gasperik is showing her great-grandson the quilt called Road to Recovery (#066). Gasperik's daughter Elsie is also in the picture.","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"East Hazelcrest","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt show; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"2008-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-57/quiltiGasperik-a0a0f3-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-57/48-7C-4F-224-quiltiGasperik-a0a0f3-b_13049.jpg"],"Detail 1 Caption":"Close-up","Detail 2":["https://kora.quiltindex.org/files/18-14-57/1957-StFairEntryBlank.jpg"],"Detail 2 Caption":"Illinois State Fair Entry form, 1957","Detail 3":["https://kora.quiltindex.org/files/18-14-57/1957-No14003.jpg"],"Detail 3 Caption":"1957 First Place, Best Novelty Quilt","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2009-01-10","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0f3-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-56","Pattern":"WHAT ARE LITTLE BOYS MADE OF","Date":"1950-1975","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-4F","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:06","updated_at":"2024-02-26 14:31:27"},"sort":["WHAT ARE LITTLE BOYS MADE OF"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"261hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-47","description":"Made for a wedding, this quilt is one of the earliest and best documented quilts Gasperik made. She inscribed it with dates and her initials. It was photographed hanging at a 1936 Tuley Park Quilt Show and it was mentioned in a 1936 Detroit News column in which the writer described the Bridal Bouquet quilt as being "from her own design." The quilt was sent to a niece in 1944 in California for her wedding. In 1972, she donated it to the Los Angeles County Museum of Art (Acc. #CR.72.18). Compare this quilt to Bridal Bouquet (#012) made several years later.","essay":"This ‘Bridal Bouquet’ is quilted “1933” on the front, and the year “1936” and initials “MG” are embroidered on the back. "It is from her own design" is the description of this quilt's pattern source presented by Edith B. Crumb in her Detroit News column published on February 11, 1936. The column was about the Mary’s Double Feather Star quilt which arrived too late for a Detroit News quilt show, but it also discussed this Bridal Bouquet quilt. Edith devoted much of her column to the subject of Mary Gasperik. She presents a most delightful account of just how it is that Mary Gasperik discovered Edith's Detroit News Quilt Club Corner. I would like to thank Merikay Waldvogel for sending me a copy of this column. Here is the full quotation concerning this quilt and the story of how Mary Gasperik found Edith B. Crumb and her Detroit Quilt Club Corner:
\r\nBRIDAL BOUQUET DESIGN When that one is finished she has another quilt to put on the frames. It is called the "Bridal Bouquet" and she is planning to give it to her niece as a wedding present. It is from her own design. Perhaps some of you met Mrs. Gasperik at the show last fall. The first she knew about our Quilt Club Corner was one day when she attended the World Series in Chicago. Someone dropped a Detroit News and she picked it up and looked right into our Corner. Then she started to write to us, sent quilts for the show (some of them arrived in time) and she even took the bus over to Detroit so as to be with us two days of the show.
\r\n
\r\nThe 1935 World Series was played between the Chicago Cubs and the Detroit Tigers. Mary Gasperik would have picked up that Detroit News on October 4th, 5th or 6th, 1935. For the next five years she maintained an active correspondence with Edith B. Crumb and was an enthusiastic participant in the Detroit News quilt shows which Edith directed. Edith's support was as important in changing the direction of Mary's life as was the Sears quilt contest and exhibition of quilts at the 1933 Chicago World's Fair! It seems to me that Mary Gasperik made many of her 'best' quilts in this same five-year period.
\r\n
\r\nAn undated typed form letter survives which Mary created in order to participate in the Club's pattern sharing activities. It reads, in full:
\r\nDear _______ Let me welcome you as a new meber [sic] to our Quilt Club Corner. I, too am a new member, having recently joined. I have read of you through the Detroit News. I thought I would drop you a line to ask of you a favor. I am making a State Quilt. I wonder if you would be willing to exchange blocks with me. I would be willing to maki [sic] you a block (in any pattern you choose) if you would make me one. Enclosed you will find a pattern of my block, will you please out line your Name, City and State. If you do this for me, I will make up your block as soon as I receive your pattern. If you know of any body in another State who is willing to exchange blocks with me, would you please let me know. I would be very grateful and appreciate it very much. Hoping to hear from you I remain your Quilting friend. Mary Gasperik 9314 Cottage Grove Chicago Illinois.
\r\n
\r\nNote that Mary spelled the word ‘make’ as “maki”. But this is how my grandmother pronounced the word ‘make’; I remember it vividly!","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Los Angeles County Museum of Art and Mary Gasperik Private Collection Online","InstInvContrNumF004":"074 (LACMA: CR.72.18)","InstInvContrNumF004a":"Los Angeles County Museum of Art Accession Number: CR.72.18","TypeObjF008":"Finished quilt","QuiltTitleF009":"Wedding Quilt","OwnerNameF010":"Wedding Quilt (owned by Los Angeles County Museum of Art, a gift of Mary Bruland)","AltNameF011":"\"Bridal Bouquet\" (Mary Bruland)","BrackmanF011a":"Applique #32.85 Lily of the Valley","OverallWidthF12a":"77 inches","OverallLengthF012b":"90 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Scalloped","PredomColorsF014":["Coral","Cream","Green","White"],"OverallColorF14b":["Light or pastel colors"],"OverCondF015":"Excellent/like new","TypeInscripF019":["Date","Initials"],"ContInscripF020":"\"1933\" quilted in on the front; \"M. G. 1936/ Chicago, Ill.\" embroidered on the back.","DateInscripF020a":" 1933 - 1936","MethodInscripF021":["Embroidery","In the quilting"],"LocInscripF022":["multiple locations"],"OtherLocInscripF022a":"On front and on back","DateQuiltF023":"1930-1949","DateBegunF023a":"1933","DateFinishF023b":"1936","FamDateF023c":"1936","OtherExDateF023d":"1936","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"In addition to the embroidered dates on the quilt, there is a b/w photo (Oct 30, 1936) in which Tuley Park members are standing with the quilt. There is also a Detroit News (Feb 11, 1936) column that describes this quilt.","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Wedding","NumBordersF033":"1","BordDescF034":"Center panel with scalloped edges is surrounded by a wide white area which is surrounded by a narrow border on all four sides.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Green"],"DescBackF043":["Same fabric used throughout"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Clamshell","Single parallel lines"],"DesignF052b":["Other"],"DesignF052c":["Parallel lines"],"DesignF052d":"Fern designs are quilted in the center panel behind the wedding bouquet.","FeaturesF053":"Compare this quilt to the 1944 version (#012), which shows a higher level of skill and design. It is interesting to note that three white calla lilies appliqued into the bouquet of this quilt do NOT use the Detroit News pattern seen on quilt #012. Remember that the front of this quilt is dated 1933, and Gasperik attended her first Detroit News quilt show in October of 1935, which is probably where she picked up the Detroit News Calla Lilies pattern. But Gasperik reused the patterns found on this quilt (both of the rose and of the calla lilies) on quilt #012, which was made in 1944. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ReasonsF060":["Wedding"],"OtherF060a":"Quilt was made as a wedding gift possibly for her daughter Elsie's wedding, but finally was given to her niece (Mary Kiss Bruland) in 1944 as a wedding present.","QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Museum collection"],"SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Pattern","Unknown"],"CommSourceF064b":"Nancy Cabot Rose Petals and Nancy Cabot Lily of the Valley. Flower girl applique pattern is #363 Old Fashioned Lady pictured on page 4 of Prize Winning Design. Many Quilt Patterns Never Before Published, a 1933 \"Aunt Martha\" booklet.","PattSourceF065":["Published material"],"CommSourceF065b":"Fern quilting motif is #C5573 - \"Aunt Martha's Answer To 'How Shall I Quilt It?'\"","AddNotesF066":"The family has Gasperik's own copy of Prize Winning Design from 'Aunt Martha'. Gasperik probably sent away for patterns from this catalog. Just below \"#363 Old Fashioned Lady\", on page 4, appears another pattern Gasperik used: \"#365 The Cottage Behind the Hill by Mrs. F.L. Anderson, Kearney, Neb.\" Gasperik made a block (#086) from #365, probably to take to the Detroit News Quilt Show held in April, 1937. \r\n

\r\nA special corner of the Detroit News Quilt Show was furnished especially for Detroit News Quilt Club Corner members to socialize, sew, and exchange blocks. Although pattern sources for several applique elements appearing on this quilt can be identified, it should be noted that Gasperik herself described Bridal Bouquet as an \"original design\" to Detroit News quilt editor Edith B. Crumb, who published a column largely devoted to the subject of Mary Gasperik and her quilts in the February 11, 1936 newspaper. Edith's support, which began in 1935 and continued through the last Detroit quit show in 1940, was as important in changing the direction of Mary's life as was the Sears quilt contest and quilt exhibition at the 1933 World's Fair in Chicago, the place where Gasperik fell under the spell of quilts. ","ExhibitListF067a":"October 30, 1936 Tuley Park Quilt Club Show, Chicago, Illinois.","ContestListF071a":"A yellow paper exhibit tag (probably used at a Tuley Park quilt show) reads \"Bridal Wreath by Mrs. M. Gasperik 2nd Prize Springfield 1940\". In Elsie's handwriting is the added notation \"?to Mary Buland?\". This may indicate the quilt was entered in the 1940 Illinois State Fair, where it won a second prize.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Two Chicago Park District Photos (10/30/36) - Wedding Bouquet Quilt and Members of Tuley Park Quilt Club standing in front of it. And another overhead view of the quilt exhibit and Wedding Bouquet is visible at left. 4 Gasperik quilts can be spotted in this overhead view: the 1935 Double Feather Star (#045), Four Little Pigs (#057), Laurel Wreath (#067) and Wedding Bouquet (#074).\r\n

\r\nMary Gasperik's copy of \"Prize Winning Design... Many Quilt Patterns Never Before Published\", Aunt Martha, 1933. Private family collection.","OwnershipF082":"Public Museum, Library or Institution","OwnerNameF082a":"Los Angeles County Museum of Art. (Access # CR.72.18)","OwnerCityF084":"Los Angeles,CA","OwnerStateF086":"California (CA)","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family. This quilt was made while Gasperik was an active member of the Tuley Park Quilting Club at a time when that club was being very actively promoted and supported by the Chicago Park District, as a photograph of the quilt on display at the park club meeting room demonstrates. Gasperik chose to give it as a wedding present to her niece several years after it was completed. The approval and support of the Tuley Park quilters was an important motivation to Gasperik. ","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079_era":"CE","DateF079":"2008-06","photocredit079a1":"Los Angeles County Museum, Gift of Mary Bruland","DigDateF079a_era":"CE","DigDateF079a":"2008-06","AccessF080":"Restricted","HolderF080a":"Los Angeles Museum Association/LACMA","CopyRestF080c":"Los Angeles County Museum of Art","DistribRestF080d":"Los Angeles County Museum of Art","DisplayResF080e":"Los Angeles County Museum of Art","LicenseF080f":"Department of Rights and Reproductions, Los Angeles County Museum of Art, 5905 Wilshire Blvd., Los Angeles California 90036","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-47/48-7C-45.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-47/48-7C-45-224-quiltiGasperik-a0a0e3-b_13049.jpg"],"Detail 1 Caption":"Close-up","Detail 2":["https://kora.quiltindex.org/files/18-14-47/48-7C-45-224-quiltiGasperik-a0a0e3-c_13049.jpg"],"Detail 2 Caption":"detail","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2012-07-27","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0e3-a","Maker Associator":"18-47-2","Pattern":"WEDDING QUILT","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-45","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:59","updated_at":"2024-02-23 19:07:39"},"sort":["WEDDING QUILT"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"2K1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-44","essay":"This might be a 1930s top that was finished in the 1940s during WWII. Gasperik probably picked up a Detroit News pattern called Diamond-Hexagon Quilt ID32 at the very first Detroit News Quilt Show she attended, in October 1935. Perhaps it gave her ideas for arranging the hexagons in a diamond shape, as well as providing her basic pattern unit. Notice the "V" for Victory appliquéd in the four corners. The two appliqué wreaths which combine oak and olive branches are symbols which can be found on historic flags of Hungary, Gasperik's home country.
\r\n
\r\nThis quilt is Mary's personal expression of her hope for future peace in the world and for the survival of her native Hungary. To a traditional pattern, she added symbols to honor her two countries: V for Victory of the Allied Cause and the Oak and Olive Branch Wreath, a symbol found surrounding the coat of arms on historical flags of Hungary.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"023","TypeObjF008":"Finished quilt","QuiltTitleF009":"Victory Garden","OwnerNameF010":"Victory Garden","AltNameF011":"Grandmother's Victory Garden","OverallWidthF12a":"84 inches","OverallLengthF012b":"98 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Gold","Green","Pink","Purple","Turquoise or Teal","White"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Excellent/like new","DateQuiltF023":"1930-1949","DateFinishF023b":"1940s","OtherExDateF023d":"Mid 1940s","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"This might be a 1930s top that was finished in the 1940s during WWII. Note the V for Victory.","LayFormatF024":"One patch or allover","OtherSpaceF029a":"Traditional Grandmother's Flower Garden is reworked as diamonds, stars, and chevrons.","BlockStyleF030a":["Hexagons"],"NumBordersF033":"2","BordDescF034":"Two narrow bands in brown and green on all four sides.","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038":["Hand Piecing"],"ConstrucF038b":["Hand Applique"],"UniqueF039a":"Applique wreaths combining laurel (or olive) branch on one side and oak branch on the other.","FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052a":["Outline"],"DesignF052c":["Grid/crosshatch"],"FeaturesF053":"Susan Salser believes that the addition of the V's at the four corners and the wreaths combining laurel and oak branches is Gasperik's Hungarian statement on World War II. A similar combination wreath was a Hungarian national symbol when it was independent. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"Shortly before she died, Mary Gasperik asked her daughter Elsie to select 3 quilts as gifts for her granddaughters Joanne, Charlene and Louise Gasperik. This is one of the three quilts Elsie selected and gave to the girls' mother, Erika Gasperik. It was chosen by Charlene.","ReasonsF060":["Art or personal expression"],"QDesignF060b":["Unknown"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Traditional pattern variation"],"PattSourceF065":["Original to maker"],"AddNotesF066":"It may be that Gasperik pieced this quilt some years before she completed it as a wartime quilt. The flower garden pattern was very popular with The Detroit News Quilt Club and its quilt shows, as Gasperik no doubt learned when she encountered them in 1935, her first visit to that huge quilt show. In her quilt column of December 31, 1935 (p 18) Detroit Quilt Club Director Edith Crumb described the popularity of the Flower Garden quilt as follows: \"A hundred years from now if quilts we have made are brought together - think what the result would be! There would be hundreds and hundreds of Dresden Plates, Nosegays, Flower Gardens , etc.\" In a quilt column \"Club Members Rush Work on Entry for Quilt Show\" The Detroit News, March 9, 1937, page 32) the Club's Director, Edith B. Crumb recalled: \"Do you remember the first Detroit News Quilt Show which was held in 1933? If you do, surely you must recall the large section of Flower Garden quilts - that glorious spot of color. And the Detroit News Flower Garden quilt pattern was responsible for that. The third year we had the Nosegays and they were gorgeous too, and this year there will be a mixture of Flower Gardens, Nosegays and Bridal Bouquets, so you may expect a feast of color...\" Gasperik experimented with all three of these quilt types.","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","ContestListF071a":"Illinois State Fair, 1960","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.\r\n

\r\nReich, Sue. World War II Quilts. Schiffer Publishing, Atglen, PA 2010: pp. 167-8. Has discussion of Gasperik's Victory Garden Quilt and its maker, a photograph of Mary Gasperik and two color images of the quilt.","RelItemsF088a":"Photograph of Mary Gasperik circa 1947, in the private collection of granddaughter Karen Finn shows Gasperik wearing a \"USA\" pin with Sargents insignia hanging from it. Gasperik's eldest son Stephen served as a Staff Sargent 253 Engineers during WWII. Her younger son, Elmer Gasperik was enlisted Feb. 1942-June 1942 but discharged due to a medical disability. \r\n

\r\nSee pages 167-8 in World War II Quilts, by Sue Reich, for a discussion of this quilt, a biographical sketch of Mary Gasperik, a photograph of Mary Gasperik an overall picture of this quilt and a closeup of the center of the quilt (Schiffer Publishing, Arglen PA, 2010).","OwnershipF082":"Private","OwnerNameF082a":"Charlene Gasperik Shipp","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"To exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-44/48-7C-42.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-44/18-14-44-1960-VictoryFlowerGarden.jpg"],"Detail 1 Caption":"Illinois State Fair entry tag, 1960","Detail 2":["https://kora.quiltindex.org/files/18-14-44/1961QuiltsOnLinewithGasperikinEHazelcrest.jpg"],"Detail 2 Caption":"Victory Garden on a clothesline with WildFlower Wreath and Mary Gasperik.","Detail 3":["https://kora.quiltindex.org/files/18-14-44/VictoryGarden.jpg"],"Detail 3 Caption":"Victory Garden photographed on a clothesline.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2011-07-30","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0e0-a","Maker Associator":"18-47-2","Pattern":"VICTORY GARDEN","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-42","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:56","updated_at":"2024-02-23 19:07:39"},"sort":["VICTORY GARDEN"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Da1hWZEB8akQsUweed1S","_score":null,"_source":{"kid":"18-14-105","essay":"This appliqued vest was made for Gasperik's daughter-in-law Doris. Doris married Gasperik's son Elmer in 1944. The tulip motif on the vest is duplicated as a quilting motif on the 1956 Bridal Bouquet quilt made for Gasperik's granddaughter Karen's wedding. The vest was made before the quilt. Although the source of the tulip pattern is unknown, it is probable that it was an applique pattern that was later altered to make a quilting pattern. Gasperik had a huge stack of quilting magazines and patterns that she used.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"097","TypeObjF008":"Quilted garment","QuiltTitleF009":"Tulip Vest","OverallColorF14b":["Multicolor"],"ConstrucF038b":["Hand Applique"],"KnotsF051b":"no","QuiltTopF054":"Gasperik, Mary","LocMadeF057a":"East Hazelcrest","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Mary made it for her daughter-in-law Doris. Occasion unknown. The blouse and skirt were found by Doris' daughter Kathy Javon in 2018 among items from her mother's estate.","ReasonsF060":["Gift or presentation"],"TopSourceF064":["Unknown"],"OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","OwnershipF082":"Private","OwnerNameF082a":"Kathy Jacob","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"DateDataF006b":"1/8/2020","RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"CityF106a":"East Hazelcrest","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"vest","ImageTypeF076":"Color","SourceF077":"Digital","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-105/vestback.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-105/vestback.jpg"],"Detail 1 Caption":"Back","Detail 2":["https://kora.quiltindex.org/files/18-14-105/48-7C-43-3detail.jpg"],"Detail 2 Caption":"Detail of the 1956 Bridal Boquet quilt featuring the tulip motif used in the quilting.","verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2020-01-08","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0e1-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-45","Pattern":"TULIP VEST","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-C3","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:34","updated_at":"2024-02-23 19:07:39"},"sort":["TULIP VEST"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"xa1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-24","essay":"The Tuley Park Quilt Club provided quilt designs for the 1934 Chicago Park District publication Quilting, by Alice Beyers. The quilting clubs Chicago's South Park Commissioners established at Ogden and Tuley parks were the first and best-known of these clubs. Alice Beyers served as the Park District Director of Arts and Crafts. This Tulip Basket block (a Nancy Cabot/Chicago Tribune pattern) was one of several in Beyers' instructional booklet. At the beginning of her quilting career, Gasperik was greatly influenced by the quilters who gathered at the Tuley Park club house for regular meetings. When Gasperik discovered, in September 1935, The Quilt Club Corner and annual quilt shows sponsored by Detroit News she sent Tulip Basket to the very first Detroit quilt show and contest she attended (October 18-20, 1935). Gasperik's Tulip Basket quilt can be seen on display in a Detroit News press photo of that quilt show. Gasperik competed in every Detroit News quilt show from October 1935 through the last one, which was held (May 24-26, 1940). The border design - an assemblage of 3 borders including a 1-inch red border, a 4-inch border of appliqué tulips, and a 1.5-inch dark green border - is not part of the original Nancy Cabot pattern.
\r\n
\r\nIt should be noted that none of the known presentations of the Nancy Cabot Tulip Basket block offer suggestions or instructions about what kind of border, if any, to make for the quilt. The Beyer Quilting manual, however, devoted a 7-page section to a discussion of the importance of quilt borders and offered several illustrated suggestions for designing them. None of the book's illustrated suggestions resemble Gasperik's choice, but it is known that the Tuley Park Quilt Club used this manual. It is possible that coming up with an appropriate border design for this particular quilt border was an assignment or subject of discussion within the group.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"060","TypeObjF008":"Finished quilt","QuiltTitleF009":"Tulip Basket","OwnerNameF010":"Red Tulips","AltNameF011":"Tulip Basket","BrackmanF011a":"42.58","OverallWidthF12a":"60 inches","OverallLengthF012b":"92.5 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Green","Red","White"],"OverCondF015":"Excellent/like new","TypeInscripF019":["Initials","Message"],"ContInscripF020":"\"M. G. A-CENIURY-OF-PROGRRSS 1893-1933\"","MethodInscripF021":["Embroidery"],"LocInscripF022":["on back"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1933-1934","FamDateF023c":"1933-34","OtherExDateF023d":"1933-34","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Estimated date is based on the likely date when she joined the Tuley Park Quilt Club and began quilting during or soon after the 1933 Century of Progress Exposition.","LayFormatF024":"Block pattern","SubjQuiltF025":"Tulips in Baskets","NumBlockF026":"9","SizeBlockF027":"16 inches","ArrangeBlockF028":"On point or rotated on 45 degrees","OtherSpaceF029a":"Triangle blocks in plain white fill out the central field.","BlockStyleF030a":["Same block throughout"],"NumBordersF033":"Three","BordDescF034":"Narrow solid green outer border; wider center border of applique tulips; narrower inner red border framing the central field.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038":["Hand Piecing"],"ConstrucF038b":["Hand Applique"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Cream"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Single parallel lines"],"DesignF052b":["Feathering"],"DesignF052c":["Parallel lines"],"DesignF052d":"Single parallel lines in background in each appliqued block. Side and top setting triangles contain parallel lines with single feather plumes in white background and double-feather plumes in lower corners. There are six pointed starts at the intersections of each block.","FeaturesF053":"Single feather plume quilting motifs are used in the white background areas. Double feather plumes are in the bottom corners.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"When Karen was about 12 years of age and participating in one of the occasional family quilt viewings (Mary would ‘unpeel’ a bed as they all stood around commenting), she said, “Grandma, this is the best of all,” referring to the Red Tulip quilt. Mary immediately gave it to her.","ReasonsF060":["Personal enjoyment"],"QDesignF060b":["Unknown"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Book"],"OthTopSourceF064a":"Nancy Cabot's Second Book of Quilts, publ. The Chicago Tribune, undated.","CommSourceF064b":"Tulip Basket block design -y Quilting by Alice Beyers. Nancy Cabot pattern also called Tulip Basket.","PattSourceF065":["Unknown"],"AddNotesF066":"This quilt was likely made at the Tuley Park Quilt Club using the Alice Beyer Quilting manual published by the Chicago Park District. Neither the Beyer manual, nor the published versions of the Nancy Cabot Tulip Basket pattern offer border suggestions. It is not known how Gasperik came up with her elaborate border design for this quilt. ","ExhibitListF067a":"Detroit News Quilt Show and Contest, October 18-20, 1935. Detroit, Michigan.\r\n

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nNational Quilt Museum in Paducah, Kentucky exhibit New Quilts from an Old Favorite 2012: Baskets & Antique Basket Quilts, April 6 - July 10, 2012.","ContestListF071a":"Detroit News Quilt Show and Contest, October 18,20, 1935. A Detroit News press photograph (private collection, Susan Salser) shows this quilt on display.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair (Nashville, TN: Rutledge Hill Press, 1993) 102-103. \r\n\r\nMerikay Waldvogel \"One American Dream Comes True\" Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Mary Gasperik's own copy of Nancy Cabot's Second Book of Quilts, (The Chicago Tribune, undated), private collection of Gasperik heirs. On this booklet's back cover Gasperik penciled some numbers (perhaps pattern numbers?) which are unrelated to the booklet's contents.\r\n

\r\nAlice Beyers Quilting (Chicago Park District, 1934).\r\n

\r\nhttp://www.archive.org/details/chicagoparkdistr00chic, from 1936 publication, accessed 2/10/2013, pp. 13-14: \"Groups are working in practically every recreation center in the Chicago Park District, in all forms of handwork projects in the artcrafts and crafts. The individual is given free scope in all these activities and the classes have little of the academic about them. Rather, they are clubs of neighbors with mutual interests meeting together to pursue a hobby. Skilled leaders work along with each group. While in some instances a nominal fee is charged for materials, admission to groups is free to everyone. Quilting. This old-fashioned but exceedingly useful home-craft has been highly developed in the parks. It combines art with the friendly, social features of the old time quilting bee. Groups include young as well as elderly women. Original designs are encouraged, and some exquisite quilts are produced. The Quilting Clubs at Tuley and Ogden Parks on the South Side are particularly well known.\" \r\n

\r\nhttp:www.archive.org/stream/playground21playrich/playground21playrich_djvu.txt, accessed Feb. 10, 2013 has a copy of the May 1927 Playground article entitled \"Quilting in Chicago\" by Anna C. Artkamper, then President of the Ogden Park Quilting Club, Chicago. This article establishes that the quilting club in Ogden Park was the first such club created and that it began in January 1925. \"In January, 1925, there appeared an article in the Southtown Community paper inviting women interested in quilting to register with the Director of Ogden Park, one of the parks maintained by the Chicago South Park Commission. That was the beginning of it all, and a very enthusiastic group of women organized a club which is the first of of its kind in any Chicago community center. The club, which has officers, meets one day each week from ten until four. Members bring their lunch, and coffee is served at noon. At this time the business meeting is held and members exchange ideas on the subject of quilts. Mothers with children under school age are allowed to bring them. They, too, are enthusiastic over club day, for the park and the toys and games which are supplied offer many joys. We have the use of a well-ventilated sunshiny hall at the field house with French windows completely covering three sides, and a floor space which will accommodate four quilt frames at one time an ideal place for club use. The plan we follow in making the quilts is this. Each member makes her own quilt top and in turn, according to attendance, the quilt is put on a frame and all help in quilting. At the end of the day, the end pieces of the frame are taken off, the quilt is rolled up, safely wrapped in a rope sling and drawn up by pullies to the beam ceiling, where it is safely tucked out of harm's way until the next week. Some of our members have made original patterns. Ideas are gathered from Marseilles bed spreads, rugs, wall paper, tapestry and other sources. We also use somer of the patterns that are on the market with the usual squares, diamonds, scrolls and other stock designs, but after the additions and changes the finished quilt is usually quite original. It is surprising how many things about one's home are suggestive for patterns. While quilting is our hobby, husbands an d children are not forgotten! Occasionally, we have dancing parties and buffet luncheons, with picnics in the summer for the children. The ages of our members range from twenty-five to seventy years. Two-thirds of us have bobbed hair, so we do not consider ourselves old-fashioned even though we are engaged in reviving the old art. On this one day of the week each member forgets household cares. While quilting, we sing songs, old and new, and discuss topics of the day. The club is immensely popular. We have had many requests for membership, but we have found it necessary to limit the number to forty, believing it is advisable to have small groups and to increase the number of them. Progressive women of the present day are realizing more than ever the importance of using their spare time in producing useful and beautiful things for the home. A day each week, spent in the company of women with mutual interests, gives a home-loving woman enjoyment and is profitable as well.\" \r\n

\r\n\"Bright and Gay Tulips Nod from Interesting Quilt\" Tulip Basket By Nancy Cabot, undated clipping from The Chicago Tribune. Collection of Susan Salser.\r\n

\r\nA family photograph shows this quilt (along with others) airing on a clothesline in the back yard of 5317 University Ave., Chicago, the Krueger home.\r\n

\r\nColor photograph of this quilt featured in “One American Dream Comes True” by Merikay Waldvogel, Quilters Newsletter, March 2008, p.46.\r\n

\r\nPress photograph from The Detroit News, private collection, Susan Salser. On the back of this photograph (which was not published) is written \"Detroit News Quilt Show at Naval Armory, 1935\". It is stamped Oct 22, 1935. Gasperik Tulip Basket quilt can be seen on display at the end of an aisle.","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"In making this quilt Gasperik created her own border design to surround a Nancy Cabot Tulip Basket block pattern she got from her newspaper. She is not trying to duplicate something, she is actively redesigning it. Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club","LocGroupF121":"Chicago, IL","SpecialGroupF122":"Group showings of quilts and quilting demonstrations.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2007-10","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-24/48-7C-2F.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-24/48-7C-2F-2.jpg"],"Detail 1 Caption":"“M-G/A Century of Progress/1893-1933” inscribed on the back of this quilt references the 1933 Chicago World’s Fair, known as A Century of Progress Exposition. At the Fair, Mary Gasperik saw the prizewinning quilts in the Sears National Quilt Contest on display at the Sears Pavilion. She went on to make several quilts herself that first year and inscribed similar information on the back of the quilts. ","Detail 2":["https://kora.quiltindex.org/files/18-14-24/48-7C-2F-1.jpg"],"Detail 2 Caption":"“M-G/A Century of Progress/1893-1933” inscribed on the back close-up","Detail 3":["https://kora.quiltindex.org/files/18-14-24/1935DNGasperikTulips.jpg"],"Detail 3 Caption":"Mary Gasperk's quilt on display at the 1935 Detroit News Quilt Show.","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2013-02-11","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0c1-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-105","Pattern":"TULIP BASKET","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-2F","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:41","updated_at":"2024-02-23 19:07:39"},"sort":["TULIP BASKET"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"_q1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-85","essay":"This is one of several remembered tacked patchwork comforters. Only two remain--this full-size one and a lap robe (See #036). Fabrics in this quilt may reflect the fabric shortages of WWII. These wool and corduroy scraps were from clothing Gasperik's daughter sewed for herself and her three daughters.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"050","TypeObjF008":"Other","TypeObjOtherF008a":"Tied wool comforter","QuiltTitleF009":"Trip Around the World","OwnerNameF010":"Trip Around the World (Karen)","OverallWidthF12a":"63 inches","OverallLengthF012b":"86 inches","ShapeEdgeF013":"Other","OtherShapeEdgeF013a":"prairie pints along sides, straight across top and bottom","ShapeCornersF013b":"Straight","PredomColorsF014":["Black","Blue or Navy","Brown","Cream","Gray","Red"],"OverallColorF14b":["Dark colors"],"OverCondF015":"Good/moderate use","TypeInscripF019":["Date","Initials","Place"],"ContInscripF020":"\"M. G. 1938 Chicago - Ill.\"","DateInscripF020a":"1938","MethodInscripF021":["Embroidery"],"LocInscripF022":["on back"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1938","FamDateF023c":"1938","OtherDateF023e":"Merikay Waldvogel","LayFormatF024":"One patch or allover","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"BlockStyleF030a":["Same block throughout","Squares"],"NumBordersF033":"None","FiberTypesF035":["Wool"],"FabricTypeF036":["Other"],"UniqueF037b":"Corduroy","ConstrucF038":["Hand Piecing"],"FabFiberTypesF040":["Cotton","Satin/Sateen"],"OtherFabF040a":"cotton sateen ","ColorBackingF040b":["Green"],"DescBackF043":["Same fabric used throughout"],"ConstrucBindF046":["Prairie Points"],"MatUsedF048":"Blanket or flannel","QuiltTechF049":["Tied or tufted"],"ThrTypeF049a":"wool yarm","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ReasonsF060":["Other"],"OtherF060a":"made for practical, daily, winter use","QDesignF060b":["Bedding, daily use"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Sewing scraps"],"OthSourceF063a":"Left over from tailored suit projects.","TopSourceF064":["Traditional pattern variation"],"AddNotesF066":"The Krueger girls (Karen, Linda and Susan) recognize many of the fabrics in Gasperik's tied winter comforters as left-overs from their mother's sewing projects. Elsie sewed all of her girls' winter clothing: coats, pants, skirts, blouses... on up to prom and wedding dresses. At the time the comforters were made (late 1930s and early 1940s) we weren't yet at the prom and wedding dress stage! ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Although this quilt was not exhibited at the family's 1992 exhibit The Quilts of Mary Gasperik, Ravenswood Historic Site,, Karen Krueger Finn registered this quilt with this statement: \"This is one of at least 6 similar tacked patchwork comforters (quilts) I remember. This one is probably one of the latest. The forest green back is embroidered with 'M. G. 1938 Chicago - Ill.' The materials are an assortment of wools and corduroy, most if not all, provided by my mother, who specialized in practical, wearable, tailored sewing (opposite of her mother Mary Gasperik). Until the end of World War II brought an abundance of surplus army, navy blankets, my grandmother used these on her own beds. She made them for our family also.\"","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 S. Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-85/48-7C-6A.jpg"],"verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-20","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0i0-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-99","Pattern":"TRIP AROUND THE WORLD","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-6A","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:24","updated_at":"2024-02-23 19:07:39"},"sort":["TRIP AROUND THE WORLD"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"C61hWZEB8akQsUweed1S","_score":null,"_source":{"kid":"18-14-99","description":"Mary Gasperik made similar small projects during World War II with sewing scraps.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"080","TypeObjF008":"Finished quilt","QuiltTitleF009":"Trip Around the World","OverallWidthF12a":"inches","OverallLengthF012b":"inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Black","Blue or Navy","Lavender","Pink","Red","Yellow"],"OverallColorF14b":["Multicolor","Light or pastel colors","Bright or primary colors"],"OverCondF015":"Excellent/like new","RepairHistF018":"This was left as an unfinished fragment by Mary Gasperik. Granddaughter Linda MacLachlan attached a backing and binding to the fragment in February 1992.","DateQuiltF023":"Timespan","DateFinishF023b":"1992","FamDateF023c":"1940s","OtherExDateF023d":"1940s; bound and backed February 1992","OtherDateF023e":"Merikay Waldvogel","LayFormatF024":"One patch or allover","SizeBlockF027":"1 inch","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"BlockStyleF030a":["Squares"],"BordDescF034":"Binding is the only border. Note - this is not Gasperik's binding, but was added by granddaughter in 1992.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Home cut"],"WidthBindF047":"greater than one inch","MatUsedF048":"No filling","QuiltTechF049":["Not quilted"],"KnotsF051b":"no","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"When Karen, Linda and Susan divided their mother's Gasperik quilts after Elsie died in 1988, Linda chose the quilt pieces and fragments, of which this is one. ","ReasonsF060":["Personal enjoyment"],"QDesignF060b":["Decorative throw"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Sewing scraps"],"TopSourceF064":["Public domain/traditional pattern"],"AddNotesF066":"It is not known when Gasperik began this piece, why she abandoned it or what she planned to do with it. Postage stamp quilts were popular at the Detroit News quilt shows at the time when Gasperik joined the Detroit Club (1935). ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","OwnershipF082":"Private","OwnerNameF082a":"Linda Krueger MacLachlan","OwnerCountryF086b":["United States"],"IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-99/80repos.jpg"],"zoom":["https://kora.quiltindex.org/files/18-14-99/80zoom.jpg"],"verify":"yes","verifiedby":"Donaldson, Beth","dateverified":"2020-10-15","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0k5-a","Maker Associator":"18-47-2","Pattern":"TRIP AROUND THE WORLD","Date":"Timespan","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-A1","project_id":"18","form_id":"14","owner":"0","created_at":"2020-04-25 20:02:32","updated_at":"2024-02-23 19:07:39"},"sort":["TRIP AROUND THE WORLD"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"_a1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-84","description":"This late 1930s quilt reflects the type of quilt she made for everyday use. During the war years, Edith Crumb, the director of Detroit's Quilt Club Corner, Mary's Detroit quilt club, especially encouraged member quilters to make blanket substitutes pieced from woolen scraps. Although Mary could not participate in the Friday afternoon meetings of the Club, she corresponded with members.","essay":"This late 1930s quilt reflects the type of quilt she made for everyday use. Supplies of cotton fabric were diminished due to WWII rationing, and quilters were urged to participate in the war effort by making scrap quilts, not only for personal use but for veterans and for American relief efforts in Europe. Mary's daughter Elsie made almost all of the clothing for her three daughters. The Krueger girls recognize quite a few of the scraps used in their grandmother's war time comforters (see also #050). These comforters were heavily used in their house.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"036","TypeObjF008":"Other","TypeObjOtherF008a":"Tied Lap Robe","QuiltTitleF009":"Trip Around the World","OwnerNameF010":"Trip Around the World (Linda)","OverallWidthF12a":"56 inches","OverallLengthF012b":"71 inches","ShapeEdgeF013":"Other","OtherShapeEdgeF013a":"Top and bottom are straight; sides are fnished with sateen prairie points","ShapeCornersF013b":"Straight","PredomColorsF014":["Beige or Tan","Blue or Navy","Brown","Gray","Green","Maroon","Rust"],"OverallColorF14b":["Dark colors"],"OverCondF015":"Good/moderate use","DateQuiltF023":"1930-1949","DateFinishF023b":"1938","FamDateF023c":"1938","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"She made a similar quilt which carries an embroidered date: 1938.","LayFormatF024":"One patch or allover","ArrangeBlockF028":"Straight","BlockStyleF030a":["Same block throughout"],"BordDescF034":"Side borders of green sateen prairie points","FiberTypesF035":["Wool","Other"],"UniqueF037b":"Corduroy","ConstrucF038":["Hand Piecing"],"ConstrucF038g":["Other embellishment technique"],"UniqueF038h":"side borders embellished with prairie points ","FabFiberTypesF040":["Other"],"OtherFabF040a":"cotton sateen","ColorBackingF040b":["Green"],"ConstrucBindF046":["Prairie Points"],"MatUsedF048":"Blanket or flannel","QuiltTechF049":["Tied or tufted"],"ThrTypeF049a":" yarn","ThrColorF049b":"yellow and lime green","FeaturesF053":"This is owner Linda MacLachlan's description, written in 1992: \"Rectangles of mauve, blue, beige, rust and red corduroy, green velveteen, black wool, black and white tweeds, red, green and black tartans and green and white upholstery fabric. Lined with white flannel and tied with lime and yellow yarn. Green cotton prairie points in the same fabric as the backing edge the two sides. The center corduroy rectangle is pieced so that the wales form striking concentric diamonds. This was made of fabrics supplied by my mother. I have fond memories of clothes and doll clothes made by my mother for me from the same fabrics.\"","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ReasonsF060":["Other"],"OtherF060a":"Gasperik pieced these woolen quilts for daily use. Elsie contributed the scraps from winter clothes-making projects.","QDesignF060b":["Decorative throw"],"PresUseF062":["Keepsake/memento","Lap robe/shawl"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Sewing scraps"],"TopSourceF064":["Traditional pattern variation"],"ExhibitListF067a":"Not exhibited inThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","OwnershipF082":"Private","OwnerNameF082a":"Linda Krueger MacLachlan","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-84/48-7C-69.jpg"],"verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-20","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0h9-a","Maker Associator":"18-47-2","Pattern":"TRIP AROUND THE WORLD","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-69","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:23","updated_at":"2024-02-23 19:07:39"},"sort":["TRIP AROUND THE WORLD"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"va1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-16","description":"To make her Tree of Life quilts Gasperik transformed a McCall crewelwork pattern into an applique quilt pattern with the help of her daughter Elsie. This is the second of the pair of quilts pictured in the 1935 family photograph. See also #082.","essay":"Salser's notes indicate that Ruth Stein's married named was Mrs. Ernest Stein and that although Ruth was a Chicago friend, the couple moved to Wisconsin. This information might be of help in locating the pair of quilts, in case they still exist.
\r\n
\r\nSusan Salser remembers this about the making of the Tree of Life quilts:
\r\n1935 was a period of time in which grandma was going full bore with her quilt making. She had discovered the 'Detroit News' and its quilt club and shows and was made VERY aware of how quilters were rewarded (in prizes and publicity) for utilizing commercial pattern offerings. Grandma very actively sought recognition; we know that from the quality and volume of her work. 
\r\n
\r\nThe 'Tree of Life' quilts were ones which my mom [Elsie Gasperik Krueger] was deeply involved in helping design. Even though a lot of the design components are dictated by the McCall Kaumagraph #1853 for crewelwork, Elsie worked hard to draw the applique patterns for her mother and make suggestions about how best to turn the McCall pattern into an appliquéd, quilted quilt. She considered what might be amplified, what might be left out, proposed reflecting the applique IN the quilting design, etc. We know that from personal memory and also from mom’s cousin Vilma McClure who wrote me a letter explicitly describeing how hard mom worked to help grandma create these 'Tree of Life' quilts. Vilma stated that my mom was very involved in helping grandma with her quilting in these years. 'Tree of Life' was the specific pattern she mentioned, but I know there were also other MG/EGK quilt collaborations ('Double Feather Star', #006#045#081 and 'Four Little Pigs', #057 come to mind.)
\r\n
\r\nMary was stricter with Elsie than she was with her sons, sometimes driving her to tears. Despite that, my mother wanted to encourage her mother to use her prodigious needlework skills to express more personal and original  designs - especially using  connections with the elaborate floral embroideries of grandma’s native land, Hungary. So these particular quilts are attached to their mother/daughter relationship. My mom, the daughter who wanted more recognition of her own independence than her mother appeared willing to grant her and who refused to make, much less admire, the prolific embroidery she grew up surrounded by, was telling the expert needleworker how to improve or change her needlework. Image how grandma felt about that! 
\r\n
\r\nMy grandmother very much believed in formal family weddings and expressly demanded that her daughter turn over that decision to her. My mother (and father) wanted a private and civil ceremony and simply went ahead and married on a lunch break in downtown Chicago on Aug. 25, 1934. Grandma was deprived of the grand wedding (and accompanying wedding quilt stamp of approval) she was so determined to have. So, when my mom’s very good friend at the time, Ruth Peterson, got married (presumably in 1935 to someone with the last name Stern) grandma had her opportunity and used it to present Ruth and her husband with a pair of 'Tree of Life' quilts. These were possibly the very first 'Tree of Life' quilts grandma made.
","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"083","TypeObjF008":"Finished quilt","OwnerNameF010":"Tree of Life #2","PredomColorsF014":["Beige or Tan","Brown","Cream","Green","Orange","Yellow"],"OverallColorF14b":["Bright or primary colors","Dark colors"],"OverCondF015":"Unknown/Not Rated","DateQuiltF023":"1930-1949","DateFinishF023b":"1935","FamDateF023c":"1935","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"McCall Kaumagraph #1853 was offered in 1931-32. This Gasperik quilt appears in a family photograph dated 1935.","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Tree of Life","NumBordersF033":"One","BordDescF034":"Wide rich dark brown border on four sides frames the center panel.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"MatUsedF048":"Cannot tell","QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052a":["Grid diamond","Outline"],"DesignF052c":["Grid/crosshatch"],"FeaturesF053":"The pair of quilts appearing in a photograph dated 1935 (which, in Elsie's handwriting, also notes they were \"given to Ruth Peterson Stein\") appear to be the simplest of Gasperik's Tree of Life series. The quiltING is an all-over hanging diamond pattern without Gasperik's usual flourishes and embedded motifs. There appear to be no birds: either quilted or appliqued. This (and its mate, #082) is the simplest - and probably earliest - Gasperik rendition of the McCall design.\r\nAlthough some decorative additions (and substitutions) were made, Gasperik constructed her five Tree of Life quilts (#031, #065, #044, #082, #083) from a single universe of fabrics.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"ProvenanceF058a":"Gasperik made a pair of Tree of Life quilts for her friend Ruth Peterson Stein in 1935. Karen Krueger remembers that they were given by Gasperik as a wedding present.","ReasonsF060":["Wedding"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Unknown"],"SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Pattern"],"CommSourceF064b":"\"McCall #1853 Crewelwork Pattern/Tree of Life\" published in McCall Decorative Arts and Needlework 1931-1932.","AddNotesF066":"According to Elsie's cousin, Vilma McClure, Elsie helped Gasperik design the Tree of Life quilts. Elsie's daughters remember that this particular series of quilts, the Tree of Life quilts, seemed to be Elsie's personal favorites of all the quilts her mother made.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103.\r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"January 9, 1994 letter from Vilma McClure to Susan Salser: \"About your mother. She helped design many of the quilts. I particularly remember the family tree quilt. I saw it in the making. I think your mother designed that one. Elsie was most pleased that her mother had such a passion for making quilts. Indeed, Aunt Mary didn't do anything else - literally! Your mother went to Hazelcrest and cleaned her mother's house and did her wash on a regular basis.\" (Susan Salser, personal collection).\r\n

\r\nFamily photograph, b&w, showing a pair of Tree of Life quilts. Written on the back, in Elsie's hand: \"1935 Twin Tree of Life made for Ruth Peterson Stein\".","OwnershipF082":"Private","OwnerCountryF086b":["United States"],"IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt top","ImageTypeF076":"Black and White","SourceF077":"CD-ROM","OtherSourceF077a":"old b/w family phto shows quilts #082 and #083 on twin beds side by side.","DateF079_era":"CE","DateF079":"1935","photocredit079a1":"unknown, family photo","DigDateF079a_era":"CE","DigDateF079a":"2006","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-16/quiltiGasperik-a0a0i5-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-16/48-7C-26-224-quiltiGasperik-a0a0i5-b_13049.jpg"],"Detail 1 Caption":"family photo","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-22","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0i5-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-15","Pattern":"TREE OF LIFE 2","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-26","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:37","updated_at":"2024-02-26 14:31:27"},"sort":["TREE OF LIFE 2"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"vK1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-15","description":"Mary Gasperik's first two Tree of Life quilts were a pair of twin-sized quilts made as a 1935 wedding present for her daughter Elsie's friend. The whereabouts of these two quilts is not known. A family photograph, on the back of which is written the year 1935 and the recipient's name, is the only surviving image of these quilts. This photo is cropped from that b/w photo. See also #083.","essay":"Salser's notes indicate that Ruth Stein's married named was Mrs. Ernest Stein and that although Ruth was a Chicago friend, the couple moved to Wisconsin. This information might be of help in locating the pair of quilts, in case they still exist.
\r\n
\r\nSusan Salser remembers this about the making of the Tree of Life quilts:
\r\n1935 was a period of time in which grandma was going full bore with her quilt making. She had discovered the 'Detroit News' and its quilt club and shows and was made VERY aware of how quilters were rewarded (in prizes and publicity) for utilizing commercial pattern offerings. Grandma very actively sought recognition; we know that from the quality and volume of her work. 
\r\n
\r\nThe 'Tree of Life' quilts were ones which my mom [Elsie Gasperik Krueger] was deeply involved in helping design. Even though a lot of the design components are dictated by the McCall Kaumagraph #1853 for crewelwork, Elsie worked hard to draw the applique patterns for her mother and make suggestions about how best to turn the McCall pattern into an appliquéd, quilted quilt. She considered what might be amplified, what might be left out, proposed reflecting the applique IN the quilting design, etc. We know that from personal memory and also from mom’s cousin Vilma McClure who wrote me a letter explicitly describeing how hard mom worked to help grandma create these 'Tree of Life' quilts. Vilma stated that my mom was very involved in helping grandma with her quilting in these years. 'Tree of Life' was the specific pattern she mentioned, but I know there were also other MG/EGK quilt collaborations ('Double Feather Star', #006, #045, #081 and 'Four Little Pigs', #057 come to mind.)
\r\n
\r\nMary was stricter with Elsie than she was with her sons, sometimes driving her to tears. Despite that, my mother wanted to encourage her mother to use her prodigious needlework skills to express more personal and original  designs - especially using  connections with the elaborate floral embroideries of grandma’s native land, Hungary. So these particular quilts are attached to their mother/daughter relationship. My mom, the daughter who wanted more recognition of her own independence than her mother appeared willing to grant her and who refused to make, much less admire, the prolific embroidery she grew up surrounded by, was telling the expert needleworker how to improve or change her needlework. Image how grandma felt about that! 
\r\n
\r\nMy grandmother very much believed in formal family weddings and expressly demanded that her daughter turn over that decision to her. My mother (and father) wanted a private and civil ceremony and simply went ahead and married on a lunch break in downtown Chicago on Aug. 25, 1934. Grandma was deprived of the grand wedding (and accompanying wedding quilt stamp of approval) she was so determined to have. So, when my mom’s very good friend at the time, Ruth Peterson, got married (presumably in 1935 to someone with the last name Stern) grandma had her opportunity and used it to present Ruth and her husband with a pair of 'Tree of Life' quilts. These were possibly the very first 'Tree of Life' quilts grandma made.
","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"082","TypeObjF008":"Finished quilt","OwnerNameF010":"Tree of Life #1","PredomColorsF014":["Beige or Tan","Brown","Cream","Green","Orange","Yellow"],"OverallColorF14b":["Bright or primary colors","Dark colors"],"OverCondF015":"Unknown/Not Rated","DateQuiltF023":"1930-1949","DateFinishF023b":"1935","FamDateF023c":"1935","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"McCall Kaumagraph #1853 was offered in 1931-32. This Gasperik quilt appears in a family photograph dated 1935.","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Tree of Life","NumBordersF033":"One","BordDescF034":"Wide border of rich dark brown fabric, on four sides frames the center panel.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"MatUsedF048":"Cannot tell","QuiltTechF049":["Hand quilting"],"DesignF052a":["Grid diamond","Outline"],"DesignF052c":["Grid/crosshatch"],"FeaturesF053":"The pair of quilts appearing in a photograph dated 1935 (which, in Elsie's handwriting, also notes they were \"given to Ruth Peterson Stein\") appear to be the simplest of Gasperik's Tree of Life series. The quiltING is an all-over hanging diamond pattern without Gasperik's usual flourishes and embedded motifs. There appear to be no birds: either quilted or appliqued. This (and its mate, #083) is the simplest - and probably earliest - Gasperik rendition of the McCall design. \r\nAlthough some decorative additions (and substitutions) were made, Gasperik constructed her five Tree of Life quilts (#031, #065, #044, #083, #082) from a single universe of fabrics. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"ProvenanceF058a":"Made for Mary Gasperik's friend Ruth Peterson Stein for her twin beds in 1935. Karen Krueger remembers that they were given by Gasperik as a wedding present.","ReasonsF060":["Wedding"],"QDesignF060b":["Bedding, special occasion"],"SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Pattern"],"CommSourceF064b":"\"McCall #1853 Crewelwork Pattern/Tree of Life\" published in McCall Decorative Arts and Needlework 1931-1932.","AddNotesF066":"According to Elsie's cousin, Vilma McClure, Elsie helped Gasperik design the Tree of Life quilts. Elsie's daughters remember that this particular series of quilts, the Tree of Life quilts, seemed to be Elsie's personal favorites of all the quilts her mother made. ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"January 9, 1994 letter from Vilma McClure to Susan Salser: \"About your mother. She helped design many of the quilts. I particularly remember the family tree quilt. I saw it in the making. I think your mother designed that one. Elsie was most pleased that her mother had such a passion for making quilts. Indeed, Aunt Mary didn't do anything else - literally! Your mother went to Hazelcrest and cleaned her mother's house and did her wash on a regular basis.\" (Susan Salser, personal collection).\r\n

\r\nFamily photograph, b&w, showing a pair of Tree of Life quilts. Written on the back, in Elsie's hand: \"1935 Twin Tree of Life made for Ruth Peterson Stein\".","OwnershipF082":"Private","OwnerCountryF086b":["United States"],"IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Black and White","SourceF077":"CD-ROM","OtherSourceF077a":"old family b/w photo shows #082 and #083 side by side on beds.","DateF079_era":"CE","DateF079":"1936","photocredit079a1":"unknown, famly photo","DigDateF079a_era":"CE","DigDateF079a":"2006","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-15/82-cropped.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-15/48-7C-26-224-quiltiGasperik-a0a0i5-b_13049.jpg"],"Detail 1 Caption":"family photo","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-22","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0i4-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-16","Pattern":"TREE OF LIFE 1","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-25","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:36","updated_at":"2024-02-26 14:31:27"},"sort":["TREE OF LIFE 1"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"3K1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-49","essay":"The five Tree of Life (#031, #065#044, #082, #083) quilts are based on the crewelwork design McCall Kaumagraph #1853. The first two were given away but can be documented in a 1935 family photo. Elsie Krueger helped her mother with the design transformation to appliqué. The appliqué bird in shades of orange and yellow in this quilt is a Gasperik addition to the McCall pattern. It appears on Tree of Life #044 as well. Being a crewelwork pattern, McCall Kaumagraph #1853 had nothing to say about quilting designs. As is true of other Gasperik quilts which were done in series, the quilting is slightly different on each Tree of Life quilt, as are some of the appliqué fabric selections. Gasperik quilted the date "1938" across the top of the white ground.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"031","TypeObjF008":"Finished quilt","QuiltTitleF009":"Tree of Life","OwnerNameF010":"Tree of Life (Linda)","OverallWidthF12a":"68 inches","OverallLengthF012b":"89 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Scalloped","PredomColorsF014":["Beige or Tan","Blue or Navy","Brown","Cream","Green","Orange","Yellow"],"OverallColorF14b":["Multicolor","Dark colors"],"OverCondF015":"Excellent/like new","TypeInscripF019":["Date"],"DateInscripF020a":"1938","MethodInscripF021":["In the quilting"],"OtherLocInscripF022a":"Visible at center top on front white ground","DateQuiltF023":"1930-1949","DateFinishF023b":"1938","FamDateF023c":"1938","OtherExDateF023d":"1938","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Although the McCall pattern on which this quilt is based was published in 1931; the estimated time span for Gasperik's Tree of Life quilts is based on the 1938 date quilted on this Tree of Life quilt.","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Tree of Life","NumBordersF033":"One","BordDescF034":"Wide border on four sides frames the center panel.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Beige or Tan"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","NumStitchedF050":"12","KnotsF051b":"no","DesignF052a":["Clamshell","Grid diamond","Patches outlined/in the ditch"],"DesignF052b":["Floral","Other"],"DesignF052c":["Grid/crosshatch"],"DesignF052d":"Embedded in the diamond crosshatching of the center panel are at the top, two quilted leaves which duplicate the appliqued long feathered leaf at the base of the tree, and four quilted birds (spaced widely apart). Two of those birds are quilted versions of the two appliqued birds; the third and fourth birds are slightly different. ","FeaturesF053":"Of the three Tree of Life quilts examined, this is the only one with a scalloped border. The bird appliques use only solid colored fabrics. A very broad range of colors, and color gradations, is seen in all three of the surviving Tree of Life quilts. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Elsie brought this quilt to Linda as a gift from Gasperik 1968-69.","ReasonsF060":["Art or personal expression"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Pattern"],"CommSourceF064b":"\"McCall #1853 Crewelwork Pattern/Tree of Life\" published in McCall Decorative Arts and Needlework 1931-1932.","AddNotesF066":"According to family stories it was Elsie who persuaded her mother to quilt some of the birds, rather than execute all of them in colorful applique. Elsie had a rather austere quilt aesthetic. Her mother, on the other hand, was probably well aware of the richly colorful (and crowded) Tree of Life designs being copied from museum wall hangings, designs which were winning quilters' attention (and prizes). Gasperik herself would have preferred to have more appliqued birds, not fewer. \r\n

\r\nThere is also a different perspective from which to view Gasperik’s quilted birds. Gasperik’s granddaughter Susan Salser, who began researching her grandmother’s quilts in 1992, discovered that Mary Gasperik was an enthusiastic and devoted participant in the annual quilt shows and contests held in Detroit Michigan sponsored by The Detroit News. Gasperik first discovered the Detroit quilt phenomenon in the fall of 1935, picking up a discarded Detroit News at a World Series baseball game at Wrigley Field. Mary, who had probably been engaged in quilt-making for only 2 years at that point, immediately sent some of her quilts to Detroit, to enter into the show. Several weeks later she got on the bus and went to see her first Detroit News quilt show and contest. This particular show featured three quilts sent by an Angola, Indiana quilter named Ada Chilton, quilts that were eagerly anticipated and admired by the crowds attending this 3rd such Detroit News national quilt show. Mrs. Chilton had contributed a quilt to the previous year’s show (1934), an appliqué quilt, called “the birds quilt” by the Detroit News quilt club and shows editor, Edith B. Crumb. Club members had found that quilt so remarkable that they asked Mrs. Chilton to send it to the next show, 1935. So, in 1935 (the year year Mary Gasperik first went to a Detroit News quilt show) Ada Chilton not only exhibited “the birds quilt” again, she also sent her latest two quilts, one of which featured flowers and accurately rendered butterflies, and the other of which featured fish and sailboats. Chilton was an enthusiastic bird and butterfly watcher. She was an outdoorswoman. She loved to fish. She loved reading books by Indiana’s popular writer and amateur naturalist Gene Stratton-Porter. Those three quilts were unique expressions of Mrs. Chilton‘s passions; they were creatively original and extremely expertly made. The crowd admired them greatly. Gasperik was in that crowd. In her quilt column of October 24, 1935, soon after that 1935 Detroit quilt show and contest, Edith Crumb presented, in her Detroit News column, a black and white photograph of Chilton’s fishes quilt along with a rhapsodic description of it. This description includes the following: “The border of this quilt is formed of sail boats; and between each group of fish there is a small sailboat created by quilting rather than piecework or appliqué.” Gasperik, who was beginning a life-time of quilt-making and was eager to learn what was admired, eager to gather ideas for her own use, must have spent some time in that crowd admiring Chilton’s quilts, listening to the comments and observing details of those quilts. Her decision to quilt rather than appliqué some of the birds onto her Tree of Life quilts may have been influenced by this experience at her first Detroit quilt show. She attended all subsequent shows, corresponded with Detroit News Quilt Club Corner members and its editor, Edith Crumb up until the club and shows ceased, in January 1942. As late as 1957, when she made a quilt for her first great-grandchild, Andy Finn (the family called this quilt What Are Little Boys Made Of? #058) she was careful to quilt, rather than appliqué or embroider, the fish in the water in her design. This is a wonderful example of how family stories can mesh with quilt research – how they can reinforce each other. ","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nIt is likely this quilt was sent both to Detroit and to Springfield.","ContestListF071a":"A handwritten yellow paper exhibit tag (most likely from a Tuley Park quilt show) reads: \"Tree of Life First Prize (most artistic) in Springfield in 1942 Second Prize in Detroit in 1940 Mrs. Mary Gasperik\" an added note in Elsie's handwriting reads \"to ECK to Linda\". This would mean that a Gasperik Tree of Life won second prize to the grand-prize-winning quilt in Detroit that year which was also a Tree of Life design (made by Mrs. Charles Voelker). \r\n

\r\nA second yellow paper tag reads \"Tree of Life First Prize - Most Artistic 1942 Springfield Made by Mrs. Gasparik\" [sic]. An annotation in Elsie's handwriting reads \"To ECK to Karen\". A Detroit News article from the May 25, 1940, p. 4, quilt show confirms that Gasperik won a second prize, but does not describe or name that winning quilt.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Pattern envelope (including contents with yarn color chart) McCall #1853 Crewel Tree of Life - Susan Salser private collection.\r\n

\r\nThe family has Gasperik's own copy of the McCall Kaumagraph #1853 pattern (printed in black and white).\r\n

\r\nLetter from Gasperik's niece Vilma McClure to Susan Salser, dated Jan. 9, 1994 refers to the Gasperik Tree of Life quilts (she calls the design \"the family tree quilt\"): \"About your mother. She helped design many of the quilts. I particularly remember the family tree quilt. I saw it in the making. I think your mother designed that one. Elsie was most pleased that her mother had such a passion for making quilts. Indeed, Aunt Mary didn't do anything else - literally! Your mother went to Hazelcrest and cleaned her mother's house and did her wash on a regular basis.\" ","OwnershipF082":"Private","OwnerNameF082a":"Linda Krueger MacLachlan","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"To make her Tree of Life quilts (#031, #044, #065, #082 and #083) Gasperik transformed a McCall Kaumagraph #1853 crewel work pattern into an applique quilt pattern. This required considerable skill, judgment, and allowed the maker full choice of fabrics and colors. Like the Indiana Wreath quilts (#011, #032, #043, #063), the Tree of Life quilts constitute a series of quilt studies based on a very specific design. Mary Gasperik made quilts to exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-49/quiltiGasperik-a0a0e5-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-49/48-7C-47-224-quiltiGasperik-a0a0e5-b_13049.jpg"],"Detail 1 Caption":"Close-up","Detail 2":["https://kora.quiltindex.org/files/18-14-49/31b.jpg"],"Detail 2 Caption":"\"McCall #1853 Crewelwork Pattern/Tree of Life\" published in McCall Decorative Arts and Needlework 1931-1932.","Detail 3":["https://kora.quiltindex.org/files/18-14-49/18-14-49-1940-TreeofLife.jpg"],"Detail 3 Caption":"Second Place ribbon from the Detroit News Quilt Show, 1940","Detail 4":["https://kora.quiltindex.org/files/18-14-49/TreeofLife.jpg"],"Detail 4 Caption":"Tree of Life photographed on a clothesline.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2015-02-12","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0e5-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-16","Pattern":"TREE OF LIFE","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-47","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:00","updated_at":"2024-02-23 19:07:39"},"sort":["TREE OF LIFE"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"3a1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-50","description":"On this quilt Gasperik quilted the outline of the appliquéd blue bird which appears on all of her Indiana Wreath (#011, #032, #043, #063) quilts. On the other two Tree of Life (#065#031) quilts, quilted birds are all outline copies and variations of the quilts' appliqué birds.","essay":"It appears that this quilt was finished in a hurry and may not have had Gasperik's usual painstaking attention. Its batting falls ~2" short of the top edge of the quilt,. A binding ‘tail’ protrudes in the upper left corner in an uncharacteristically sloppy way. Heavy pencil markings are visible on the quilt’s top. Interestingly, the topmost quilted bird on this quilt, an outline of the more elaborate McCall applique bird, is missing its head! It is the undated Tree of Life. It would be most interesting to know when she made it because it probably coincides with a particularly difficult time in her life.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"044","TypeObjF008":"Finished quilt","QuiltTitleF009":"Tree of Life","OwnerNameF010":"Tree of Life (Susan)","OverallWidthF12a":"68 inches","OverallLengthF012b":"91 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Beige or Tan","Brown","Cream","Green","Orange","Yellow"],"OverallColorF14b":["Multicolor","Dark colors"],"OverCondF015":"Excellent/like new","DamageF016":["Other"],"RepairHistF018":"Batting falls ~2\" short of the top edge of the quilt. Binding ‘tail’ protrudes in the upper left corner in an uncharacteristically sloppy way. Heavy pencil markings visible on quilt top.","DateQuiltF023":"1930-1949","DateFinishF023b":"1935-1945","FamDateF023c":"Late 1930s-early 1940s","OtherExDateF023d":"Late 1930s","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Although the McCall pattern on which this quilt is based was published in 1931, other Gasperik versions of this Tree of Life design were made as early as 1935 and as late as 1942.","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Tree of Life","NumBordersF033":"One","BordDescF034":"Wide border on four sides frames the center panel.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Beige or Tan"],"NumPiecesF042":"3","WidthPiecesF042a":"3\", 33\", 32\"","DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain","Machine sewn"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","NumStitchedF050":"11","NumStitchF051":"11","KnotsF051b":"no","DesignF052a":["Clamshell","Grid diamond"],"DesignF052b":["Feathering","Floral","Other"],"DesignF052c":["Grid/crosshatch"],"DesignF052d":"A quilted line of feathering frames inner edge of center panel. Cross-hatch filled feathered hearts, cross-hatch filled feathered leaves and three quilted birds are embedded in the diamond patterned background of the center panel.","FeaturesF053":"Gasperik used a yellow print fabric in the large blue bird of quilt #044. All other applique bird and flower fabrics are solid colors. Lots of print fabrics are used in the flower and bird appliques of Tree of Life #065. None appear in the flowers and birds appliqued on Tree of Life #031. All three quilts use the same array of prints to shape the mounded ground under the tree.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"Susan acquired this in a quilt trade with her sister Karen. Karen had been brought two different Tree of Life quilts by Elsie. Susan wanted to own one of the three Gasperik Tree of Life quilts. Because their mother helped design these quilts and loved them, the Tree of Life quilts are a sentimental favorite of the three girls.","ReasonsF060":["Art or personal expression"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"OthSourceF063a":"Note: The dark green calico print (top row of the triple mound under the tree) may be the same fabric supplied with Calico Rose (see #049) kit--Paragon kit No. 01082.","TopSourceF064":["Commercial/Published source: Pattern"],"CommSourceF064b":"\"McCall #1853 Crewelwork Pattern/Tree of Life\" published in McCall Decorative Arts and Needlework 1931-1932.","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103.\r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Pattern envelope (including contents with yarn color chart) McCall Kaumagraph #1853 Crewel Tree of Life - Susan Salser private collection.\r\n

\r\nThe family has Gasperik's own copy of the McCall Kaumagraph #1853 pattern (printed in black and white).\r\n

\r\nComplete Catalogue of McCall Designs, Dec. 1931 (private collection of Susan Salser)\r\n

\r\nLetter from Gasperik's niece Vilma McClure to Susan Salser, dated Jan. 9, 1994 refers to the Gasperik 'Tree of Life' quilts (she calls the design \"the family tree quilt\": \"About your mother. She helped design many of the quilts. I particularly remember the family tree quilt. I saw it in the making. I think your mother designed that one. Elsie was most pleased that her mother had such a passion for making quilts. Indeed, Aunt Mary didn't do anything else - literally! Your mother went to Hazelcrest and cleaned her mother's house and did her wash on a regular basis.\" (private collection – Susan Salser)","OwnershipF082":"Private","OwnerNameF082a":"Susan Krueger Salser","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Quilt owner","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"To make her Tree of Life quilts (#044, #065, #031, #082 and #083) Gasperik transformed a McCall Kaumagraph #1853 crewel work pattern into an applique quilt pattern. This required considerable skill, judgment, and allowed the maker full choice of fabrics and colors. Like the Indiana Wreath quilts (#011, #032, #043, #063), the Tree of Life quilts constitute a series of quilt studies based on a very specific design. Mary Gasperik made quilts to exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL; Detroit, MI","SpecialGroupF122":"Group showings of quilts and quilting demonstrations (Tuley Park); national quilt contest (Detroit)","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-50/48-7C-48.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-50/48-7C-48-224-quiltiGasperik-a0a0e6-b_13049.jpg"],"Detail 1 Caption":"detail","Detail 2":["https://kora.quiltindex.org/files/18-14-50/48-7C-48-224-quiltiGasperik-a0a0e6-c_13049.jpg"],"Detail 2 Caption":"detail","Detail 3":["https://kora.quiltindex.org/files/18-14-50/31b.jpg"],"Detail 3 Caption":"\"McCall #1853 Crewelwork Pattern/Tree of Life\" published in McCall Decorative Arts and Needlework 1931-1932.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2009-02-21","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0e6-a","Maker Associator":"18-47-2","Pattern":"TREE OF LIFE","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-48","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:01","updated_at":"2024-02-23 19:07:39"},"sort":["TREE OF LIFE"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"3q1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-51","essay":"This is the most elaborate of the five Tree of Life (#065, >#031#044, #082, #083) quilts, showing the greatest degree of transformation of the McCall pattern and including elements from outside sources. She may have returned to this quilt pattern when a Tree of Life quilt won the grand prize at the 1940 Detroit News quilt show. The year "1942" is quilted on the front of the quilt. Gasperik won a second prize at that same 1940 Detroit quilt show. A paper exhibit tag reading "Tree of Life First Prize (most artistic) in Springfield in 1942 Second Prize in Detroit in 1940 Mrs. Mary Gasparik" [sic] suggests that it is possible that the Gasperik 1938 Tree of Life could have been the runner-up to Mrs. Voelker's Tree of Life!","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"065","TypeObjF008":"Finished quilt","QuiltTitleF009":"Tree of Life","OwnerNameF010":"Tree of Life (Karen)","OverallWidthF12a":"81 inches","OverallLengthF012b":"90 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Rounded","PredomColorsF014":["Beige or Tan","Brown","Cream","Green","Orange","Yellow"],"OverallColorF14b":["Multicolor","Dark colors"],"OverCondF015":"Excellent/like new","TypeInscripF019":["Date"],"ContInscripF020":"1942","DateInscripF020a":"1942","MethodInscripF021":["In the quilting"],"OtherLocInscripF022a":"On the front in the upper part of the center panel, running parallel to the curved stem ending in the small blue flower.","DateQuiltF023":"1930-1949","DateFinishF023b":"1942","FamDateF023c":"1942","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Although the McCall pattern on which this quilt is based was published in 1931 it continued to be offered at least until 1934. The earliest Gasperik Tree of Life quilts appear in a family photograph dated 1935. ","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Tree of Life","NumBordersF033":"One","BordDescF034":"Wide border on four sides frames the center panel.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"UniqueF039a":"The blue birds now wear embroidered crowns.","FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Beige or Tan"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid diamond"],"DesignF052b":["Feathering","Other"],"DesignF052c":["Grid/crosshatch"],"DesignF052d":"A wide feather band frames the sides of the center panel. Embedded in the interior cross-hatched diamond background are a squirrel and 3 more birds.","FeaturesF053":"Two of the oak leaves on the lower branch appear to be left-overs from Gasperik's 1939 quilt Road to Recovery (#066). ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Elsie brought this quilt to Karen in 1968-69 as a gift from Gasperik.","ReasonsF060":["Art or personal expression"],"QDesignF060b":["Artwork/wall hanging"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Pattern"],"CommSourceF064b":"\"McCall #1853 Crewelwork Pattern/Tree of Life\" published in McCall Decorative Arts and Needlework 1931-1932.","CommSourceF065b":"Feather band on right and left side - See #C5576 in Aunt Martha's Answer To 'How Shall I Quilt It?'","AddNotesF066":"Gasperik not only added more applique pattern elements to the McCall suggestions, she also made her designs more complicated by subdividing suggested pattern elements. This subdividing allowed her to greatly expand her palette of fabrics, especially noticeable on the two birds. The purple print with white stars found in the upper left flower of this Tree of Life quilt, also appears in two of the Gasperik Indiana Wreath quilts, perhaps helping to date them.\r\n

\r\nAn unusually large array of different print fabrics are found on quilt #034, making it an ideal choice to compare with fabrics found in other Gasperik quilts, particularly the Tree of Life quilts (#031, #044 and #065) and Hungarian Girls (#014).","ExhibitListF067a":"It is likely this quilt was sent to an Illinois State Fair, Springfield.\r\n

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","ContestListF071a":"A handwritten yellow paper exhibit tag (most likely from a Tuley Park quilt show) reads: \"Tree of Life First Prize (most artistic) in Springfield in 1942 Second Prize in Detroit in 1940 Mrs. Mary Gasperik\" an added note in Elsie's handwriting reads \"to ECK to Linda\". This would mean that a Gasperik Tree of Life won second prize to the grand-prize-winning quilt in Detroit that year which was also a Tree of Life design (made by Mrs. Charles Voelker). \r\n

\r\nA second yellow paper tag reads \"Tree of Life First Prize - Most Artistic 1942 Springfield Made by Mrs. Gasparik\" [sic]. An annotation in Elsie's handwriting reads \"To ECK to Karen\". A Detroit News article from the May 25, 1940 quilt show confirms that Gasperik won a second prize, but does not describe or name that winning quilt.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Pattern envelope (including contents with yarn color chart) McCall Kaumagraph #1853 Crewel Tree of Life - Susan Salser private collection. \r\n

\r\nThe family has Gasperik's own copy of the McCall Kaumagraph #1853 pattern (printed in black and white).\r\n

\r\nComplete Catalogue of McCall Designs, Dec. 1931 (private collection of Susan Salser)\r\n

\r\nLetter from Gasperik's niece Vilma McClure to Susan Salser, dated Jan. 9, 1994 refers to the Gasperik 'Tree of Life' quilts (she calls the design \"the family tree quilt\": \"About your mother. She helped design many of the quilts. I particularly remember the family tree quilt. I saw it in the making. I think your mother designed that one. Elsie was most pleased that her mother had such a passion for making quilts. Indeed, Aunt Mary didn't do anything else - literally! Your mother went to Hazelcrest and cleaned her mother's house and did her wash on a regular basis.\" (private collection – Susan Salser)\r\n

\r\nThe Detroit News, May 25, 1940 p.4 \"Quilt Beautiful as a Painting Wins Its Skilled Maker $50\" by Garnet Warfel, features the grand-prize-winning Tree of Life made by Mrs. Charles Voelker and also mentions Mary Gasperik took second prize at the show. Unfortunately the article does not name or describe the prize-winning Gasperik quilt. The family has Gasperik’s own newspaper clipping.\r\n

\r\nMcCall Needlework Magazine, \"Prize-Winning Quilt\" Spring & Summer 1950 also features the Voelker Tree of Life.\r\n\r\n","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"To make her Tree of Life quilts (#065, #044, #031, #082 and #083) Gasperik transformed a McCall Kaumagraph #1853 crewel work pattern into an applique quilt pattern. This required considerable skill, judgment, and allowed the maker full choice of fabrics and colors. Like the Indiana Wreath quilts (#011, #032>, #043, #063), the Tree of Life quilts constitute a series of quilt studies based on a very specific design. Mary Gasperik made quilts to exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL; Detroit, MI","SpecialGroupF122":"Group showings of quilts and quilting demonstrations (Tuley Park); national quilt contest (Detroit)","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-51/48-7C-49.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-51/48-7C-49-224-quiltiGasperik-a0a0e7-b_13049.jpg"],"Detail 1 Caption":"detail","Detail 2":["https://kora.quiltindex.org/files/18-14-51/48-7C-49-224-quiltiGasperik-a0a0e7-c_13049.jpg"],"Detail 2 Caption":"detail","Detail 3":["https://kora.quiltindex.org/files/18-14-51/48-7C-49-224-quiltiGasperik-a0a0e7-d_13049.jpg"],"Detail 3 Caption":"detail","Detail 4":["https://kora.quiltindex.org/files/18-14-51/31b.jpg"],"Detail 4 Caption":"\"McCall #1853 Crewelwork Pattern/Tree of Life\" published in McCall Decorative Arts and Needlework 1931-1932.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2009-02-21","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0e7-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-16","Pattern":"TREE OF LIFE","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-49","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:02","updated_at":"2024-02-23 19:07:39"},"sort":["TREE OF LIFE"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"461hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-56","description":"In this crib quilt, she placed appliquéd bows on each border to create strong diagonals. For a similar arrangement, see Mom’s Quilt (#068). The pattern or kit source for the quilt is not known.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"008","TypeObjF008":"Finished quilt","QuiltTitleF009":"Sugar and Spice","OwnerNameF010":"Sugar and Spice","OverallWidthF12a":"38 inches","OverallLengthF012b":"46 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Pink","White"],"OverallColorF14b":["Light or pastel colors","Bright or primary colors"],"OverCondF015":"Excellent/like new","TypeInscripF019":["Message","Other"],"OtherTypeInscripF019a":"inked address label \"MARY GASPERIK 1411 W 171st ST. EAST HAZELCREST\"\"","ContInscripF020":"What are little girls made of?","MethodInscripF021":["Attached label","Embroidery","Ink"],"LocInscripF022":["multiple locations"],"OtherLocInscripF022a":"At center of quilt front, on back","DateQuiltF023":"1930-1949","DateFinishF023b":"1940-1954","FamDateF023c":"1940-1954","OtherExDateF023d":"Late 1930s-1940s","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Estimated date based on quilt kit layouts of late 1930s and 40s. ","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Popular nursery rhyme poem","NumBordersF033":"3","BordDescF034":"Three wide quilted borders scalloped with plump applique ribbons at the corner of each border-- 12 in all.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)","Embroidery"],"EmbMatF039":["Buttons attached"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Blue or Navy"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Single parallel lines"],"DesignF052b":["Feathering","Other"],"DesignF052d":"Feathered heart in four corners; 4 separate undulating feather borders used to outline multiple border seams.","FeaturesF053":"It appears to Salser that her grandmother transformed a block-size pattern into a child's bed-sized quilt by adding the multiple broad borders. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ReasonsF060":["Baby or crib"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","TopSourceF064":["Unknown"],"PattSourceF065":["Commercial pattern"],"CommSourceF065b":"Feathered heart - Probably from \"Original Master Quilting Patterns No. 37\" p 4 published by Needleart Guild (Grand Rapids, MI).","AddNotesF066":"This quilt is one of four Gasperik quilts made from an as yet unidentified pattern source. There were likely two patterns in the set illustrating the popular nursery rhyme poem for children What Are Little Boys Made Of? - one illustrating the little boy (with his frog, his snail, and puppy dog tails/hot dog sausages) and one illustrating the little girl (with her tins of sugar and spice). Gasperik used both of these block-size patterns to make a pair of doll quilts for grand-daughters Karen and Linda Krueger ~1940 (quilts #054 and #075). That same little girl pattern is re-used here, with multiple borders added to turn the doll quilt into a child’s quilt for granddaughter Kathy Gasperik. Still later, in 1957, she reused the pattern of the little boy to form the centerpiece of a child's quilt celebrating the birth of her first great-grandson (quilt #058).","ExhibitListF067a":"This quilt bears a cloth address label like those affixed to quilts sent to Illinois State Fairs.\r\n

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","ContestListF071a":"Probably sent to an Illinois State Fair.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","OwnershipF082":"Private","OwnerNameF082a":"Elmer Gasperik heirs - Kathy Jacob contact","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-56/quiltiGasperik-a0a0f2-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-56/48-7C-4E-224-quiltiGasperik-a0a0f2-b_13049.jpg"],"Detail 1 Caption":"Close-up","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2008-12-19","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0f2-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-54","Pattern":"SUGAR AND SPICE","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-4E","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:05","updated_at":"2024-02-23 19:07:39"},"sort":["SUGAR AND SPICE"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"sa1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-4","essay":"This quilt probably made early in her career in 1934, incorporates a Nancy Cabot (Chicago Tribune) pattern that honors the 1933 Century of Progress Exposition.
\r\n
\r\nThis quilt, which is dated 1934, shows how quickly Mary developed her quilting skills, when compared with quilt #041 (Double Trellis) made in 1933. Once she discovered quilts in 1933, making quilts became her life's passion. The Chicago Tribune published this block in the Nancy Cabot quilt column after the Fair ended. The Moon Face embroidery pattern was published by another Chicago company.
\r\n
\r\nWe know Mary Gasperik was inspired by quilts at the Century of Progress Exposition (the Chicago World's Fair), and that she did not enter the 1933 Sears National Quilt Contest held in conjunction with the Fair. The family thinks she probably saw the final round quilts on display and was inspired to make quilts. Sears offered a bonus prize of $200 if the grand prize quilt was made in the theme "A Century of Progress," and some quilters simply embroidered or quilted those words on their quilts to be eligible for the extra prize winnings. Mary Gasperik, not fully understanding the significance of the words, may have thought her quilts should carry her name and the words "Century of Progress." Five of her quilts made in 1933-34 are embroidered with these words, but it is not suggested that any of them were exhibited either with the Sears Contest quilts or in the Tuley Park Quilt Club booth at the Fair.
\r\n
\r\nMade after the World's Fair, this quilt honors the Century of Progress Exposition held in her hometown in 1933-34. The rocket and star pattern named Star Arcturus refers to the distant star 40 light years away. Fair officials reminded Chicagoans that the light coming from the star began its journey in 1893 when Chicago's first world's fair was held. Light transmitted from the Star Arcturus was not only used to illuminate the opening of the fair, it was used to turn on the exposition's myriad lights each night. The star became a World's Fair logo adorning many souvenirs. Mary Gasperik chose an especially potent symbol of the fair to use in this early and creative quilt-making project. Although the Cabot pattern provides the basis for her design, it is Gasperik's own individual choices (the colors) and additions (the corner moons) which make this an especially artful and expressive quilt. For her masterpiece quilt Colonial Quilting Bee (#034) made 16 years later, she resurrected this pattern when she used the rocket-stars on the miniature quilt at the center of the quilt frame and on a miniature quilt placed on the lap of one of the quilters. In doing so, she was not only referencing her own earlier quilt, but also the occasion which ignited her passion for making quilts - the Chicago World's Fair of 1933.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"048","TypeObjF008":"Finished quilt","QuiltTitleF009":"Star Arcturus-Century of Progress","OwnerNameF010":"Star Arcturus-Century of Progress","BrackmanF011a":"3713","OverallWidthF12a":"77 inches","OverallLengthF012b":"91 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Rounded","PredomColorsF014":["Blue or Navy","Orange","Yellow"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Very good/almost new","TypeInscripF019":["Message"],"ContInscripF020":"\"Star Arcturus/A CENTURY OF PROGPESS 1934 M.G.\" ","DateInscripF020a":"1934","MethodInscripF021":["Embroidery","Other"],"OtherMethodInscripF021a":"English was not Mary's native tongue. She embroidered \"PROGPESS\" instead of \"PROGRESS\"","LocInscripF022":["on back"],"DateQuiltF023":"1930-1949","DateBegunF023a":"1933-1934","DateFinishF023b":"1934","OtherExDateF023d":"1934","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Date based on Nancy Cabot quilt pattern by the same name published on Oct 22, 1933 in the Chicago Tribune.","LayFormatF024":"Block pattern","SubjQuiltF025":"Star Arcturus, Chicago World's Fair","NumBlockF026":"30","SizeBlockF027":"13 x 13","ArrangeBlockF028":"Straight","SpacingF029":["Other"],"OtherSpaceF029a":"Star Block alternates with a blue block with five small stars appliqued to it.","NumBlockPatF030":"2","BlockStyleF030a":["Squares"],"NumBordersF033":"One scalloped border.","BordDescF034":"Scallops with appliqued 3-color fans alternate with plain, pointy, scallops. Orange moons with embroidered faces are appliqued into the four corners of the quilt.","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Hand Applique"],"EmbellTechF038f":"Yes","ConstrucF038g":["Embroidery"],"PaperF038i":"no","EmbMatF039":["Cotton thread"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Blue or Navy"],"NumPiecesF042":"3","WidthPiecesF042a":"33 inches, 33 inches, 11 inches ","DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Bias grain","Machine sewn"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrTypeF049a":"cotton","ThrColorF049b":"off-white","NumStitchedF050":"11","NumStitchF051":"11","KnotsF051b":"no","DesignF052a":["Echo","In-the-ditch","Outline"],"DesignF052b":["Wreaths"],"DesignF052c":["None"],"FeaturesF053":"In this quilt, the backing fabric is the same color as the front. It is an unusual choice for Mary Gasperik. Since it is one of her earliest quilts, one wonders if it was personal choice or advice from the Tuley Park Quilt Club.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"Selected by daughter Elsie during a division of quilts after Gasperik died in 1969. In 1988, Elsie Krueger's three daughters divided up the quilts left to them after Elsie's death. Susan Salser selected Star Arcturus in the fourth round. At the time, the quilt was under-appreciated by all three of them!","ReasonsF060":["Commemorative"],"QDesignF060b":["Unknown"],"PresUseF062":["Exhibit","Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Newspaper","Other"],"OthTopSourceF064a":"Source of embroidered moon faces in the four corners is Modern Hand Embroidery Patterns: The Wonder Package offered by Donald F. Duncan Inc., a Chicago company, in 1933. ","CommSourceF064b":"Nancy Cabot/Chicago Tribune: Star Arcturus Century of Progress","PattSourceF065":["Commercial pattern","Original to maker"],"OthPattSourceF065a":" ","CommSourceF065b":"QuiltING patterns Q403 and Q504 (Hubert Ver Mehren Home Art Studio) were used in the blocks. Q403 (side portion only) used in border. Q504 (transformed for use as an applique two-color pieced star). ","AddNotesF066":"A clipping of the original October 22, 1933 Nancy Cabot newspaper column which presented the Century of Progress rocket-star pattern is pasted into Mary Gasperik's album of quilt patterns. This Nancy Cabot pattern was published in The Chicago Sunday Tribune, Part 6, page 2. It was later reproduced by The Quilters Journal No. 27 pp 10-11 in 1985. Mary transformed the plain spacer blocks proposed by the October 22 pattern into blocks containing smaller appliqued 6-star versions of the comet block's 6-pointed star. The central star in her 'spacer' block nests inside a quilted wreath and is smaller than the Comet star, but larger than the tiny stars appliqued into the corners of the 'spacer' block. This is probably Gasperik's own invention but may have been inspired by the Nancy Cabot block pattern called 'Evening Star' which was published in The Chicago Tribune on October 23, 1933, the day after the comet block quarter-quilt-section was published. The Cabot 'Evening Star' shows a center 8-point star executed in two different solid colors (unlike the Arcturus comet 6-point star) with four small diamond appliques in each corner. Instead of copying the diamonds, Gasperik made miniature stars, each composed of 6 miniature diamonds, a much more challenging job. The corner moons (not a Nancy Cabot pattern) were perhaps inspired by the moon cutout at Chicago's Riverview Park. The family has a circa 1945 photo of Gasperik's granddaughters Karen, Linda and Susan Kruger, wearing matching Gasperik red, white and blue pinafores (one of these survives), seated on the amusement park's photo booth cutout. There is also a photograph of Mary and Stephen Gasperik seated on the moon. Gasperik sent 3 pattern tracings of her quilt border and two sample blocks (with attached fabrics) to a fellow Detroit News Quilt Club Corner member in Sturgis, Michigan named Emma Zawatski. In 2007 granddaughter Susan miraculously happened to find the Zawaski materials for sale on e-Bay and purchased them. The fabrics and patterns exactly match the Gasperik quilt. Re-reading a list of names and addresses shakily hand-written by Mary Gasperik (probably a list of potential invitees to Gasperik's 50th wedding anniversary celebration in 1956) Susan saw the name Emma Zawatski with a Sturgis, Michigan address on that 3-page list, confirming that Mary Gasperik and Emma Zawatski knew each other, probably having met at the first Detroit News quilt show Mary Gasperik attended, in October 1935. The Gasperik Star Arcturus quilt is probably among the quilts Gasperik sent to be exhibited at this (3rd) Detroit News quilt show, her first appearance in Detroit. She attended and sent quilts to every subsequent Detroit News quilt show. The Detroit News quilt club and show editor, Edith Crumb wrote about Gasperik for the first time in the October 22, 1935 newspaper. In the February 11, 1936 Detroit News Crumb devoted a whole column to Gasperik and the Gasperik quilt (one of Gasperik's Double Feather Star quilts) which arrived too late to be exhibited at the October 1935 show. Although Star Arcturus IS based on a published pattern it should be stressed that Gasperik made major creative revisions with her star-studded spacer blocks and corner moons. Also, the Cabot pattern ignores the subject of quiltING and Gasperik's fine quiltING is a major design element in ALL of her quilts. Arcturus is no exception, even though it is a very early Gasperik quilt and is so clearly associated with a commercial pattern.\r\n\r\n\r\n\r\n\r\n\r\n ","ExhibitListF067a":"Probably exhibited at the third Detroit News Quilt Show October 18-20, 1935, the first Detroit show Mary Gasperik sent quilts to and attended.\r\n

\r\nProbably exhibited in at least one of the annual Tuley Park quilt shows between 1936 and 1949. We have an undated exhibit tag reading \"Arcturus Star Quilt by Mrs. M. Gasperik\".\r\n

\r\n--The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\n-- Patchwork Souvenirs of the 1933 Chicago World's Fair, nationally traveling exhibit in 1993-94 curated by Merikay Waldvogel and Barbara Brackman. \r\n

\r\n-- 1933 Chicago World's Fair Quilts at the Spring International Quilt Festival in Chicago (Rosemont), April 11-13, 2003, curated by Merikay Waldvogel.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.\r\n\r\n","RelItemsF088a":"Barbara Brackman, Making History Quilts & Fabric From 1890-1970, C & T Publishing, 2008, page 78 photograph of Gasperik Star Arcturus.\r\n

\r\nMerikay Waldvogel and Barbara Brackman, Patchwork Souvenirs of the 1933 World’s Fair, Rutledge Hill Press, Nashville, Tennessee, 1993, pp 102-103, photographs and text discussion.\r\n

\r\n\"Patchwork Souvenirs of the 1933 Chicago World's Fair\" by Barbara Brackman and Merikay Waldvogel, published in Quilter's Newsletter Magazine (July/August 1994), offered readers a pattern for making the moon Mary Gasperik put in the four corners of her Star Arcturus quilt.\r\n

\r\n\"The 1933 World's Fair Quilt Contest and its Aftermath\" in Piecework magazine (July/August 1995), pp. 71-77, presented a color photograph of the quilt and a pattern for making a bib using the star and rocket motif.\r\n

\r\nFamily photos show this quilt, and other Gasperik quilts, airing on a clothesline.\r\n

\r\nYellow paper exhibit tag (Tuley Park show) reading: \"Arcturus Star Quilt by Mrs. M. Gasperik\" ","OwnershipF082":"Private","OwnerNameF082a":"Susan Krueger Salser","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","DateObtainedF088c":"December 2007","IdentPersonF006":["Quilt owner","Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"This particular quilt was made at a time when Gasperik was just beginning what turned out to be her life's career. It was a time when she seems to have believed that all quilts should salute The Century of Progress Chicago World's Fair of 1933-34. She may have made it specfically to exhibit in a show held by her Tuley Park quilt club in Chicago. Later she made quilts to exhibit in the Detroit News quilt show in Detroit. After the Detroit shows ceased (following the 1940 show) she exhibited her quilts in many Illinois State Fairs, and at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club, Detroit News Quilt Club Conducted by Edith Crumb, editor of the Home Page. ","LocGroupF121":"Tuley Park is the Chicago public park closest to Mary's residence on Cottage Grove. Readers of The Detroit News quilt column were from far corners of the United States. They \"met\" through the quilt column in the Detroit News.","SpecialGroupF122":"Readers of the column sent in patterns and pattern requests. The club actually met together at the time of the annual quilt show. IN October 1936 they began gathering every Friday afternoon AT The Detroit News.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","AddNotesF132":"Mary Gasperik sent three pattern tracings of this quilt's border and two blocks (the Star and the five-star block) with attached fabrics to Emma Zawatski in Sturgis, Michigan, another quilter she met through the Detroit News column. \r\n\r\nSusan Salser purchased the tracings at an online auction site in November 1997. She found Zawatski's name on an invitation list Mary Gasperik had compiled for her 50th wedding anniversary. These tracings show that Gasperik shared her own designs with others at an early stage of her quilting career.\r\n","InvenNumF075":"048","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2007-10","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-4/48-7C-13.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-4/48-7C-13a.jpg"],"Detail 1 Caption":"detail","Detail 2":["https://kora.quiltindex.org/files/18-14-4/48-7C-13-1.jpg"],"Detail 2 Caption":"On the quilt backing, the embroidered inscription complete with a mis-spelled word reads “\"Star Arcturus/A CENTURY OF PROGPESS 1934 M.G.\" Five of her quilts made in 1933-34 are embroidered with these words, but it is not suggested that any were entered in the Sears Century of Progress Contest. The quilt backing here in this early quilt is the same color as the front--an unusual choice for Mary Gasperik. One wonders if it was her personal choice or advice from a quilt club member. ","Detail 3":["https://kora.quiltindex.org/files/18-14-4/ArcturusMoons.jpg"],"Detail 3 Caption":"I believe the photo was taken at a Chicago amusement park called Riverview Park. It references the moon corners of Star Arcturus. Those Arcturus moons were made from a popular and widely available pattern printed by Chicago’s Duncan Company - as in the famous yoyo. It was also available as The Wonder Package, which The Detroit News promoted heavily in 1933 (before Mary discovered the Quilt Club Corner).","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2017-02-04","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0b0-a","Maker Associator":"18-47-2","featuredQuilt":"True","Pattern":"STAR ARCTURUS-CENTURY OF PROGRESS","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-13","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:28","updated_at":"2024-02-23 19:07:39"},"sort":["STAR ARCTURUS-CENTURY OF PROGRESS"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"8K1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-71","description":"“No. 7318 part b” can be found stamped into a front edge of this quilt, indicating Gasperik began her quilt using Homeneedlecraft Creations kit No. 7318 called “Snowflake”. It is unclear (absent finding such a kit) how closely Gasperik followed Needlecraft Creations' design and instructions; but the addition of the brightly colored stars is surely a Gasperik idea. Given the unique creative input seen in so many of her quilts, it is logical to assume that here too Gasperik combined commercial, popular and self-designed elements.","essay":"Several things might explain Gasperik’s motivation to make this particular snowflake quilt. The manual used by Gasperik’s own Tuley Park Quilting Club (Quilting, by Alice Beyer, published in 1934) featured, on pages 57 and 58, thirty different snowflake “Suggestions for Designing Original Patterns – Snow Crystals” . These appear to be copies of some of the astonishing photographs of actual snow crystals taken by W. A. Bentley and published, to some popular acclaim, in 1931. On pages 59 and 60 of her Quilting manual, Beyer offers thirty “Quilting Designs Taken from a Kaleidoscope”. These resemble snow crystals, but, crucially, are rendered in clear lines (unlike the somewhat fuzzy and shaded Bentley photographs). In other words the Kaleioscope drawings appear to be offered as a demonstration of how to turn real snow crystal formations into patterns for cutting fabric to appliqué. Snowflake quilt designs were especially popular as a result of Bentley’s photographs. This perhaps explains how it came to be that a blue and white snow crystals quilts (submitted by Helen C. Dorne of Angola, Indiana) was entered into what was probably America’s first national quilt contest, held at the Eastern States Exposition in Storrowton Massachusetts in 1933, where it received second prize. It is logical to speculate that it was a Tuley Park Quilting Club assignment or suggestion to embark on a snowflake quilt project. Another reason to believe that this is one of Gasperik’s earliest quilts is that its appliqué covers its quilting. As a novice quilter Gasperik did not seem to know that the usual procedure was to appliqué first and then quilt around the appliqué, not to do overall quilting first and then appliqué. In Double Trellis (#041) another early quilt which is dated 1933 (and also embroidered “Century of Progress”, referencing the Chicago World’s Fair) she also showed some confusion about the order in which quilting and appliqué were to be done. In Double Trellis (#041) she quilted over the appliqué, whereas in Snowflake she appliquéd over the quilting. Gasperik’s subsequent quilts are all executed in the traditional way. They are appliquéd first and then quilted to enhance (not cover) the appliqué. It can be argued that Double Trellis (#041) and Snowflake are, thus, probably Gasperik’s first two completed appliqué quilts. Gasperik’s lovely, intricate, beautifully stitched, and unique quiltING designs came to be the feature of her quilts which is, arguably, that which distinguishes her work from that of most other quilters of her time. She learned her lesson in how to skillfully integrate appliqué and quilting; and Snowflake offers a glimpse of her starting point. It is a measure of both her determination to do things her own way, and the distance she travelled to become a master quilter.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"053","TypeObjF008":"Finished quilt","QuiltTitleF009":"Snowflakes","OwnerNameF010":"Snowflake","OverallWidthF12a":"83 inches","OverallLengthF012b":"96 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Orange","Pink","Purple","Red","White","Yellow"],"OverallColorF14b":["Light or pastel colors","Bright or primary colors"],"OverCondF015":"Excellent/like new","ContInscripF020":"Mary Gasperik 1411 W 176 Street, East Hazelcrest, Illinois. [Note: Gasperik's actual address was 1411 W 174th Street]","MethodInscripF021":["Attached label"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1930s","FamDateF023c":"1930s","OtherExDateF023d":"1940s","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Estimated date based on similar kit quilt dates.","LayFormatF024":"Other","SubjQuiltF025":"Snowflakes","OtherSpaceF029a":"Large and medium snowflakes are appliquéd onto a solid white ground. Some of the medium-sized snowflakes line up to form an outer border. The majority of the snowflakes appear to be randomly distributed, although there may be a pattern","NumBlockPatF030":"41 blue and white appliqué snowflakes which are made from 15 different patterns. 13 are large snowflakes executed in two shades of light blue. 28 are medium snowflakes executed in the same 2 shades of blue. 181 small 6-pointed stars in very bright intense colors are sprinkled throughout.","BlockStyleF030a":["None"],"NumBordersF033":"None","FiberTypesF035":["Cotton","Other synthetic"],"FabricTypeF036":["Other"],"FabPrintF037":["Solid/plain"],"UniqueF037b":"The peach-colored stars are cut from an acetate-like fabric, not cotton.","ConstrucF038b":["Hand Applique"],"UniqueF038h":"Surprisingly, lines of background quilting run UNDER the quilt’s appliquéd snowflakes and stars. Gasperik appears to have appliqued on top of an already-completely-quilted white wholecloth quilt. The colors of her stars (which may have been additions to a kit featuring snowflakes alone) are reminiscent of the bright color choices associated with Chicago’s Century of Progress World’s Fair and its Star Arcturus theme.","FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"White","KnotsF051b":"no","DesignF052a":["All-over-design","Grid/crosshatch"],"DesignF052b":["Floral","Wreaths"],"DesignF052c":["Grid/crosshatch"],"DesignF052d":"A large oval feathered wreath is quilted in center of quilt. Around the entire border is quilted a chain of flowers design from a commercial pattern.","FeaturesF053":"\"No. 7318 part b\" is stamped on front edge of this quilt; the numbering may refer to an as-yet-unfound quilt kit named Snowflakes. Close inspection of the quilt shows that it was made between a half and one inch larger than was intended, making some of the original kit border markings visible. The quilt was intended to have slanted corners and small (~1-inch) notches cut in around its edge, spaced about 8 inches apart. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"This quilt was brought to Karen, as a gift from her grandmother, by Elsie Krueger ~1968.","ReasonsF060":["Unknown"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Unknown"],"PattSourceF065":["Published material"],"CommSourceF065b":"Border quilting - see either #47 and #48 in Needleart Guild's \"Original Master Quilting Patterns, pg 12 or Pattern C7 from Grandmother's Perforated Quilting Patterns (WLM Clark, St. Louis, 1934).","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","ContestListF071a":"Karen Finn, the quilt's owner, has a 1957 white Illinois State Fair ribbon which she believes was awarded to this Snowflake quilt. Her description, in full, reads: \"1957 3rd premium (class K) exhibitor No. 527 date 8/8/57 14190\".","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Karen Finn, the quilt's owner, has a 1957 white Illinois State Fair ribbon which she believes was awarded to this Snowflake quilt. Her description, in full, reads: \"1957 3rd premium (class K) exhibitor No. 527 date 8/8/57 14190\".\r\n

\r\nAlice Beyer, Quilting, 1934, published by the South Park Commissioners (Chicago) and used by Gasperik's quilting club - the Tuley Park Quilt Club - pages 57-58 drawings of snowflake patterns similar to Gasperik's snowflakes. Those Beyer illustrations, in the lower corner, are attributed \"3-28-34 W.A.\" which might indicate they were from W. A. Bentley's groundbreaking photographs of actual snow crystals, pictures first published in 1931.\r\n

\r\nSnow Crystals, W. A. Bentley and W. J. Humphreys, Dover Publications, Inc. New York. This new Dover edition, first published in 1962, is an unabridged and unaltered republication of the work first published by the McGraw-Hill Book Company, Inc. in 1931.\r\n

\r\nLadies Home Journal, Jan. 1, 1911, page 25 color photograph of pale blue and white Snowflake applique quilt by Marie D. Webster. \r\n

\r\nQuilts: Their Story and How to Make Them, Marie D. Webster, copyright 1915. A color picture of Webster's \"The \"Snowflake\" Quilt Design\" appears as colour plate facing page 146 of the 1928 Doubleday edition of the book. ","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"In this quilt Gasperik seems to have appliqued the bright pieced stars on top of an already-completed snowflake quilt. She was, evidently, reworking a quilt she had already made, altering it to experiment with a new idea. Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-71/48-7C-5D.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-71/1957-Karen.jpg"],"Detail 1 Caption":"Third place ribbon from the Illinois State Fair, 1957.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2011-05-29","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0g7-a","Maker Associator":"18-47-2","Pattern":"SNOWFLAKES","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-5D","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:15","updated_at":"2024-02-23 19:07:39"},"sort":["SNOWFLAKES"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"yq1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-29","description":"This quilt competed in the 1938 Detroit News Quilt Contest where it may have been awarded the prize for best appliqué made from a News pattern, the highest award Gasperik won in Detroit. She closely followed the Detroit News appliqué pattern for Roses and Forget-Me-Nots, but some of the quilting designs and the scalloped edge were her own choices. The pattern was offered by The Detroit News shortly before the April 1937 quilt show. Gasperik probably picked up the pattern when she attended that show. A year later her finished version of the pattern was awarded a first prize at the 1938 Detroit quilt show.","essay":"The Detroit News Roses and Forget-Me-Nots pattern proposed that “This wreath of roses and forget-me-nots may be used for the quilting design of the plain blocks and a lattice pattern used in the center of the quilted wreaths as well as the appliquéd ones. The border may be of lattice quilting throughout if it is preferred to a floral border.” Gasperik accepted the suggestion to quilt the outline of the appliqué wreath in the plain blocks, and she accepted the suggestion to fill the quilted wreaths with fine lattice quilting, but she chose spiders’ webs, rather than lattice patterns to quilt inside the appliquéd wreaths. An additional 24 spiders’ webs are quilted into the spaces connecting all of the wreaths. For her border, Gasperik created an elaborate sunburst design which she quilted into each scallop (creating the look of a swag border through quilting alone) and filled the narrow pink outer border with feather quilting. A dense variety of quilting patterns, meshing seamlessly, fills the entire white ground of this quilt.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"017","TypeObjF008":"Finished quilt","QuiltTitleF009":"Roses and Forget Me Nots","OwnerNameF010":"Rose Wreaths","AltNameF011":"Pink Rose Wreath","OverallWidthF12a":"74 inches","OverallLengthF012b":"95 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Scalloped","PredomColorsF014":["Green","Pink","White","Yellow"],"OverallColorF14b":["Light or pastel colors"],"OverCondF015":"Excellent/like new","TypeInscripF019":["Date"],"ContInscripF020":"1938","MethodInscripF021":["In the quilting"],"OtherLocInscripF022a":"year 1938 is quilted into the center top scallop","DateQuiltF023":"1930-1949","DateFinishF023b":"1938","FamDateF023c":"1938","OtherExDateF023d":"1938","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Estimated date is based on the fact that it is a Detroit News pattern, the family has a b/w photo of the quilt with a rosette ribbon attached--perhaps awarded at 1938 Detroit News Quilt Show for Best Applique. ","LayFormatF024":"Block pattern","NumBlockF026":"17 applique blocks","ArrangeBlockF028":"Straight","SpacingF029":["Alternating with plain squares"],"NumBordersF033":"1","BordDescF034":"Pink scalloped inner border around entire quilt.","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","BattLoftF048a":"Thin (Less than 3/16","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052b":["Wreaths"],"DesignF052d":"Triple Fern Fronds at corners. Scalloped border is quilted and there are wreaths in plain blocks. Spider-web quilting inside applique and quilted wreaths. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ReasonsF060":["Challenge or Contest entry"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Newspaper"],"CommSourceF064b":"Detroit News pattern Roses and Forget-Me-Nots Quilt Pattern #1799-ID59. The wreath block was also offered as “Floral Wreath ID-55” according to February 28, 1937 Detroit News (p. 18), which presented a drawing of the block.","PattSourceF065":["Commercial pattern"],"OthPattSourceF065a":" ","CommSourceF065b":"Triple frond fern quiltING pattern from Needleart Guild's Original Master Quilting Patterns,, #73, page 7.","ExhibitListF067a":"Paper exhibit label reads:
\r\n\"Roses For Get-me Not
\r\nFirst Prize in Detroit
\r\nFourth Prize in Detroit
\r\nSecond Prize in Indiana State Fair
\r\nby Mrs. Mary Gasperik\".\r\n

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","ContestListF071a":"A quilt entry in the 1938 Detroit News Contest. The quilt won Best Applique in the category of quilts made with Detroit News patterns. \r\n

\r\nAccording to its owner, Kathy Jacob, this quilt won a blue ribbon at the 1958 Illinois State Fair, entered as \"class K 14141\". ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Quilt pattern leaflet - Detroit News #1799-ID59 Roses and Forget-Me-Nots, February 28, 1937.\r\n

\r\nBlock pattern Detroit News ID-55 \"Floral Wreath\" February 28, 1937 (p18).\r\n

\r\nPaper exhibit label reads:
\r\n\"Roses For Get-me Not
\r\nFirst Prize in Detroit
\r\nFourth Prize in Detroit
\r\nSecond Prize in Indiana State Fair
\r\nby Mrs. Mary Gasperik\"
\r\n
\r\nFamily b/w photo of quilt hanging with rosette ribbon attached (thought to be its 1938 first prize award in Detroit)\r\n

\r\nDetroit News September 6, 1938 page 26 \"Quilt Club Member Will Have Six Entries in Show\" by Edith B. Crumb. Article featuring quilter Mrs. George McIntyre of Ferndale Michigan. Photograph included, which is captioned \"Mrs. George McIntyre of Ferndale shows her lovely Roses and Forget-Me-Nots quilt made from The Detroit News pattern. Mrs. McIntyre is planning to make six entries in the show. She has never missed a Detroit News quilt show.\" Evidently there was more than one Roses and Forget-Me-Nots at the 1938 show. The McIntyre quilt resembles the Gasperik quilt. The upcoming (5th) Detroit Quilt Show show opened October 7, 1938. ","OwnershipF082":"Private","OwnerNameF082a":"Kathy Gasperik Jacob","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"To exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-29/quiltiGasperik-a0a0c5-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-29/17-1938bestappliquefirstprizeribbon.jpg"],"Detail 1 Caption":"This quilt was submitted by Mary Gasperik to the 1938 Detroit News Quilt Contest, where it received the highest prize Gasperik received in Detroit, a $25 first prize in the category “finished appliqué (News Pattern )”. This family photo shows the quilt back home in Chicago, with its ribbon (now missing) still attached.","Detail 2":["https://kora.quiltindex.org/files/18-14-29/RosesForgetMeNots.jpg"],"Detail 2 Caption":"Roses and Forget-Me-Nots photographed on a clothesline.","Detail 3":["https://kora.quiltindex.org/files/18-14-29/1958-KathyJ.jpg"],"Detail 3 Caption":"First Place ribbon, Illinois State Fair, 1958","Detail 4":["https://kora.quiltindex.org/files/18-14-29/18-121-93.jpg"],"Detail 4 Caption":"Quilt pattern leaflet - Detroit News #1799-ID59 \"Roses and Forget-Me-Nots\", February 28, 1937.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2009-03-21","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0c5-a","Maker Associator":"18-47-2","Pattern":"ROSES AND FORGET ME NOTS","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-33","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:46","updated_at":"2024-02-23 19:07:39"},"sort":["ROSES AND FORGET ME NOTS"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Cq1hWZEB8akQsUweed1S","_score":null,"_source":{"kid":"18-14-98","description":"Mary Gasperik's original design to commemorate the 1939 New York World's Fair was made for a quilt contest Better Living in the World of Tomorrow. She did not win a prize, but it is considered one of her masterpiece quilts. Although she did not sign this quilt, she often said the seated woman appliquéd in the center of the quilt represents herself. The pattern source for two of the appliqué elements in this quilt, the pair of robins in the lower left and the brown wren at the right side of the tree on the right, have been identified. Gasperik traced them from illustrations by Fern Bisel Peat published in popular books about birds printed in the early 1930s. In copying the robins from a book, Gasperik not only traced the book illustration's outlines to create her appliqué pattern, but she also duplicated Peat's detail through elaborate embroidery.","essay":"Through her quilt, Gasperik interpreted the 1930s era as a journey along a roadway from depression to hope and then recovery. The journey's end is depicted by the Trylon and Perisphere, symbols of the 1939 New York World's Fair. Mary Gasperik wrote her thoughts about her original design in Hungarian, "This dear old lady is trying to bear the trials of poverty inflected upon her by the depression, and in passing along with the years, she must stop and rest to gather fresh courage to reach the 'World of Tomorrow.' Heedless of the traffic, only one thought persists in her mind, to attain her goal. The autumn leaves represent the poverty of the depression as it touched humanity. The birds are singing songs of encouragement. Beyond those mountains lies Recovery, the New York World's Fair of 1939." (Translated by daughter Elsie Krueger).
\r\n
\r\nThe Trylon and Perisphere, which appear on this and other New York World's Fair quilt contest entries, were the emblems of this fair in much the same way that Star Arcturus (#048) represented the 1933 Chicago Fair. Mary's decision to represent the Fair's theme Better Living in the World of Tomorrow as an automobile road may have been influenced by the importance of the automotive exhibits at the Fair and her devotion to the Quilt Club Corner sponsored by The Detroit News. The Ford Motor Co. exhibit, which occupied the highest site at the Fair, was called The Road to Tomorrow, an elevated highway more than half a mile long [The Detroit News, April 9, 1939, p 13 of the Rotogravure Section].
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\r\nThe 1939 contest, sponsored by Good Housekeeping Magazine and Macy's Department Store in New York City, attracted only 250 entries—far fewer than the 24,000+ the 1933 Sears Contest (Chicago World's Fair) did. It may have been the fact that the contest asked for original designs only to depict the New York World's Theme—Better Living In The World of Tomorrow or it may have been the fact that the nation was turning its eyes to a war in Europe.
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\r\nThe winning quilts/quiltmakers were: 1st Place Power by Elsie G. Heller (Allegheny, PA) ; 2nd Place Olive Branch by Mrs. Roy Barsalou (Dubuque, IA) ; and 3rd Place: Universal Progress by Mrs. W. E. De Neff (Spokane, WA). [Anne Orr, "The Winners of Our Quilt Contest" Good Housekeeping (Aug 1939), 61.]
\r\n
\r\nGasperik consulted a Paragon kit #01005 called Noah's Ark to fashion the winding road layout which is the guiding design of this quilt. It should be noted that Gasperik used a similar winding road to design her Indians (#056, #028, #039, #019, #022, #077, #076)children's quilts (of which she made 7). It should also be noted that Paragon kit #01005 included patterns for 2 ponies and some elephants. Gasperik added ponies of this same size and shape to the quilts the family calls Farmer in the Dell (#029 and ##059). Those two quilts were made from a different Paragon kit (#01013) which did not include a horse/pony pattern unit. It also appears possible to Salser that the elephant in Noah's Ark could have provided the outline for 5 elephants Gasperik quilted into Indians quilt #056. Although Gasperik never made an actual Noah's Ark quilt, she evidently made good use of that Paragon kit.
\r\n
\r\nSusan Salser has identified the probable pattern source for one of applique elements in this quilt, the pair of robins in the lower left. They were copied from illustrations by Fern Bisel Peat published in popular books about birds printed in the early 1930s.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"066","TypeObjF008":"Finished quilt","QuiltTitleF009":"Road to Recovery","OwnerNameF010":"Road to Recovery","AltNameF011":"New York World's Fair Quilt","OverallWidthF12a":"78 inches","OverallLengthF012b":"95 inches","ShapeEdgeF013":"Other","OtherShapeEdgeF013a":"Scalloped right and left sides; straight edges at top and bottom.","ShapeCornersF013b":"Other","OtherShapeCornerF013c":"Scalloped right and left sides; straight edges at top and bottom.","PredomColorsF014":["Beige or Tan","Brown","Cream","Green"],"OverallColorF14b":["Bright or primary colors"],"TypeInscripF019":["Message"],"ContInscripF020":"Quilted inscriptions bottom to top read: CHICAGO, 1929, 1930, 1931, 1932, 1933, 1934, 1935, 1936, 1937, 1938, culminating at the top with NEW YORK WORLD'S FAIR 1939. \r\n

\r\nRoad signs pointing the way read: \"Road to Recovery\" and \"New York City.\" \r\n","MethodInscripF021":["Embroidery","In the quilting"],"LocInscripF022":["multiple locations"],"DateQuiltF023":"1930-1949","DateBegunF023a":"1939 (contest was announced in Good Housekeeping, January 1939, on page 61).","DateFinishF023b":"1939","FamDateF023c":"1939 (quilts had to be submitted by May 1, 1939)","OtherExDateF023d":"1939","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"1939 World's Fair Contest entry.","LayFormatF024":"Vertical bands","SubjQuiltF025":"1939 New York World's Fair","NumBordersF033":"2","BordDescF034":"Two wide borders of solid brown are placed at right and left of the central vertical pictorial panel. Two narrower borders of solid brown are placed at top and bottom of the center panel. \r\n\r\nTwo very narrow borders, pieced of alternating stripes of tan and green, frame the center panel and extend to the sides.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"EmbellTechF038f":"Yes","ConstrucF038g":["Embroidery"],"PaperF038i":"no","FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Beige or Tan"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrTypeF049a":"cotton","ThrColorF049b":"off white","KnotsF051b":"no","DesignF052a":["Clamshell","Elbow/fan","Grid square","Single parallel lines","Other"],"DesignF052b":["Other"],"DesignF052c":["Grid/crosshatch","Parallel lines","Other"],"DesignF052d":"Swags, fan-shaped radiating lines, and feather-filled vases used in in side borders. Years and world's fair name also quilted in.","FeaturesF053":"Gasperik used the two vertical plain brown borders as a canvas on which to display some of her most elaborate and unique quiltING designs. Unlike many of her quilts, this one is NOT filled with designs from Colonial Quilts and Needleart Guild. It is deliberately intended to be a modern quilt, rather than a quilt reflecting what popular magazines of the thirties presented as traditional American quilt design.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"Selected by daughter Elsie during a division of quilts after Gasperik died in 1969. This quilt was selected by Karen in the first round when she and her sisters Linda and Susan divided up the quilts left by their mother Elsie after she died in 1988. ","QuiltHistF059":"Elsie Gasperik kept and maintained the quilts her mother left behind in the East Hazelcrest house after Mary Gasperik died, in May 1969. In about 1980 she and her siblings divided up 19 quilts. This quilt was among that group and Elsie selected it. Gasperik tended to keep those quilts which she and others regarded as her finest efforts. There is some indication that she asked her daughter to approach a museum about accepting them. It was after the ensuing rejection by The Art Institute of Chicago that Elsie decided the quilts should be divided among her siblings.","ReasonsF060":["Challenge or Contest entry","Commemorative"],"QDesignF060b":["Artwork/wall hanging"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Original to maker"],"OthTopSourceF064a":"Mary's source of the winding path may have come from Paragon Crib quilt No. 01005 Noah's Ark Design. She used a similar element in other quilts.","PattSourceF065":["Original to maker"],"OthPattSourceF065a":"Bird illustrations by Fern Bisel Peat, Saalfield Pub. Co., Akron. Ohio, copyright 1931","AddNotesF066":"The theme of the 1939 New York Fair was transportation, perhaps explaining Gasperik's decision to depict a road with a traveling car. Two of the emblems of this Fair are appliqued at the top of the quilt: the needlelike Trylon and the Perisphere globe. \r\n

\r\nThere is indication that there was a 2nd Gasperik New York World's Fair quilt project. It disappeared from Gasperik's house during her final illness. Elsie's typed notes describe it as \"New York World's Fair unfinished top geometric starburst on tan background\" under a category she called \"Quilts and tops which are still in East Hazelcrest\". She listed 5 items in this category. The other four are: Laurel Wreath (with birds), tulip squares unfinished top, nursery rime [sic] unfinished top, and Rainbow fan quilt unfinished top. It is not known what became of these. Most significantly, it is not known if the mentioned \"Laurel Wreath with birds\", which is not described as unfinished, is the surviving Laurel Wreath quilt (#067) or if there was a second completed Gasperik Laurel Wreath quilt.","ExhibitListF067a":"At least one Tuley Park quilt show, year unknown: a exhibit slip reading \"New York Worlds Fair Quilt Made by Mrs. M. Gasparik\" [sic] survives.\r\n

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\n8th Annual Quilters' Heritage Celebration, Patchwork Pride, Barbara Brackman curator, Lancaster, PA, April 6-9, 1995.\r\n

\r\nAmerican Remembers: Quilting the Twentieth Century. The Ronald Reagan Presidential Library & Museum, Simi Valley, CA April 3-October 4, 1998.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.\r\n

\r\nA New Deal for Quilts, The International Quilt Museum, Janneken Smucker, curator, Lincoln, NE, October 6, 2023 - April 20, 2024.\r\n\r\n\r\n","ContestListF071a":"Better Living In The World of Tomorrow 1939 contest sponsored by Good Housekeeping in conjunction with Macy's Dept Store in New York and the New York World's Fair. ","OtherSourceMat":"Barbara Brackman \"Virgie Stewart and the Tuley Park Quilting Club\" in Quilters' Journal #31 (1987), 14-16. Note: Virgie Stewart is incorrectly identified as the maker of Mary Gasperik's Road to Recovery. \r\n

\r\nMerikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49. The article includes a color photograph of 'Road to Recovery' properly credited to Mary Gasperik.\r\n","RelItemsF088a":"Owner Karen Krueger Finn has a small swatch of red print fabric her grandmother used to cut out the maple leaves. In fact this swatch bears the cut-out shape.\r\n

\r\nColor photo (dated June 1968) of Mary Gasperik, daughter Elsie Krueger and great-grandson Andy Finn with this quilt. Gasperik is pointing to herself depicted as the woman sitting beside the Road to Recovery.\r\n

\r\nProgram for The 8th Annual Quilters' Heritage Celebration, Patchwork Pride, April 6-9, 1995 Lancaster Host Resort and Conference Center, Lancaster, Pennsylvania (Karen Krueger Finn, private collection).\r\n

\r\nColor photograph of this quilt featured in “One American Dream Comes True” by Merikay Waldvogel, Quilters Newsletter, March 2008, p.49.\r\n

\r\nThe Bird Book: Observations of Bird Life, by Frank North Shankland. Illustrated by Fern Bisel Peat, 1931, The Saalfield Publishing Company, Akron, Ohio. Book #672. Illustration called \"The Robin\".\r\n

\r\nBird Neighbors, No. 2129, copyright 1936, The Saalfield Pub. Co., Akron, Ohio. Illustrations by Fern Bisel Peat, \"The Robin\" and \"The House Wren\".\r\n\r\n
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Gasperik's handwritten written explanation, in Hungarian, of 'Road to Recovery' (Karen Krueger Finn, private collection).

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\r\nimpcap\r\n
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Handwritten ( there's a typed version too) translation from Hungarian to English by Elsie Krueger of Gasperik's written explanation. Entitled History of the Quilt 'Road to Recovery' Karen Krueger Finn, private collection).

\r\n
","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"SourceOtherF006a":"Sister of quilt owner","RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"This quilt was designed to compete in a contest with a theme related to the 1939 New York World's Fair. ","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a":"2007-09-12","DigDateF079a_era":"CE","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-98/quiltiGasperik-a0a0a8-a_13049.jpg"],"zoom":["https://kora.quiltindex.org/files/18-14-98/quiltiGasperik-a0a0a8-a_17198.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-98/48-7C-A-224-quiltiGasperik-a0a0a8-b_13049.jpg"],"Detail 1 Caption":"Here Gasperik showcases her command of appliqué, embroidery and quilting skills. Although the components are somewhat out of scale, the pictorial design has the feel of a naive folk art painting and represents her first original design.","Detail 2":["https://kora.quiltindex.org/files/18-14-98/48-7C-A-224-quiltiGasperik-a0a0a8-c_13049.jpg"],"Detail 2 Caption":"Gasperik depicted herself as the woman sitting beside the road to the New York World's Fair. The little boy in knickers thumbing a ride for his grandmother, reminds Susan Salser of an old family photograph of her uncle Elmer in knickers. This youngest son of Gasperik was an amateur photographer, and it is thanks to him that the family has such a rich record of Gasperik as she looked when she was engaged in her favorite occupation - quilting.","Detail 3":["https://kora.quiltindex.org/files/18-14-98/18-121-19-66GasperikPointing.jpg","https://kora.quiltindex.org/files/18-14-98/1939-letterHungarian.jpg","https://kora.quiltindex.org/files/18-14-98/1939-LetterTranslated.jpg"],"Detail 3 Caption":"June 1968, Mary Gasperik, daughter Elsie Krueger and great-grandson Andy Finn. Gasperik is pointing to herself depicted as the woman sitting beside the Road to Recovery.","Detail 4":["https://kora.quiltindex.org/files/18-14-98/Road-to-Recovery1.JPG"],"Detail 4 Caption":"Road to Recovery on display in A New Deal for Quilts, at The International Quilt Museum, Janneken Smucker, curator, Lincoln, NE, October 6, 2023 - April 20, 2024.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2011-06-11","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0a8-a","Maker Associator":"18-47-2","featuredQuilt":"True","Pattern":"ROAD TO RECOVERY","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-A","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:31","updated_at":"2024-05-03 14:42:44"},"sort":["ROAD TO RECOVERY"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"5a1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-58","description":"Made with a commercial quilt kit Homeneedlecraft Creations #7069 Playtime, this is a good example of Gasperik's practice of adapting a kit. In this case, she appliquéd the name of the quilt's recipient, chose her own fabrics, and added variety and intensity to the quilting proposed by the kit manufacturer.","essay":"Mary chose her own fabrics, and greatly increased the number of different fabrics employed. She added Susan's name, in Japanese-style applique lettering from a different source; and she added variety and intensity to the quilting proposed by the kit manufacturer. The kit design called for a rather neutral mouth, in fact a typical doll mouth. The mouth embroidered by Gasperik seemed, to Susan, to display a pout. She confesses that, as an adult with a young daughter, she altered that expression with her own inexpertly wielded needle and thread. Only recently did Susan have the chance to see an original Homeneedlecraft Playtime #7069 quilt kit, and she now wishes she had left her grandmother’s embroidery untouched.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"040","TypeObjF008":"Finished quilt","QuiltTitleF009":"Playtime ","OwnerNameF010":"Baby Doll","AltNameF011":"Smiling Doll","OverallWidthF12a":"48 inches","OverallLengthF012b":"63 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Orange","White","Yellow"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Excellent/like new","TypeInscripF019":["Single"],"ContInscripF020":"SUSAN","MethodInscripF021":["Other"],"OtherMethodInscripF021a":"Single Applique Letters","LocInscripF022":["other"],"OtherLocInscripF022a":"Across top of white center panel","DateQuiltF023":"1930-1949","DateFinishF023b":"1940-1945","FamDateF023c":"1940-1945","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Made for her grand-daughter Susan Krueger, born in June 1940.","LayFormatF024":"Medallion or framed center","NumBordersF033":"2","BordDescF034":"Two borders--Orange colored on the outside; royal blue for the inner border. These are added to the kit's border, which is simply the blank white ground between the appliqued blue ribbon encircling the quilt and the edge of the quilt.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"UniqueF039a":"Recipient's name 'Susan' added in multicolor applique to kit","FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Yellow"],"NumPiecesF042":"2","WidthPiecesF042a":"16.5\", 31.5\"","DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","NumStitchedF050":"10","NumStitchF051":"10","KnotsF051b":"no","DesignF052a":["Grid diamond","Grid square","Patches outlined/in the ditch","Single parallel lines"],"DesignF052b":["Feathering"],"DesignF052c":["Grid/crosshatch"],"DesignF052d":"Quilting in orange border is horizontal parallel lines, 7/8\" spacing. Quilting in blue border is a continuation of that pattern. In the area between the blue border and the blue ribbon the quilting becomes finer and more complex: parallel lines of 5/8\" spacing are arranged diagonally leading inwards to a band of ~2' wide feathering nestled against the blue ribbon. Against the other side of that appliqued blue ribbon is vertical parallel line quilting, 5/8\" spacing, This quilting pattern leads to 2 fragments of curved feathering \"1\" wide, which, in turn leads into the background quilting surrounding the doll. That background is a 1/2\" diamond grid.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Susan remembers using this quilt when she was about 5 (1945), but doesn't know when it was made for her.","ReasonsF060":["Baby or crib"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Kit"],"CommSourceF064b":"Homeneedlecraft Creations #7069 Playtime Crib Quilt.","PattSourceF065":["Original to maker"],"AddNotesF066":"Comparing Gasperik's version to the kit envelope illustration, Gasperik reversed the design. The duck moved from the left to the right; the tea pot also moved from left to right. However the printed ground fabric INSIDE the kit places the duck and teapot etc. in the same positions as the Gasperik quilt. Gasperik used neither the kit's fabrics nor its quilting design.","ExhibitListF067a":"Yellow paper exhibit tag, associated with Tuley Park quilt shows, reads \"\"baby doll\" quilt for Susan \"Granddaughter\"\r\n\"The Quilts of Mary Gasperik\" Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Envelope of quilt kit Homeneedlecraft Creations #7069 Playtime Crib Quilt. Homeneedlecraft Creations #7069 (has $1.00 price printed on it). Susan Salser - private collection. Note: This envelope includes the complete contents - there is no separate instruction sheet; instead, the instructions are printed on the envelope. Although the envelope pictures a quilt with the duck and teapot at the upper left and lower right respectively, the actual ground cloth is printed (like the Gasperik quilt) with the duck and teapot in the upper right and lower left, respectively. In other words, Gasperik did not reverse the kit's layout. Rather, the kit's outside wrapper reversed the layout of the kit's contents. The kit's supplied and printed ground is off-white. This kit includes 4 solid color fabrics and 3 prints (none of which match the Gasperik quilt). Pink binding is supplied both for the edging (unfolded) and the appliqued ribbon (pre-folded). \r\n

\r\nA quilt made from Homeneedlecraft Creations kit #7069 by an unknown quilter, purchased in 2005 by ebay auction from seller in Wisconsin. Susan Salser - private collection. This quilt's design is appliqued on a pink (not off-white) ground surrounded by a pale blue border. The other solid color fabrics, as well as its three different print fabrics, match the contents of the kit mentioned above. \r\n

\r\nYellow paper exhibit tag in private collection of Susan Salser. \r\n

\r\nSept 1966 b/w family photograph of Playtime airing on a clothesline in the back yard of 5336 University Ave, Elsie Gasperik Krueger's residence at the time. The quilt is hanging next to one of the Indians quilts made for the Krueger sisters.","OwnershipF082":"Private","OwnerNameF082a":"Susan Krueger Salser","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 S. Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt show; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-58/48-7C-50.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-58/48-7C-50-224-quiltiGasperik-a0a0f4-b_13049.jpg"],"Detail 1 Caption":"Close-up","Detail 2":["https://kora.quiltindex.org/files/18-14-58/Indians18-14-66-What-Farm-Pigs-2.jpg"],"Detail 2 Caption":"One Indian quilt photographed on a clothesline with the Playtime Quilt, two Farm quilts (Linda and Karen) and the Tulip Basket.","Detail 3":["https://kora.quiltindex.org/files/18-14-58/Indians18-14-68-66-What-Farm.jpg"],"Detail 3 Caption":"Two Indian quilts photographed on a clothesline with the Playtime Quilt, two Farm quilts (Linda and Karen) and the Grandmothers Fan in the back row.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-11-26","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0f4-a","Maker Associator":"18-47-2","Pattern":"PLAYTIME ","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-50","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:07","updated_at":"2024-02-23 19:07:39"},"sort":["PLAYTIME "]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"-K1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-79","description":"Gasperik's expert sewing and embroidery skills would not have been as evident in pieced quilts. This may be why she made relatively few. This quilt (one of a pair) was quilted in 1971 after her death in 1969.","essay":"Pieced patterns were not Mary Gasperik's favorite quilt style, but she might have been inspired when she saw the popularity of this pattern at Detroit News shows she attended in the 1930s. When Gasperik attended her first Detroit Quilt show, in October 1935, a quilt made by Mrs. Cordelia Reed received much acclaim and attention. Mrs. Reed had pieced a Trip Around the World quilt as blocks rather than as a single medallion. A photograph of that quilt, showing Mrs. Reed putting the finishing touches on its quilting, was published in the September 20 Detroit News, (page 41). At the Detroit News quilt show a month later there was so much discussion of the Reed quilt that its maker sent the following letter to The Detroit News, published in the December 21, 1935 newspaper on page 11. “MY DEAR MISS CRUMB AND ALL OF THE QUILT CLUB MEMBERS: I thought I would write as I feel I am quite far away from all of you. I am sure you will remember me. I am the white-haired old lady that stood by a quilt that had many thousand pieces in it and heard what many folks said about the person that would piece such a quilt. One would wonder who would do it and another would say that it was made by someone who has nothing else to do and another would say that someone who was crippled had pieced that one. Now I am telling you, dear ones, that I am not crippled and I do a lot of other work besides making quilts. Now I am piecing another one. I have missed my paper since I have been down here and am wondering how L.D. and Upsy are coming on. I am on top of Cain Creek Mountain and do not hear the program, but will be back home by Christmas. Mrs. Cordelia Reed, 23424 Easterling Ave., Hazel Park, Mich.” Edith Crumb’s published reply reads, in part, “…I know that she enjoyed making her quilt and that she is having lots of fun making another one. We had her picture in the paper on September 20, showing her taking a few finishing stitches on her Trip Around the World Quilt. It was made of very little blocks and arranged so that there were many trips in it instead of one large pattern.”
\r\n
\r\nThat is also the way Gasperik chose to piece her own two versions of Trip Around the World (#037 and #005). Salser believes this newspaper column explains why Gasperik designed her two Trip Around the World quilts as mini blocks: she used Mrs. Reed’s piecing idea because it had received attention and acclaim at the quilt show. Making a quilt of thousands of tiny square pieces was, Gasperik saw, much admired. It is no surprise that she would make her own version of this popular pattern. Although die-cut Trip Around the World quilt kits were offered by a number of needlework supply and pattern companies at this time, Gasperik appears to have selected, cut, and arranged her own fabric choices. The solid colors and surrounding border of color-coordinated print fabric in the center of each block are not unusual choices. But the next border, using a black on white print is a very unusual choice, as are the subsequent borders of color print on white, bright yellow print and solid green. These three borders are not color coordinated with the solid orange, yellow, green, blue, pink and lavender of the blocks' centers. Although Gasperik may have borrowed from the Reed quilt the idea to piece mini-blocks, she combined and arranged the border colors in her Trip Around the World in an original and striking way.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"037","TypeObjF008":"Finished quilt","QuiltTitleF009":"Philadelphia Pavements (Susan)","OwnerNameF010":"Philadelphia Pavements #2","AltNameF011":"Trip Around the World ","OverallWidthF12a":"76 inches","OverallLengthF012b":"89 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Gold","Green","Lavender","Orange","Pink","White"],"OverallColorF14b":["Multicolor"],"OverCondF015":"Excellent/like new","DateQuiltF023":"1930-1949","DateBegunF023a":"1933","DateFinishF023b":"1971","OtherExDateF023d":"1935","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Estimated date based on quilt fabrics and pattern.","LayFormatF024":"Block pattern","NumBlockF026":"42","BlockStyleF030a":["Squares"],"NumBordersF033":"One","BordDescF034":"One gold border around four sides of the quilt","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038":["Hand Piecing"],"FabFiberTypesF040":["Cotton or polyester blend"],"ColorBackingF040b":["Gold"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton or polyester blend"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Back turned to front"],"WidthBindF047":"half inch - one inch","MatUsedF048":"Polyester","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"gold","NumStitchedF050":"7","NumStitchF051":"8","KnotsF051b":"no","DesignF052a":["Patches outlined/in the ditch"],"DesignF052b":["Cables"],"FeaturesF053":"The pieced top is appliqued to the gold border.\r\n

\r\nNote: The binding, backing and quiltING were not done by Gasperik but by residents of the E. M. Home in Souderton PA in 1971-2, several years after Gasperik died. This (and quilt #005 - its twin) are the only surviving Gasperik quilts which were NOT quilted by their maker. Gasperik's daughter Elsie thought this the best way to preserve the two completed tops.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Amish, Quilters","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","QuiltHistF059":"Maker's daughter, Elsie Krueger, arranged to have two Philadelphia Pavements quilt tops made by her mother quilted after Gasperik's death. Elsie decided to do this because her mother's piecing was complete, and the quilting was likely to be simple and straightforward. \r\nSelected by daughter Elsie during a division of quilts after Gasperik died in 1969 and after the Pennsylvania quilters completed the two tops. This probably happened in 1972. Elsie's sister-in-law Doris Gasperik selected the second Pennsylvania-completed Gasperik quilt. ","ReasonsF060":["Home decoration"],"QDesignF060b":["Bedding, daily use"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"OthSourceF063a":"Polyester blend gold backing fabric provided by Pennsylvania quilters in 1971.","TopSourceF064":["Commercial/Published source: Pattern","Commercial/Published source: Kit"],"AddNotesF066":"This pattern also known as Trip Around the World was a popular pieced pattern among quiltmakers who enjoyed scrap quilts. As far as we know, Gasperik usually purchased her quilt fabrics new. It is not known if Gasperik purchased pre-cut squares to piece this top. Salser doesn't see any of the prints fabrics in this quilt top (and its mate, quilt #005) in other Gasperik quilts. If she had purchased and cut her own fabrics, one would expect them to make a reappearance on other quilts, because it was Gasperik's habit to reuse some prints, where they met her design needs. ","ExhibitListF067a":"Note: this quilt was not exhibited at The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","ContestListF071a":"Even though this quilt remained a quilt top in Gasperik's lifetime, it could have been entered in a Detroit Show. The show's director, Edith B. Crumb, encouraged Detroit Quilt Club Corner members to enter quilt TOPS in its shows. In theory, #037 and its mate #005 might have hung in the very first such contest Gasperik participated in (October 1935), but it is more likely they would have been exhibited during Gasperik's second visit to Detroit (April 1937). ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Sept. 28, 1971 letter and receipt from Mrs. Lizzie Yothers regarding Elsie Gasperik Krueger hiring Souderton, PA, E.M. Home quilters to finish and quilt the Gasperik top. For one top the charge was $75 (Binding $6, Lining $11, Dacron $8 and quilting $50). The second Philadelphia Pavements top was completed by the same quilting group later in 1971 (or early in 1972). The \r\n

\r\nDetroit News, December 12, 1935, p. 12 letter to Quilt Club Corner from Mrs. Cordelia Reed, regarding the Trip Around the World quilt she exhibited at the October quilt show, and Edith B. Crumb's reply to that letter.\r\n\r\n","OwnershipF082":"Private","OwnerNameF082a":"Susan Krueger Salser","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago IL and Detroit MI","SpecialGroupF122":"Detroit Quilt Shows and Contests were held in 1933, 1934, 1935, 1937, 1938 and 1940.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-79/48-7C-64.jpg"],"verify":"yes","verifiedby":"Salser,Susan","dateverified":"2011-03-06","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0h4-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-80","Pattern":"PHILADELPHIA PAVEMENTS SUSAN","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-64","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:20","updated_at":"2024-02-26 14:31:27"},"sort":["PHILADELPHIA PAVEMENTS SUSAN"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"-a1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-80","description":"This is one of a pair of postage-stamp pieced cotton quilts Gasperik made in the Trip Around the World pattern. See also #037. Although it was pieced in the 1930s by Mary Gasperik, it was quilted by Amish quilters in Pennsylvania in 1971 after her death.","essay":"Pieced patterns were not Mary Gasperik's favorite quilt style, but she might have been inspired when she saw the popularity of this pattern at Detroit News shows she attended in the 1930s. When Gasperik attended her first Detroit Quilt show, in October 1935, a quilt made by Mrs. Cordelia Reed received much acclaim and attention. Mrs. Reed had pieced a Trip Around the World quilt as blocks rather than as a single medallion. A photograph of that quilt, showing Mrs. Reed putting the finishing touches on its quilting, was published in the September 20 Detroit News, (page 41). At the Detroit News quilt show a month later there was so much discussion of the Reed quilt that its maker sent the following letter to The Detroit News, published in the December 21, 1935 newspaper on page 11. “MY DEAR MISS CRUMB AND ALL OF THE QUILT CLUB MEMBERS: I thought I would write as I feel I am quite far away from all of you. I am sure you will remember me. I am the white-haired old lady that stood by a quilt that had many thousand pieces in it and heard what many folks said about the person that would piece such a quilt. One would wonder who would do it and another would say that it was made by someone who has nothing else to do and another would say that someone who was crippled had pieced that one. Now I am telling you, dear ones, that I am not crippled and I do a lot of other work besides making quilts. Now I am piecing another one. I have missed my paper since I have been down here and am wondering how L.D. and Upsy are coming on. I am on top of Cain Creek Mountain and do not hear the program, but will be back home by Christmas. Mrs. Cordelia Reed, 23424 Easterling Ave., Hazel Park, Mich.” Edith Crumb’s published reply reads, in part, “…I know that she enjoyed making her quilt and that she is having lots of fun making another one. We had her picture in the paper on September 20, showing her taking a few finishing stitches on her Trip Around the World Quilt. It was made of very little blocks and arranged so that there were many trips in it instead of one large pattern.”
\r\n
\r\nThat is also the way Gasperik chose to piece her own two versions of Trip Around the World (#005 and #037). Salser believes this newspaper column explains why Gasperik designed her two Trip Around the World quilts as mini blocks: she used Mrs. Reed’s piecing idea because it had received attention and acclaim at the quilt show. Making a quilt of thousands of tiny square pieces was, Gasperik saw, much admired. It is no surprise that she would make her own version of this popular pattern. Although die-cut Trip Around the World quilt kits were offered by a number of needlework supply and pattern companies at this time, Gasperik appears to have selected, cut, and arranged her own fabric choices. The solid colors and surrounding border of color-coordinated print fabric in the center of each block are not unusual choices. But the next border, using a black on white print is a very unusual choice, as are the subsequent borders of color print on white, bright yellow print and solid green. These three borders are not color coordinated with the solid orange, yellow, green, blue, pink and lavender of the blocks' centers. Although Gasperik may have borrowed from the Reed quilt the idea to piece mini-blocks, she combined and arranged the border colors in her Trip Around the World in an original and striking way.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"005","TypeObjF008":"Finished quilt","QuiltTitleF009":"Philadelphia Pavements (Doris)","OwnerNameF010":"Philadelphia Pavements #1","AltNameF011":"Trip Around the World","OverallWidthF12a":"76 inches","OverallLengthF012b":"89 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Gold","Green","Lavender","Orange","Pink","White"],"OverallColorF14b":["Multicolor"],"OverCondF015":"Excellent/like new","DateQuiltF023":"1930-1949","DateBegunF023a":"1933","DateFinishF023b":"1971","OtherExDateF023d":"1935","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Based on quilt fabrics and pattern--typical 1930s.","LayFormatF024":"Block pattern","NumBlockF026":"42","ArrangeBlockF028":"Straight","BlockStyleF030a":["Squares"],"NumBordersF033":"One","BordDescF034":"One gold border on all four sides.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038":["Hand Piecing"],"EmbellTechF038f":"No","FabFiberTypesF040":["Cotton or polyester blend"],"ColorBackingF040b":["Gold"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton or polyester blend"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Back turned to front"],"WidthBindF047":"half inch - one inch","MatUsedF048":"Polyester","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"gold","NumStitchedF050":"7","NumStitchF051":"8","KnotsF051b":"no","DesignF052a":["Patches outlined/in the ditch"],"DesignF052b":["Cables"],"DesignF052d":"The pieced top is appliqued to the gold border. Note: The binding, backing and quiltING were not done by Gasperik but by residents of the E. M. Home in Souderton PA in 1971-2, several years after Gasperik died. This (and quilt #037 - its twin) are the only surviving Gasperik quilts which were NOT quilted by their maker. Gasperik's daughter Elsie thought this the best way to preserve the two completed tops.","FeaturesF053":"When placed side by side with Philadelphia Pavements #2, the opposing directions of the diagonal sweep of each quilt creates a chevron design.\r\n

\r\nNote: the quilt's binding, backing and quiltING were not done by Gasperik, but by outside quilters after her death.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Amish, Quilters","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"Selected by Doris Gasperik during a division of Gasperik quilts after Mary died.","QuiltHistF059":"Maker's daughter, Elsie Krueger, arranged to have two Philadelphia Pavements quilt tops made by her mother quilted after Gasperik's death. Elsie decided to do this because her mother's piecing was complete, and the quilting was likely to be simple and straightforward. Selected by daughter Elsie during a division of quilts after Gasperik died in 1969 and after the Pennsylvania quilters completed the two tops. This probably happened in 1972. Elsie's sister-in-law Doris Gasperik selected the second Pennsylvania-completed Gasperik quilt.","ReasonsF060":["Home decoration"],"QDesignF060b":["Bedding, daily use"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Pattern","Commercial/Published source: Kit"],"PattSourceF065":["Unknown"],"AddNotesF066":"Trip Around the World (also known as Postage Stamp) quilts were popular at the time. She might have been inspired by a quilt she saw possibly at the Detroit News quilt show.","ExhibitListF067a":"Note: this quilt was not exhibited in The Quilts of Mary Gasperik at the Ravenswood Historic Site, Livermore, California March 14-15, 1992.","ContestListF071a":"Even though this quilt remained a quilt top in Gasperik's lifetime, it could have been entered in a Detroit show. The show's director, Edith B. Crumb, encouraged Detroit Quilt Club Corner members to enter quilt TOPS in its shows. In theory, #037 and its mate #005 might have hung in the very first such contest Gasperik participated in (October 1935), but it is more likely they would have been exhibited during Gasperik's second visit to Detroit (April 1937).","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Sept. 28, 1971 letter and receipt from Mrs. Lizzie Yothers regarding Elsie Gasperik Krueger hiring Souderton, PA, E.M. Home quilters to finish and quilt the Gasperik top. For one top the charge was $75 (Binding $6, Lining $11, Dacron $8 and quilting $50). The second Philadelphia Pavements top was completed by the same quilting group later in 1971 (or early in 1972).\r\n

\r\nThe Detroit News, December 12, 1935, p. 12 letter to Quilt Club Corner from Mrs. Cordelia Reed, regarding the Trip Around the World quilt she exhibited at the October quilt show, and Edith B. Crumb's reply to that letter. ","OwnershipF082":"Private","OwnerNameF082a":"Elmer Gasperik heirs - Kathy Jacob contact","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago IL and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-80/48-7C-65.jpg"],"verify":"yes","verifiedby":"Salser,Susan","dateverified":"2011-03-06","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0h5-a","Maker Associator":"18-47-2","Pattern":"PHILADELPHIA PAVEMENTS DORIS","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-65","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:21","updated_at":"2024-02-26 14:31:27"},"sort":["PHILADELPHIA PAVEMENTS DORIS"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"v61hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-18","description":"This is one of two quilts Mary Gasperik made using Modern Rose Panel (page 22), a quilt design by Mary McElwain of Walworth, WI in Romance of the Village Quilt. The pattern was offered as a stamped quilt top by the McElwain shop in two fabric selections. Gasperik chose "brown print and peach flowers on eggshell background". Made from kit fabrics and appliqué patterns provided in the Modern Rose boxed kit, this quilt exhibits Mary Gasperik's habit of experimenting with a variety of quiltING patterns and producing overall designs which are unique to each of her quilts.","essay":"This pattern appeared in 1934 as an applique block supplied with Rock River Co. (Janesville, WI) batting. A few years later this quilt was offered as a boxed kit in 1936 by the Mary McElwain Quilt Shop. We are certain that these two quilts were made from the kit because the description of the fabrics closely matches the fabric in the quilts. "Suggested colors: brown print and peach flowers on eggshell background, with brown stems and panel binding." The kit cost $11.50. A block with stamped material for a pillow cost just 75 cents.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"001","TypeObjF008":"Finished quilt","QuiltTitleF009":"Peach Posy","OwnerNameF010":"Peach Posy","AltNameF011":"Modern Rose Panel (Mary E. McElwain), Modern Rose quilt pattern No. 1039 by Nancy Cabot ","OverallWidthF12a":"68 inches","OverallLengthF012b":"96 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Brown","Cream","Rust"],"OverCondF015":"Excellent/like new","ContInscripF020":"(barely legible is a cloth address label sewn to the back:\r\nMARY GASPERIK and traces of the words \"HAZELCREST' and \"ILLINOIS\" are visible","DateQuiltF023":"1930-1949","DateFinishF023b":"1934","FamDateF023c":"1934","OtherExDateF023d":"1934-1936","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"The Rock River Cotton batting wrapper with this McElwain pattern has a copyright of 1934. However, IF she used the McElwain kit, then it probably wasn't made until 1936.","LayFormatF024":"Vertical bands","NumBlockF026":"Two vertical bands of applique","SpacingF029":["Strippy or vertical bands (in vertical rows separated by plain vertical bars)"],"BordDescF034":"Narrow borders at top and bottom are same size. Borders at right and left are wider and are the same size. ","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052b":["Other"],"DesignF052d":"Within cross-hatching and diagonal parallel line background quilting are embedded some patterns which appear in Needleart Guild's Original Master Quilting Patterns (Grand Rapids, MI): patterns No. 83 and No. 71 (page 5 of the booklet). Double feathered banding (pattern No. 69 from page 8) forms two interior vertical borders; while pattern No. 93 (page 11) forms two vertical outer quilted borders.","FeaturesF053":"The print cotton binding must have been supplied with the kit; Gasperik did not normally bind her quilts with printed cloth. The Gasperik quilt binding matches the brown print of the applique.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ReasonsF060":["Personal enjoyment"],"QDesignF060b":["Unknown"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","TopSourceF064":["Commercial/Published source: Kit"],"CommSourceF064b":"Modern Rose kit by Mary McElwain Quilt Shop (Walworth, WI)","PattSourceF065":["Unknown"],"CommSourceF065b":"Needleart Guild's Original Master Quilting Patterns, Quilting designs used: #69, #71, #83 & #93.","AddNotesF066":"McElwain's kit probably did not specify the quilting design. \r\n

\r\nExcerpt of kit description: \"Ready Stamped Quilt Top--The box contains background material, applique material, and final binding.\"\r\n

\r\nA pattern with the same block design was offered by Nancy Cabot. It was called Potted Rose Bush. The Cabot column describes the design as follows: \"Here is one of the old and well known rose designs used in a more or less modern setting. \"Potted Rose Bush\" is a native of Kentucky and a popular member of the quilt realm throughout the country..\" This column features a drawing of the individual block as well as a sketch of a quilt showing the blocks arranged in two vertical rows of six blocks.","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Catalog: Romance of the Village Quilt (Walworth, WI: Mary A. McElwain Quilt Shop, 1936). \r\n

\r\nModern Rose Panel batt wrapper pattern from Rock River Cotton Co., Janesville, Wisconsin, 1934.\r\n

\r\nNeedleart Guild's Original Master Quilting Patterns, Needleart Guild, 826 E. Fulton St., Grand Rapids, Michigan (undated).\r\n

\r\nThe same pattern was offered by Nancy Cabot in a Chicago Tribune quilt column reading \"A modern rose design in an applique pattern creates an effective quilt for single or twin beds. Either print or plains materials, or a combination of both, may be used. The pattern contains directions for cutting and setting together as well as color suggestions. For the modern rose quilt pattern, No. 1039, send 10 cents in stamps or coin, plus 2 cents to cover mailing cost, to the Needlework Bureau, Chicago Tribune, 2020 Fifth av., New York City.\"\r\n

\r\nA quilt column from an unidentified source, but dated April 9, 1944, offers the same Pattern No. 1039. That columns reads \"Here is one of the old and well-known rose designs for a patchwork quilt. It's a pattern you will enjoy working on and one that will call forth exclamations of admiration. The finished block measures 11 1/2 inches square. Pattern No. 1039 contains complete instructions, To order, send ten cents in stamps or coin to Needlework Department, care Grit, Williamsport, Pa.\" The illustrations in the two newspaper columns picture the same quilt design.","OwnershipF082":"Private","OwnerNameF082a":"Heirs of Elmer Gasperik - contact Kathy Jacob","OwnerCountryF086b":["United States"],"IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests, ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","AddNotesF132":"See the introductory essay for photos and information about this quiltmaker.","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-18/48-7C-29.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-18/2006.154.2.1-22.jpg"],"Detail 1 Caption":"Modern Rose Panel page from the Mary McElwain catalog.","Detail 2":["https://kora.quiltindex.org/files/18-14-18/PosyMG.jpg"],"Detail 2 Caption":"Mary Gasperik pictured with her Peach Posy quilt.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2010-11-09","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0b4-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-11","Pattern":"PEACH POSY","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-29","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:38","updated_at":"2024-02-23 19:07:39"},"sort":["PEACH POSY"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"uK1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-11","description":"This is one of two quilts Mary Gasperik made using Modern Rose Panel (page 22), a quilt design by Mary McElwain of Walworth, WI in Romance of the Village Quilt. The pattern was offered as a stamped quilt top by the McElwain shop in two fabric selections. Gasperik chose "brown print and peach flowers on eggshell background". Made from kit fabrics and appliqué patterns provided in the Modern Rose boxed kit, this quilt exhibits Mary Gasperik's habit of experimenting with a variety of quiltING patterns and producing overall designs which are unique to each of her quilts.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"002","TypeObjF008":"Finished quilt","QuiltTitleF009":"Peach Posy","OwnerNameF010":"Peach Posy","AltNameF011":"Modern Rose Panel (Mary E. McElwain), Modern Rose quilt pattern No. 1039 by Nancy Cabot ","OverallWidthF12a":"68 inches","OverallLengthF012b":"96 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Brown","Cream","Rust"],"OverCondF015":"Excellent/like new","DateQuiltF023":"1930-1949","DateFinishF023b":"1934","FamDateF023c":"1934","OtherExDateF023d":"1934-1936","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Modern Rose (a Mary McElwain pattern) was sold on a Rock River Batting tissue pattern with a copyright of 1934. The McElwain kit for Modern Rose was advertised in the 1936 Romance of the Village Quilts.","LayFormatF024":"Vertical bands","SpacingF029":["Strippy or vertical bands (in vertical rows separated by plain vertical bars)"],"BordDescF034":"Top and bottom borders are the same size. Right and left borders are the same size, but wider than the top and bottom. ","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052b":["Feathering"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"Embedded within the background quilting are some patterns which can be found in Needleart Guild's Original Master Quilting Patterns (Grand Rapids, MI): a fleur-de-lis No. 14 (page 4) is quilted in two vertical rows of 9 each, and a filled feathered circle No. 24 (page 2) is quilted twice into the center white vertical band. Like quilt #001, this quilt has pattern No. 69 (page 8) framing the inside edges of the central vertical strip. The top and bottom horizontal white borders are filled with double parallel line background quilting.","FeaturesF053":" This quilt is not quilted in its brown border area (unlike its twin, quilt #001).","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ReasonsF060":["Unknown"],"QDesignF060b":["Unknown"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","TopSourceF064":["Commercial/Published source: Kit"],"CommSourceF064b":"Mary McElwain kit: Modern Rose, published 1936. ","CommSourceF065b":"Needleart Guild's Original Master Quilting Patterns booklet. Quilting Designs used: #14 Half Fleur-de-Lis, #24 Cross-Hatched Feathered Circle, and #69 feather border.","AddNotesF066":"McElwain's kit probably did not prescribe the quilting design. The catalog describes Modern Rose as: \"Ready Stamped Quilt Top--The box contains background material, applique material, and final binding.\" The price, in McElwain's 1936 catalog is $11.50 for the stamped kit. A basted Modern Rose cost $20 and a finished quilt cost $60.\r\n

\r\nA pattern with the same block design was offered by Nancy Cabot. It was called Potted Rose Bush. The Cabot column describes the design as follows: \"Here is one of the old and well known rose designs used in a more or less modern setting. \"Potted Rose Bush\" is a native of Kentucky and a popular member of the quilt realm throughout the country..\" This column features a drawing of the individual block as well as a sketch of a quilt showing the blocks arranged in two vertical rows of six blocks.","ExhibitListF067a":"Wisconsin Museum of Quilts and Fiber Arts, Cedarburg, Wisconsin, June-September 2014 as part of Traditions a quilt exhibit celebrating the life and works of Mary McElwain. The museum did not have space to also exhibit Mary Gasperik's other rendering of the McElwain quilt kit called Modern Rose Panel, which is quilted differently than this quilt.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Romance of the Village Quilt (Walworth, WI: Mary McElwain Quilt Shop, 1936).\r\n\r\nModern Rose pattern batt wrapper from Rock River Cotton Co., Janesville, WI, 1934.\r\n\r\nNeedleart Guild's Original Master Quilting Patterns, Needleart Guild, 826 E. Fulton St., Grand Rapids, MI (undated).\r\n\r\nThe same pattern was offered by Nancy Cabot in a Chicago Tribune quilt column reading \"A modern rose design in an applique pattern creates an effective quilt for single or twin beds. Either print or plains materials, or a combination of both, may be used. The pattern contains directions for cutting and setting together as well as color suggestions. For the modern rose quilt pattern, No. 1039, send 10 cents in stamps or coin, plus 2 cents to cover mailing cost, to the Needlework Bureau, Chicago Tribune, 2020 Fifth av., New York City.\"\r\n\r\nA quilt column from an unidentified source, but dated April 9, 1944, offers the same Pattern No. 1039. That columns reads \"Here is one of the old and well-known rose designs for a patchwork quilt. It's a pattern you will enjoy working on and one that will call forth exclamations of admiration. The finished block measures 11 1/2 inches square. Pattern No. 1039 contains complete instructions, To order, send ten cents in stamps or coin to Needlework Department, care Grit, Williamsport, Pa.\" The illustrations in the two newspaper columns picture the same quilt design.","OwnershipF082":"Private","OwnerNameF082a":"Elmer Gasperik Heirs - contact Kathy Jacob","OwnerCountryF086b":["United States"],"IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests, ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","AddNotesF132":"See introductory essay.","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-11/48-7C-2.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-11/2006.154.2.1-22.jpg"],"Detail 1 Caption":"The Modern Rose quilt from the Mary McElwain catalog.","Detail 2":["https://kora.quiltindex.org/files/18-14-11/PosyMG.jpg"],"Detail 2 Caption":"Mary Gasperik with her Peach Posy quilt.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2014-08-29","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0b5-a","Maker Associator":"18-47-2","Pattern":"PEACH POSY","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-2","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:34","updated_at":"2024-02-23 19:07:39"},"sort":["PEACH POSY"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"zK1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-31","description":"Susan Salser purchased on eBay in May 2013 a quilt which is exactly like this Gasperik quilt in terms of fabrics, applique patterns and arrangement, quilting design and border, suggesting that this is another example of Gasperik using a kit to make a quilt. It is likely to be a Paragon kit, although the exact name and number of the kit are not yet known. Gasperik is known to have made at least 4 other quilts from Paragon kits: Calico Rose (Paragon kit #01082), Wild Flower Wreath (Paragon kit #01010) and 2 quilts the family calls Farmer in the Dell (Paragon kit #01013 named Farm Design Junior Quilt). Notice that the green applique border of inverted scallops is exactly the same on the Farm quilts and Pansies. The shape of the blue basket on Pansies is very similar to the shape of the vase in Calico Rose.","essay":"This quilt may have been made from a commercial kit. It is also possible that Gasperik combined a block pattern for a pansy basket and an applique flower border design from an unknown kit. This quilt is one of the remaining Gasperik mysteries pattern source.
\r\n
\r\nIt looks as though this quilt was not only made from a kit, but that its quilting patterns were also determined by the kit. The quilting on this quilt does not resemble the more creative quilting seen on most Gasperik quilts. Instead, it most resembles the kind of quiltING found on another Gasperik quilt, Wild Flower Wreaths #046). Gasperik made Wild Flower Wreaths (#046) from Paragon kit No. 01010, and she followed that kit's quiltING instructions. The quiltING on Pansies and on Wild Flower Wreaths is similar (and unlike the usual Gasperik quiltING). If there existed a catalog of quilt kits offered 1935-1950 by Paragon, a New York based company, that would be a good place to look for the kit source Gasperik's Pansies quilt.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"033","TypeObjF008":"Finished quilt","QuiltTitleF009":"Pansies","OwnerNameF010":"Pansies","AltNameF011":"Basket of Pansies, Pansy Basket","OverallWidthF12a":"77 inches","OverallLengthF012b":"86 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Cream","Gold","Green","Orange","Purple","White","Yellow"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Excellent/like new","DateQuiltF023":"1930-1949","DateFinishF023b":"1935-1945","OtherExDateF023d":"1935-1945","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Estimated date is based on similar kit designs made by Bucilla in 1930s-1940s.","LayFormatF024":"Medallion or framed center","NumBordersF033":"2","BordDescF034":"Inner border frames the basket of pansies. Inner border is a blue ribbon with pansy blooms at corners and midpoints. At the base of the ribbon is a bow knot. The outer border is a green scalloped applique to appear pieced. ","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["White"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052a":["Grid diamond","Grid square","Single parallel lines"],"DesignF052b":["Wreaths","Other"],"DesignF052c":["Grid/crosshatch"],"DesignF052d":"Upright bouquet of leaves (somewhat like a fleur-de-lis) are quilted at intervals around the outer edge and in the corners. A wreath encircles the central basket.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"In 1968-69 Gasperik's daughter Elsie brought Pansies to her daughter Susan. During that same distribution of quilts as gifts to the Krueger girls from their grandmother Elsie gave Daisies Won't Tell to Susan's sister. Linda was especially fond of Pansies and asked Susan if she would trade. They exchanged quilts. ","ReasonsF060":["Personal enjoyment"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","AddNotesF066":"Probably a kit which has yet to be found. Bucilla 2935 \"Basket of Poppies\" has a similar center basket surrounded by a ribbon inner border. The Farm kit from Paragon (see Gasperik quilts #029 and #059) has a similar applique border with green scallops facing inward and a straight outside edge. It is noteworthy that the distinctive quiltING design on this quilt, a repeated Fleur-de-Lis pattern, is not seen on other Gasperik quilts, possibly indicating that Gasperik followed kit instructions, rather than her usual practice of combining quiltING designs from multiple sources. ","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","ContestListF071a":"Illinois State Fair, 1955, Second Place","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","OwnershipF082":"Private","OwnerNameF082a":"Linda Krueger MacLachlan","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"To exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-31/quiltiGasperik-a0a0c7-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-31/48-7C-35-224-quiltiGasperik-a0a0c7-b_13049.jpg"],"Detail 1 Caption":"detail","Detail 2":["https://kora.quiltindex.org/files/18-14-31/18-14-31-1955-PansyBasket.jpg"],"Detail 2 Caption":"A Second Place ribbon from the 1955 Illinois State Fair.","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2013-05-16","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0c7-a","Maker Associator":"18-47-2","Pattern":"PANSIES","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-35","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:47","updated_at":"2024-02-23 19:07:39"},"sort":["PANSIES"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"961hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-78","description":"This quilt, dated 1939, was destroyed in a 1980 fire. All that remains are a few photos. The quilt is based on a Nancy Page Club Series entitled French Bouquet which was offered as Old-Time Nosegay through The Detroit News.","essay":"Gasperik followed closely a quilt design named French Bouquet made of a series of blocks and a border design that appeared in newspapers nationally (in 1933) through the syndicated Nancy Page Quilt Club. Mary Gasperik probably got her set of blocks as leaflets from the Detroit News since she was an active member, but she also might have seen the same pattern running in a Chicago newspaper. The Detroit News called the series quilt Old-Time Nosegay. It is important that the pattern was offered by The Detroit News. In October 1935, the time Mary Gasperik first discovered The Detroit News Quilt Club Corner and their not-quite-annual Quilt Show and Contest, it was a requirement (in order to qualify for some of the $500 in prize money) that qualifying quilts be made from patterns offered by The Detroit News. This had been a rule since the contest’s inception in 1933. It continued to be a requirement until the October 1938 show, which offered lesser cash prizes in the category “Best Quilt (Not News Pattern)”. By the time of the next (and what turned out to be the last) Detroit News Quilt Contest – May 1940 – the situation had reversed. Although a total of $500 was still being awarded, the lesser prize money - 10 prizes of $5 each – was awarded in the category “best finished quilts made with Detroit News patterns”. If Gasperik’s ‘Nosegay’ went to Detroit and won a prize there, it would have been at this final contest, where it is known that Mary Gasperik was awarded one of those 10 prizes.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"071","TypeObjF008":"Finished quilt","QuiltTitleF009":"Old-Time Nosegay","OwnerNameF010":"Nosegay","AltNameF011":"French Bouquet - Nancy Page series","BrackmanF011a":"#72.4","OverallWidthF12a":"Unknown","OverallLengthF012b":"Unknown","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Scalloped","PredomColorsF014":["Cream","Green","Pink"],"OverallColorF14b":["Multicolor","Light or pastel colors","Bright or primary colors"],"OverCondF015":"Unknown/Not Rated","RepairHistF018":"Destroyed in a house fire in 1980.","TypeInscripF019":["Date"],"ContInscripF020":"1939","MethodInscripF021":["In the quilting"],"OtherLocInscripF022a":"Year 1939 was quilted above the quilted basket of fruit and flowers in the center of the pillow-top area of the quilt. ","DateQuiltF023":"1930-1949","DateFinishF023b":"1939","FamDateF023c":"1939","OtherExDateF023d":"1933-34","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Estimated date is based on date when the quilt pattern series ran in 1933-34. Actual quilt was dated 1939.","LayFormatF024":"Block pattern","ArrangeBlockF028":"Straight","OtherSpaceF029a":"Gasperik 'blocks' are appliqued onto wholecloth.","NumBlockPatF030":"12 different bouquet blocks, 15 dfferent flower blocks","NumBordersF033":"2","BordDescF034":"Outer border of applique flower blooms; narrower inner border frames the applique blocks.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"EmbellTechF038f":"Yes","ConstrucF038g":["Embroidery"],"UniqueF038h":"Gasperik rearranged the placement of the 12 different Nancy Page bouquets and she angled the placement of her border flowers so that they 'dance' left and right rather than march in the straight up and down order proposed by Nancy Page/Detroit News pattern.","FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052a":["Echo","Grid diamond","Patches outlined/in the ditch"],"DesignF052b":["Wreaths","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"The two doves of peace quilted on either side of the vase are more complicated than the commercial 'Dove of Peace' quiltING pattern and closely resemble the \"Dove of Peace\" pictured in Plate XII (facing page 75) of \"Reproductions of Quilt Patches\" by Carrie A. Hall in The Romance of the Patchwork Quilt in America by Carrie A. Hall and Rose G. Kretsinger (1935). Gasperik quilted this same dove into quilts #013, #020 and #021. In between the two doves Gasperik quilted the outline of one of the quilt's bouquets (the center nosegay in the second row from the top). ","FeaturesF053":"Description of border, quilting designs, etc. is based on the b/w photo of Mary Gasperik sitting at a quilt frame on which this quilt is stretched, and also on a family b/w photograph (undated) of the completed quilt.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Shortly before her death, Mary Gasperik asked daughter Elsie to select 3 quilts for granddaughters Joanne, Charlene and Louise Gasperik. This quilt was one of Elsie's 3 selections. The quilts were given to the girls' mother, Erika Gasperik. This one was subsequently chosen by Joanne.","ReasonsF060":["Art or personal expression"],"OtherF060a":"The grandprize-winning quilt at the April 1937 Detroit News Quilt Show (which Gasperik attended) was an Old-Time Nosegay quilt made from the Detroit News pattern. Gasperik probably wanted make her own (better) version to compete in Detroit. ","QDesignF060b":["Bedding, special occasion"],"TopSourceF064":["Commercial/Published source: Newspaper"],"CommSourceF064b":"Detroit News Pattern Leaflets for Old-Time Nosegay - Series of 30 patterns. ","PattSourceF065":["Other"],"OthPattSourceF065a":"\"Dove of Peace\" probably copied from Carrie Hall Plate XII in The Romance of the Patchwork Quilt (1935).","AddNotesF066":"It should be noted that the Gasperik quilt is made by appliquéing the bouquet and individual flower commercial blocks onto a whole piece of fabric rather than by assembling the quilt block by block, which is the way newspapers marketed block quilt patterns. She could not have begun this quilt before she had collected the entire set of patterns. The Detroit News/Page pattern included 12 different bouquet blocks (comprising the center panel of the quilt) and 15 different individual flower blocks (comprising the two side borders of the quilt). Making this quilt required more than two dozen appliqué patterns (each of which is complex). The Detroit News offered them, block by block, between December 1933 and July 1934. Salser believes Gasperik probably picked up her set of patterns at the April 1937 Detroit News Quilt Show where she saw the grandprize-winning Old-Time Nosegay quilt made by Elizabeth Aellig of Detroit. In today's quilt language, Gasperik regarded the quilts she saw in Detroit as \"challenge\" quilts.","ExhibitListF067a":"A yellow paper exhibit tag reading \"Nosegay Quilt\" by Mrs. M. Gasperik indicates this quilt was included in a Tuley Park quilt show. \r\n

\r\nIf it was sent to Detroit, that must have occured in May 1940 (there was no 1939 Detroit News quilt show) ","ContestListF071a":"Probably won a $5 prize in the category \"Best Finished Quilts Made with Detroit News patterns\" at the 1940 Detroit News Quilt Contest. 10 such prizes were awarded at the May 1940 (final) Detroit quilt show and Mary Gasperik was awarded one of them. At this same show she won a second prize in the category \"best finished applique quilt\", probably for her Hungarian Girls quilt (#014), which was not made from a Detroit News pattern. More than 2000 quilts were entered in this contest.\r\n
\r\n
\r\n
\r\nimpcap\r\n
\r\n
\r\n

This is the Special Premium Ribbon awarded Mary Gasperik. It was one of ten quilts awarded for \"Finished Quilts News Pattern.\"

\r\n
","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Detroit News clipping, January 2, 1934: Edith B. Crumb, Quilt Club editor, holding a quilt of this design. \r\n

\r\nCompare to Nancy Page Quilt Club series of 30 blocks: French Bouquet.\r\n

\r\nOverall view of Nancy Page quilt French Bouquet.\r\n

\r\nPhoto taken by Elmer Gasperik of his mother seated at her quilting frame in the dining room at 9314 Cottage Grove Ave., Chicago, working on Nosegay (which looks nearly completed). Elmer Gasperik heirs - private collection.\r\n

\r\nFamily b/w photograph of completed Gasperik quilt (undated)\r\n

\r\nColor photograph of Gasperik Nosegay hanging on a clothesline is picture #6 on a computer disc sent to Susan Salser by Kathy Jacob, 1/30/2006. Picture #5, on this same disc, is a b/w photo of Nosegay airing on a different clothesline. Neither picture is dated. Original photos in private collection of Elmer Gasperik heirs.\r\n

\r\nYellow paper exhibit tag for \"Nosegay Quilt\" (Susan Salser- private collection)","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"This quilt was probably made to compete in a Detroit News quilt show. At the time Gasperik began competing in those shows, it was a requirement - in order to win prize money - that a quilt be made from a Detroit News quilt pattern. Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt - color photo - only surviving image","ImageTypeF076":"Color","SourceF077":"CD-ROM","photocredit079a1":"unknown, family photo","DigDateF079a":"2008-05-14","DigDateF079a_era":"CE","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-78/48-7C-63.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-78/48-7C-63-224-quiltiGasperik-a0a0h3-c_13049.jpg"],"Detail 2":["https://kora.quiltindex.org/files/18-14-78/48-7C-63-224-quiltiGasperik-a0a0h3-b_13049.jpg"],"Detail 2 Caption":"This ~1939 photograph, taken by her son Elmer, shows Mary Gasperik quilting on her Nosegay quilt. She is seated in the windowless dining room behind her husband's meat market. This is where she made most of her quilts. See quilt #014 for another of Elmer's portraits of his mother at work.","Detail 3":["https://kora.quiltindex.org/files/18-14-78/1934-01-02-6268.1.9.jpg","https://kora.quiltindex.org/files/18-14-78/1940-SpecialPremium.jpg"],"Detail 3 Caption":"The Old-Time Nosegay was a series of 30 Pattern Leaflets \"Detroit News\" Pattern Leaflets. This is the column where Edith B. Crumb introduces the new pattern to Club members.","Detail 4":["https://kora.quiltindex.org/files/18-14-78/OldTimeNosegay-2.jpg"],"Detail 4 Caption":"A photo of the Old-Time Nosegay on a clothesline, July 1968.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2009-02-21","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0h3-a","Maker Associator":"18-47-2","Pattern":"OLD-TIME NOSEGAY","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-63","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:20","updated_at":"2024-02-23 19:07:39"},"sort":["OLD-TIME NOSEGAY"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"5q1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-59","essay":"This is Gasperik's refashioning of a kit. The printed kit number (No 7145 CRIB QUILT) is partially visible at a point where Gasperik chose to quilt a design where an appliqué and embroidered image was originally placed. The kit is from Homeneedlecraft Creations, a source Gasperik used to make at least 5 other quilts. See Gasperik quilts #013, #024 and #061 - made from Homeneedlecraft Creations kit No. 7182, Gasperik quilt #025 - made from Homeneedlecraft Creations kit No. 7122, and Gasperik quilt #040 - made from Homeneedlecraft Creations kit No. 7069.
\r\n
\r\nA photograph of a quilt of this same pattern (made by Mrs. Frances Dale of Detroit, Michigan for her new granddaughter) appears in the October 11, 1941 Detroit News page 12). Salser purchased a nearly completed applique top of this kit, along with its original envelope, in October 2013. The envelope is printed Colonial Art Needlework... "Nursery Catalogue" Crib Quilt No. 7145." There is no mention of Home Needlecraft Creations. It bears no date or place of origin; just the hand-penciled price of "1.39".
\r\n
\r\nIf Gasperik worked from an identical kit, as it appears she did, she added some embroidered and appliqued details, and substituted her own choices for some kit specifications (for example using the rich brown thread rather than blue thread to embroider the wording). Amusingly, the applique area showing "Contrary Mary" seems to display the greatest number of personal additions and changes. Gasperik completely altered the overall quilting pattern stamped on the quilt-top, stitching a denser grid, adding an embedded elaborately quilted feathered wreath as well as quilted hearts. She finished off the kit's edge with a quilted border of feathering and attached two additional, wide fabric borders, one in a delicate yellow flowered print and the other in solid gold with scalloped outer edge and interior overlapping arches of quilting. She often made multiple borders a prominent design feature of her quilts, creating large expanses of especially fine quilting. She transformed a fairly plain kit into a distinctively Gasperik quilt.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"010","TypeObjF008":"Finished quilt","QuiltTitleF009":"Nursery Rhymes","OwnerNameF010":"Nursery Rhymes","OverallWidthF12a":"74 inches","OverallLengthF012b":"91 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Rounded","PredomColorsF014":["Blue or Navy","Green","Pink","Rust","White","Yellow"],"OverallColorF14b":["Multicolor","Light or pastel colors","Bright or primary colors"],"OverCondF015":"Good/moderate use","DamageF016":["Stains"],"RepairHistF018":"There are several blotchy gray stains of unknown origin in the center of this quilt.","TypeInscripF019":["Multiple Names"],"ContInscripF020":"Each block is embroidered with a nursery rhyme. phrase--\"Market to Market\", for example. Address label reads: \"MARY GASPERIK 1411 W 174 STREET EAST HAZELCREST ILLINOIS\"","MethodInscripF021":["Embroidery"],"LocInscripF022":["multiple locations"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1935-1945","OtherExDateF023d":"Late 1930s-1940s","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Estimated date is based on the date of similar kits.","LayFormatF024":"Block pattern","SubjQuiltF025":"Nursery Rhymes","NumBlockF026":"14","ArrangeBlockF028":"Straight","SpacingF029":["Separated by plain sashing"],"OtherSpaceF029a":"In fact, these are not individual blocks. The appliques were stamped on the white foundation cloth.","NumBlockPatF030":"9","BlockStyleF030a":["Sampler"],"NumBordersF033":"two borders surround the kit","BordDescF034":"A wide white border of lightly printed cloth added to kit. This is surrounded by a second border of solid yellow which is cut with triangular protrusions on the inside and ends with a bound scalloped edge. ","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"UniqueF038h":"Border with triangular cutouts on inside edge and scallops on the outside edge. ","FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Yellow"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid/crosshatch","Single parallel lines"],"DesignF052b":["Feathering","Wreaths","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"There are six quilted feathered hearts filled with cross-hatching. The solid yellow outer border is filled with concentric arch-shaped quilting. An impression of four separate borders is created by Gasperik's quiltING designs, although only two borders using different fabrics have been attached to the kit's center. Gasperik's quiltING greatly adds to the complexity of a commercial kit. A comparison of the Gasperik quilt to a Nursery Rhyme children's kit quilt purchased by Salser on eBay makes Gasperik's quiltING (and quilt applique) changes, as well as the added border, immediately apparent to the viewer.","FeaturesF053":"Printed quilt kit number #7145 is partially visible on quilt surface.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"This quilt was selected by Gasperik's daughter-in-law Doris in the division of quilts arranged by Elsie after her mother's death.","ReasonsF060":["Baby or crib"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","TopSourceF064":["Commercial/Published source: Kit"],"CommSourceF064b":"Homeneedlecraft Creations #7145 Crib Quilt.","PattSourceF065":["Original to maker"],"AddNotesF066":"Gasperik did not applique one of the blocks in the center. She left an open space into which she quilted an oval feathered wreath which was probably not part of the original kit. The block which she omitted is one of the kit's seven repetitions of the pink/yellow/blue triple flower block.\r\n

\r\nIt should be noted that The Detroit News offered a nursery rhymes block quilt pattern, called Mother Goose Quilt Series 1643-ID80. It is not known if Gasperik ever used this pattern, but Elsie Krueger's typed list of \"Quilts and tops which are still in East Hazelcrest\" includes an item she described as \"nursery rime unfinished top\". None of the items in this section of Elsie's accounting survived and it isn't known what they looked like. ","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","ContestListF071a":"East Hazelcrest address label may indicate it was sent to Springfield Illinois State Fair ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Detroit News October 11, 1941 page 12 \"Cornerites Gather for Reunion\" by Edith B. Crumb. \"Mrs. Frances Dale, 6187 Toledo avenue, brought a quilt she has just finished for her new granddaughter, Linda Ruth, daughter of Mr. and Mrs. H.C. Dale, 980 Berkeley Road, Columbus, Ohio.\" A photograph of Frances Dale standing by her quilt, a quilt which is made from the same pattern as Gasperik quilt #010, appears at the bottom of the page.\r\n

\r\nGrand-daughter Karen Finn was given some spare fabric from her grandmother's collection. She has a piece of the figured print used to make one of the borders of this quilt. Kathy Jacob has a piece of the yellow border fabric. A third piece of fabric from Gasperik which was saved by Karen is a piece of the red print for making \"Road to Recovery\" (Gasperik quilt #066). That piece has a maple leaf shape cut out.\r\n

\r\nA Nursery Rhyme applique quilt, made by an unknown person, was purchased by Susan Salser on ebay in 2003. This quilt, in Salser's private collection, measures 40\" by 58\" and appears to be a faithful execution of Homeneedlecraft Creations kit #7145. ","OwnershipF082":"Private","OwnerNameF082a":"Elmer Gasperik heirs - Kathy Jacob contact","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-59/quiltiGasperik-a0a0f5-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-59/48-7C-51-1.jpg"],"Detail 1 Caption":"detail","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2013-10-29","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0f5-a","Maker Associator":"18-47-2","Pattern":"NURSERY RHYMES","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-51","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:07","updated_at":"2024-02-23 19:07:39"},"sort":["NURSERY RHYMES"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"_K1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-83","description":"This unfinished quilt project from the 1930s reflects Gasperik's early quiltmaking experiences piecing a hexagon block with 1930s fabrics that were popular at the time.","essay":"Prize winning Chicago quiltmaker Bertha Stenge used hexagons effectively to create her Star of Constantine and Mosaic Grandmother's Garden Quilts. Here Mary Gasperik appears less interested in the creative possibilities of using hexagons although she did complete a hexagon-based Victory Garden quilt (#023).","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"035","TypeObjF008":"Quilt top with unfinished edge","TypeObjOtherF008a":"Quilt top fragment","QuiltTitleF009":"Mosaic","OwnerNameF010":"Mosaic","OverallWidthF12a":"40 inches","OverallLengthF012b":"43 inches","ShapeEdgeF013":"Other","OtherShapeEdgeF013a":"Follows the hexagonal shape of the project.","OverallColorF14b":["Multicolor"],"OverCondF015":"Excellent/like new","DateQuiltF023":"1930-1949","DateFinishF023b":"1930s","OtherExDateF023d":"1930s","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Based on quilt fabrics and pattern--typical 1930s.","LayFormatF024":"Other","BlockStyleF030a":["Hexagons"],"NumBordersF033":"None","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038":["Hand Piecing"],"MatUsedF048":"No filling","KnotsF051b":"no","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ReasonsF060":["Personal enjoyment"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Unknown"],"AddNotesF066":"Hubert Ver Mehren, a 1930s quilt designer, and others promoted Mosaic style quilts in the 1930s. Each company had a different name--Martha Washington's Rose Garden, Grandmother's Flower Garden, or simply Mosaic. ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"This piece was not exhibited in the 1992 The Quilts of Mary Gasperik in Livermore, CA, but the owner registered it under the name Grandma's Victory Garden.\r\n

\r\nA description of this piece, written by granddaughter Linda MacLachlan in 1992: \"Patchwork of hexagons, diamonds, triangles in blue, white, yellow, black and red solids and 4 prints: red and white stripes, white stars on blue, red and green and blue on yellow and a black and gold and white geometric. I intend to applique this intriguing piece to a bedsize muslin, extending the pattern by appliqueing a continuing line of diamonds from each corner of her hexagon and repeating the concentric hexagon pattern and the ats in quilting, but I won't begin this project before the show.\"","OwnershipF082":"Private","OwnerNameF082a":"Linda Krueger MacLachlan","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-83/48-7C-68.jpg"],"verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-20","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0h8-a","Maker Associator":"18-47-2","Pattern":"MOSAIC","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-68","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:23","updated_at":"2024-02-23 19:07:39"},"sort":["MOSAIC"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"z61hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-34","description":"Although several Gasperik quilts appear to be copies, in fact they are not. This matching pair of Blue Morning Glory quilts (#009 and #016) is an exception. They were made for Gasperik's son and daughter-in-law who probably requested the appliqué and quilting be identical because they were made for twin beds.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"009","TypeObjF008":"Finished quilt","QuiltTitleF009":"Morning Glory ","OwnerNameF010":"Blue Morning Glory (Doris)","OverallWidthF12a":"66 inches","OverallLengthF012b":"98 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Scalloped","PredomColorsF014":["Blue or Navy","Green","White"],"OverallColorF14b":["Light or pastel colors"],"OverCondF015":"Good/moderate use","OtherTypeInscripF019a":"cloth label sewn to back lower left","ContInscripF020":"MARY GASPERIK
\r\n1411 W 174th STREET
\r\nEAST HAZELCREST
\r\nILLINOIS","MethodInscripF021":["Attached label","Ink"],"LocInscripF022":["on back"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1938-1945","OtherExDateF023d":"1938-1945","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Earliest estimated date is based on a 1938 packing slip for Bucilla kit #2005, Morning Glory.","LayFormatF024":"Medallion or framed center","BordDescF034":"Three wide borders echo the scalloped edge. Colors of border are shaded from dark blue, through medium blue to light blue. Center panel is encircled with a morning glory vine. This border design element is part of the Bucilla kit #2005, Morning Glory.","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Blue or Navy"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052d":"Gasperik created her own quilting patterns for this pair of blue Morning Glory quilts. \r\n

\r\nThe elaborate basket of fruit and flowers quilted into the very center of this quilt is found on 4 Gasperik quilts: #009, #016, #024, and #061. It is from an unknown source. The scale and elaborateness of this quilted vase is reminiscent of commercial applique flower basket block patterns widely available in the 1930s and 1940s.\r\n","FeaturesF053":"Applique is nearly identical in these two blue quilts except for one leaf turned in a different direction on each quilt.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ReasonsF060":["Gift or presentation"],"OtherF060a":"Made for her son Elmer and his wife, who may have requested them to be made in shades of blue. ","QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Book","Commercial/Published source: Newspaper","Commercial/Published source: Kit"],"PattSourceF065":["Commercial pattern"],"CommSourceF065b":"Quilted oval feathered wreath may be adapted from quilting design #521 in Colonial Quilts by Hubert Ver Mehren.","AddNotesF066":"Bucilla Applique Bedspread kit #2005, Morning Glory. Morning Glory Design No. 2005 kit was used to design the four Gasperik Morning Glory quilts, but Marie Webster's child's quilt design Morning Glory in pink was likely used as the inspiration for making adjustments and changes to the Bucilla design. Bucilla kits did not come in blue, they included multicolored flowers, and their flower and leaf pattern shapes do not match the shapes on the Gasperik quilts. It requires only 4 different pattern shapes to make the morning glory wreath: one flower, one bud, one calyx and one leaf. The patterns are simple: it is their arrangement and embroidery which create the beautiful complexity. Gasperik clearly admired the Bucilla border design. The Nancy Cabot quilt column (in the Chicago Tribune) also published a Morning Glory (oval wreath) quilt based closely on Marie Webster's 1912 design which appeared in her book and in Ladies Home Journal.","ExhibitListF067a":"An exhibit tag which is separated from its quilt reads \"Morning Glory Wreath First Prize in Springfield Mrs. Mary Gasperik\".\r\n

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","ContestListF071a":"Illinois State Fair","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Bucilla kit #2005, Morning Glory with entire contents: instructions, paper pattern, green and white fabrics for the background and yellow, peach, orange, blue and henna for the floral elements. \r\n

\r\nA Lazarus packing slip \"Form 100-1-38\" dates the kit to 1938\r\n

\r\nNancy Cabot newspaper illustration of Morning Glory; Marie Webster's color photo of child's quilt Morning Glory\r\n

\r\nBucilla boxtop indicates the kit was available in two colors: Orange and white or Green and white. Salser has an ebay printout of a quilt offered for sale in 2003 which looks like a completed Green and white Bucilla kit. That ebay quilt had a sewn on patch identifying the quilt as a gift \"Made by Mary Reid 1927 and presented to Betsy Nichols 1952 Christmas\".","OwnershipF082":"Private","OwnerNameF082a":" Elmer Gasperik heirs - Kathy Jacob contact","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-34/48-7C-38.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-34/48-7C-38-224-quiltiGasperik-a0a0d0-b_13049.jpg"],"Detail 1 Caption":"Close-up","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2008-12-29","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0d0-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-35","Pattern":"MORNING GLORY ","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-38","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:49","updated_at":"2024-02-23 19:07:39"},"sort":["MORNING GLORY "]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"0K1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-35","description":"The pair of Blue Morning Glory quilts are alike in both appliqué and quilting. This 1992 photograph of the second of the quilts shows the damage caused by a family dog 50 years earlier. In 1999, Mary's grand-daughter, Joanne Gasperik, an award-winning quilter in her own right, repaired the damaged lower section of the quilt.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"016","TypeObjF008":"Finished quilt","QuiltTitleF009":"Morning Glory","OwnerNameF010":"Morning Glory (Doris)","OverallWidthF12a":"66 inches","OverallLengthF012b":"99 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Scalloped","PredomColorsF014":["Blue or Navy","Green","White"],"OverallColorF14b":["Light or pastel colors"],"OverCondF015":"Fair/worn","DamageF016":["Tears or holes"],"RepairsF017":["Patched with new fabrics"],"RepairHistF018":"Mary Gasperik's grand-daughter Joanne Gasperik repaired the quilt in 1999.","TypeInscripF019":["Other"],"OtherTypeInscripF019a":"Joanne Gasperik, who repaired the torn quilt, sewed an inked label on the repaired quilt in 1999.","ContInscripF020":"Mary Gasperik is the maker of this quilt.\r\nAbove is the remnant of her original label.\r\nIt is thought to be an early quilt - before 1939.\r\n\r\nSandy, the boxer, got lonesome and bored one day, and took her frustrations out on this quilt, one of a pair.\r\nGranddaughter Joanne Gasperik restored it June 5-22, 1999","DateInscripF020a":"1999","MethodInscripF021":["Attached label","Ink"],"LocInscripF022":["on back"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1938-1945","OtherExDateF023d":"1938-1945","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Earliest estimated date is based on a 1938 packing slip for Bucilla #2005 Morning Glory. ","LayFormatF024":"Medallion or framed center","NumBordersF033":"3","BordDescF034":"Three wide borders echo the scalloped edge. Colors of border are shaded from dark blue, through medium blue to light blue. Center panel is encircled with a morning glory vine. This border design element is part of the Bucilla kit #2005 \"Morning Glory.\"\r\n\r\n","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Blue or Navy"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052b":["Feathering","Wreaths"],"DesignF052d":"The elaborate basket of fruit and flowers quilted into the very center of this quilt is found on 4 Gasperik quilts: #009, #016, #024, and #06. It is from an unknown source. The scale and elaborateness of this quilted vase is reminiscent of commercial applique flower basket block patterns widely available in the 1930s and 1940s.","FeaturesF053":"Details about the quilt's original construction can be found in a letter from Joanne Gasperik, who repaired the quilt in 1999. Her letter describes in detail both what she learned about Gasperik's original quilt-making techniques, and the exact nature of the repairs that she made. The contents of this letter are transcribed by Salser under the field category: \"Other related items such as publications, image, oral history, or ephemera\"","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Given by Mary Gasperik to her son Elmer and daughter-in-law Doris","ReasonsF060":["Gift or presentation"],"OtherF060a":"Made for her son Elmer and his wife, who may have requested them to be made in shades of blue. ","QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Book","Commercial/Published source: Newspaper","Commercial/Published source: Kit"],"PattSourceF065":["Published material"],"CommSourceF065b":"Quilted oval feathered wreath may be adapted from quilting design #521 in \"Colonial Quilts\" by Hubert Ver Mehren. ","AddNotesF066":"Bucilla Applique Bedspread \"Morning Glory\" Design No. 2005 kit was used to design the four Gasperik Morning Glory quilts, but Marie Webster's child's quilt design \"Morning Glory\" in pink was likely used as the inspiration for making adjustments and changes to the Bucilla design. Bucilla kits did not come in blue, they included multicolored flowers, and their flower and leaf pattern shapes do not match the shapes on the Gasperik quilts. It requires only 4 different pattern shapes to make the morning glory wreath: one flower, one bud, one calyx and one leaf. The patterns are simple: it is their arrangement and embroidery which create the beautiful complexity. Gasperik clearly admired the Bucilla border design. The Nancy Cabot quilt column (in the Chicago Tribune) also published a Morning Glory (oval wreath) quilt based closely on Marie Webster's 1912 design which appeared in her book and in Ladies Home Journal.","ExhibitListF067a":"An exhibit tag which is separated from its quilt reads \"Morning Glory Wreath First Prize in Springfield Mrs. Mary Gasperik\"","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n\r\nMerikay Waldvogel \"One American Dream Comes True\" Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":" Bucilla kit #2005 Morning Glory; Nancy Cabot newspaper illustration of Morning Glory; Marie Webster's color photo of child's quilt \"Morning Glory.\"\r\n\r\nBucilla boxtop indicates the kit was available in two colors: Orange and white or Green and white. Salser has an ebay printout of a quilt offered for sale in 2003 which looks like a completed Green and white Bucilla kit. That ebay quilt had a sewn on patch identifying the quilt as a gift \"Made by Mary Reid 1927 and presented to Betsy Nichols 1952 Christmas\".\r\n\r\nLetter from Joanne Gasperik documenting her restoration of this quilt: \"I began the restoration of \"Blue Morning Glory\" late in the day June 5, 1999. It took 2 days to \"reverse stitch\" the applique of the middle scallop to the border scallop. Then I \"unquilted\" the first row of quilting in the middle scallop, to easier slip the new border under. Original quilting threads seemed normal length, were knotted at one end only and back-woven 1\" to 1.5\". Starts and stops of applique thread were difficult to determine.\r\n\r\nNew backing fabric was appliqued first, along the entire bottom and up the right side of the quilt about 30\", and a little part of the damaged area. Then I appliqued the front fabric, trimming to a generous curved seam allowance. Not wanting two seams next to each other, I decided against mitering the left hand corner, and ran the fabric straight across to the first available original binding fabric.\r\n\r\nAfter all new fabric was attached, I cut away the torn areas in a straight line, parallel to the back seam and whip-stitched the new batting - Hobbs Organic Cotton/ with scrim - to the old batt. This was the thinnest of all cotton batting I could find, to match the thin, but uneven old batting.\r\n\r\nWhen it came time to quilt, I first tried painstakingly to replace each stitch where it had been, but the scallops and points on the original were random and uneven. Two corners originally had 5 quilting rows, one had 6, and one had 7 rows. I decided to have all points meet at the top, and therefore adjusted the new corner to have 7 quilting rows, instead of the original 5. The quilting was completed June 20. I began working on the binding on June 21 and finished on June 22, 1999.\r\n\r\nThe original double French binding was 1.5\" wide and pleated at each \"V\". I replaced it in the same manner. I tried hard to match the new fabric to the old, though in the final analysis it doesn't look like I did.\"\r\n\r\nJoanne sent a series of color photographs detailing her repair progress, and the torn original quilt pieces which she replaced, to Susan Salser.","OwnershipF082":"Private","OwnerNameF082a":"Elmer Gasperik heirs - Kathy Jacob contact","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a":"2008-01-01","DigDateF079a_era":"CE","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-35/48-7C-39.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-35/48-7C-39-224-quiltiGasperik-a0a0d1-b_13049.jpg"],"Detail 1 Caption":"In 1999, Mary's grand-daughter, Joanne Gasperik, an award-winning quilter in her own right, repaired the damaged lower section of the quilt, shown here. Its twin was not damaged.","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2008-12-29","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0d1-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-34","Pattern":"MORNING GLORY","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-39","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:50","updated_at":"2024-02-23 19:07:39"},"sort":["MORNING GLORY"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"za1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-32","description":"This is one of two Apricot Morning Glory quilts made by Gasperik. The quilting on the two quilts is slightly different and there are fewer green leaves appliquéd into the wreath on this quilt. These details are discernible in a photograph album sent to Germany in 1947. The morning glory quilt pictured in that album is clearly this quilt (and not its twin, #062). That album page, which also includes a photo of Hungarian Harvest Festival Quilt (#014), is inscribed "Mary Gasperik's First two prize winning quilts." The aforementioned prize was a blue ribbon at an Illinois State Fair in 1941.","essay":"The quickest way to distinguish the two Apricot Morning Glory quilts is to look at the leaves appliqued at the very top and bottom of the appliqued wreath. They are a duo on this quilt and a trio on quilt #062.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"026","TypeObjF008":"Finished quilt","QuiltTitleF009":"Morning Glory","OwnerNameF010":"Apricot Morning Glory (Linda)","AltNameF011":"Morning Glory Wreath","OverallWidthF12a":"68 inches","OverallLengthF012b":"103 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Scalloped","PredomColorsF014":["Green","Orange","White"],"OverallColorF14b":["Light or pastel colors"],"OverCondF015":"Excellent/like new","OtherTypeInscripF019a":"cloth exhibit label sewn to back","ContInscripF020":"MARY GASPERIK\r\n9314 Cottage Grove Ave.\r\nChicago, \r\nIll.","LocInscripF022":["on back"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1938-1945","OtherExDateF023d":"1938-1945","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Earliest estimated date is based on a 1938 packing slip for Bucilla kit #2005, Morning Glory.","LayFormatF024":"Medallion or framed center","NumBordersF033":"3","BordDescF034":"Three wide borders echo the scalloped edge. Colors of border are shaded from dark apricot, through medium apricot to light apricot. Center panel is encircled with a morning glory vine. This border design element is part of the Bucilla kit #2005, Morning Glory.","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["White"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Double parallel lines","Echo"],"DesignF052b":["Wreaths"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"FeaturesF053":"It is thought that this quilt was completed years before its similar-looking mate (#062). The major difference between the two quilts, other than the fact that #026 has fewer green leaves, lies in the quilting design. Both quilts have a double wreath filled with cross-hatching as their centerpiece; but the space between that quilted wreath and the applique wreath is handled differently on the two quilts. On quilt #026 double parallel lines of quilting meet in a flat chevron. On quilt #062 (thought to have been completed later) the dense lines of quilting criss-cross, creating the effect of three dimensional space. This experimentation is reminiscent of Gasperik's series of Indiana Wreath quilts (see #011, #032, #043 and #063). The quilting inside those wreaths also plays with different ways of creating a sense of three-dimensional space through quiltING alone.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"Selected by Elsie during a division of quilts (with her sister-in-law) after Gasperik died. When Elsie Krueger died in 1988 and her three daughters divided their mother's share of Gasperik quilts, this was Linda's pick.","ReasonsF060":["Personal enjoyment"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Book","Commercial/Published source: Newspaper","Commercial/Published source: Kit"],"CommSourceF064b":"Probably Bucilla kit #2005, Morning Glory.","PattSourceF065":["Kit"],"CommSourceF065b":"Quilted oval feathered wreath may be adapted from quilting design #521 in Colonial Quilts, by Hubert Ver Mehren. ","AddNotesF066":"Bucilla Applique Bedspread Morning Glory Design No. 2005 kit at first glance appears too have been Gasperik's pattern source; but upon close examination Bucilla's flower appliqué pattern units and their arrangement on the overall quilt do not match the Gasperik Morning Glory quilts. The Bucilla kit #2005, Morning Glory. includes multicolored flowers, and their flower and leaf pattern shapes do not match the shapes on the Gasperik quilts. The soft tones of the two Gasperik Apricot Morning Glory quilts (#026 and #062) are quite different from the harsher oranges of the kit’s fabrics. Of the four Gasperik Morning Glory quilts (two in shades of apricot and two in shades of blue) three of them have symmetric arrangements of a trio of flowers and leaves centered in each of the four sides of the squared off wreath. One quilt, however, this one in particular, has an asymmetrical arrentment in each of these four locations. Instead of three leaves, there are only two in these four positions. Oddly, this same asymmetrical arrangement is found on a non-Gasperik quilt Susan Salser purchased on eBay, and also on a pair of Morning Glory Wreath quilts (probably made in the same period of time, the mid 1940s, in Minnesota) appraised by Karen Dever in 2020. There is clearly a shared commercial pattern source for these four quilts, although it cannot be said at this time exactly what that source was, only that is was NOT the Bucilla kit #2005, Morning Glory. It is likely that this Gasperik Morning Glory Wreath quilt is first of the series of four which Gasperik made, because it so faithfully follows the design patterns specified by the as-yet unidentified commercial pattern source. The blue pair of Gasperik Morning Glory Wreath quilts diverges the most, especially in its quiltING design, from the unknown pattern or kit source which was the likely source of this particular quilt's design.","ExhibitListF067a":"An exhibit tag which is separated from its quilt reads \"Morning Glory Wreath First Prize in, Springfield Mrs. Mary Gasperik\". This corresponds to a First Prize ribbon from the Illinois State Fair, 1941.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","ContestListF071a":"Illinois State Fair, 1941, First Place ribbon\r\n

\r\nThe caption in the 1947 photo album under a picture of this quilt indicates that it won a prize but doesn't specify where or when.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Complete Bucilla kit #2005 Morning Glory (Susan Salser - private collection); Nancy Cabot newspaper illustration of Morning Glory; Marie Webster's color photo of child's quilt Morning Glory.\r\n

\r\nThere was probably at least one other 1930s kit for making a Morning Glory Wreath quilt similar to the four made by Mary Gasperik. In 2006 Salser bought on ebay a similar-looking Morning Glory Wreath quilt executed in three shades of apricot. In its flower patterns and colors this quilt more resembles the two Gasperik apricot Morning Glory quilts than it does Bucilla kit #2005, Morning Glory. The seller was the niece of the maker, who was named Charlotte Louise Greene (1897-1993). When asked for information about the quilt-maker, the niece wrote: \"I really don't know a lot about my Aunt's quilt making. She had a lot of interests - was very smart. (She studied ballet with Martha Graham and corresponded all her life with Norman Vincent Peale.) Kind of went from one interest to another. She was fired up about quilt making for a while and then dropped it for something else. She wasn't particularly artistic that I recall, so I suppose she didn't design her own quilts but probably may have bought designs from another source\" (e-mail to Susan Salser from Anne Botto, 2/24/2006). \r\n

\r\nPhoto album sent by Stephen and Mary Gasperik to the family of their future daughter-in-law in Germany, 1947 includes photos of quilt #026 and #014, captioned \"Mary Gasperik's first two prize-winning quilts\".","OwnershipF082":"Private","OwnerNameF082a":"Linda Krueger MacLachlan","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"To exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-32/quiltiGasperik-a0a0c8-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-32/48-7C-36-1.jpg"],"Detail 1 Caption":"detail","Detail 2":["https://kora.quiltindex.org/files/18-14-32/18-14-32-1941-MorningGlory.jpg"],"Detail 2 Caption":"A First Place ribbon from the Illinois State Fair in 1941.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2020-02-12","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0c8-a","Maker Associator":"18-47-2","Pattern":"MORNING GLORY","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-36","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:48","updated_at":"2024-02-23 19:07:39"},"sort":["MORNING GLORY"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"zq1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-33","description":"This is the second Apricot Morning Glory quilt. Gasperik also made a pair of Morning Glory quilts in shades of blue (#009 and #016). Although these quilts bear an astonishing resemblance to a kit #2005 offered by Bucilla, in fact the pattern units used by Gasperik and those inside the Bucilla box do not match in size or shape. Yet the diagonal quilting lines and the triple border executed in three shades of the same color DO suggest that Mary Gasperik may have seen either the Bucilla kit or a quilt made from it.","essay":"Salser believes Mary Gasperik used Webster's crib quilt design, the wreath, as a sort of aesthetic guide to transforming the "more brash Bucilla quilt." The quickest way to distinguish quilt #026 from #062 is to look at the leaves appliqued at the very top and bottom of the appliqued wreath. They are a duo on quilt #026 and a trio on quilt #062.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"062","TypeObjF008":"Finished quilt","QuiltTitleF009":"Morning Glory","OwnerNameF010":"Apricot Morning Glory (Karen)","AltNameF011":"Morning Glory Wreath","OverallWidthF12a":"68 inches","OverallLengthF012b":"102 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Scalloped","PredomColorsF014":["Coral","Green","Orange"],"OverallColorF14b":["Light or pastel colors"],"OverCondF015":"Excellent/like new","OtherTypeInscripF019a":"cloth exhibit label sewn to back","ContInscripF020":"Mary Gasperik
\r\n1411 W 174th ST
\r\nEast Hazel Crest
\r\nIll","MethodInscripF021":["Attached label"],"LocInscripF022":["on back"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1935-1945","OtherExDateF023d":"1935-1945","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Estimated date is based on similar kit designs made by Bucilla in 1930s-1940s.","LayFormatF024":"Medallion or framed center","NumBordersF033":"3","BordDescF034":"Three wide borders echo the scalloped edge. Colors of border are shaded from dark apricot, through medium apricot to light apricot. Center panel is encircled with a morning glory vine. This border design element is part of the Bucilla kit #2005, \"Morning Glory.\"","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["White"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Double parallel lines","Echo"],"DesignF052b":["Wreaths"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"FeaturesF053":"It is thought that this quilt may have been completed years after its similar-looking mate (). The major difference between the two quilts, other than the fact that #026 has fewer green leaves, lies in the quilting design. Both quilts have a double wreath filled with cross-hatching as their centerpiece; but the space between that quilted wreath and the applique wreath is handled differently on the two quilts. On quilt #026 double parallel lines of quilting meet in a flat chevron. On quilt #062 (thought to have been completed later) the dense lines of quilting criss-cross, creating the effect of three dimensional space. This experimentation is reminiscent of Gasperik's series of Indiana Wreath quilts (see #011, #032, #043 and #063). The quilting inside those wreaths also plays with different ways of creating a sense of three-dimensional space through quiltING alone.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"Selected by Elsie during a division of quilts (with her sister-in-law) after Gasperik died. When Elsie Krueger died in 1988 and her three daughters divided their mother's share of Gasperik quilts, this was Susan's pick. She later traded it (along with Indiana Wreath #063) to her other sister, Karen, in exchange for Calico Rose (#049) and Tree of Life (#031).","ReasonsF060":["Personal enjoyment"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Book","Commercial/Published source: Newspaper","Commercial/Published source: Kit"],"PattSourceF065":["Published material"],"CommSourceF065b":"Quilted oval feathered wreath at center of quilt may be adapted from quilting design #521 in Colonial Quilts by Hubert Ver Mehren. ","AddNotesF066":"Bucilla Applique Bedspread \"Morning Glory\" Design No. 2005 kit at first glance appears too have been Gasperik's pattern source; but upon close examination Bucilla's flower appliqué pattern units and their arrangement on the overall quilt do not match the Gasperik morning glory quilts. The Bucilla kit #2005 includes multicolored flowers, and their flower and leaf pattern shapes do not match the shapes on the Gasperik quilts. The soft tones of the two Gasperik Apricot Morning Glory quilts (#026 and #062) are quite different from the harsher oranges of the kit’s fabrics. Of the four Gasperik Morning Glory quilts (two in shades of apricot and two in shades of blue) three of them have symmetric arrangements of a trio of flowers and leaves centered in each of the four sides of the squared off wreath. One quilt (#026), has an asymmetrical arrentment in each of these four locations. Instead of three leaves, there are only two in these four positions. Oddly, this same asymmetrical arrangement is found on a non-Gasperik quilt Susan Salser purchased on eBay, and also on a pair of Morning Glory Wreath quilts (probably made in the same period of time, the mid 1940s, in Minnesota) appraised by Karen Dever in 2020. There is clearly a shared commercial pattern source for these four quilts, although it cannot be said at this time exactly what that source was, only that is was NOT the Bucilla kit #2005. It is likely that this Gasperik Morning Glory Wreath quilt is first of the series of four which Gasperik made, because it so faithfully follows the design patterns specified by the as-yet unidentified commercial pattern source. The blue pair of Gasperik Morning Glory Wreath quilts diverges the most, especially in its quiltING design, from the unknown pattern or kit source which was the likely source of this particular quilt's design.","ExhibitListF067a":"An exhibit tag which is separated from its quilt reads \"Morning Glory Wreath First Prize in Springfield Mrs. Mary Gasperik\".\r\n

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","ContestListF071a":"Karen Finn compared her Gasperik quilts' exhibit labels and concluded that this quilt may have been entered in the 1958 Illinois State Fair. In an e-mail dated 2/1/06 Karen wrote to Salser: \"In comparing printing on labels it appears the What are Little Boys Made Of? and the Morning Glory one were written by the same person. The T on the label is very distinctive. Yes, I know one address is written incorrectly. But the labels were written by the same person. Since we know Andy's quilt was shown in Illinois in 1958 can this mean Morning Glory was at the same show?\"","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Complete Bucilla kit #2005, Morning Glory (Susan Salser - private collection)\r\n

\r\nNancy Cabot newspaper illustration of Morning Glory.\r\n

\r\nMarie Webster's color photo of child's quilt Morning Glory.\r\n

\r\nThere was probably at least one other 1930s kit for making a morning glory wreath quilt similar to the four made by Mary Gasperik. In 2006 Salser bought on ebay a similar-looking morning glory wreath quilt executed in three shades of apricot. In its flower patterns and colors this quilt more resembles the two Gasperik apricot morning glory quilts than it does Bucilla kit #2005. The seller was the niece of the maker, who was named Charlotte Louise Greene (1897-1993). When asked for information about the quilt-maker, the niece wrote: \"I really don't know a lot about my Aunt's quilt making. She had a lot of interests - was very smart. (She studied ballet with Martha Graham and corresponded all her life with Norman Vincent Peale.) Kind of went from one interest to another. She was fired up about quilt making for a while and then dropped it for something else. She wasn't particularly artistic that I recall, so I suppose she didn't design her own quilts but probably may have bought designs from another source\" (e-mail to Susan Salser from Anne Botto, 2/24/2006). ","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts to exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-33/48-7C-37.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-33/48-7C-37-1.jpg"],"Detail 1 Caption":"detail","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2020-02-12","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0c9-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-32","Pattern":"MORNING GLORY","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-37","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:48","updated_at":"2024-02-23 19:07:39"},"sort":["MORNING GLORY"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"8a1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-72","description":"This quilt probably made in the late 1930s or early 1940s is missing. The quilt is a good example of Gasperik's exceptional quilting and appliqué skills. It also reflects her love of flowers.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"068","TypeObjF008":"Finished quilt","OwnerNameF010":"Mom's Quilt","OverallWidthF12a":"not known","OverallLengthF012b":"not known","ShapeEdgeF013":"Other","OtherShapeEdgeF013a":"notched","ShapeCornersF013b":"Other","OtherShapeCornerF013c":"not known, pictures don't show corners","PredomColorsF014":["Coral","Cream","Green","Orange","Pink","Purple","White","Yellow"],"OverallColorF14b":["Multicolor"],"OverCondF015":"Very good/almost new","RepairHistF018":"Quilt is missing. Luckily, 2 color photographs remain.","DateQuiltF023":"1930-1949","DateFinishF023b":"1940s","FamDateF023c":"early 1940s","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Two elements seen in this other quilts: #012 and #084, both of which are dated 1944. ","LayFormatF024":"Medallion or framed center","NumBordersF033":"1","BordDescF034":"One very wide coral border.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Double parallel lines","Grid diamond","Patches outlined/in the ditch"],"DesignF052b":["Feathering","Floral","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"Lily Bouquet quilted in center is a href=\"https://quiltindex.org//view/?type=publications&kid=18-121-21\" target=\"_blank\">Detroit News #1743-ID48 Lily Bouquet. Individual applique lilies made from this same pattern are appliqued around the wreath. These lilies appear to be cut from the same fabric as the lilies in framed applique #084 (which Gasperik made for daughter Elsie and dated 1944). Quilting pattern C5580 in Aunt Martha's Answer To How To Quilt It appears 8 times on this quilt. Gasperik quilted this same pattern into two other quilts: Bridal Bouquet quilt #012 (dated 1944) and quilt #024 (the undated burgundy Leaf and Vine). The violets appliqued on this quilt may be from the same pattern and fabric as those appliqued onto quilt #012 (dated 1944). It appears to Salser that at least some of the colorful pansies seen on this quilt were used in the unfinished floral bouquet quilt (#004, dated 1933), where they were added to Wurtzburg kit #3555. Salser believes those patterns came from Nancy Cabot. In other words this quilt, like so many other Gasperik quilts, is an amalgam which Gasperik created from lots of 1930s pattern sources. There may be a kit at the root of it, but a great deal has been added to that kit.","FeaturesF053":"Gasperik has probably included floral appliques from various quilt projects--notice how the Pansy and Calla Lilies are oversized in comparison to the other flowers.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"ProvenanceF058a":"It is not known what became of this quilt, but thought that Gasperik had used it on her own bed. This is why the family calls it Mom's quilt. Gasperik may have given this quilt away (in which case it could possibly survive) or, more likely, it was one of the items in a trunk of Gasperik needlework which rotted and was discarded long after her death.","ReasonsF060":["Art or personal expression"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Unknown"],"OthPresUseF062a":"Quilt is missing.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Pattern"],"PattSourceF065":["Published material"],"CommSourceF065b":"Detroit News Lily Bouquet 1743-ID48, feather pattern C5580 from Aunt Martha's Answer to 'How Shall I Quilt It?'","AddNotesF066":"Components of this quilt may come from other quilt projects (note the ribbons found in other projects) and the Calla Lily Bouquet used several times in other quilts. Pansies, and other individual flowers, may be from Nancy Cabot.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"All that now exists of this quilt are two family photos: one of them (circa 1960s taken in East Hazelcrest yard of Gasperik home) shows an unidentified older couple holding up the quilt for the camera. The other photograph shows the interior of the quilt hanging from what looks like a wooden quilt display case. This indicates the quilt WAS exhibited somewhere.","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","photocredit079a1":"unknown","DigDateF079a_era":"CE","DigDateF079a":"2008","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-72/48-7C-5E.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-72/48-7C-5E-224-quiltiGasperik-a0a0g8-c_13049.jpg"],"Detail 1 Caption":"Held in this photo, perhaps by East Hazelcrest neighbors, this quilt is a good example of Gasperik's exceptional quilting and applique skills. The quilt is missing.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-21","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0g8-a","Maker Associator":"18-47-2","Pattern":"MOMS QUILT","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-5E","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:16","updated_at":"2024-02-26 14:31:27"},"sort":["MOMS QUILT"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"y61hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-30","description":"This late 1930s quilt Paragon kit (Wild Flower Wreath #01010) has been modified by Gasperik who added six meadowlarks from an outside source, plus the embroidered wheat, a Hungarian national emblem that appears on many of her quilts. Its scalloped border is also Gasperik's addition to the Paragon design. Gasperik added to and altered commercial patterns throughout her quilting career.","essay":"Salser believes that even though this quilt may have been begun close to 1937-38, it wasn’t completed until years later. She believes those meadowlarks were added later, because she remembers her mother making blouses of those woodsy print materials. If the quilt was completed shortly before the 1949 Tuley Park quilt show where her sister remembers it hanging, then she would have been 8 or 9 years old when her mother made the blouses she remembers. That is quite possible. Salser strongly associates this quilt (which is one of her personal Gasperik favorites) with the colorful garden at the house in East Hazelcrest to which the Gasperiks moved in 1948-1949 - and not with the dark cramped quarters behind the store on Cottage Grove. When Salser visited Hungary in 1992 she saw displays of floral embroidered textiles in the Museum of Hungarian Popular Arts and Crafts in Kecskemet, Hungary which are very reminiscent of the red, yellow and blue wildflower wreaths on this quilt. She would like to imagine that the Paragon kit appealed to her grandmother’s Hungarian sensibilities and that even if she began to appliqué it in that dark dining room (there was no window), in making it she was reminding herself of the fields and flowers of the Hungarian plains, which she left behind when she emigrated to Chicago. Lines of quilting run under but not through the meadowlarks. Perhaps after the move to East Hazelcrest, where she finally had a roomy garden, she was inspired to get out that wild flower quilt, to liberate it with those birds and plant it with Hungarian wheat.
\r\n
\r\nIt should be noted that the color picture pasted on the Paragon kit #01010 box lid calls the contents "Quilt No. 01010 Wild Flower Wreath Design", where the instruction sheet inside the box describes the contests as "PARAGON Reg. U.S.PAT. OFF. STAMPED QUILT - NO. 01010 "FIELD FLOWER WREATH". The embroidery on the Gasperik quilt follows the Paragon kit instructions. A quilt top sewn by an unknown quilter is embroidered in pretty much the same way and with the same skill. This top was purchased in 2005 by Susan Salser from an ebay seller who described its provenance as follows: "From the Estate of an 87 Year Old Woman. This vintage applique quilt top is 80" wide and 90" long and is in excellent condition with just a few small light age spots. It has 12 appliqued designs of poppys, daiseys and blue flowers I do not recognize. The edges of this quilt top are embroidered with the wording "PARAGON (N.Y.) REG. U.S. PAT. OFF. NO. 01010 QILT EMBROIDER WITH PERLUSTA". It should be noted the company name is stamped not embroidered on the edge of the quilt top, as would be expected. The biggest difference between the Gasperik quilt and the purchased quilt-top is the fabric ground. The Gasperik quilt is now white, but Salser remembers that it had a creamier tone before she washed the quilt. The ebay top Salser purchased is an ivory toned coarser fabric than the percale of the Gasperik quilt. The kit's ground fabric is eggshell or off white in tone. The Gasperik quilt measures 77" x 88" and has been washed. The unwashed ebay quilt top measures 80" by 90".
\r\n
\r\nEarlier, Salser had purchased a copy of Paragon #01010. The seller described the 2003 sale copy as follows: "From a 1937 quilt kit is a pattern for a vintage Wildflower Wreath Quilt, 81" x 94", for a full-sized bed. If you've priced complete and original old kits lately, you're well aware that they have become scarce and expensive to buy. This is not a kit - it is a pattern adapted from one and is complete except for the fabrics. The photo that came with the kit was in black and white, so with it will be a color photo of the complete wreath. It was started and set aside almost 70 years ago, but still has the bright shades of red, blues and yellow.” When the copy of this “Wildflower Wreath Quilt” pattern arrived the instruction sheet began: “These instructions are a replacement for the original sheet that was included in the kit – it was brief and had only a black and white picture of the finished quilt on the envelope. A copy of that photo is included. It also had a sales slip for $5.33 from Marshall Field...” The original Paragon #01010 kit Salser purchased on ebay has a tag affixed to the box cover. She can make out “Boston Store Milwaukee” a price of “$5.60” and the number “01010”. A year is not visible.
\r\n
\r\nThe stamped eggshell percale supplied in this kit measures approximately 80” x 96”. Salser believes there is no reason to question that Gasperik probably used the actual Paragon kit contents, but adding appliqué birds and embroidered wheat to the kit’s materials. Since the Gasperik quilt is now so faded from washing and wall display, it is difficult to determine whether Gasperik used the kit’s colored fabrics; but the selection of hues does match; so, again, there is no reason to question that the Gasperik quilt was made from Paragon kit #01010, with some additions and the substitution of a scalloped border for the kit’s straight border. From the price tag information mentioned above, this kit was marketed in 1937. In June 2014 Susan Salser purchased, on eBay, a finished quilt which must have been made from Paragon kit #01010. The eBay seller acquired this unsigned quilt from an estate sale in NY whose seller told her the quilt had been made by her mother years ago. It had been stored in a trunk for years, so the fabric color are still quite vivid. This quilt appears to be a faithful execution of Paragon's kit and the quilt is in excellent condition. According to the website "fabrics.net" (http://info.fabrics.net/history-of-kit-quilts/" in its subsection entitled "Kit Quilts by Individuals" "Paragon made 127 kits from 1937 - 1982 and are still making kits today" (June 123, 2014).
\r\n
\r\nBecause the Gasperik quilt's owner, Susan Salser, recognizes fabrics her grandmother (Gasperik) used to make the added meadowlarks as fabrics her own mother used to make blouses for herself ~1950, she believes that this quilt, although it might have been begun as early as 1937 was not completed until over a decade later. This makes sense, in terms of the trajectory of Gasperik's quilting career. In the early years of her quilt-making she seems to have completed quite a few quilt tops which she did not immediately finish. She was working at a furious pace, completely entranced with quilt-making. These tops furnished good projects for her to work on (to complete, or in several cases to decide to leave uncompleted) during the 'dry' years after The Detroit News quilts contests ceased (the final one was held in May 1940) and during the period when, due to WWII, the Illinois State Fairs (Gasperik's second-favorite quilt competition venue) were cancelled (1942 through 1945). This is a time when her quilting skills (and energy) were at their zenith, although her competition opportunities were at their nadir. This is the quilt Susan most admired seeing her grandmother display in her East Hazelcrest garden because of its cheerful and colorful outdoors look. She was very happy when her mother gave it to her as a gift from her grandmother.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"046","TypeObjF008":"Finished quilt","QuiltTitleF009":"Meadow Lark and Peasant Wreath","OwnerNameF010":"Wild Flower Wreath","AltNameF011":"Field Flower Wreath, Field Flowers","OverallWidthF12a":"77 inches","OverallLengthF012b":"88 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Scalloped","PredomColorsF014":["Beige or Tan","Blue or Navy","Gold","Red","White","Yellow"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Good/moderate use","DamageF016":["Fading"],"RepairHistF018":"Salser displayed this quilt on her bedroom wall for a number of years. It is somewhat faded from sunlight, but more faded from several washings.","TypeInscripF019":["Other"],"OtherTypeInscripF019a":"fabric address label","ContInscripF020":"MARY GASPERIK
\r\n1411 W 174th STREET
\r\nEAST HAZELCREST
\r\nILLINOIS","MethodInscripF021":["Attached label"],"LocInscripF022":["on back"],"OtherLocInscripF022a":"cloth label sewn to back lower left corner","DateQuiltF023":"1930-1949","DateFinishF023b":"1937-1949","FamDateF023c":"1937-1949","OtherExDateF023d":"1937","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Estimated date is based on the date of the kit (1937) and the birds fabrics. Born in 1940, Susan Salser remembers the source of the meadowlarks' fabrics - leftovers from blouses her mother made.","LayFormatF024":"Block pattern","NumBlockF026":"12 wreath blocks; 6 bird blocks.","ArrangeBlockF028":"On point or rotated on 45 degrees","OtherSpaceF029a":"The original kit was designed with plain alternating blocks; Gasperik added birds to those blocks.","NumBordersF033":"None","BordDescF034":"Wide white areas extending from the central panel might be considered borders. Notice the side borders are wider than the top and bottom borders.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"EmbellTechF038f":"Yes","ConstrucF038g":["Embroidery"],"UniqueF039a":"Embroidered wheat below birds (which themselves are borrowed from a source outside the kit).","FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Yellow"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid square"],"DesignF052b":["Feathering","Other"],"DesignF052c":["Grid/crosshatch"],"DesignF052d":"Fleur-de-lis are quilted into each border scallop, rosettes and lines of feathering separate the wreaths.","FeaturesF053":"Gasperik traced the applique wreath (separated in two halves) and this kit's quilting design for use in her quilt Hungarian Harvest Festival (#014). ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Elsie brought Susan this quilt after Susan moved to California in late 1968. ","ReasonsF060":["Personal enjoyment"],"QDesignF060b":["Bedding, special occasion"],"OtherQDesignF061a":"Susan hung it on her bedroom wall for many years. This wasn't a good idea, although it made her happy.","PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Kit","Other"],"OthTopSourceF064a":"The six meadowlarks possibly Wyoming meadowlark from Aunt Martha state birds pattern.","CommSourceF064b":"Wild Flower Wreath Paragon Quilt Kit #01010","PattSourceF065":["Kit","Other"],"CommSourceF065b":"Gasperik executed the Paragon kit's quilting patterns.","AddNotesF066":"Gasperik changed the original kit by making the straight edges scalloped. She added appliqued meadowlarks between the wreath blocks. The source of this bird design is not known, but it closely resembles the Aunt Martha pattern #626 transfer design for making a meadowlark (see Wyoming state bird in this set of patterns). ","ExhibitListF067a":"Grand-daughter Karen Krueger Finn remembers seeing this quilt on display at a Tuley Park quilt show, hanging next to Daisies Won't Tell. The year was probably 1949.\r\n

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n\r\n","ContestListF071a":"Illinois State Fair, 1960, Third Place ribbon","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Original and intact Paragon #01010 kit including intact box and cover, instruction sheet and complete set of fabrics. Susan Salser - private collection. \r\n

\r\nAppliqued and embroidered complete quilt TOP made from Paragon kit #01010 by unknown quilter. Susan Salser - private collection.\r\n

\r\nFamily photograph dated June 1961 shows this quilt and 'Victory Garden' (#023) hanging on a clothesline in Gasperik's East Hazelcrest garden. ","OwnershipF082":"Private","OwnerNameF082a":"Susan Krueger Salser","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Quilt owner","Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"To exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-30/48-7C-34.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-30/48-7C-34-1.jpg"],"Detail 1 Caption":"detail","Detail 2":["https://kora.quiltindex.org/files/18-14-30/1960-MeadowLarkandPeasantWreath.jpg"],"Detail 2 Caption":"Third Place Illinois State Fair Ribbon, front, back and tag","Detail 3":["https://kora.quiltindex.org/files/18-14-30/WildWreath-VictoryGarden.jpg"],"Detail 3 Caption":"Family photograph dated June 1961 shows this quilt and 'Victory Garden' (#023) hanging on a clothesline in Gasperik's East Hazelcrest garden.","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2014-06-12","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0c6-a","Maker Associator":"18-47-2","Pattern":"MEADOW LARK AND PEASANT WREATH","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-34","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:46","updated_at":"2024-02-23 19:07:39"},"sort":["MEADOW LARK AND PEASANT WREATH"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"1q1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-42","description":"Gasperik may be celebrating the end of WWII in this quilt, which is an adaptation of Homeneedlecraft Creations kit #7182. The laurel branch wreath resembles the United Nations emblem. This quilt may have been completed much later than the other two Leaf and Vine quilts.","essay":"There is a typed list of quilts and quilt-related materials that Gasperik's daughter Elsie compiled during her mother's final illness, when she was trying to document materials in the East Hazelcrest house. Under a category called "Elsie and family" she listed "Maroon Leaf Design 1954". It is not known whether Elsie did this because her mother gave her this quilt in 1954 or if she thought the quilt was completed in 1954. Salser believes this quilt was one of the later quilts her grandmother completed because she remembers her grandmother displaying it and talking about it (as if it was a current or recent project) on visits to East Hazelcrest which she made with her mother after her older sisters were off to college. That memory fits with a 1954 date of completion.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"024","TypeObjF008":"Finished quilt","QuiltTitleF009":"Leaf and Vine ","OwnerNameF010":"Leaf and Vine (Burgundy)","AltNameF011":"Leaf Quilt","OverallWidthF12a":"88 inches","OverallLengthF012b":"94 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Burgundy","Cream","Pink"],"OverCondF015":"Excellent/like new","DateQuiltF023":"1930-1949","DateFinishF023b":"1940s","FamDateF023c":"1940s","OtherExDateF023d":"1940s","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"The quilt is based on a 1940s Homeneedlecraft Creations kit #7182.","LayFormatF024":"Vertical bands","SpacingF029":["Side by side"],"FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","NumStitchedF050":"14","KnotsF051b":"no","DesignF052a":["Clamshell","Double parallel lines","Grid/crosshatch","Grid diamond","Grid square"],"DesignF052b":["Feathering","Floral","Wreaths","Other"],"DesignF052c":["Grid/crosshatch"],"DesignF052d":"The elaborate basket of fruit and flowers quilted into the very center of this quilt is found on 4 Gasperik quilts: #009, \r\n#016, #024 and #061. It is from an unknown source. The scale and elaborateness of this quilted vase is reminiscent of commercial applique flower basket block patterns widely available in the 1930s and 1940s.","FeaturesF053":"To this version of the Homeneedlecraft Creations kit #7182 kit quilt design Gasperik added, at the top, two appliqued arched laurel stems, arranged to make a formal looking wreath. Such a wreath became the symbol for the United Nations after World War II. This quilt may be Gasperik's way of commemorating the War's end. There is an alternative explanation for the wreath. When Salser read microfilm of the April 15, 1945 Detroit News she noticed that a similar looking wreath was used by at least one advertiser to commemorate the President Franklin Delano Roosevelt's death. Chicago newspapers may also have used this symbol as his death announcement.\r\n\r\nThe elegant and large feather pattern quilting embracing the laurel wreath at the top of the quilt, and the crown-like arrangement of feathered quilting at the bottom of the quilt give it a very formal, almost regal, look. Its narrow color range enhances the quilt's commemorative effect. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Shortly before her death in 1969, Mary Gasperik asked daughter Elsie to select 3 quilts as gifts from her to her 3 granddaughters: Joanne, Charlene and Louise Gasperik. This is one of the three quilts Elsie selected and gave to the girls' mother, Erika Gasperik. Originally Louise's choice, it was later given to her sister Joanne.","ReasonsF060":["Art or personal expression"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Kit"],"CommSourceF064b":"Homeneedlecraft Creations #7182 Home Decorator's Quilted Spread","PattSourceF065":["Original to maker"],"CommSourceF065b":"Quilting Pattern C5580 \"odd shaped feather\" from Aunt Martha Answers How To Quilt It. ","AddNotesF066":"Elaborate quilted feathers extend outward from the crossed laurel boughs. At the center of the boughs is a feathered circle. At the bottom, the arched quilted feathers touch, forming a crown. \r\n\r\n","ExhibitListF067a":"1960 Illinois State Fair, blue ribbon\r\n

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\n A Celebration of Quilts and the Women Who Made Them, Naples Historical Society, Inc. and The Naples Quilters Guild, Inc. Palm Cottage 137 12th Avenue South, Naples FL, January 25-29, 2005.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.\r\n","ContestListF071a":"1960 Illinois State Fair, First Place","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Kit envelope - Homeneedlecraft Creations #7182 Decorator's Quilted Spread.\r\n

\r\nLetter dated August 27, 1960 from Mrs. D. Burdell to Mary Gasperik admiring prizewinning quilts at recent Fair. From the description, one of these was Hungarian Girls (#014) and the other \"in two shades of purple\" must have been this quilt (#024).\r\n

\r\nThree separate yellow paper exhibit tags reading:
\r\n1) \"Leaf Quilt First Prize at Springfield, Mrs. Mary Gasperik\"
\r\n2) \"Leaf Quilt First Prize in Springfield given to Doris Gasperik as a first anniversary gift, by Mrs. Mary Gasperik\" - this tag would have been attached to quilt #013)
\r\n3) Leaf Quilt First Prize at Springfield. Given to Daughter Elsie Krueger. by Mrs. Mary Gasperik\" - this tag would have been attached to quilt #061). \r\n

\r\nFamily color photo stamped June 1961 showing this quilt, with a blue ribbon attached to it, airing on a backyard clothesline. Susan Salser - private collection. Note: a color photograph of Mary and Stephen Gasperik standing next to Hungarian Girls (quilt #014), bearing its blue ribbon, was taken on the same occasion. These are probably ribbons from the 1960 Illinois State Fair.\r\n

\r\nVideo of 1992 The Quilts of Mary Gasperik in Livermore, California - collection of Susan Salser.\r\n

\r\nAlliance For American Quilts, Quilters' S.O.S. - Save Our Stories Project, Tape number - AQSG-005, Joanne Gasperik, Interviewee, Karen Alexander, Interviewer, October 4, 2002.\r\n

\r\nProgram. A Celebration of Quilts and the Women Who Made Them. Naples Quilt Guild and Naples Historical Society, Palm Cottage 137 12th Avenue South, January 25-29, 2005.\r\n

\r\nSalser has an ebay printout, dated Nov 15, 2007, showing an auction quilt which appears to be made from the Homeneedlecraft Creations No. 7182 kit. It looks like a faithful rendition of the kit; but the interesting thing about it is the fabric colors: the leaves are half grey and half light green, and the flowers are solid dark red. The two border panels are grey and white leaves appliqued on a light green ground. ","OwnershipF082":"Private","OwnerNameF082a":"Joanne Gasperik","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"This quilt (like its sister quilts: #013 and #061) is an experiment in transforming commercial Homeneedlecraft Creations No. 7182. Mary Gasperik made quilts to exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-42/48-7C-40.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-42/48-7C-40-1.jpg"],"Detail 1 Caption":"detail","Detail 2":["https://kora.quiltindex.org/files/18-14-42/18-14-42-1960-BurgundyWhiteLeaves.jpg"],"Detail 2 Caption":"A First Place ribbon from the Illinois State Fair in 1960.","Detail 3":["https://kora.quiltindex.org/files/18-14-42/LeafandVine-2.jpg"],"Detail 3 Caption":"The Leaf and Vine quilt photographed on a clothesline.","Detail 4":["https://kora.quiltindex.org/files/18-14-42/1961BurgundyLVinewiBluRibbon.jpg"],"Detail 4 Caption":"The Leaf and Vine quilt photographed with its blue ribbon on a clothesline in 1961.","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2009-02-21","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0d8-a","Maker Associator":"18-47-2","Pattern":"LEAF AND VINE ","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-40","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:55","updated_at":"2024-02-23 19:07:39"},"sort":["LEAF AND VINE "]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"1K1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-40","description":"This quilt was made for the 1944 wedding anniversary of her son and his wife--Elmer and Doris Gasperik. Gasperik adapted a commercial kit when she made three versions of her Leaf and Vine quilt. Each one has a signature appliqué motif. This one includes the appliqué Lily Bouquet. The other two versions included an elaborate quilted basket of flowers and fruit at the quilt center. This one has quilted wedding bells in honor of the occasion.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"013","TypeObjF008":"Finished quilt","QuiltTitleF009":"Leaf and Vine ","OwnerNameF010":"Pink Leaf and Vine (Doris and Elmer Anniversary)","AltNameF011":"Leaf Quilt, Pink Leaf","OverallWidthF12a":"73 inches","OverallLengthF012b":"89 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Pink","White"],"OverallColorF14b":["Multicolor","Light or pastel colors"],"OverCondF015":"Excellent/like new","TypeInscripF019":["Date"],"ContInscripF020":"1944","DateInscripF020a":"1944","MethodInscripF021":["In the quilting"],"LocInscripF022":["other"],"OtherLocInscripF022a":"Inside the quilted wedding bells","DateQuiltF023":"1930-1949","DateFinishF023b":"1944","FamDateF023c":"1944","OtherExDateF023d":"1940s","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"The quilt is based on a 1940s Homeneedlecraft Creations kit #7182.","LayFormatF024":"Vertical bands","SpacingF029":["Side by side"],"BordDescF034":"Two wide pink panels along right and left sides and one narrow pink border across top. A band of quilted feathering provides the bottom border","FiberTypesF035":["Cotton"],"FabPrintF037":["Floral","Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Double parallel lines","Grid diamond","Grid square"],"DesignF052b":["Feathering","Floral","Other"],"DesignF052c":["Grid/crosshatch"],"DesignF052d":"Wedding bells quilted into center of wreath.
\r\nTwo Doves of Peace are quilted on either side of the applique yellow calla lilies at the top. ","FeaturesF053":"The quilt is personalized, as are its mates - Gasperik quilts #024 and #061. This one has a lily appliqued to the center panel above the wreath.\r\n

\r\nGasperik may have used the blue and grey fabrics from Homeneedlecraft Creation kit No. 7182 to make quilt #061; but in this quilt (and in quilt #024 ) the fabric choices are ALL Gasperik's personal selections. \r\n

\r\nGasperik added four extra flowers to the kit's wreath. She used a least a dozen different fabrics to make the applique flowers of her wreath (where the kit has a very restricted palette of, basically, two different hues).\r\n

\r\nIn a graceful improvement to the kit design, Gasperik added a second vining stem connecting the two ends of the wreath. The kit's wreath is open at the top.\r\n

\r\nWhere the kit orients the four vertical rows of appliqued leaves to point downward, Gasperik orients them upward.\r\n

\r\nThe Dove of Peace quilted twice into this quilt closely resembles design No. 7 Plate XII Hall/Kretsinger, The Romance of the Patchwork Quilt in America. Gasperik quilted these same doves into quilt #020 (Hosannah), quilt #021 (Delectable Mountains), quilt #071 (Nosegay) and into quilt #061 (a variation of this quilt).\r\n","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","QuiltHistF059":"This quilt was made for and given to Gasperik's son and daughter-in-law (Elmer and Doris Gasperik) as a wedding anniversary present.","ReasonsF060":["Personal enjoyment"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Kit"],"CommSourceF064b":"Homeneedlecraft Creations #7182, Home Decorator's Quilted Spread","PattSourceF065":["Original to maker"],"CommSourceF065b":"Quilting Pattern C5576 Feather Band from Aunt Martha's Answer to How How Shall I Quilt It?.
\"Dove of Peace\" applique pattern (See Hall and Kretsinger Romance of the Patchwork Quilt, (1935) page 7, Plate XII No. 7 was used as a quiltING motif.","AddNotesF066":"The calla lily is a favorite Gasperik pattern. It is the Lily Bouquet Quilting Pattern from Detroit News leaflet #1743-ID48. It was Gasperik's idea to transform this into an applique pattern. Gasperik made, also in 1944, a second applique yellow lily bouquet as a single framed block for her daughter Elsie. In 1956, Gasperik appliqued the Detroit News' Lily Bouquet (this time in white) onto the wedding quilt she made to celebrate the wedding of grand-daughter Karen (see #064). Gasperik appliqued single calla lilies from this Detroit News bouquet onto Bridal Bouquet #012 and quilt #068.\r\n

\r\nGasperik adapted fern border C5573 from Aunt Martha's Answer to design the dense triple fern border she quilted along the inner edge of each pink border panel. She quilted this same border onto quilt #061, another version of Homeneedlecraft Creations #7182,.","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","ContestListF071a":"Probably a blue ribbon winner at an Illinois State Fair","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Kit envelope - Homeneedlecraft Creations #7182 Home Decorator's Quilted Spread. Complete kit, in the private collection of Susan Salser, contains blue and grey fabrics. \r\n

\r\nDetroit News Leaflet #1743-ID48 Lily Bouquet Quilting Pattern. Gasperik's own copy of pattern in family's private collection.\r\n

\r\nThree separate yellow paper exhibit tags reading:
\r\n1) \"Leaf Quilt First Prize at Springfield, Mrs. Mary Gasperik\"
\r\n2) \"Leaf Quilt First Prize in Springfield given to Doris Gasperik as a first anniversary gift, by Mrs. Mary Gasperik\" - this tag would have been attached to quilt #013)
\r\n3) \"Leaf Quilt First Prize at Springfield. Given to Daughter Elsie Krueger. by Mrs. Mary Gasperik\" - this tag would have been attached to quilt #061).\r\n\r\n","OwnershipF082":"Private","OwnerNameF082a":"Elmer Gasperik heirs - contact Kathy Jacob","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"This quilt (like its sister quilts: #061 and #024) is an experiment in transforming commercial Homeneedlecraft kit #7182. Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family. Gasperik made quilts to exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-40/quiltiGasperik-a0a0d7-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-40/48-7C-3F-224-quiltiGasperik-a0a0d7-b_13049.jpg"],"Detail 1 Caption":"Wedding bells are quilted into the very center of this quilt, instead of the elaborate quilted vase that Gasperik used in the two other versions of this quilt design, which is an adaptation of a kit quilt. ","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2009-02-21","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0d7-a","Maker Associator":"18-47-2","Pattern":"LEAF AND VINE ","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-3F","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:53","updated_at":"2024-02-23 19:07:39"},"sort":["LEAF AND VINE "]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"161hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-43","description":"One of three quilts adapted from quilt kit Homeneedlecraft Creations kit #7182 Decorator's Quilted Spread. The three bluebirds are a Nancy Cabot (Chicago Tribune) pattern; and the elaborate quilted vase of fruit and flowers in the quilt center is from an as-yet-unidentified source. It appears on four other Gasperik quilts.","essay":"The owner of this quilt, grand-daughter Karen Finn, believes that she remembers there was a fourth Gasperik Leaf and Vine quilt in Gasperik's house, now disappeared. Grand-daughter Susan Salser speculates that Gasperik may have intended this blue leaf and vine quilt to be a wedding anniversary quilt for her daughter Elsie, just as she gave the pink version (#013) to her son Elmer as a wedding anniversary gift. Gasperik did give this quilt directly to Elsie, but Elsie herself didn't regard it as a wedding quilt and didn't seem to like it very much. Elsie preferred other, in her view less sentimental, quilt designs.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"061","TypeObjF008":"Finished quilt","QuiltTitleF009":"Leaf and Vine ","OwnerNameF010":"Leaf and Vine (Blue)","AltNameF011":"Blue Leaf with Blue Birds, Leaf Quilt","OverallWidthF12a":"84 inches","OverallLengthF012b":"93 inches","ShapeEdgeF013":"Scalloped","OtherShapeEdgeF013a":"top and bottom are straight.","ShapeCornersF013b":"Other","OtherShapeCornerF013c":"Scalloped right and left sides; straight edges at top and bottom.","PredomColorsF014":["Blue or Navy","Gray","Pink","White"],"OverallColorF14b":["Light or pastel colors"],"OverCondF015":"Excellent/like new","TypeInscripF019":["Date"],"ContInscripF020":"1944","MethodInscripF021":["In the quilting"],"LocInscripF022":["other"],"OtherLocInscripF022a":"above the pink bow at the top of the quilt","DateQuiltF023":"1930-1949","DateFinishF023b":"1944","FamDateF023c":"1944","OtherExDateF023d":"1944","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"The quilt is based on a 1940s Homeneedlecraft Creations kit #7182.","LayFormatF024":"Vertical bands","SpacingF029":["Side by side"],"FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"UniqueF037b":"applique pink bow is not cotton","ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid/crosshatch","Grid square","In-the-ditch","Single parallel lines"],"DesignF052b":["Feathering","Floral","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"The elaborate basket of fruit and flowers quilted into the very center of this quilt is found on 4 Gasperik quilts: \r\n#009, \r\n#016, \r\n#024 and \r\n#061. It is from an unknown source. The scale and elaborateness of this quilted vase is reminiscent of commercial applique flower basket block patterns widely available in the 1930s and 1940s. Doves of Peace, triple-leaf ferns, quintuple-leaf ferns, double-leaf ferns, large arched feathers, a feather crown, and a large v-shaped feather unit are embedded into background quilting which is itself executed in varying scales.","FeaturesF053":"This quilt sports a pink ribbon at the top of the quilt and three hovering bluebirds with pink flowers in their beaks. \r\n\r\nGasperik made 3 quilts based on Homeneedlecraft Creations kit #7182: #013 (which bears the quilted year 1944), #024 (undated) and this quilt, #061 (which also bears the quilted year 1944). Joanne Gasperik speculates that the order in which these were made is: #061 first, then #013 and, finally, #024. Her reasoning is that #061 used at least some kit supplied fabrics (and thus provided patterns for making the subsequent versions). Further, the bottom flower of #061's wreath (like the commercial kit) has only one stem connecting it to its wreath, creating a kind of asymmetrical gap. In the other two versions a second intertwined stem is added to connect the bottom flower to both ends of the wreath, an effort to provide graceful symmetry to the kit. [Note: all 3 Gasperik quilts differ from the kit by connecting the flower at the TOP to both sides of the wreath.] Quilt #013 was given to Elmer Gasperik and his wife Doris as an anniversary present (for a wedding which took place in 1944). Their daughter, Kathy Jacob, believes that the quilt may have been given to them as late as 1946. This makes it likely to have been finished after #061. Quilt #024, the most elaborately quilted of the 3, and the one bearing what appears to be a UN emblem wreath, is probably a post-war quilt, and the culmination of Gasperik's experimental renderings of kit #7182. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"Selected by Karen when Elsie's three daughters divided their mother's quilts.","ReasonsF060":["Art or personal expression"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Kit"],"OthTopSourceF064a":"Trio of bluebirds is a Nancy Cabot (Chicago Tribune) pattern.","CommSourceF064b":"Homeneedlecraft Creations kit #7182 Decorator's Quilted Spread","PattSourceF065":["Original to maker"],"OthPattSourceF065a":"Dove of Peace copied from Carrie Hall page 74, Plate XII, No. 7, Romance of the Patchwork Quilt.","CommSourceF065b":"Fern pattern C5573 from Aunt Martha's Answer to 'How Shall I Quilt It?'","AddNotesF066":"The quilt is personalized, as are its mates - Gasperik quilts #013 and #024. This one has an elaborate pink tafetta bow and 2 extra flowers and leaves appliqued at the top. The three bluebirds bearing pink flowers, appliqued at the bottom, are also a Gasperik addition to the kit.\r\n

\r\nGasperik chose here to substitute a shallowly scalloped side border for the straight side border of the kit and two other Gasperik versions of it. \r\n

\r\nIn a graceful improvement to the kit design, Gasperik added a second vining stem connecting the two ends of the wreath, as she did on all her versions of this quilt.\r\n

\r\nWhere the kit orients the four vertical rows of appliqued leaves to point downward, Gasperik points them upward.\r\n

\r\nGasperik appears to have altered the Aunt Martha quilted border part of pattern #C5573 to create a chain of triple (rather than double) fern leafs.\r\n

\r\nIt is possible that Gasperik used fabrics provided in blue and grey version of Homeneedlecraft Creations kit #7182 to make this quilt. But it is clear that she both added and substituted some fabrics to increase the number of flowers in the wreath. The kit wreath calls for 11 flowers. All three Gasperik versions have 15 flowers in the wreath, and this one adds two additional flowers at the top. Gasperik substituted print fabric for some of the kit's flower petals. Comparing this Gasperik quilt with an actual Homeneedlecraft Creations kit #7182, Susan Salser and Karen Finn concluded that Gasperik did not use the kit-supplied background material, which is \"cream\" (rather than white) and intends for two panels with stamped markings for the leaves, to be attached to either side of the center panel which bears the wreath. The Gasperik quilt uses a single width of white, not cream, fabric. In sum, it is difficult to determine, even with a Gasperik quilt which seems to match kit-supplied materials, the exact degree to which Gasperik in fact used the kit materials and the degree to which she substituted her own. What is clear is that the quilt is a mixture of both.","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","ContestListF071a":"Probable entry in Illinos State Fair","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Kit envelope - Homeneedlecraft Creations kit #7182 Decorator's Quilted Spread. Includes blue, white and grey stamped fabrics. Susan Salser - private collection. \r\n

\r\nNancy Cabot Bluebird pattern. See Brackman Applique #52.15.\r\n

\r\nNewspaper clipping (unidentified source and date) from collection of Merikay Waldvogel showing a block quilt called Bluebird and a single block applique #494, the pattern for a single flying bird bearing the flower in its beak. The byline is Nancy Cabot.\r\n

\r\nThree separate yellow paper exhibit tags reading:
\r\n1) \"Leaf Quilt First Prize at Springfield, Mrs. Mary Gasperik\"
\r\n2) \"Leaf Quilt First Prize in Springfield given to Doris Gasperik as a first anniversary gift, by Mrs. Mary Gasperik\" - this tag would have been attached to quilt #013)
\r\n3) Leaf Quilt First Prize at Springfield. Given to Daughter Elsie Krueger. by Mrs. Mary Gasperik\" - this tag would have been attached to quilt #061.\r\n\r\n","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"This quilt (like its sister quilts: #013 and #024) is an experiment in transforming commercial Homeneedlecraft kit #7182. Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-43/48-7C-41.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-43/48-7C-41-1.jpg"],"Detail 1 Caption":"\tThe elaborate quilted vase of fruit and flowers quilted at the quilt’s center is from an as-yet-unidentified source. It appears on three other Gasperik quilts.","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2009-02-21","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0d9-a","Maker Associator":"18-47-2","Pattern":"LEAF AND VINE ","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-41","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:56","updated_at":"2024-02-23 19:07:39"},"sort":["LEAF AND VINE "]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"s61hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-6","description":"This Gasperik quilt, bearing the year 1935 in its quilting, differs from the original Nancy Page Quilt Club series quilt designed by Florence LaGanke which inspired it. In 1934-1935, the Laurel Wreath series appeared in newspapers nationwide, including in Chicago and Detroit. Twelve of the 15 wreath blocks use Nancy Page flower and bird patterns. Gasperik elaborated on the Page bird patterns, incorporating a wider variety of fabrics and shapes than the commercial pattern specified. The 15 blocks which do not have the iconic Page wreath use floral patterns from outside sources. Three are from Nancy Cabot/Chicago Tribune. One is from the Priscilla Patchwork Book, and Gasperik adapted one from a quilting pattern from Home Art Studios. The remaining four bird and flower patterns are from as-yet-unidentified non-Page sources.
\r\n
\r\nGasperik used the laurel leaf motif to create a blouse for her daughter-in-law Doris.","essay":"Mary Gasperik attended her first Detroit quilt show in October 1935, after learning of the existence of the Quilt Club Corner and the annual Detroit quilt show when she picked up a discarded Detroit newspaper at a Tigers vs.Cubs World Series baseball game played at Chicago’s Wrigley Field. She had begun to make quilts after seeing the Sears Quilt Contest prizewinners hanging at the Century of Progress World’s Fair, and encountering the resurgent popularity of quilt-making in the numerous and colorful women’s magazines of this period. The Detroit News she saw at the ballpark carried a quilt column by Edith B. Crumb, who was creator and sponsor of The Detroit News Quilt Club Corner, a popular group which had an enthusiastic following not just in Detroit but throughout Michigan and in many other states. Crumb wrote the regular column about interior decorating, and she also wrote a regular column about quilts and the quilt club, which she had created in 1932.
\r\n
\r\nThe upcoming quilt show which Mary Gasperik read about was to be the third Detroit News Quilt Show. Its first two such shows had been great successes. In the newspaper of November 20, 1933 (page 4, by-line Esther Beck McIntyre) the success of the quilt club and first show were described as follows: “In little more than a year, the Quilt Club Corner, under the direction of Miss Edith Crumb, Beauty in the Home editor, has grown to astonishing proportion. Its members live in New York, Oklahoma, Texas, Indiana, Ohio and Michigan. There were quilts in the brilliant array filling 70 great racks, sent from as far as Waco, Texas, and Albany, N.Y. Running an eye along that vast exhibit, which closed Sunday night after at least 50,000 visitors had viewed it, a person knew that women whose hearts were in their homes had achieved the beauty and art stitched into a thousand lovely designs…”
\r\n
\r\nBy the time of the second show, in October 1934, there was a regular radio Quilt Club Corner broadcast on News station WWJ. Again the newspaper reported an attendance of 50,000 visitors to the 3-day event. A map showing members in 29 states illustrated how far flung its membership had grown. The third quilt show was scheduled for October 18-20, 1935, just weeks after the aforementioned World Series baseball game. The timing of this meeting of Mary Gasperik and the Detroit News quilt club could not have been better. Gasperik had already discovered her passion for making quilts. Her earliest quilts were ready to send and she was eager to take the Saturday bus from Chicago to Detroit on October 19 and see for herself what other quilters were making. Detroit had already positioned itself as sponsor of a major quilt show with ambitions to become the biggest national quilt show.
\r\n
\r\nWhat Mary Gasperik saw and learned at this third show is very relevant to her development as a quilter. The September and October 1935 Detroit News quilt columns yield information which is relevant to the Gasperik Laurel Wreath quilt in particular. Edith Crumb, the Detroit quilt club and quilt show director, wrote in her column of September 26, 1935 (p 37, The Detroit News) that quilts made in the Laurel Wreath pattern were going to appear in the upcoming show. The ‘star’ of the 1935 show turned out to be an Indiana quilter named Ada Chilton. Mrs. Chilton had exhibited, in the 1934 Detroit show, an applique quilt which she called Cherokee Rose and Feathered Friends and which Detroiters referred to as “the bird quilt”. This unusually finely made and original quilt was so popular in 1934 that there were requests (printed in Edith Crumb quilt columns and letters to the quilt club) that it reappear at the 1935 show. I found some closeup photographs of Chilton's "bird quilt" February 13, 2013, on the website database p4A Antiques. This quilt was auctioned (Garth's Auctions) on January 6, 2005 for $6555. The photographs show an extremely detailed, original and exquisitely made quilt. Chilton's 'birds' quilt was the ideal model for Gasperik to contemplate at her first big quilt show in Detroit. Although the Tuley Park quilting club was undoubtedly enormously helpful to Gasperik, being able to see such an outstanding example of quiltmaking in Detroit provided something for Gasperik that Tuley Park could not. Mrs. Chilton sent three quilts to the 1935 show and the 'birds' quilt was one of them. Ada Chilton discussed her birds quilt design in a letter to Edith Crumb which was excerpted in a quilt column published after its first appearance in Detroit (The Detroit News, November 9, 1934, p. 36). Mrs. Chilton mentioned her unique design sources (“I depended mainly for bird references upon Gene Stratton Porter’s bird books and National Geographic magazines.”) and recalled working very hard to collect the variety of different fabrics which would meet numerous and specific needs (“The greatest difficulty I had was in finding materials to represent the various birds.”).
\r\n
\r\nWhen Chilton’s 'birds' quilt hung at the 1935 show Gasperik would have seen it, read about it in the newspaper she picked up at the show and heard people talking about it. The quilt had created a stir once again. According to the Detroit News (Sunday October 20, 1935, the day Gasperik arrived at the show) : “And as for unusual quilts, probably none is more outstanding than that entered by Mrs. Ada Chilton, of Angola, Ind. Not being made from a News pattern, it was not eligible for a cash prize, but it does bear honorable mention, and is a widely discussed quilt. It is fashioned on a gray background and has a large design of Cherokee roses and birds in their natural colorings.” In her column of November 24 (Detroit News, October 24, 1935, page 37), after the third quilt show closed, Edith Crumb again addressed the popularity of Ada Chilton’s quilts as follows: “Last year Mrs. Ada B. Chilton, 415 W. Gilmore street, Angola, Ind. sent a bird quilt to the Detroit News quilt show. And because it created so much interest and there were so many requests to have it to the show again this year, Mrs. Chilton was kind enough to send it to us. With the bird quilt she sent one with flowers and butterflies on it and also a fish quilt, which is shown in the accompanying illustration. Some time ago the flower and butterfly quilt was shown in this column. All three of the quilts were hung on the same rack at the show and there was usually a crowd about them, for they all proved to be very interesting.” [Note: William George Chilton was Ada's second husband. He died in 1935 as reported by Edith Crumb in August 1935. She married Hugh W. Johnson in 1943. When she turned 100 in an Angola nursing home, in 1981, the local newspaper published her photo and gave her name as Ada Kuhn Johnson. Possibly it is under this name - and not Ada Chilton - that she disposed of her quilts. In her September 29, 1938 Detroit News quilt column Edith Crumb wrote that Ada planned to send 5 quilts (including the birds quilt) to the upcoming October 1938 quilt show in Detroit. There is no indication in reporting at the time of the show that these quilts were actually exhibited there. One quilt, the famous birds quilt, was auctioned in January 2006, but it is not known who purchased it. Salser has been unable to locate any of the other quilts made and signed by Ada Chilton.]
\r\n
\r\nMary Gasperik was among those admirers of Ada Chilton's birds quilt. When she returned to Chicago on Sunday to work on her Laurel Wreath quilt she probably remembered the importance of detail and fabric selection to the success of the Chilton quilt’s birds. That is probably why the Gasperik birds, in particular, are such elaborate transformations of the birds in the published Laurel Wreath patterns Mary used. She must have noted the importance of using a Detroit News pattern if a quilter wished to win prize money or even sell a quilt or top at the show. [These requirements are mentioned in the October 16, 1935 newspaper (p. 28).] Gasperik’s Laurel Wreath meets both the challenge of creating unusually detailed appliqué birds (presented by the popularity of Ada Chilton’s quilt) and the desire to be able to compete for prize money by using a Detroit News pattern.
\r\n
\r\nLaurel Wreath was a Nancy Page pattern which was also offered by The Detroit News. At this particular time (1935) The Detroit News offered a number of Nancy Page patterns (although they are not attributed to Page). The design of the appliqué quilt which won top prize at this, Gasperik’s first, Detroit quilt show is not named in the newspaper, although it must have used a Detroit News pattern. The $50 first prize-winning appliqué quilt was made by Mrs. George McIntyre. According to the paper “Mrs. McIntyre’s prize-winning entry kept her busy from 6 to 15 hours a day for four months. It contains 1010 pieces. Mrs. McIntyre is used to winning prizes, having taken five in one year, all for quilts displayed at The News shows and at the State Fair. She has three other ribbons at the present show.” (The Detroit News October 19,1935, p4). Ada Chilton had, in her 1934 letter to Edith Crumb, mentioned that she used all her spare time over a 14-month period to make the bird quilt. This description very much captures the quilt work-style Mary Gasperik adopted and practiced for many years. She worked very intensely, but at the same time very carefully; and she wanted her quilts to be displayed and compete for prizes. The Chilton birds quilt inspired other quilters. A 1936 letter to the Quilt Club Corner from Mrs. Marie Ransom reads: “Dear Miss Crumb: Today I received a card from Mrs. Chilton and last week I heard from some Quilt Club Corner members. I have been drawing pictures of birds ever since last fall and now that I have the picture of Mrs. Chilton’s bird quilt I will start making it. Two quilt-makers sent me the picture and as soon as I finish my quilt I will return them with a thousand thanks.” (The Detroit News March 7, 1936, p. 12). It is not clear if Gasperik would have seen the Chilton bird quilt again, at the 1938 Detroit News quilt show. In her pre-show column of September 29, 1938 (p 27) Edith Crumb wrote: “Mrs. Ada B. Chilton, 415 West Gilmore street, Angola, Ind., has also written to say she is going to send her Bird quilt and four others to the exhibit. So many have asked to see the Bird quilt again that we are happy to know she will send it. She also intends to come to the show.”
\r\n
\r\nBirds, both appliquéd and quilted, are featured on a number of Gasperik quilts made years after she first saw the spectacular Chilton birds quilt at the Detroit News quilt show on October 19, 1935. As mentioned above, there is no indication in descriptions published at the time of the 1938 Detroit News quilt show that Chilton quilts were displayed there. Perhaps Ada ended up deciding not to send or bring them. For sure Gasperik would have seen 'the birds quilt' in October 1935. Gasperik most likely got the Nancy Page Laurel Wreath series of patterns from her local Sunday paper. The Sunday Times, Chicago newspaper began publishing them in the last part of December 1934 and the patterns ran weekly through the end of June 1935. Salser speculates that her grandmother began working on Laurel Wreath very early in 1935 and that the quilt top was not yet finished at the time Gasperik attended the October 1935 Detroit Quilt Show. She further speculates that Gasperik’s transformations of the Page pattern were, at least in part, inspired by the quilts she saw and talk she heard at that quilt show. Her quilt is dated 1935, but at this point in her quilting career she was working at a furious pace, sometimes completing 5 (competition quality) quilts in a single year. It is not at all inconceivable (to Salser) that her grandmother could complete by the end of 1935 a quilt whose design was influenced by the mid-October Detroit Quilt Show. It is remarkable that even at this early stage in her quilting career, she was confident in her ability to make substitutions in applique and to rearrange the layout of a complex pattern that most quilters would have followed precisely or not attempted.
\r\n
\r\nThe Nancy Page Quilt Club Laurel Wreath was offered, by a number of different newspapers in 1934-1935, as a series of 28 separate patterns published consecutively (usually one a week). Twenty five of these were appliqué block designs for making unique flowers and birds. The main body of the Page design called for 5 rows of 5 columns (25 different blocks). The separated row of blocks covering the pillow area was comprised of repetitions of the maker’s personal selections from those 25 patterns. Three separate wreath patterns were provided for making leaf arrangements: two (published at the start of the series) for making the upper and lower halves of the branches comprising the laurel wreaths, and one, the final pattern of the series, for making the small sprig of leaves to be appliquéd inside each border scallop.
\r\n
\r\nAt first glance, the Laurel Wreath quilt made by Mary Gasperik might simply be described as a rendition of the Nancy Page pattern…. end of story. The reality is more complicated. Of the 25 different bird and flower blocks in the Page patterns Gasperik used only 12. Only half of her bird and flower blocks include the iconic laurel wreaths themselves. The other 15 blocks feature appliqué flowers whose patterns are not Nancy Page patterns, and they are not enclosed by Nancy Page laurel branches. It could be argued that the Gasperik quilt is as much a Gasperik quilt as it is a Nancy Page quilt, although her intent was clearly to make an original restatement of the popular (but difficult) Page design. What follows is an enumeration of the twelve Nancy Page Laurel Wreath flower and bird patterns Gasperik used, including the date that pattern appeared in Gasperik’s Chicago Sunday Times newspaper (where Susan Salser has original newspaper clippings bearing that information).
\r\n‘Evening Primrose’, Nancy Page block 1, appears in Row 3 Column 5 on the Gasperik quilt.
\r\n‘Florida Jay’, Nancy Page block 2, appears in Row 4 Column 4 on the Gasperik quilt.
\r\n‘False Jessamine’, Nancy Page block 3, appears in Row 1 Column 5 on the Gasperik quilt.
\r\n‘Bloodroot’, Nancy Page block 4, appears in Row 3 Column 1 on the Gasperik quilt and was published in the Sunday Times, Chicago on January 13, 1935.
\r\n‘Daffodil’, Nancy Page block 5, appears in Row 1 Column 1 on the Gasperik quilt and was published in the Sunday Times, Chicago on January 20, 1935.
\r\n‘Hooded Warbler’ Nancy Page block 9, appears in Row 4 Column 2 on the Gasperik quilt and was published by the Sunday Times, Chicago on February 17, 1935.
\r\n‘Daisy’, Nancy Page block 10, appears in Row 6 Column 4 on the Gasperik quilt and was published by the Sunday Times, Chicago on February 24, 1935.
\r\n‘Morning Glory’, Nancy Page block 11 appears in Row 2 Column 2 on the Gasperik quilt and was published in the Sunday Times, Chicago on March 3, 1935.
\r\n‘Tulip’, Nancy Page block 12, appears in Row 3 Column 1 on the Gasperik quilt and was published March 10, 1935 by the Sunday Times, Chicago.
\r\n‘Cedar Waxwing’, Nancy Page block 16, appears in Row 5 Column 1 on the Gasperik quilt and was published in the Sunday Times, Chicago on April 7, 1935.
\r\n‘Tea Rose’, Nancy Page block 20, appears in Row 6 Column 2 on the Gasperik quilt. ‘Hermit Thrush’, Nancy Page block 25, appears in Row 5 Column 5 on the Gasperik quilt.
\r\n
\r\nOf the 21 different block patterns Gasperik used to make her 30-block quilt, 12 (as described above) came from the Nancy Page pattern series. Gasperik gathered her nine remaining patterns from outside sources. Three of them came from Nancy Cabot/The Chicago Tribune:
\r\n1) ‘Rose Beauty’, Brackman #37.264 appears, in appliqué form, in Row 2 Column 3, Row 4 Column 4, Row 5 Column 2 and Row 6 Column 1 on the Gasperik quilt. It also appears, in quilted form, embedded 14 times around the inner border of the Gasperik quilt.
\r\n2) ‘Blue Bells’, Brackman #32.81, appears in Row 1 Column 3 and Row 5 Column 3 on the Gasperik quilt.
\r\n3) ‘Water Lily’, Brackman #37.33, appears in Row 6 Column 5 of the Gasperik quilt, where the maker boldly eliminated the lower third of the Cabot pattern.
\r\nOne of the non-Page patterns came from the Priscilla Patchwork Book. It is called 'Fuchsia Design' No. 19-2-46. The full size pattern is printed on the inside cover of this quilt catalog. A photograph of an appliquéd Fuchsia block appears on page 14. Her grandchildren have Gasperik’s own copy of this quilt catalog classic. 'Fuchsia' appears in Row 4 Column 1 and in Row 4 Column 5 of the Gasperik quilt.
\r\nGasperik arrived at the pattern for making her two blocks showing a pink/yellow double rose more creatively. It is an adaptation of a quilting pattern from Hubert Ver Mehren/Home Art Studios. The pattern is #532Q (on page 27 of the catalog called Colonial Quilts) andpattern #5321-Q (on page 27 of Hope Winslow’s Quilt Book). This same design was reproduced (as #532Q) on page 45 of the Alice Beyer Quilting manual used by Chicago’s Park District quilt clubs. Gasperik’s own club, the Tuley Park quilters, is mentioned in the book.
\r\nThe remaining four non-Page patterns used by Gasperik came from as-yet-unidentified sources. These four are the scarlet tanager in the center of the quilt, the carnations, and two separate poppies patterns. The flowers are more complicated than the usual 1930s flower-quilt patterns.
\r\n
\r\nMary collected widely and combined freely from different embroidery and quilting sources. Susan remembers she appliqued tiny pots of flowers on linen handkerchiefs with crocheted edging. She made dresses for her grand-daughters on which she appliqued designs from quilt patterns. Laurel Wreath, which was made when Gasperik was at the beginning of her quilting career, demonstrates how quickly, skillfully and creatively Gasperik became a master quilter.
\r\n
\r\nAdditional comments on detail images:
\r\nFlorida Jay: Here is the opening paragraph of Block #2 Florida Jay. "The second wreath is ready to be filled with a most ornamental bird. The members of the Nancy Page quilt club squealed in their delight at the design. 'Really, Nancy, you do design the perkiest birds. They are always so fat and plump and saucy. I do hope you are going to have more birds in this quilt top.'" " 'Indeed I have. If you like this one I think you will adore some of the others . . . it is most fun to select the birds,' replied Nancy." The blocks for this series quilt appeared about once a week. The text that accompanied each block served as an imaginary quilting club. The dialogue between Nancy Page and the club members was full of friendly advice and encouragement. She mentioned how to trace the pattern, what fabrics to use, and suggested embroidered and applique highlights.\r\n
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This center panel includes the Nancy Page bird and floral appliques Gasperik chose to use, as well as the floral appliques from other sources which she inserted.

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Florida Jay was Block #2 in the Nancy Page "Laurel Wreath" series. Gasperik made the eye more realistic than the pattern design. She also decided against the yellow checked fabric suggested by Nancy Page.

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Hooded Warbler is Block 9 in the Laurel Wreath Quilt Series, but Gasperik has added important details to the published design: a stripe to the top of the head, details around the eye, and lines to the wing and tail.

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Cedar Waxwing is Block #16 in the Nancy Page "Laurel Wreath" Quilt series. Here's an excerpt of the instructional dialogue for this block: "This bird is brown in color, has a showy crest and red wax-like tips to his wings. "I suggest that you make the tips of the wings--that part that extends out into a point--in red. But in that case, use red for the beak and for the legs as well. And embroider the eye in fast color red cotton." Mary Gasperik followed the suggestions precisely.

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Hermit Thrush was Block 25, the final block in the series "Laurel Wreath" Quilt designed by Florence LaGanke for the nationally syndicated Nancy Page Quilt Club newspaper column.

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This applique Scarlet Tanager was not included in the Nancy Page Laurel Wreath Quilt series.

\r\n
\r\n
\r\n","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"067","TypeObjF008":"Finished quilt","QuiltTitleF009":"Laurel Wreath","OwnerNameF010":"Laurel Wreath","BrackmanF011a":"72.5","OverallWidthF12a":"80 inches","OverallLengthF012b":"101 inches","ShapeEdgeF013":"Scalloped","ShapeCornersF013b":"Rounded","PredomColorsF014":["Cream","Green","Red"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Excellent/like new","TypeInscripF019":["Date"],"ContInscripF020":"1935","DateInscripF020a":"1935","MethodInscripF021":["In the quilting","Other"],"OtherMethodInscripF021a":"Cloth exhibit tag sewn to back reads \"Mary Gasperik 9314 Cottage Grove Chicago, ILL\"","LocInscripF022":["other"],"OtherLocInscripF022a":" 1935 quilted into the top center ground.","DateQuiltF023":"1930-1949","DateBegunF023a":"1935","DateFinishF023b":"1935","FamDateF023c":"1935","OtherExDateF023d":"1935","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Laurel Wreath Quilt, Nancy Page Quilt Club (by Florence LaGanke), Publishers Syndicate Copyright 1934. ","LayFormatF024":"Block pattern","NumBlockF026":"30","ArrangeBlockF028":"Straight","OtherSpaceF029a":"Technically, these are NOT blocks. Mary appliqued the pattern units onto horizontal strips which she joined together for the center ground of the quilt. ","NumBlockPatF030":"21","BlockStyleF030a":["Sampler"],"NumBordersF033":"One","BordDescF034":"Applique border of crossed laurel branches executed in same 2 shades of green as interior laurel wreaths.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"EmbellTechF038f":"Yes","ConstrucF038g":["Embroidery"],"PaperF038i":"no","EmbMatF039":["Cotton thread"],"UniqueF039a":"Wreaths are excluded from 15 of the Page pattern's 30 wreath blocks and none of these 15 utilize the Nancy Page applique flower patterns. The scarlet tanager in the center of the quilt is not part of the Page pattern.","FabFiberTypesF040":["Cotton"],"DescBackF043":["Same fabric used throughout","Solid/plain"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrTypeF049a":"cotton","ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Single parallel lines"],"DesignF052b":["Floral"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"Rose and fern quiltING designs alternate in borders. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Karen Krueger Finn received the quilt from her mother Elsie in the mid-1960s.","QuiltHistF059":"The quilt owner believes a second Gasperik \"Laurel Wreath\" quilt existed, but has disappeared. ","ReasonsF060":["Art or personal expression"],"QDesignF060b":["Artwork/wall hanging"],"PresUseF062":["Exhibit","Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Newspaper"],"OthTopSourceF064a":"Nancy Cabot (Chicago Tribune) and Priscilla Patchwork Book No. 1, (1920)","CommSourceF064b":"Nancy Page Quilt Club Laurel Wreath series designed by Florence LaGanke, Copyright 1934 Publishers Syndicate.","PattSourceF065":["Commercial pattern"],"CommSourceF065b":"Fern Design #C5573 Aunt Martha's Answer to 'How Shall I Quilt It?'","AddNotesF066":"The Nancy Page series called for 25 different flower and bird block appliques. Gasperik used only eight flowers and four birds from the Nancy Page series. She substituted flower designs from Nancy Cabot (Chicago Tribune) and a block from The Priscilla Patchwork Book she owned.","ExhibitListF067a":"Tuley Park quilt show, Tuley Park, Chicago, October 30, 1936.\r\n

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nThe 8th Annual Quilters' Heritage Celebration, Patchwork Pride, Lancaster Conference Center, Lancaster, PA, April 6-9, 1995.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","ContestListF071a":"Possibly entered in The Detroit News Quilt Contest April 16-18, 1937. \r\n

\r\nAccording to a 1938 The Detroit News article about the previous year's show, Gasperik received four Honorable Mention ribbons for her quilts. It is likely at least one went to this quilt. \r\n

\r\nA family photograph shows this quilt with two ribbons affixed on either side. They look like Detroit News quilt show ribbons.\r\n","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Nancy Page Laurel Wreath Quilt by Florence LaGanke - Set of newspaper clippings, Publishers Syndicate, 1934. (Collection of Merikay Waldvogel)\r\n

\r\nFolder of Laurel Wreath patterns, some are the original clippings from the Sunday Times, Chicago, purchased by Susan Salser from Frances A. Froman, June 2009. Susan Salser private collection.\r\n

\r\nPriscilla Patchwork Book No 1 published by The Priscilla Publishing Company (no date). Mary Gasperik's own copy, in Gasperik archive, in care of granddaughter Karen Finn. It should be noted that this booklet provides pattern outlines for making many different kinds of flowers, flower petals and leaves. This booklet alone could provide pattern elements for designing and constructing a myriad of different applique quilts. It is a small classic catalog of applique pattern elements.\r\n

\r\nHope Winslow's Quilt Book, 1933, H. Ver Mehren, Des Moines, Iowa.\r\n

\r\nColonial Quilts, 1933, H. Ver Mehren, Des Moines, Iowa.\r\n

\r\nQuilting, Leisure Hobby Series, Alice Beyer, Instructor in Artcraft, Recreation Department, South Park Commissioners. Chicago, 1934. Reprinted 1978 by East Bay Heritage Quilters, Box 6223, Albany,CA 94706.\r\n

\r\nThe Detroit News, September 26, 1935, p. 37 quilt club column by Edith B. Crumb reply to letter from Mrs. Susie Spaulding, 202 Cook Court, Durand Michigan: \"The Laurel Wreath which you intend to make is a very lovely one. When you see quilts made from this pattern at the show, I know you will be glad you decided to make it.\r\n

\r\nThe Detroit News, December 31, 1935, p18 response of Edith B. Crumb to a letter from Mrs. Harvey Alband requesting the Nosegay pattern: \"I am sorry to tell you, Mrs. Alband, that the Nosegay quilt patterns have been discontinued. The only series now available is the Laurel Wreath, which is very attractive. I will send you a list of leaflets which are distributed by the Women's department so that you may see what quilt patterns we have on hand. We charge nothing for the patterns - just postage.\" \r\n

\r\nTyped letter dated November 16, 1938, from Edith B. Crumb to Mary Gasperik reading \"Thank you so much for your letter telling me that the quilts were received in good condition. I think you will enjoy making the Rose Medallion quilt and also the Friday Afternoon quilt pattern, and I will be anxious to see them in the next quilt show. Of course, I will be interested in seeing your original design also. I am sorry that I do not have the Laurel Wreath quilt pattern, but I will put a little request in the paper and perhaps someone will be kind enough to loan it to Mrs. Reynolds.\" \r\n

\r\nAt the 1938 quilt show Gasperik won the $25 first prize for a quilt using a Detroit News pattern (it was probably Rose Wreaths, #017). The $50 overall first prize went to a Laurel Wreath quilt made by Mrs. Kirschbaum (the newspaper photograph shows that quilt to be a faithful rendition of the Detroit News Laurel Wreath pattern, which the Gasperik Laurel Wreath, made several years earlier, is not). Since Gasperik knew Laurel Wreath had been a News pattern, she may have been puzzled about Detroit's system for awarding prizes and sensed an unfairness in giving the $50 prizes to the Michigan quilter (Mrs. Kirschbaum). The Mrs. Reynolds referred to in the letter was probably the quilting friend who accompanied Gasperik to the 1938 quilt show named in an October 9, 1938 Detroit News column about the quilt show. Perhaps Gasperik had been trying to find out if Laurel Wreath was a current Detroit pattern, suspecting the Kirschbaum quilt was judged in the wrong category. Gasperik's evident desire to win Detroit's top prize eluded her. \r\n

\r\nTen different Detroit News quilt columns relating to the discussion of the influence of Ada Chilton and her 'bird quilt' on Mary Gasperik:
\r\n1) Esther Beck McIntyre, \"Quilt Club Members Look Forward to Next Contest\", The Detroit News, November 20, 1933, p. 4.
\r\n2) Edith B. Crumb, \"Once Again Quilt Show Attracts a Large Crowd\", The Detroit News, October 14, 1934, p.10.
\r\n3) Edith B. Crumb, \"A Letter From Indiana Gives Bird Quilt Story\", The Detroit News, November 9, 1934, p. 36.
\r\n4) \"Remember\", The Detroit News, October 16, 1935, p. 28.
\r\n5) Garnet Warfel, \"Women Flock to Quilt Show\", The Detroit News, October 19, 1935, p.4.
\r\n6) Garnet Warfel, \"News Annual Quilt Show Comes to a Close Tonight\", The Detroit News, October 20, 1935, p. 10.
\r\n7) Edith B. Crumb, \"Things Seen and Heard at The News' Quilt Show\", The Detroit News, October 22, 1935, p. 23.
\r\n8) Edith B. Crumb, \"Green Percale Background Creates Effect of Water\", The Detroit News, October 24, 1935, p. 37.
\r\n9) Letter to Quilt Club from Mrs. Marie Ransom of 2951 Montclair Ave. (Detroit), The Detroit News, March 7, 1936, p.12.
\r\n10) Edith B. Crumb, \"Deadline is Set for Saturday\", The Detroit News, September 29, 1938, p.27.
\r\n
\r\nTwo October 30, 1936 photos of Tuley Park Quilt Show (Chicago Park District). \r\n

\r\nSusan Salser with her grandmother. Susan is wearing a dress with appliques similar to Laurel Leaves on this quilt.\r\n

\r\nFamily photos and videotapes from the 1992 The Quilts of Mary Gasperik exhibit at Ravenswood Historic Site in Livermore, CA.\r\n

\r\nColor photograph of this quilt featured in “One American Dream Comes True” by Merikay Waldvogel, Quilters Newsletter, March 2008, p.48.\r\n

\r\nGasperik used a Nancy Cabot pattern called Rose Beauty as the pattern for the 13 roses she quilted into the border of her Laurel Wreath quilt.","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","DateObtainedF088c":"December 2007","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"SourceOtherF006a":"Sister of quilt owner.","RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 S. Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"The challenge in making this quilt was for Gasperik to demonstrate her skill in turning a popular Nancy Page pattern into an expression of individual creativity. Mary Gasperik made quilts to exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilting Club","LocGroupF121":"Southside Chicago","SpecialGroupF122":"Meetings, periodic exhibits and shows.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","InvenNumF075":"067","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a":"2007-09-12","DigDateF079a_era":"CE","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-6/LaurelWreath-repos.jpg"],"zoom":["https://kora.quiltindex.org/files/18-14-6/LaurelWreath-zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-6/18-47-1-GasperikSalser.jpg"],"Detail 1 Caption":"Susan Salser standing with her grandmother Mary Gasperik in a dress Mary made featuring Laurel Leaves.","Detail 2":["https://kora.quiltindex.org/files/18-14-6/67-1Center.jpg","https://kora.quiltindex.org/files/18-14-6/67-2FloridaJay.jpg","https://kora.quiltindex.org/files/18-14-6/67-3HoodedWarbler.jpg","https://kora.quiltindex.org/files/18-14-6/67-4CedarWaxwing.jpg","https://kora.quiltindex.org/files/18-14-6/67-5HermitThrush.jpg","https://kora.quiltindex.org/files/18-14-6/67-6ScarletTanger.jpg"],"Detail 3":["https://kora.quiltindex.org/files/18-14-6/1935-05-11-2016.5.45p1.jpg"],"Detail 3 Caption":"The \"Laurel Wreath\" pattern distributed by the Detroit News on May 11, 1935.","verify":"yes","verifiedby":"salser,susan","dateverified":"2015-04-02","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0b2-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-106","Pattern":"LAUREL WREATH","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-16","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:31","updated_at":"2024-02-23 19:07:39"},"sort":["LAUREL WREATH"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Dq1hWZEB8akQsUweed1S","_score":null,"_source":{"kid":"18-14-106","description":"This appliqued blouse was made for Gasperik's daughter-in-law Doris. Doris married Gasperik's son Elmer in 1944. Since Gasperik only used half of the branches the Page pattern required, granddaughter Susan Salser postulates the laurel leaf motifs appliqued on the shoulders may have been leftover from her 1935 Nancy Page inspired Laurel Wreath quilt. Doris appears never to have worn the blouse and Doris’s daughter Kathy Jacob has the blouse in perfect condition. There is a matching skirt.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"098","TypeObjF008":"Quilted garment","QuiltTitleF009":"Laurel Leaf Blouse","PredomColorsF014":["Blue or Navy","Cream"],"OverCondF015":"Excellent/like new","ConstrucF038b":["Hand Applique"],"KnotsF051b":"no","QuiltTopF054":"Gasperik, Mary","LocMadeF057a":"East Hazelcrest","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"Mary made it for her daughter-in-law Doris. Occasion unknown. The blouse and skirt were found by Doris' daughter Kathy Javon in 2018 among items from her mother's estate.","ReasonsF060":["Gift or presentation"],"TopSourceF064":["Commercial/Published source: Newspaper"],"CommSourceF064b":"Nancy Page Quilt Club Laurel Wreath series designed by Florence LaGanke, Copyright 1934 Publishers Syndicate.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","OwnershipF082":"Private","OwnerNameF082a":"Kathy Jacob","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"DateDataF006b":"1/8/2020","RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"CityF106a":"East Hazelcrest","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"vest","ImageTypeF076":"Color","SourceF077":"Digital","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-106/48-7C-C4-blouse.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-106/48-7C-C4-skirt.jpg"],"Detail 1 Caption":"Skirt made to go with the blouse.","verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2020-01-08","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0e1-a","Maker Associator":"18-47-2","Pattern":"LAUREL LEAF BLOUSE","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-C4","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:35","updated_at":"2024-02-23 19:07:39"},"sort":["LAUREL LEAF BLOUSE"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"9K1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-75","description":"Gasperik's early quiltmaking projects show her eagerness to try the popular patterns of the day. This unfinished pieced quilt top is missing. A quilt in the same pattern was featured in the Quilt Club Column (Detroit News-September 1, 1936).","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"073","TypeObjF008":"Quilt top with unfinished edge","OwnerNameF010":"Irish Chain","AltNameF011":"Quilt of a Thousand Prints, Steps to the Garden, Steps to the Altar (Mary McElwain pattern)","BrackmanF011a":"2288","OverallWidthF12a":"Unknown","OverallLengthF012b":"Unknown","OverallColorF14b":["Multicolor"],"OverCondF015":"Excellent/like new","RepairHistF018":"Quilt is missing. Amateur photo is only visual record of the quilt.","DateQuiltF023":"1930-1949","DateFinishF023b":"1936-1941","FamDateF023c":"1936-1941","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Estimated date based on pattern. Family photograph showing this quilt top printed Sep 13, 1941 by the Madson company (of Chicago).","LayFormatF024":"One patch or allover","SpacingF029":["Side by side"],"BlockStyleF030a":["Squares"],"NumBordersF033":"None","FabPrintF037":["Print","Solid/plain"],"QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"ReasonsF060":["Personal enjoyment"],"QDesignF060b":["Bedding, daily use"],"PresUseF062":["Unknown"],"TopSourceF064":["Commercial/Published source: Pattern"],"CommSourceF064b":"Mary McElwain Quilt Shop ","AddNotesF066":"Pattern appeared on Lockport Mills Inc., of Lockport, N.Y. batting inserts. Called Quilt of a Thousand Prints the \"pattern [was] furnished through the courtesy of the Mary McElwain Quilt Shop, Walworth, Wisconsin.\" The wrapper is undated. The McElwain 1936 catalog offered Quilt of a Thousand Prints as a pattern or as a finished quilt, but not as a set of cut fabric pieces (a kit). It is a mystery exactly how and when Gasperik came to make this top. The top appears to be pieced from die-cut pieces of many different prints, but the kit would also have included solid black squares and solid green squares - to form the sides of the criss-crossing 'paths'. It would also have included red squares to mark the centers of the crossed paths. Locating such a kit will help determine when and from what source Gasperik could have constructed this quilt top. After 1930 many different companies offered kits of a similar design, including the die cut pieces. \r\n

\r\nAlternate names for this quilt design include Steps to the Garden and Steps to the Altar. A Steps to the Flower Garden quilt made by Wisconsin quilter Zoe Johnson Roth looks quite similar to the Gasperik top. Information about Zoe Roth can be found on page 125 of Wisconsin Quilts: Stories in the Stitches. ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"This quilt might be the one described on a list of quilts given as gifts. There is an entry \"Martina Buckley - Irish Chain\" If the woman in the photo holding the quilt is Martina Buckley, she appears to be a contemporary and, perhaps a friend, of Elsie, Mary's daughter. Elsie's writing, on the back of the photo, reads: \"Irish Chain gift to Martina Buckley\". Printed on the back is \"Madson Print Sep 13 1941\".","OwnerNameF082a":"Unknown","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","photocredit079a1":"unknown, family photo","DigDateF079a":"2008-05-14","DigDateF079a_era":"CE","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-75/quiltiGasperik-a0a0h0-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-75/2006.154.2.1-16.jpg"],"Detail 1 Caption":"The McElwain 1936 catalog offered \"Quilt of a Thousand Prints\" as a pattern or as a finished quilt.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2015-04-15","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0h0-a","Maker Associator":"18-47-2","Pattern":"IRISH CHAIN","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-60","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:18","updated_at":"2024-02-23 19:07:39"},"sort":["IRISH CHAIN"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"8q1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-73","description":"This 1933 quilt is one of the first Gasperik attempted. She did not finish it. One wonders if Gasperik’s willingness to abandon this project might be related to the following observation [from Hungarian Decorative Folk Art, Second Edition, Budapest, 1957, page 5]: “Typical of Hungarian folk art is the preference for certain colours, such as various shades of red, and the avoidance of others, such as yellow or purple”. Two other unfinished 1933 quilt projects are: Floral Bouquet (#004) and Giant Dahlia (#015).","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"072","TypeObjF008":"Other","TypeObjOtherF008a":"Quilt was partially quilted.","QuiltTitleF009":"Iris","OwnerNameF010":"Iris","OverallWidthF12a":"?? inches","OverallLengthF012b":"?? inches","PredomColorsF014":["Gold","Green","Lavender","Purple"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Excellent/like new","DamageF016":["Other"],"OtherDamageF016a":"Owner removed original quilting and replaced backing","RepairHistF018":"Quiltmaker's grand-daughter removed the original quilting because she felt the stitches were too big and knots were visible on the outside. She also removed the backing, on which Gasperik had embroidered her initials and the year 1933, but saved this piece separately.","TypeInscripF019":["Date","Initials"],"ContInscripF020":"\"M - G 1933\"","MethodInscripF021":["Embroidery"],"LocInscripF022":["on back"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1933","FamDateF023c":"1933","OtherExDateF023d":"1933","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Based on embroidered inscription.","LayFormatF024":"Block pattern","SubjQuiltF025":"Iris","ArrangeBlockF028":"Straight","SpacingF029":["Alternating with plain squares"],"BlockStyleF030a":["Hexagons"],"BordDescF034":"\"Ice cream cone\" border in purple and yellow. Typical 1930s border.","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038b":["Hand Applique"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Gold"],"DescBackF043":["Same fabric used throughout","Solid/plain"],"QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"Selected by daughter Elsie during a division of quilts after Gasperik died in 1969. After Elsie died and her 3 daughters divided up the quilts, Karen selected this one. She later gave it to sister Linda, who harbored ambitions of completing it.","ReasonsF060":["Personal enjoyment"],"QDesignF060b":["Unknown"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Pattern"],"CommSourceF064b":"Possibly Mountain Mist R - Iris (copyright 1930)","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Mountain Mist batting wrapper pattern R - Iris.\r\n

\r\nWhen Linda had ambitions of completing this Gasperik quilt, she removed the original gold Gasperik backing but saved the piece onto which Gasprik embroidered, in purple thread, her initials and the year 1933 (Linda MacLachlan, private collection). ","OwnershipF082":"Private","OwnerNameF082a":"Linda Krueger MacLachlan","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079_era":"CE","DateF079":"1989","DigDateF079a_era":"CE","DigDateF079a":"2006","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-73/48-7C-5F.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-73/48-7C-5F-1.jpg"],"Detail 1 Caption":"detail","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2010-01-27","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0g9-a","Maker Associator":"18-47-2","Pattern":"IRIS","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-5F","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:16","updated_at":"2024-02-23 19:07:39"},"sort":["IRIS"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"uq1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-13","description":"This is the Indians quilt Gasperik sent to Hungarian relatives (of her mother-in-law, Elizabeth Hajdu). It is the only quilt she sent to Hungary. She maintained an active correspondence which included news about her quilts as well as family news. Mary's husband Stephen owned a grocery store and the couple sent many food parcels to Hungary in the aftermath of the war. In 1992, when Susan first met them, those Hajdu relatives STILL recalled that generosity and its importance in their war-torn lives. When she saw the carefully saved letters and photographs Susan realized, for the first time, that her grandmother shared more of her thoughts about her American life with her husband's relatives, living thousands of miles away, than she did with her own daughter and grandchildren living close by in Chicago.","essay":"This quilt was sent to Hungary just after the end of WWII, in a period when Stephen and Mary Gasperik were sending many, many CARE packages to Hungarian relatives. The quilt was sent to Pityu Hajdu for his children. He had four sons, and the occasion for sending the quilt was when the fourth son developed rickets. Pityu was the young cousin who courted Elsie Gasperik when she won a student fellowship to Hungary in 1932. She used that occasion to meet her father's relatives, in Budapest and in Oroshaza (in southern Hungary, near the city of Szeged), where they had a farm and summer home. The Hajdu family (Stephen Gasperik's mother was a Hajdu) were a distinguished, well-educated, land-owning family with a history in Oroshaza going back many generations. Pityu became Elsie’s devoted escort during that 9-month period. When Susan Salser's husband was invited to a scientific conference in Szeged in October 1992, Susan went along. This was HER first chance to meet the Hajdu relatives, see the ancestral home in Oroshaza with its wall of distinguished Hajdu family portraits, and ask what these relatives knew about Mary Gasperik and her quilts. The answer was that Mary had maintained a vigorous correspondence with several of them. She sent news of her family in Chicago. She sent photographs of family AND quilts. And she shared, in these letters, her pride in her quilts and the prizes they were winning. In a letter Susan received after returning home, her host and his sister (two of the relatives Elsie had met when they were children in 1932!) wondered if she had considered the possibility that Mary Gasperik's quilt collection belongs in Hungary, not the United States! These relatives are very proud of her quilts, and not at all surprised that a Hungarian woman could do such fine needlework. They feel Mary's quilts ARE Hungarian (although Susan believes they have seen pictures of only a few of them). During her 1992 visit, Susan learned that Mary Gasperik might have sent a quilt to Pityu's four boys. She confirmed this later by mail and Attila (one of those boys and the current keeper of that quilt) kindly sent photographs of that much worn and loved Indians quilt. That is the only quilt Mary sent to Hungary.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"076","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indians #7","OwnerNameF010":"Indians (Hungarian Relatives)","AltNameF011":"Indian Boys, Seven Little Indians","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Brown","Green","Lavender","Orange","Pink","Rust","White","Yellow"],"OverallColorF14b":["Multicolor","Bright or primary colors"],"OverCondF015":"Fair/worn","DamageF016":["Disintegration of fabric"],"OtherDamageF016a":"It is difficult to tell, from the Hungarian photograph, exactly how damaged this quilt is. It was much used and loved by 4 little boys!","DateQuiltF023":"1930-1949","DateFinishF023b":"1940s","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"This may be the first Indians quilt Gasperik made (as a trial or study), or it could be the fourth, but it was surely made in the 1940s, before the 3 quilts made for the Gasperik grandsons (#019, #022 and #077).","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Indian Boys At Play","NumBordersF033":"One","BordDescF034":"Wide (now faded) gold border. ","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"KnotsF051b":"no","DesignF052d":"It is impossible to see the quiltING in the photographs sent from Hungary.","FeaturesF053":"Because the rust-colored tent on this quilt appears to be made more crudely than that same applique unit on all the other Gasperik Indians quilts, Salser wonders if this was a trial study which Gasperik turned into a gift for the Hungarian boys. The door flaps on this tent are very ambiguously made. Embroidery stitches indicate the flaps are open. But Gasperik failed to cut out and stitch down the edges of the triangular opening. If she was working from an illustration in a book, that might explain Gasperik's difficulty in translating the picture into an applique. This is the only Indians quilt on which the doors aren't appliqued open. That is why Salser suspects it might not have been made close to when it was sent to Hungary (~1946) but rather before she solved her tent problem in making the quilts for the three Krueger grand-daughters, which were probably made in 1944. The quilts made for the three Gasperik grandsons were certainly made after this quilt. It isn't clear (to Susan) if this is Indians No. 1 or Indians No. 4.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ReasonsF060":["Gift or presentation"],"OtherF060a":"Presented to a grandchild.","QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Unknown"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Unknown"],"PattSourceF065":["Unknown"],"AddNotesF066":"It isn't known if the Indians quilts are based on a kit or commercial pattern; or if Gasperik created her patterns from another source, for instance a children's book. She used the same set of fabrics to make, over a decade time-span, 7 quilts. ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Photographs taken of the quilt by Attila Hajdu sent to Susan Salser in 1993, with accompanying note. Photographs taken by Susan Salser of Hungarian textiles and embroidery in the Kecskemet Museum of Hungarian Popular Arts and Crafts during her 1992 trip. Kecskemet museum catalog.\r\n

\r\nIn an e-mail to Susan Salser (January 11, 2009) Elmer and Doris Gasperik’s daughter Kathy Jacob described to Susan her parents’ support of Mary Gasperik’s quilting and the appreciation for the quilts which they instilled in her. She wrote: “I know that my Mother took great care of our quilts. Dedicated to them as if her own mother had made them. It is from my mother that I learned to lovingly care for the quilts and appreciate the work that grandma had done. And I was told that my father made her the very quilting frame that she used to create these wonderful quilts. I was also told he would buy her batting and once a children’s book for the pictures perhaps for reference.” A children’s book illustration is possibly the genesis of this Gasperik quilt design.","OwnershipF082":"Private","OwnerNameF082a":"Attila Hajdu","OwnerCityF084":"Budapest","OwnerCountyF085":"Hungary","OwnerCountryF086b":["Hungary"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 S. Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian. Stephen Gasperik's mother was Elizabeth Hajdu from Oroshaza, Hungary. ","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079_era":"CE","DateF079":"1996","photocredit079a1":"Hajdu Attila","DigDateF079a_era":"CE","DigDateF079a":"2008-05","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-13/48-7C-23.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-13/18-14-13-076a.jpg"],"Detail 1 Caption":"Detail","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2009-01-13","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0i2-a","Maker Associator":"18-47-2","Pattern":"INDIANS 7","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-23","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:35","updated_at":"2024-02-26 14:31:27"},"sort":["INDIANS 7"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"u61hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-14","description":"The original design source for the Gasperik Indians quilts has not been identified. This is David's quilt, which has the extra border.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"077","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indians #6","OwnerNameF010":"Indians (David)","AltNameF011":"Indians Boys, Seven Little Indians","OverallWidthF12a":"inches","OverallLengthF012b":"inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Brown","Gold","Green","Lavender","Orange","Pink","Rust","White","Yellow"],"OverallColorF14b":["Multicolor","Bright or primary colors"],"OverCondF015":"Very good/almost new","DateQuiltF023":"1950-1975","DateFinishF023b":"1954","FamDateF023c":"1954","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"The individual Indian block which accompanied this quilt (#092) is embroidered \"David 1954\".","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Indian Boys At Play","NumBordersF033":"Two","BordDescF034":"Wide gold border heavily quilted on four sides. Narrower outer rust border on four sides.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"PaperF038i":"no","FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid diamond","Grid square","Patches outlined/in the ditch","Single parallel lines"],"DesignF052b":["Cables","Feathering","Floral","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"The quiltING on this quilt (#077) appears to be exactly like the quiltiING on #019 (made for David's older brother Michael). It can be described as follows: Rust border filled with square grid quilting. Gold border has Ver Mehren cable feathering along two sides and bottom. Cornucopias spilling fern leaves are quilted into the two upper corners of the gold border. Connecting those cornucopias is a band of connected waves. White ground is diamond cross-hatching with embedded separate patterns including fern leaves from Aunt Martha's Answer #C5573. In the upper corners of the white ground are two nested quilted waves, elaborations of the wave pattern in the gold border. In the lower corners of the white ground are quilted two butterfly-like patterns from an as yet unidentified source. Rounded quilted mounds fill the bottom center of the white ground.","FeaturesF053":"Gasperik added an extra rust-colored border to this quilt and to #022 and #019, made for David's older brothers. All 7 of the Gasperik Indians quilts, including the one sent to Hungary, have the wide gold border with cabled feather quilting.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"East Hazelcrest","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ReasonsF060":["Gift or presentation"],"OtherF060a":"Presented to a grandchild.","QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Unknown"],"CommSourceF064b":"Feather corner quilting for all Gasperik Indian Quilts, is QB421-9 inch Feather Colonial Quilts by Hubert Ver Mehren (Des Moines, IA: 1932).","AddNotesF066":"Gasperik made framed applique/embroidered Indian Blocks for the same six grandchildren who received the quilts. The block which accompanied this quilt is #092.","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Unframed applique Indian block embroidered \"David 1954\" (Elmer Gasperik Heirs - Kathy Jacob contact)\r\n

\r\nIn an e-mail to Susan Salser (January 11, 2009) Elmer and Doris Gasperik’s daughter Kathy Jacob described to Susan her parents’ support of Mary Gasperik’s quilting and the appreciation for the quilts which they instilled in her. She wrote: “I know that my Mother took great care of our quilts. Dedicated to them as if her own mother had made them. It is from my mother that I learned to lovingly care for the quilts and appreciate the work that grandma had done. And I was told that my father made her the very quilting frame that she used to create these wonderful quilts. I was also told he would buy her batting and once a children’s book for the pictures perhaps for reference.” A children’s book illustration is possibly the genesis of this Gasperik quilt design.\r\n","OwnershipF082":"Private","OwnerNameF082a":"Elmer Gasperik Heirs - contact Kathy Jacob","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"1411 W. 174th St.","CityF106a":"East Hazelcrest","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079_era":"CE","DateF079":"2006","photocredit079a1":"David Gasperik","DigDateF079a_era":"CE","DigDateF079a":"2006","AccessF080":"Restricted","HolderF080a":"Susan Salser","CopyRestF080c":"David Gasperik","DisplayResF080e":"David Gasperik","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-14/quiltiGasperik-a0a0i3-a_13049.jpg"],"verify":"yes","verifiedby":"Salser, Susan","dateverified":"2009-01-13","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0i3-a","Maker Associator":"18-47-2","Pattern":"INDIANS 6","Date":"1950-1975","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-24","project_id":"18","form_id":"14","owner":"0","created_at":"2020-04-25 20:01:36","updated_at":"2024-02-26 14:31:27"},"sort":["INDIANS 6"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"761hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-70","description":"The three quilts made for her grandsons Michael, David, and Robert have an extra border, which their mother probably requested to fit their beds. This is Robert's quilt.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"022","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indians #5","OwnerNameF010":"Indians #5 (Robert Gasperik)","AltNameF011":"Indian Boys, Seven Little Indians","OverallWidthF12a":"63 inches","OverallLengthF012b":"80 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Brown","Gold","Green","Lavender","Orange","Pink","Rust","White"],"OverallColorF14b":["Multicolor","Bright or primary colors"],"OverCondF015":"Very good/almost new","DateQuiltF023":"1950-1975","DateFinishF023b":"1954","FamDateF023c":"1954","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"The individual framed Indian block which accompanied this quilt (#094) is embroidered \"Robert 1954\"","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Indian Boys At Play","NumBordersF033":"One","BordDescF034":"Wide gold border heavily quilted on four sides. Narrower outer rust border added on four sides.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid diamond","Grid square","Patches outlined/in the ditch","Single parallel lines"],"DesignF052b":["Cables","Feathering","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"The quilting on this quilt is exactly like the quilting on brother Michael's quilt (#019)with one exception - an element quilted into the lower corners of the white ground on Michael's quilt (which resembles a butterfly) is left off of this one. Rust border filled with square grid quilting. Gold border has Ver Mehren cable feathering along two sides and bottom. Cornucopias spilling fern leaves are quilted into the two upper corners of the gold border. Connecting those cornucopias is a band of connected waves. White ground is diamond cross-hatching with embedded separate patterns including fern leaves from Aunt Martha's Answer #C5573. In the upper corners of the white ground are two nested quilted waves, elaborations of the wave pattern in the gold border. Rounded quilted mounds fill the bottom center of the white ground.","FeaturesF053":"Gasperik added another border to this quilt and to #019 and #077, made for Robert's brothers.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"East Hazelcrest","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ReasonsF060":["Gift or presentation"],"OtherF060a":"Presented to a grandchild.","QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","TopSourceF064":["Unknown"],"PattSourceF065":["Original to maker"],"CommSourceF065b":"Feather quilting for all Gasperik Indian Quilts is QB421-9 inch Feather Colonial Quilts by Hubert Ver Mehren (Des Moines, IA: 1932).","AddNotesF066":"Gasperik made framed applique/embroidered Indian blocks for the same six grandchildren who received the quilts. The block which accompanied this quilt is #094.","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Framed Indian applique block embroidered \"Robert 1954\" #094 (Collection of Robert Gasperik).\r\n

\r\nIn an e-mail to Susan Salser (January 11, 2009) Elmer and Doris Gasperik’s daughter Kathy Jacob described to Susan her parents’ support of Mary Gasperik’s quilting and the appreciation for the quilts which they instilled in her. She wrote: “I know that my Mother took great care of our quilts. Dedicated to them as if her own mother had made them. It is from my mother that I learned to lovingly care for the quilts and appreciate the work that grandma had done. And I was told that my father made her the very quilting frame that she used to create these wonderful quilts. I was also told he would buy her batting and once a children’s book for the pictures perhaps for reference.” A children’s book illustration is possibly the genesis of this Gasperik quilt design.\r\n\r\n","OwnershipF082":"Private","OwnerNameF082a":"Robert Gasperik","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"To exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, Michigan","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-70/48-7C-5C.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-70/48-7C-5C-224-quiltiGasperik-a0a0g6-b_13049.jpg"],"Detail 1 Caption":"Close-up","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2009-02-20","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0g6-a","Maker Associator":"18-47-2","Pattern":"INDIANS 5","Date":"1950-1975","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-5C","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:15","updated_at":"2024-02-26 14:31:27"},"sort":["INDIANS 5"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"7q1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-69","description":"In the 1940s, Gasperik made six Indians quilts for her Chicago grandchildren, and another she sent to relatives in Hungary. This one, made for Michael, might have won first prize at the 1954 Illinois State Fair based on a newspaper clipping and a prize with a written notation that Michael's Indian quilt won the commendation.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"019","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indians #4","OwnerNameF010":"Indians #4 (Michael)","AltNameF011":"Indian Boys, Seven Little Indians","OverallWidthF12a":"66 inches","OverallLengthF012b":"79 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Brown","Gold","Green","Lavender","Orange","Pink","Rust","White"],"OverallColorF14b":["Multicolor","Bright or primary colors"],"OverCondF015":"Very good/almost new","ContInscripF020":"MARY GASPERIK
\r\n1411 W. 174th STREEET
\r\nEAST HAZELCREST
\r\nILLINOIS","MethodInscripF021":["Attached label"],"LocInscripF022":["on back"],"DateQuiltF023":"1950-1975","DateFinishF023b":"1954","FamDateF023c":"1954","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"The individual Indian Block which accompanied this quilt (#093) is embroidered \"Michael 1954\"","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Indian Boys At Play","NumBordersF033":"Two","BordDescF034":"Wide gold border heavily quilted on four sides. Narrower outer rust border on four sides.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid diamond","Patches outlined/in the ditch","Single parallel lines"],"DesignF052b":["Cables","Feathering","Floral","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"Rust border filled with square grid quilting. Gold border has Ver Mehren cable feathering along two sides and bottom. Cornucopias spilling fern leaves are quilted into the two upper corners of the gold border. Connecting those cornucopias is a band of connected waves. White ground is diamond cross-hatching with embedded separate patterns including fern leaves from Aunt Martha's Answer #C5573. In the upper corners of the white ground are two nested quilted waves, elaborations of the wave pattern in the gold border. In the lower corners of the white ground are quilted two butterfly-like patterns from an as yet unidentified source. Rounded quilted mounds fill the bottom center of the white ground. ","FeaturesF053":"Gasperik added another border to this quilt and to #022 and #077, made for Michael's younger brothers.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"East Hazelcrest","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ReasonsF060":["Gift or presentation"],"OtherF060a":"Presented to a grandchild.","QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Unknown"],"PattSourceF065":["Original to maker"],"CommSourceF065b":"Feather corner quilting for all Gasperik Indian Quilts is QB421-9 inch Feather (Colonial Quilts by Hubert Ver Mehren (Des Moines, IA: 1932).","AddNotesF066":"Gasperik made framed applique/embroidered Indian Blocks for the same six grandchildren who received the quilts. The block which accompanied this quilt is #093.","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","ContestListF071a":"Illinois State Fair, 1954, First Place ribbon, Springfield, IL","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Unframed applique block (#093) embroidered \"Michael 1954\". Elmer Gasperik heirs - contact Kathy Jacob.\r\n

\r\nThe newspaper story (undated, but assumed to beAugust 1954) referring to \"first prize for original 'Indian Boys' at the Illinois State Fair. \"Mrs. Stephen Gasperik, our local quilting expert, continued her winning ways at the Illinois State Fair this year by winning 2 first & a second prize on her three entries. A first was awarded her \"Double Feather Star\" design which she copied from a book. It was originally designed in 1835 by a bridegroom for his bride. Another first went to her beautifully original \"Indian Boys\" which she made for her grandson. A second prize was awarded to her \"Dutch Girl\" which she made for her granddaughter.\" (Mary Gasperik archive, private collection)\r\n

\r\nA blue ribbon \"First Premium Class K Textiles Illinois State Fair Springfield, Ill, 1954\" with its attached cardboard tag. The attached tag is filled in, in blue ink, as follows: Class: K, Prize: 1st, Awarded to: 289, Date: 8/11/54; and the bottom line is filled in with the numbers 3903, but it isn't clear if this refers to \"Made By\" or \"Judge\", both of which are printed below this line. Handwritten by a different person, right next to the number 3903 is the added notation in black ball point pen \"(best novelty quilt)\" and at the far left of the tag is added (in the same hand) the words \"Michael's Indian Quilt\" (in collection of Kathy Jacob).\r\n

\r\nIn an e-mail to Susan Salser (January 11, 2009) Elmer and Doris Gasperik’s daughter Kathy Jacob described to Susan her parents’ support of Mary Gasperik’s quilting and the appreciation for the quilts which they instilled in her. She wrote: “I know that my Mother took great care of our quilts. Dedicated to them as if her own mother had made them. It is from my mother that I learned to lovingly care for the quilts and appreciate the work that grandma had done. And I was told that my father made her the very quilting frame that she used to create these wonderful quilts. I was also told he would buy her batting and once a children’s book for the pictures perhaps for reference.” A children’s book illustration is possibly the genesis of this Gasperik quilt design.","OwnershipF082":"Private","OwnerNameF082a":"Elmer Gasperik Heirs - contact Kathy Jacob","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 S. Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"To exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt show; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-69/48-7C-5B.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-69/48-7C-5B-224-quiltiGasperik-a0a0g5-b_13049.jpg"],"Detail 1 Caption":"Close-up","Detail 2":["https://kora.quiltindex.org/files/18-14-69/18-14-69-1954-MichaelIndianQuilt-KathyJ.jpg"],"Detail 2 Caption":"First Prize ribbon from the Illinois State Fair, 1954.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2009-02-20","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0g5-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-93","Pattern":"INDIANS 4","Date":"1950-1975","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-5B","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:14","updated_at":"2024-02-26 14:31:27"},"sort":["INDIANS 4"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"7a1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-68","description":"Gasperik made seven child-size Indian Quilts in the 1940s. This one was made for Susan Salser. Like the others, hers has the same fabrics and appliqué designs. The quilted Indian Chief appears only on Susan's and her sister Linda's quilts. It is Indian Head pattern #442-12 in printed on sheet 4 of a series of quilting designs offered by Hubert Ver Mehren's Home Art Studios in its catalog called Aunt Mary Jacobs' Album of Favorite Quilting Designs. A small sketch of Indian Head pattern #442-12 can be seen at the bottom center of page 3. In the upper left corner near the tent, Gasperik quilted what appears to be a buffalo or lion.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"039","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indians #3","OwnerNameF010":"Indians #3 (Susan)","AltNameF011":"Seven Little Indians","OverallWidthF12a":"53 inches","OverallLengthF012b":"66 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Brown","Gold","Green","Lavender","Orange","Pink","Rust","White","Yellow"],"OverallColorF14b":["Multicolor","Bright or primary colors"],"OverCondF015":"Good/moderate use","DateQuiltF023":"1930-1949","DateFinishF023b":"1944","FamDateF023c":"1944","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Date for quilt corresponds with date quilt was given to the child.","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Indian Boys At Play","NumBordersF033":"One","BordDescF034":"Wide gold border heavily quilted on four sides.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Yellow"],"NumPiecesF042":"3","WidthPiecesF042a":"10\", 32.5\", 10.5\"","DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","NumStitchedF050":"11","NumStitchF051":"10","KnotsF051b":"no","DesignF052a":["Grid square","Patches outlined/in the ditch","Single parallel lines"],"DesignF052b":["Cables","Feathering","Floral","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"The Indian Head quilted at the center bottom of the white ground: Sheet No. 4 Aunt Mary's Quilting Album, #442-12 in Aunt Mary Jacob's Album of Favorite Quilting Designs (Home Art Studios, Des Moines, IA) circa 1932. In white panel upper corners, floral design Q400 from Colonial Quilts. QB421-9 Feather for border (also from Colonial Quilts) is quilted on three sides of the broad gold border. Fern feather pattern C5573 (as single branches, double branches and triple branches) from Aunt Martha's Answer to 'How Shall I Quilt It'? is quilted all over the white center panel of the quilt.","FeaturesF053":"The trunk and leaves of the trees are appliqued using a very tiny buttonhole stitch in green and in brown thread, very unusual for Gasperik. This adds definition to the trees. The figures are very heavily and decoratively embroidered using many different thread colors. The level of detail of costume embroidery which appears on the Indians quilts suggests, to Susan, that Gasperik's design source may have been a book illustration rather than a quilt kit or commercial quilt pattern. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","QuiltHistF059":"Made for grand-daughter Susan who asked to be the second Indian in line (lavender head-dress) in the framed applique picture which accompanied this quilt. On the framed applique (#090) Indian Susan requested that she be holding a bunch of balloons. Gasperik obliged.","ReasonsF060":["Gift or presentation"],"OtherF060a":"Presented to a grandchild.","QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Unknown"],"PattSourceF065":["Original to maker"],"CommSourceF065b":"Aunt Mary Jacobs' Album of Favorite Quilting Designs and Colonial Quilts (Home Art Studios, Des Moines, IA), Aunt Martha's Answer to 'How Shall I Quilt It?'\" ","AddNotesF066":"Gasperik made framed applique/embroidered Indian blocks for the same six grandchildren who received the quilts.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Framed Indian applique/embroidered block (#090, in collection of Susan Salser). Salser has a color photograph of herself holding baby Cathy standing in front of this quilt on the wall of the Salser's apartment in Bernex, Switzerland in early 1967.\r\n

\r\nIn an e-mail to Susan Salser (January 11, 2009) Elmer and Doris Gasperik’s daughter Kathy Jacob described to Susan her parents’ support of Mary Gasperik’s quilting and the appreciation for the quilts which they instilled in her. She wrote: “I know that my Mother took great care of our quilts. Dedicated to them as if her own mother had made them. It is from my mother that I learned to lovingly care for the quilts and appreciate the work that grandma had done. And I was told that my father made her the very quilting frame that she used to create these wonderful quilts. I was also told he would buy her batting and once a children’s book for the pictures perhaps for reference.” A children’s book illustration is possibly the genesis of this Gasperik quilt design.\r\n\r\n","OwnershipF082":"Private","OwnerNameF082a":"Susan Krueger Salser","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Quilt owner","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 S. Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-68/48-7C-5A.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-68/48-7C-5A-1.jpg"],"Detail 1 Caption":"In the upper left corner near the tent, Gasperik quilted what appears to be a buffalo or lion.","Detail 2":["https://kora.quiltindex.org/files/18-14-68/Indians18-14-66-What-Farm-Pigs-2.jpg"],"Detail 2 Caption":"One Indian quilt photographed on a clothesline with the Playtime Quilt, two Farm quilts (Linda and Karen) and the Tulip Basket.","Detail 3":["https://kora.quiltindex.org/files/18-14-68/Indians18-14-67-Farm-Tulip-2.jpg"],"Detail 3 Caption":"One Indian quilt photographed on a clothesline with two Farm quilts two Farm quilts (Linda and Karen) and the Tulip Basket.","Detail 4":["https://kora.quiltindex.org/files/18-14-68/Indians18-14-68-66-What-Farm.jpg"],"Detail 4 Caption":"Two Indian quilts photographed on a clothesline with the Playtime Quilt, two Farm quilts (Linda and Karen) and the Grandmothers Fan in the back row.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2012-07-27","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0g4-a","Maker Associator":"18-47-2","Pattern":"INDIANS 3","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-5A","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:13","updated_at":"2024-02-26 14:31:27"},"sort":["INDIANS 3"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"7K1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-67","description":"Gasperik made seven Indian Quilts in the 1940s. All use the same fabrics, appliqué motifs, and a feather border motif. This one, made for Linda Krueger, has an extra pattern for quilting an Indian Chief (published by Home Art Studios/Des Moines, IA). The same one is quilted onto Susan Salser's quilt (#039). It is Indian Head pattern #442-12 in printed on sheet 4 of a series of quilting designs offered by Hubert Ver Mehren's Home Art Studios in its catalog called Aunt Mary Jacobs' Album of Favorite Quilting Designs. A small sketch of Indian Head pattern #442-12 can be seen at the bottom center of this page.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"028","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indians #2","OwnerNameF010":"Indians #2 (Linda)","AltNameF011":"Indian Boys, Seven Little Indians","OverallWidthF12a":"54 inches","OverallLengthF012b":"68 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Brown","Gold","Green","Lavender","Orange","Pink","Rust","White"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Good/moderate use","DamageF016":["Other"],"OtherDamageF016a":"There are a few greyish stains of unknown origin.","DateQuiltF023":"1930-1949","DateFinishF023b":"1943-1944","FamDateF023c":"1943-1944","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Date for quilt corresponds with date quilt was given to the child.","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Indian Boys At Play","NumBordersF033":"One","BordDescF034":"Wide gold border heavily quilted on four sides.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Yellow"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid diamond","Grid square","Patches outlined/in the ditch","Single parallel lines"],"DesignF052b":["Cables","Feathering","Floral","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"Embedded in the background quilting are: an Indian Head, seven fern-leaf quilting designs, two floral motifs (upper white ground corners) and two feathered kite-shaped elements (lower white ground corners). The gold border is quilted in elaborate cabled feathers. ","FeaturesF053":"This quilt has slightly different quilting designs--including the Indian's head. Their dense and varied quilting probably contributed greatly to the durability of the Gasperik Indians quilts. The Krueger girls were allowed to use these quilts! ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","QuiltHistF059":"Gasperik made this quilt for granddaughter Linda Krueger. Linda was allowed to select which Indian she wanted to be for her individual framed appliqué (see #089). She chose the third in line, the Indian looking over her shoulder. Linda especially liked the fabrics in this Indian.","ReasonsF060":["Gift or presentation"],"OtherF060a":"Presented to a grandchild.","QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Unknown"],"PattSourceF065":["Original to maker"],"CommSourceF065b":"Home Art Studios and Aunt Martha","AddNotesF066":"Gasperik's quiltING pattern sources include: Indian Head from Sheet No. 4 Aunt Mary's Quilting Album #442-12 in Aunt Mary Jacobs' Album of Favorite Quilting Designs, (Home Art Studios, Des Moines, IA) circa 1932. \r\n

\r\nCabled feather pattern QB421-9 and pattern #Q400 from Colonial Quilts (Home Art Studios, Des Moines IA, circa 1932). Fern quilting C5573 from Aunt Martha. \r\n

\r\nIt should be noted that the winding road layout of the Indians quilts is similar to the layout of a quilt made several years earlier: Road to Recovery (quilt #066). A possible source for this is a Paragon child's kit quilt called 'Noah's Ark'. ","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Framed Indian applique and embroidered block (#089, in collection of Linda MacLachlan).\r\n

\r\nIn an e-mail to Susan Salser (January 11, 2009) Elmer and Doris Gasperik’s daughter Kathy Jacob described to Susan her parents’ support of Mary Gasperik’s quilting and the appreciation for the quilts which they instilled in her. She wrote: “I know that my Mother took great care of our quilts. Dedicated to them as if her own mother had made them. It is from my mother that I learned to lovingly care for the quilts and appreciate the work that grandma had done. And I was told that my father made her the very quilting frame that she used to create these wonderful quilts. I was also told he would buy her batting and once a children’s book for the pictures perhaps for reference.” A children’s book illustration is possibly the genesis of this Gasperik quilt design.","OwnershipF082":"Private","OwnerNameF082a":"Linda Krueger MacLachlan","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-67/quiltiGasperik-a0a0g3-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-67/48-7C-59-224-quiltiGasperik-a0a0g3-b_13049.jpg"],"Detail 1 Caption":"This one made for Linda Krueger has an extra pattern for quilting an Indian Chief (published by Home Art Studios/Des Moines, IA). The same one is quilted onto Susan Salser's quilt (#039).","Detail 2":["https://kora.quiltindex.org/files/18-14-67/Indians18-14-66-What-Farm-Pigs-2.jpg"],"Detail 2 Caption":"One Indian quilt photographed on a clothesline with the Playtime Quilt, two Farm quilts (Linda and Karen) and the Tulip Basket.","Detail 3":["https://kora.quiltindex.org/files/18-14-67/Indians18-14-67-Farm-Tulip-2.jpg"],"Detail 3 Caption":"One Indian quilt photographed on a clothesline with two Farm quilts two Farm quilts (Linda and Karen) and the Tulip Basket.","Detail 4":["https://kora.quiltindex.org/files/18-14-67/Indians18-14-68-66-What-Farm.jpg"],"Detail 4 Caption":"Two Indian quilts photographed on a clothesline with the Playtime Quilt, two Farm quilts (Linda and Karen) and the Grandmothers Fan in the back row.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2012-07-27","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0g3-a","Maker Associator":"18-47-2","Pattern":"INDIANS 2","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-59","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:12","updated_at":"2024-02-26 14:31:27"},"sort":["INDIANS 2"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"661hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-66","essay":"Gasperik made seven child-size Indian Quilts in the 1940s. This one, thought to be the first made, was given to Karen Krueger. Each of the seven has slight differences. Gasperik's appliqué pattern source for her Indians quilts is as yet unknown. Her grand-daughter speculates that Mary developed her own pattern from an illustration in a child's book. No similar kit quilts or commercial patterns have yet turned up. The appliqué patterns and even their fabrics are identical on all seven. The same feather border design is quilted onto six of the seven Indians quilts (the quilt which was sent to Hungary, perhaps the earliest Indians quilt Gasperik made does not have the interlocking feather border), but some have additional quilted motifs. The quilted interlocking feather border pattern which appears on the 6 Indians quilts which Gasperik made for her grandchildren is pattern QB-421 from Aunt Mary Jacobs' Album of Favorite Quilting Designs (from Hubert Ver Mehren's Home Art Studios). The QB-401 interlocking feather border was also offered in several Home Art Studios quilt pattern catalogs entitled Colonial Quilts. Five elephants are quilted onto this quilt (three can be seen in the top and bottom of the central panel, and two are in the lower border).","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"056","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indians #1 ","OwnerNameF010":"Indians #1 (Karen)","AltNameF011":"Indian Boys, Seven Little Indians","OverallWidthF12a":"52 inches","OverallLengthF012b":"66 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Brown","Gold","Green","Lavender","Orange","Pink","Rust","White"],"OverallColorF14b":["Multicolor","Bright or primary colors"],"OverCondF015":"Very good/almost new","DateQuiltF023":"1930-1949","DateFinishF023b":"1943-1944","FamDateF023c":"1943-1944","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Date for quilt corresponds with date quilt was given to the child.","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"Indian Boys At Play","NumBordersF033":"One","BordDescF034":"Wide gold border heavily quilted on four sides.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"FabFiberTypesF040":["Cotton"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid diamond","Patches outlined/in the ditch","Single parallel lines"],"DesignF052b":["Cables","Feathering","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"Five elephants are quilted into the background quilting of this quilt. Three can be found at the top and bottom of the white ground, and two are quilted into the bottom gold border.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ReasonsF060":["Gift or presentation"],"OtherF060a":"Presented to a grandchild.","QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Unknown"],"PattSourceF065":["Commercial pattern"],"CommSourceF065b":"Design in border of white panel: see Needleart Guild's Original Master Quilting Patterns No. 33 on p 8.
Feathered quilting in outer border: see Colonial Quilts Home Art Studios/ QB421-9.","AddNotesF066":"Gasperik made framed applique/embroidered Indian blocks for the same six grandchildren who received the quilts. The framed applique which went with this quilt is #091, dated 1944. It reproduces the lead Indian, the chief with the biggest head-dress. Appropriately, it went to the eldest Krueger girl.","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Framed Indian Block (Collection of Karen Krueger Finn).\r\n

\r\nIn an e-mail to Susan Salser (January 11, 2009) Elmer and Doris Gasperik’s daughter Kathy Jacob described to Susan her parents’ support of Mary Gasperik’s quilting and the appreciation for the quilts which they instilled in her. She wrote: “I know that my Mother took great care of our quilts. Dedicated to them as if her own mother had made them. It is from my mother that I learned to lovingly care for the quilts and appreciate the work that grandma had done. And I was told that my father made her the very quilting frame that she used to create these wonderful quilts. I was also told he would buy her batting and once a children’s book for the pictures perhaps for reference.” A children’s book illustration is possibly the genesis of this Gasperik quilt design.","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 S. Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-66/quiltiGasperik-a0a0g2-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-66/48-7C-58-224-quiltiGasperik-a0a0g2-b_13049.jpg"],"Detail 1 Caption":"In the upper left corner near the tent, Gasperik quilted an elephant.","Detail 2":["https://kora.quiltindex.org/files/18-14-66/Indians18-14-66-What-Farm-Pigs-2.jpg"],"Detail 2 Caption":"One Indian quilt photographed on a clothesline with the Playtime Quilt, two Farm quilts (Linda and Karen) and the Tulip Basket.","Detail 3":["https://kora.quiltindex.org/files/18-14-66/Indians18-14-67-Farm-Tulip-2.jpg"],"Detail 3 Caption":"One Indian quilt photographed on a clothesline with two Farm quilts two Farm quilts (Linda and Karen) and the Tulip Basket.","Detail 4":["https://kora.quiltindex.org/files/18-14-66/Indians18-14-68-66-What-Farm.jpg"],"Detail 4 Caption":"Two Indian quilts photographed on a clothesline with the Playtime Quilt, two Farm quilts (Linda and Karen) and a Grandmothers Fan in the back row.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2012-07-27","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0g2-a","Maker Associator":"18-47-2","Pattern":"INDIANS 1 ","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-58","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:12","updated_at":"2024-02-26 14:31:27"},"sort":["INDIANS 1 "]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Ca1hWZEB8akQsUweed1S","_score":null,"_source":{"kid":"18-14-97","description":"Gasperik made four Indiana Wreath quilts. She may have used McCall's #524 Indiana Wreath pattern, or obtained her pattern directly from Cecilia Knapp, the Monroe, Michigan quilt businesswoman who was the probable source of McCall pattern #524 and was a prominent member of The Detroit News Quilt Club Corner (where Mary probably met her, at one of the annual quilt shows in Detroit). The McCall pattern was offered in 1937-38. If Gasperik got her pattern directly from Knapp, she might have gotten it earlier than that. Indiana Wreath quilts, including those made by master quilters Rose Kretsinger and Charlotte Jane Whitehill, are based on the 1850s Indiana Wreath appliqué quilt which appeared in color in Quilts: Their Story and How to Make Them by Marie Webster. The trio of bluebirds were added by Gasperik from another source.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"063","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indiana Wreath ","OwnerNameF010":"Indiana Wreath (Karen)","BrackmanF011a":"80.22, 80.23 ","OverallWidthF12a":"80 inches","OverallLengthF012b":"101 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Green","Red","White"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Excellent/like new","OtherTypeInscripF019a":"cloth label sewn to back lower left","ContInscripF020":"MARY GASPERIK
\r\n1411 W 174 STREET
\r\nEAST HAZELCREST
\r\nILLINOIS","MethodInscripF021":["Attached label"],"LocInscripF022":["on back"],"DateQuiltF023":"1930-1949","DateBegunF023a":"Not known","DateFinishF023b":"1940s","FamDateF023c":"Circa 1940; Possibly 1950s","OtherExDateF023d":"The Indiana Wreath pattern #524 was offered in McCall's Needlework Magazine, Winter 1937-1938, pp 26-27. Mary Gasperik probably consulted this pattern when she designed her Indiana Wreath quilts. QuiltING pattern from Woman's Day, May 1943 , seen on this quilt indicates it was probably completed in or after 1943.","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Of the four Gasperik Indiana Wreath quilts, only this one has a distinctive lime green backing, which might date it to the early 1950s rather than the 1940s.","LayFormatF024":"Medallion or framed center","SubjQuiltF025":"The quilt called Indiana Wreath made by Elizabeth Hart and dated 1858, made famous by Marie D. Webster.","NumBordersF033":"One","BordDescF034":"Outer edges on all four sides have an applique floral and leaf vine that frame the quilt.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery","Other embellishment technique"],"UniqueF038h":"extra layer of batting pads the applique grapes","PaperF038i":"no","UniqueF039a":"embroidered wheat in vase and in birds' beaks","FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Green"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrTypeF049a":"cotton","ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Double parallel lines","In-the-ditch","Single parallel lines"],"DesignF052b":["Feathering","Floral","Wreaths","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"Floral border quilted around 4 sides, including corners. 4 Double feathered circular wreaths. 2 large feathered hearts and 2 smaller feathered hearts filled with diamond quilting. 2 large cornucopias spilling flowers and fruit. \r\nPortions of 2 Rose Kretsinger quilting designs: grape clusters and feather medallion. ","FeaturesF053":"The four Gasperik Indiana Wreath quilts can be divided into two sets of two. Each pair uses the same set of fabrics. Quilts #011 and #043 use a set of polka dots prints of different colors. These two quilts also have wheat stalks embroidered under the vase. Quilts #032 and #063 employ a wider range of fabrics: the wreath's flowers are executed in floral prints. The grapes are made from a print of white stars on dark purple, cut such that the effect is of water glistening on a rounded surface. The other 3 Gasperik versions of Indiana Wreath are backed with a pale creamy yellow fabric. This one (#063) is backed with a bright lime green fabric. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"The is one of the quilts from Elsie's collection divided up by her daughters Karen, Linda and Susan. Susan originally picked it, and later traded it to sister Karen.","ReasonsF060":["Art or personal expression"],"OtherF060a":"Mary Gasperik made at least 4 Indiana Wreath quilts. It would seem that she picked this complicated and famous patterns precisely to demonstrate what a master quilter she was.","QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"OthSourceF063a":"Gasperik's own choice of fabrics","TopSourceF064":["Commercial/Published source: Book","Commercial/Published source: Pattern"],"OthTopSourceF064a":"Inspiration for the Indiana Wreath quilt made famous by Marie Webster who used a 19th century quilt in this pattern as the frontispiece of her quilt book. McCalls marketed a commercial pattern, which was probably designed by Cecilia Knapp, of Monroe, Michigan. Other designers including Rose Kretsinger made their own.","CommSourceF064b":"Probably McCall's #524 Indiana Wreath, published in 1937. The pattern for the three hovering blue birds may be borrowed from a quiltING pattern called Bird Bath offered in a Nancy Page Quilting Club Column in the newspaper.","PattSourceF065":["Published material"],"OthPattSourceF065a":"Rose Kretsinger quilting illustrations (Plates IV and V, pages 275 and 276 of Romance of the Patchwork Quilt in America are probable design source for grapes and feather medallion. Woman’s Day Magazine (May 1943, p.42) offered a quilting pattern called \"Coat of Arms\", similar to the Kretsinger feather medallion, which Gasperik probably quilted into three of her four Indiana Wreath quilts (the one owned by granddaughter Linda lacks this element, possibly dating its completion as pre-1943).","CommSourceF065b":"Floral Border C7 and double feather circular wreath pattern A from Grandmother's Perforated Quilting Patterns, WLM Clark, St. Louis, 1934 (also offered in Needleart Guild's Original Master Quilting Patterns). ","AddNotesF066":"The interesting thing about the four Indiana Wreath quilts is that they show more experimentation with quilting design than experimentation with applique pattern. It is the selection of fabrics, and the quiltING patterns which distinguish these four quilts which look, at first glance, to be the 'same' quilt. Although the range of experimentation is narrow here, Mary did not duplicate her Indiana Wreath quilts. A quiltING pattern seen on this quilt appears to match the \"Coat of Arms\" pattern offered by Women's Day in May, 1943. The Woman's Day pattern is credited to Miss Emma Gerken of Kansas City, Missouri, who was one of the competitors in the magazine's national Needlework Competition in 1942. This would mean that this quilt was finished no earlier than 1943.","ExhibitListF067a":"A color family photograph (circa 1960-1965) shows this quilt with an Illinois State Fair blue ribbon pinned to it. It is not known what became of this ribbon.

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","ContestListF071a":"Illinois State Fair, year unknown ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Family photos showing Mary Gasperik standing next to this quilt (with attached blue ribbon) circa 1965.

\r\nMary's own copy of Quilts: Their Story and How to Make Them by Marie D. Webster (inscribed \"Property of Mary Gasperik\" in Elsie's handwriting) Tudor Publishing Co., New York, 1943. This book is unmarked (unlike her copy of Ruth E. Finley's Old Patchwork Quilts). Mary must have owned or had access to an earlier printing of the Webster book in order to make her patterns for 'Double Feather Star' dated 1935, 'Double Feather Star' (undated) and 'Indian Feather Star' (undated).\r\n

\r\nQuilts: Their Story and How to Make Them, Marie D. Webster, Doubleday, Doran & Company Inc., 1928, frontispiece is a hand-tinted photograph of the 1858 quilt made by Elizabeth J. Hart. Also see text about 'Indiana Wreath' on pages 84-86.\r\nMcCall Indiana Wreath pattern envelope and instruction sheet; Winter 1937-38 McCall magazine with Indiana Wreath pattern featured.\r\n

\r\n\"Coat of Arms\" quilting pattern pictured in Woman's Day Magazine, May, 1943, p.42, Susan Salser private collection.\r\nBusiness card which belonged to Mary Gasperik, which reads \"Cecilia Knapp, Quilts and Patchwares by The Woman Who Makes Them, 712 S. Monroe St., Monroe, Mich. PATTERNS SND STAMPINGS\". Mary Gasperik archive, care of Karen Finn.\r\n","OwnershipF082":"Private","OwnerNameF082a":"Karen Krueger Finn","OwnerCountryF086b":["United States"],"IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"SourceOtherF006a":"Sister of quilt owner","RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family. The four Indiana Wreath quilts (#011, #032, #043 and #063) were made to demonstrate the quilter's mastery of her art at a time when she was doing her best work. One alone would make a powerful statement. Four of them constitute a tour de force. ","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","AddNotesF132":"The series of four Indiana Wreath quilts may have been completed after Mary moved, in 1948-1949, from the grocery store and apartment at 9314 S. Cottage Grove Ave. on Chicago's south side to East Hazelcrest, a suburb where she (finally!) had space and sunshine and time to garden. Salser believes her East Hazelcrest garden, and the pleasure she and her husband took in outdoor gardening, is reflected in her Indiana Wreath quilts.","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a":"2002-06-20","DigDateF079a_era":"CE","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-97/quiltiGasperik-a0a0a7-a_13049.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-97/63IndWr-MGBlueRibbon-3.jpg"],"Detail 1 Caption":"Mary Gasperik with her blue ribbon for her Indiana Wreath Quilt.","Detail 2":["https://kora.quiltindex.org/files/18-14-97/18-14-97-1952-IndianaWreath.jpg"],"Detail 2 Caption":"First Place ribbon from the 1952 Illinois State Fair","Detail 3":["https://kora.quiltindex.org/files/18-14-97/IndianaWreath-3.jpg"],"Detail 3 Caption":"Marie Webster's \"Quilts Their Story and How To Make Them\" may have been the source for Mary's pattern.","Detail 4":["https://kora.quiltindex.org/files/18-14-97/18-121-111-IndianaWreathQuiltMcCall-1937-38.jpg"],"Detail 4 Caption":"McCall's \"Indiana Wreath\" may have been the source for Mary's pattern.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2013-05-16","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0a7-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-38","Pattern":"INDIANA WREATH ","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-9","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:30","updated_at":"2024-02-23 19:07:39"},"sort":["INDIANA WREATH "]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"0q1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-37","description":"The interesting thing about the four Indiana Wreath quilts is that they show more experimentation with quiltING design than experimentation with appliqué pattern. It is the selection of fabrics, and the quiltING patterns which distinguish these four quilts which look, at first glance, to be the 'same' quilt. Although the range of experimentation is narrow here, Mary did not duplicate her Indiana Wreath quilts. Because a quiltING motif which was offered in 1943 by Women's Day (May 1943, p.42; the pattern was sold as 'Coat of Arms' by the magazine) does not appear on this quilt although it does appear on the three other Gasperik Indiana Wreath quilts, it is thought that this was the first of the four Gasperik Indiana Wreath quilts to be completed. That the quiltING on this quilt is somewhat less complex than the quiltING on the other three quilts might substantiate this hypothesis.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"032","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indiana Wreath","OwnerNameF010":"Indiana Wreath (Linda)","BrackmanF011a":"80.22, 80.23","OverallWidthF12a":"74 inches","OverallLengthF012b":"94 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Green","Red","White"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Excellent/like new","DateQuiltF023":"1930-1949","DateBegunF023a":"Not known","DateFinishF023b":"1938-1945","OtherExDateF023d":"1938-1945","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Earliest estimated date is based on the fact that Indiana Wreath pattern #524 was offered in McCall's Needlework Magazine, Winter 1937-1938, pp 26-27. Mary Gasperik probably consulted this pattern when she designed her Indiana Wreath quilts.","LayFormatF024":"Medallion or framed center","NumBordersF033":"1","BordDescF034":"Outer edges on all four sides have an applique floral and leaf vine that frame the quilt.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery","Other embellishment technique"],"UniqueF038h":"extra layer of batting pads the applique grapes","PaperF038i":"no","UniqueF039a":"embroidered wheat in vase and in birds' beaks","FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Yellow"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid diamond"],"DesignF052b":["Floral","Wreaths"],"DesignF052c":["Grid/crosshatch"],"DesignF052d":"Feathered wreaths, grape clusters, large and elaborate cornucopia spilling fruit and flowers, five-leaf ferns, three-leaf ferns","FeaturesF053":"The four Gasperik Indiana Wreath quilts can be divided into two sets of two. Each pair uses the same set of fabrics. Quilts #011 and #043 use a set of polka dots prints of different colors. These two quilts also have wheat stalks embroidered under the vase. Quilts #032 and #063 employ a wider range of fabrics: the wreath's flowers are executed in floral prints. The grapes are made from a print of white stars on dark purple, cut such that the effect is of water glistening on a rounded surface.","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"This quilt was brought to Linda by her mother Elsie, as a gift from her grandmother, the quilt's maker.","ReasonsF060":["Art or personal expression"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Book","Commercial/Published source: Pattern"],"OthTopSourceF064a":"Inspiration for the Indiana Wreath quilt made famous by Marie Webster who used a 19th century quilt in this pattern as the frontispiece of her quilt book.
McCalls produced a commercial pattern.
Other designers including Rose Kretsinger made their own.","CommSourceF064b":"Probably McCall's #524 Indiana Wreath.
The pattern for the three hovering blue birds may be borrowed from a quiltING pattern offered in a Nancy Page Quilting Club Column in the newspaper.","PattSourceF065":["Published material"],"OthPattSourceF065a":"Grape clusters copied from Plate IV quilting pattern by Rose Kretsinger in Romance of the Patchwork Quilt.","CommSourceF065b":"Fern pattern C5573 from Aunt Martha's Answer to 'How Shall I Quilt It?'","AddNotesF066":"Judging by the pp 26-27 presentation of the McCall Indiana Wreath No. 524 pattern in the Winter 1937-38 issue of McCall's Needlework magazine, where it is accompanied by information and photos about Cecilia Knapp and her Michigan quilt business, it is likely that Mrs. Knapp was the source of McCall's Indiana Wreath design. Further, Mary Gasperik kept a business card from Mrs. Knapp, whom she probably met at the 1935 or 1938 Detroit News quilt show. Gasperik might well have gotten her pattern directly from Cecilia Knapp.","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.\r\n

\r\nPerhaps exhibited in a Tuley Park quilt show (there is a yellow paper exhibit tag labelled 'Indiana Wreath')","ContestListF071a":"Likely sent to Illinos State Fair, unknown year.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Quilts: Their Story and How to Make Them, Marie D. Webster, Doubleday, Doran & Company Inc., 1928, frontispiece is a hand-tinted photograph of the 1858 quilt made by Elizabeth J. Hart. Also see text about 'Indiana Wreath' on pages 84-86.\r\n

\r\nWinter 1937-38 McCall magazine pages 26-27 with Indiana Wreath pattern featured as well as text about and photo of Cecilia Knapp and photo of an Indiana Wreath quilt presumably from her quilt business.\r\n

\r\nBusiness card which belonged to Mary Gasperik, which reads \"Cecilia Knapp, Quilts and Patchwares by The Woman Who Makes Them, 712 S. Monroe St., Monroe, Mich. PATTERNS AND STAMPINGS\". Mary Gasperik archive, care of Karen Finn. \r\n","OwnershipF082":"Private","OwnerNameF082a":"Linda Krueger McLachlan","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"The four Indiana Wreath quilts (#011, #032, #043 and #063) were made to demonstrate the quilter's mastery of her art at a time when she was doing her best work. One alone would make a powerful statement. Four of them constitute a tour de force. Gasperik made quilts to exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-37/48-7C-3B.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-37/48-7C-3B-224-quiltiGasperik-a0a0d3-b_13049.jpg"],"Detail 1 Caption":"Close-up","Detail 2":["https://kora.quiltindex.org/files/18-14-37/IndianaWreath-3.jpg"],"Detail 2 Caption":"Marie Webster's \"Quilts Their Story and How To Make Them\" may have been the source for Mary's pattern.","Detail 3":["https://kora.quiltindex.org/files/18-14-37/18-121-111-IndianaWreathQuiltMcCall-1937-38.jpg"],"Detail 3 Caption":"McCall's \"Indiana Wreath\" may have been the source for Mary's pattern.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2011-02-08","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0d3-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-38","Pattern":"INDIANA WREATH","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-3B","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:52","updated_at":"2024-02-23 19:07:39"},"sort":["INDIANA WREATH"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"061hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-38","description":"The interesting thing about the four Indiana Wreath quilts is that they show more experimentation with quiltING design than experimentation with appliqué pattern. It is the selection of fabrics, and the quiltING patterns which distinguish these four quilts which look, at first glance, to be the 'same' quilt. Although the range of experimentation is narrow here, Mary did not duplicate or date her Indiana Wreath quilts. The family has two blue ribbons which were won by Gasperik Indiana Wreath quilts: #011 (Doris) at the 1953 Illinois State Fair, and #043 (Susan) at the 1958 Illinois State Fair. The most significant of the motifs Gasperik quilted into her versions of Indiana Wreath are the grape cluster and the elaborate corner feather design which she borrowed from Rose Kretsinger's quiltING designs presented in Plates IV and V of the famous 1935 quilt book: Romance of the Patchwork Quilt in America. With her re-creations of the famous Indiana Wreath, Gasperik was saluting Marie D. Webster and Rose G. Kretsinger, two major quilt figures of her time.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"043","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indiana Wreath","OwnerNameF010":"Indiana Wreath (Susan)","BrackmanF011a":"80.22, 80.23","OverallWidthF12a":"80 inches","OverallLengthF012b":"102 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Green","Red","White"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Fair/worn","DamageF016":["Disintegration of fabric","Fading"],"DateQuiltF023":"1930-1949","DateBegunF023a":"Unknown","DateFinishF023b":"1938-1945","OtherExDateF023d":"1938-1945","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Earliest estimated date is based on the fact that Indiana Wreath pattern #524 was offered in McCall's Needlework Magazine, Winter 1937-1938, pp 26-27. Mary Gasperik probably consulted this pattern when she designed her Indiana Wreath quilts.","LayFormatF024":"Medallion or framed center","NumBordersF033":"One","BordDescF034":"Outer edges on all four sides have an applique floral and leaf vine that frame the quilt.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery","Other embellishment technique"],"UniqueF038h":"extra batting under appliqued grapes","PaperF038i":"no","UniqueF039a":"embroidered wheat in vase, below vase, and in birds' beaks","FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Yellow"],"NumPiecesF042":"3","WidthPiecesF042a":"11\". 35\", 34\"","DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Bias grain"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","NumStitchedF050":"10","NumStitchF051":"11","KnotsF051b":"no","DesignF052a":["Grid diamond","In-the-ditch","Single parallel lines"],"DesignF052b":["Floral","Wreaths"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"Quilted band of flowers around perimeter, double-feathered circular wreaths, large and elaborate cornucopias spilling fruit and flowers, grape clusters, large feather medallions, cross-hatch filled feathered hearts. ","FeaturesF053":"The four Gasperik Indiana Wreath quilts can be divided into two sets of two. Each pair uses the same set of fabrics. Quilts #011 and #043 use a set of polka dots prints of different colors. These two quilts also have wheat stalks embroidered under the vase. This quilt's wreath looks more open than that of its fabric twin, #011, because the purple print fabric of the wreath's innermost flowers has faded to near-white. Now faded and worn, this was originally the most elaborately quilted of the 4 Gasperik Indiana Wreaths. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","ProvenanceF058a":"Brought to Susan by Elsie, as a gift from her grandmother, when Susan moved to California in 1968.","QuiltHistF059":"Susan Salser has the note, dated December 20, 1968 and saved by her mother, which she sent to her grandmother thanking her for \"your dotted grape wedding present quilt\". ","ReasonsF060":["Art or personal expression"],"OtherF060a":"Mary Gasperik made at least 4 Indiana Wreath quilts. It would seem that she picked this complicated and famous patterns precisely to demonstrate what a master quilter she was.","QDesignF060b":["Bedding, special occasion"],"OtherQDesignF061a":"Susan used it as a wall hanging for several years. That (and washing it) is how it came to be so faded and the dotted black print of the grapes actually disintegrated some.","PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Book","Commercial/Published source: Pattern"],"OthTopSourceF064a":"Inspiration for the Indiana Wreath quilt made famous by Marie Webster who used a 19th century quilt in this pattern as the frontispiece of her quilt book.
McCalls produced a commercial pattern.
Other designers including Rose Kretsinger made their own.","CommSourceF064b":"McCall's #524 Indiana Wreath published circa 1935 is the likely overall pattern source.
The pattern for the three hovering blue birds may be borrowed from a quiltING pattern offered in a Nancy Page Quilting Club Column in the newspaper.","PattSourceF065":["Published material"],"OthPattSourceF065a":"Rose Kretsinger quilting design in Plates IV and V, Romance of the Patchwork Quilt inspired the grape clusters and the elaborate feathered medallion corners.","CommSourceF065b":"Floral border is C7 from Grandmother's Perforated Quilting Patterns (1934) also offered as No. 47 & 48 in Needleart Guild's Original Master Quilting Patterns;
Double Feather Wreath is a pattern inGrandmother Clark Book No. 22 (St. Louis, MO 1932).","ExhibitListF067a":"This quilt was not included in the Ravenswood quilt show of March 1992. ","ContestListF071a":"Won a blue ribbon at the 1958 Illinois State Fair. Susan Salser has the ribbon. There is also a family photograph showing this quilt, its blue ribbon attached, hanging on a clothesline.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Quilts: Their Story and How to Make Them, Marie D. Webster, Doubleday, Doran & Company Inc., 1928, frontispiece is a hand-tinted photograph of the 1858 quilt made by Elizabeth J. Hart. Also see text about 'Indiana Wreath' on pages 84-86.\r\n

\r\nMcCall Indiana Wreath pattern envelope and instruction sheet; Winter 1937-38 \r\n

\r\nMcCall magazine with Indiana Wreath pattern featured.","OwnershipF082":"Private","OwnerNameF082a":"Susan Krueger Salser","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Quilt owner","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"The four Indiana Wreath quilts (#011, #032, #043 and #063) were made to demonstrate the quilter's mastery of her art at a time when she was doing her best work. One alone would make a powerful statement. Four of them constitute a tour de force. Gasperik made quilts to exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.\r\n","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests. ","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-38/48-7C-3C.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-38/48-7C-3C-224-quiltiGasperik-a0a0d4-b_13049.jpg"],"Detail 1 Caption":"Close-up","Detail 2":["https://kora.quiltindex.org/files/18-14-38/18-14-38-1958-IndianaWreath.jpg"],"Detail 2 Caption":"A first prize ribbon from the Illinois State Fair in 1958.","Detail 3":["https://kora.quiltindex.org/files/18-14-38/IndianaWreath-3.jpg"],"Detail 3 Caption":"Marie Webster's \"Quilts Their Story and How To Make Them\" may have been the source for Mary's pattern.","Detail 4":["https://kora.quiltindex.org/files/18-14-38/18-121-111-IndianaWreathQuiltMcCall-1937-38.jpg"],"Detail 4 Caption":"McCall's \"Indiana Wreath\" may have been the source for Mary's pattern.","verify":"yes","verifiedby":"Salser, Susan","dateverified":"2011-06-26","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0d4-a","Maker Associator":"18-47-2","Pattern":"INDIANA WREATH","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-3C","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:52","updated_at":"2024-02-23 19:07:39"},"sort":["INDIANA WREATH"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"0a1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-36","description":"Mary Gasperik made at least 4 Indiana Wreath quilts. It would seem that she picked this complicated and famous pattern precisely to demonstrate what a master quilter she was.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"011","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indiana Wreath","OwnerNameF010":"Indiana Wreath (Doris)","BrackmanF011a":"80.22, 80.23","OverallWidthF12a":"73 inches","OverallLengthF012b":"99 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Blue or Navy","Green","Red","White"],"OverallColorF14b":["Bright or primary colors"],"OverCondF015":"Excellent/like new","ContInscripF020":"MARY GASPERIK
\r\n1411 W. 174 Street
\r\nEAST HAZEL CREST
\r\nILLINOIS\r\n\r\n","MethodInscripF021":["Attached label"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1938-1945","OtherExDateF023d":"1938-1945","OtherDateF023e":"Merikay Waldvogel","DateInfoF023f":"Earliest estimated date is based on the fact that Indiana Wreath pattern #524 was offered in McCall's Needlework Magazine, Winter 1937-1938, pp 26-27. Mary Gasperik probably consulted this pattern when she designed her Indiana Wreath quilts. Use of a quilting pattern offered by Woman's Day in May, 1943 moves the estimated completion date to no earlier than 1943.","LayFormatF024":"Medallion or framed center","BordDescF034":"Outer edges on all four sides have an applique floral and leaf vine that frame the quilt.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery","Other embellishment technique"],"UniqueF038h":"extra layer of batting pads the applique grapes","UniqueF039a":"embroidered wheat in vase, below vase, and in birds' beaks","FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Yellow"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid/crosshatch","Single parallel lines"],"DesignF052b":["Feathering","Vines","Other"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"Elaborate feather medallion and\r\nbunches of grapes. Fern leaves quilted both separately and spilling from small cornucopias.\r\n\r\n","FeaturesF053":"The four Gasperik Indiana Wreath quilts can be divided into two sets of two. Each pair uses the same set of fabrics. Quilts #011 and #043 use a set of polka dots prints of different colors. These two quilts also have wheat stalks embroidered under the vase. Quilts #032 and #063 employ a wider range of fabrics: the wreath's flowers are executed in floral prints. The grapes are made from a print of white stars on dark purple, cut such that the effect is of water glistening on a rounded surface. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"This quilt was a direct gift from Mary Gasperik to her son and daughter-in-law (Elmer and Doris Gasperik)","ReasonsF060":["Art or personal expression"],"QDesignF060b":["Bedding, special occasion"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"OthSourceF063a":"Gasperik's own fabric choices.","TopSourceF064":["Commercial/Published source: Book","Commercial/Published source: Pattern"],"OthTopSourceF064a":"Inspiration for the Indiana Wreath quilt made famous by Marie Webster who used a 19th century quilt in this pattern as the frontispiece of her quilt book.

McCalls produced a commercial pattern. Other designers including Rose Kretsinger made their own.","CommSourceF064b":"Probably McCall's #524 Indiana Wreath published circa 1935.

The pattern for the three hovering blue birds may be borrowed from a quiltING pattern offered in a Nancy Page Quilting Club Column in the newspaper.","PattSourceF065":["Published material"],"OthPattSourceF065a":"3 grape clusters and 2 elaborate feather medallions copied from Plates IV and V quiltING patterns by Rose Kretsinger in Romance of the Patchwork Quilt.
Coat of Arms quilting pattern pictured in Woman's Day Magazine, May, 1943, p. 42. ","CommSourceF065b":"Fern pattern C5573 from Aunt Martha's Answers to How Shall I Quilt It?","AddNotesF066":"McCall probably obtained its pattern #524 Indiana Wreath from a quilt businesswoman named Cecilia Knapp of Monroe Michigan. \r\n

\r\nThe Winter 1937-38 issue of McCall's Needlework Magazine on pages 26-27 in an article titled \"Cotton Prints\" features, in text on page 26, pattern \"No.524, Authentic - at least 100 years old! It's the Indiana wreath (facing page) and you mustn't miss it if you are a quilt-maker. Single bed size 72 x 100 inches; double, 84 x 100. Blue. Pattern, 45 cents.\" \r\n

\r\nOn page 27 a picture of Cecilia Knapp faces a picture of a completed Indiana Wreath quilt, and the entire text on this page is about Mrs. Knapp and her quilt business. In part this text reads: \"Before very long Mrs. Knapp began taking orders for quilts, giving advice on color combinations, and recommending good materials to use. Very often women will make their own quilt tops and turns them over to her to finish with the quilting designs. We're glad to say that Mrs. Knapp finds among her customers many users of McCall quilt patterns, who like them for their beautiful designs and the helpful instructions on quilt making that come with each pattern. On these pages we are showing two beautiful quilt patterns in applique work that are well worth the time it takes to make them. The gorgeous Indiana wreath, No. 524, (shown above) is an authentic old-timer. It is quite perfect in a lovely combination of plain percales and the quaint Peter Pan Old Colony prints. With this pattern the graceful feather motifs for quilting are included... If any of our readers wish to buy either of the two quilts (No. 524 and No. 514) with applique basted on, all ready for sewing, write for particulars to McCall Needlework Department, 230 Park Avenue, New York, N.Y.\" \r\n

\r\nI think that this joint featuring of pattern No. 524 together with Cecilia Knapp, together with the fact that Gasperik kept an actual Cecilia Knapp business card, suggests that Gasperik got her Indiana Wreath pattern directly from Mrs. Knapp. Both women were active members of The Detroit News Quilt Club Corner and probably met when Gasperik attended the Detroit News Quilt Shows in 1935, 1937, 1938 and 1940. It should be noted that Gasperik did not use Knapp's feather quilting pattern, but rather seems to have used an adaptation of Kretsinger's Plate IV feather medallion which was in May 1943 offered as \"Coat of Arms\" by Women's Day Magazine. ","ExhibitListF067a":"The Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","ContestListF071a":"Illinois State Fair 1953, Second Place. In The East Hazel Crest News of September 23, 1953, it mentions a second place ribbon was placed on her “Indiana Wreath”. Since the clipping was collected by Doris Gasperik, it's a clue that it was Doris' Indiana Wreath that won this ribbon. However, the ribbon was not found in the collection of Kathy Jacobs (Doris and Elmer's daughter), so it can't be confirmed definitively that this was the Indiana Wreath quilt that took Second place in 1953 at the Illinois State Fair.\r\n\r\n
\r\n
\r\n
\r\nimpcap\r\n
\r\n
\r\n

A Second Place ribbon from the Illinois State Fair, 1953.

\r\n
\r\n\r\n
\r\n
\r\nimpcap\r\n
\r\n
\r\n

A photograph of the Indiana Wreath, with its Second Place ribbon, on display at the Illinois State Fair, 1953.

\r\n
","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Quilts: Their Story and How to Make Them, Marie D. Webster, Doubleday, Doran & Company Inc., 1928, frontispiece is a hand-tinted photograph of the 1858 quilt made by Elizabeth J. Hart. Also see text about 'Indiana Wreath' on pages 84-86. \r\n

\r\nRomance of the Village Quilts, Mary A, McElwain, Susan Salser private collection.\r\n

\r\nMcCall Indiana Wreath pattern envelope and instruction sheet; Winter 1937-38 \r\n

\r\nMcCall magazine with Indiana Wreath pattern featured. Salser has not been able to locate an actual McCall pattern No. 524 although she has a color copy of the Winter 1937-38 McCall Needlework Magazine pages 26-27 as well as a photocopy of a page from a 1938 McCall countertop catalog listing the McCall Indiana Wreath pattern No. 524. \r\n

\r\nBusiness card which belonged to Mary Gasperik, which reads \"Cecilia Knapp, Quilts and Patchwares by The Woman Who Makes Them, 712 S. Monroe St., Monroe, Mich. PATTERNS AND STAMPINGS\". Mary Gasperik archive, care of Karen Finn. \r\n

\r\nCoat of Arms quilting pattern pictured in Woman's Day Magazine, May, 1943, p. 42. Susan Salser private collection.\r\n

\r\nThe East Hazelcrest News issue No. 18, dated Sept. 23,1953, published by American Legion Post 1139 mentions that \"one of the women of our village, Mrs. Stephen Gasperik, was awarded 2 first prizes & a second prize at the Ill. State Fair for her quilts. The 2 first were given for her \"Delectable Mountain\" quilt & \"Bridal Bouquet\". The second place ribbon was placed on her \"Indiana Wreath”. Last year she won a 1st & two 3rds. Quilting is almost a lost art, requiring a tremendous amount of patience & skill with a needle.\" Elmer Gasperik heirs, private collection.\r\n","OwnershipF082":"Private","OwnerNameF082a":"Elmer Gasperik heirs - Kathy Jacob contact","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"The four Indiana Wreath quilts (#011, #032, #043 and #063) were made to demonstrate the quilter's mastery of her art at a time when she was doing her best work. One alone would make a powerful statement. Four of them constitute a tour de force. She made quilts to exhibit in shows held by her Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago IL and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","AccessF080":"Restricted","HolderF080a":"Hank Finn","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-36/48-7C-3A.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-36/INWreath-2.jpg"],"Detail 1 Caption":"A photo of the Indiana Wreath hanging on a clothesline.","Detail 2":["https://kora.quiltindex.org/files/18-14-36/48-7C-3A-224-quiltiGasperik-a0a0d2-c_13049.jpg"],"Detail 2 Caption":"Especially visible in this photograph are two quilting patterns (designs by Rose Kretsinger) Gasperik found in her copy of The Romance of the Patchwork Quilt in America (see pages 275-76).","Detail 3":["https://kora.quiltindex.org/files/18-14-36/IndianaWreath-3.jpg","https://kora.quiltindex.org/files/18-14-36/1953IllinoisStateFair-1.jpg"],"Detail 3 Caption":"Marie Webster's \"Quilts Their Story and How To Make Them\" may have been the source for Mary's pattern.","Detail 4":["https://kora.quiltindex.org/files/18-14-36/18-121-111-IndianaWreathQuiltMcCall-1937-38.jpg","https://kora.quiltindex.org/files/18-14-36/18-14-36-1953-IndianaWreath.jpg"],"Detail 4 Caption":"McCall's \"Indiana Wreath\" may have been the source for Mary's pattern.","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2011-02-08","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0d2-a","Maker Associator":"18-47-2","Pattern":"INDIANA WREATH","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-3A","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:50","updated_at":"2024-02-23 19:07:39"},"sort":["INDIANA WREATH"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"ya1hWZEB8akQsUweedxS","_score":null,"_source":{"kid":"18-14-28","description":"Gasperik followed a custom of expert quiltmakers to look to antique quilts for inspiration and design possibilities. An overall photo of the antique quilt on which this Gasperik design is based appears in Marie Webster's 1915 book. The six appliqué feathers are borrowed from a different antique quilt also featured by Webster and also used by Gasperik (see #006, #045 and #081).","essay":"Mary Gasperik made seven quilts that are recreations of antique quilts. They are all based on three different quilts presented by Marie D. Webster in her iconic quilt book Quilts: Their Story and How To Make Them, first published in 1915. The three Webster antique quilts which Gasperik chose as her models are: (1) Indiana Wreath (frontispiece, and praised at length by Webster in her text), (2) "Feather Star (shown in Figure 19, which is a photograph of a complete quilt, made about 1850) and (3) "Feather Star With Applique" (shown in Figure 35, a photograph of only the corner of a quilt and captioned: "This quilt, which is the only one of this pattern, was made about 1835. It was designed by a Mr. Hamill for his sweetheart, Mary Hayward".
\r\n
\r\nQuilt #030 is Gasperik’s re-creation of (2) above. The family calls it “Indian Feather Star” and Gasperik herself called it “Feather Star” (as written on a paper exhibit tag from a Tuley Park quilt show). In order to make this quilt Gasperik recycled a pattern that she had on hand from making quilt (3), the antique Webster calls “Feather Star with Applique” and Gasperik called “Double Feather Star”. It was difficult to translate that Webster quilt into a useable pattern, and, Gasperik enlisted the help of her daughter Elsie to do it. She described this to Edith B. Crumb, the director of The Detroit News Quilt Club Corner and creator of the Detroit quilt shows. Edith wrote about this in one of her quilt columns published in The Detroit News, February 11, 1936, page 24. Even the title of this column (“there are 1467 Pieces in This charming Top”), captures the complexity of the pattern painstakingly created from that small Webster photograph. The article also mentions that Gasperik had completed one black and white top and one red and white top, using the pattern. That red and white version, was shown – completed and quilted – at the 1937 Detroit News Quilt Show. When Edith wrote the 1936 quilt column she evidently did not know that Gasperik had already completed a different red and white version of the quilt, dated 1935. Crumb praised her for making two versions of a very complicated quilt, when, in fact, Gasperik had made three. All of this activity (three quilts) argues that Gasperik was pleased with her achievement and wanted to make good use of the hard-won pattern.
\r\n
\r\nIt must have been with some pleasure that she discovered she could use that pattern - yet again - to make a completely different quilt from another antique featured by Webster. Comparing the block on her “Double Feather Star” quilt #045 with the feather star block on her sister Linda’s “Indian Feather Star”, Salser concluded that the same pattern can account for the feather star blocks in both quilts. She believes that her grandmother’s decision to appliqué curved feathers (taken from Gasperik’s re-creation of Webster #035) into the corners of her re-creation of Webster #019 is her way of (humorously) memorializing the connection between the two very different antique quilt reproduction projects. Four Gasperik quilts tell the story (#006, #030 (this quilt), #045 and #081).","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"030","TypeObjF008":"Finished quilt","QuiltTitleF009":"Indian Feather Star","OwnerNameF010":"Indian Feather Star","AltNameF011":"Feather Star (Marie Webster)","OverallWidthF12a":"77 inches","OverallLengthF012b":"96 inches","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","PredomColorsF014":["Brown","Cream"],"OverallColorF14b":["Two color"],"OverCondF015":"Excellent/like new","ContInscripF020":"MARY GASPERIK\r\n1411 W. 174 ST.\r\nEAST HAZELCREST\r\nILLINOIS","MethodInscripF021":["Attached label"],"LocInscripF022":["on back"],"DateQuiltF023":"1930-1949","DateFinishF023b":"1935-1950","FamDateF023c":"1935-1950","OtherExDateF023d":"1935","DateInfoF023f":"One of the pattern elements used in this quilt also appears in a quilt dated 1935. The lime green backing may indicate it was completed at a much later date.","LayFormatF024":"Block pattern","NumBlockF026":"12 pieced blocks; 6 applique blocks","ArrangeBlockF028":"On point or rotated on 45 degrees","SpacingF029":["Side by side"],"NumBlockPatF030":"2","BlockStyleF030a":["Triangles"],"NumBordersF033":"2","BordDescF034":"Wide plain white outer border. Narrower inner pieced border of flying geese frames the central field.","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038":["Hand Piecing"],"ConstrucF038b":["Hand Applique"],"UniqueF039a":"Applique feathers in corners are borrowed from a different quilt pattern (found on #006 and #045)","FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Green"],"DescBackF043":["Solid/plain"],"MatUsedF044":["Cotton"],"WidthBindF047":"less than a half inch","MatUsedF048":"Cotton","QuiltTechF049":["Hand quilting"],"ThrColorF049b":"white","KnotsF051b":"no","DesignF052a":["Grid diamond","Outline","Single parallel lines"],"DesignF052b":["Feathering","Wreaths"],"DesignF052c":["Grid/crosshatch","Parallel lines"],"DesignF052d":"Feather band quilted around entire border. Feathered hearts quilted in the corners. Feathered wreaths quilted 24 times around the border of the center panel","FeaturesF053":"It should be noted that the lime green backing on this quilt might indicate its approximate date of completion. Three Gasperik quilts have an unusual yellow-green backing (#063 - Indiana Wreath and #021 Delectable Mountains are the other two). The year 1953 is quilted into Delectable Mountains. Salser is not sure if the backing is the same color on all three quilts. This can be checked. ","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Inheritance","ProvenanceF058a":"Selected by daughter Elsie during a division of quilts after Gasperik died in 1969. After Elsie died, in 1969, daughteres Karen, Linda and Susan divided Elsie's quilts. Linda selected this one.","ReasonsF060":["Personal enjoyment"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Purchased new"],"TopSourceF064":["Commercial/Published source: Book"],"OthTopSourceF064a":"Figure 19 \"Feather Star\" and Figure 35 \"Feather Star with Applique\" from Marie D. Webster photos of antique quilts. ","CommSourceF064b":"Gasperik made her own patterns based on Webster.","PattSourceF065":["Published material"],"OthPattSourceF065a":"\"Aunt Martha's Answer How to Quilt It\" (1935?)","CommSourceF065b":"Feather Band quilting pattern # C5576. 24-petal feathered wreath and feathered heart from Needleart Guild \"Original Master Quilting Patterns\".","ExhibitListF067a":"Cloth address label indicates this quilt was likely sent to an Illinois State Fair. 2 family photos by Elmer Gasperik show this quilt on display at an Illinois State Fair. The pictures capture the elaborate display case, and show that textiles were displayed folded. Yellow paper exhibit tag indicates it was hung at a Tuley Park quilt show.\r\n

\r\nThe Quilts of Mary Gasperik, Ravenswood Historic Site, Livermore, CA, March 14-15, 1992.\r\n

\r\nThis is one of the 23 Mary Gasperik quilts exhibited in the Carnegie Room of the Marion Indiana Public Library July 16-17, 2021 in connection with the ceremony honoring the induction of Mary Gasperik into The Quilters Hall of Fame as their 2021 Legacy Quilter honoree. Mary Gasperik Quilters Hall of Fame Induction Exhibit.","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","RelItemsF088a":"Quilts: Their Story and How to Make Them, Marie D. Webster, Doubleday, Doran & Company Inc., 1928, quilt photograph facing page 40.","OwnershipF082":"Private","OwnerNameF082a":"Linda Krueger MacLachlan","OwnerCountryF086b":["United States"],"SourceInfoF088b":"Susan Krueger Salser","IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"To exhibit in shows held by her >Tuley Park quilt club in Chicago, the Detroit News quilt show in Detroit, many Illinois State Fairs, at least one Indiana State Fair. She entered quilts in at least 2 Chicago department store contests. She made at least one quilt and one quilt top specifically for the 1939 New York Worlds Fair quilt contest. She also made children's quilts specifically for grandchildren and great-grandchildren; and wedding and wedding anniversary quilts for her son Elmer and grand-daughter Karen. Primarily, she wanted to make quilts because it was her life passion and her greatest talent. The occasions and venues to show them presented themselves. It should be noted that prior to Mary's emigration to America in late 1904, at age 16, she was an apprenticed needleworker in her native Hungary. The intricate and colorful floral embroideries traditional to Hungary lend themselves especially well to applique, the quilt style Mary preferred.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Southside Chicago and Detroit MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"1992-03-01","DateF079_era":"CE","photocredit079a1":"Don Gonzalez","DigDateF079a_era":"CE","DigDateF079a":"2008-01","AccessF080":"Restricted","HolderF080a":"Susan Salser","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-28/48-7C-32.jpg"],"Detail 1":["https://kora.quiltindex.org/files/18-14-28/30aWebsterFig19.jpg"],"Detail 1 Caption":"Feather Star from Marie Webster's \"Quilts: Their Story and How To Make Them,\" 1915.","Detail 2":["https://kora.quiltindex.org/files/18-14-28/IndianFeatherStar.jpg"],"Detail 2 Caption":"The Indian Feather Star quilt photographed on a clothesline.","Detail 3":["https://kora.quiltindex.org/files/18-14-28/18-14-28-1952-BrownFeatherStar.jpg"],"Detail 3 Caption":"A Third Prize ribbon from the Illinois State Fair in 1952.","Detail 4":["https://kora.quiltindex.org/files/18-14-28/18-14-28-1955-SingleFeatherStar.jpg"],"Detail 4 Caption":"A First Prize ribbon from the Illinois State Fair in 1955.","verify":"yes","verifiedby":"Salser,Susan","dateverified":"2009-02-20","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0c4-a","Maker Associator":"18-47-2","Quilt Associator":"18-14-95","Pattern":"INDIAN FEATHER STAR","Date":"1930-1949","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-32","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:01:45","updated_at":"2024-02-23 19:07:39"},"sort":["INDIAN FEATHER STAR"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Ba1hWZEB8akQsUweed1S","_score":null,"_source":{"kid":"18-14-93","description":"Made for grandson Michael in 1954, compare this one to #091 made for Karen in 1943.","InstNameF003":["Mary Gasperik Legacy Project"],"InstProjNameF003a":"Mary Gasperik Private Collection","InstInvContrNumF004":"093","TypeObjF008":"Quilt blocks or pieces","QuiltTitleF009":"Indian Block ","OwnerNameF010":"Indian Block (Michael)","ShapeEdgeF013":"Straight","ShapeCornersF013b":"Straight","OverallColorF14b":["Multicolor"],"OverCondF015":"Excellent/like new","OtherDamageF016a":"traces of glue from tape holding it in its original frame.","TypeInscripF019":["Date","Single"],"ContInscripF020":"\"Michael 1954\"","DateInscripF020a":"1954","MethodInscripF021":["Embroidery"],"OtherLocInscripF022a":"on front","DateQuiltF023":"1950-1975","DateFinishF023b":"1954","FamDateF023c":"1954","OtherDateF023e":"Merikay Waldvogel","LayFormatF024":"Pictorial","SubjQuiltF025":"Indian child","NumBlockF026":"1","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"MatUsedF048":"No filling","KnotsF051b":"no","QuiltTopF054":"Gasperik, Mary","QuiltedByF055":"Gasperik, Mary","LocMadeF057a":"Chicago","ProvCountyF057b":"Cook County","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","QuiltHistF059":"Made for grandson, Michael Gasperik, this applique block is now part of the collection held by Kathy Jacob for her family.","ReasonsF060":["Gift or presentation"],"QDesignF060b":["Artwork/wall hanging"],"PresUseF062":["Keepsake/memento"],"OthPresUseF062a":"Mary's grandchildren regard her quilts as a unique collection to be preserved and appreciated.","SourceMatF063":["Unknown"],"TopSourceF064":["Unknown"],"AddNotesF066":"All 6 Indians quilts, as well as the 6 applique pictures, made for the Krueger and Gasperik grandchildren use the same set of fabrics (in the same placements). The Gasperik quilts have an added border (to fit a larger bed). It appears from the Hungarian photograph that the Indians quilt sent to Hungary was probably similarly constructed. ","OtherSourceMat":"Merikay Waldvogel and Barbara Brackman. Patchwork Souvenirs of the 1933 Chicago World's Fair, (Nashville, TN: Rutledge Hill Press, 1993)102-103. \r\n

\r\nMerikay Waldvogel \"One American Dream Comes True\", Quilters Newsletter Magazine, March 2008, 46-49.","OwnershipF082":"Private","OwnerNameF082a":"Elmer Gasperik Heirs - Kathy Jacob contact","OwnerCountryF086b":["United States"],"IdentPersonF006":["Relative of quiltmaker","Author/researcher"],"RelnQuiltF007":["Grandmother"],"IfOtherF007d":"Grand-daughter Susan Salser began this research effort in 1991, after she and her two sisters divided up the quilts which belonged to their mother (Elsie Gasperik Krueger) who died in 1988. Her ongoing research has been fruitful and interesting. ","MaidenF097b":"Mihalovits, Maria","GenderF098":["Female"],"BirthDateF099":"01/25/1888","BirthplaceCountryF098d":"Hungary","MarriageF099b":"11/18/1906","DeathF100":"05/25/1969","EthnicF101":"Hungarian","EdBkgdF102":"Elementary School","EnviroF104c":["Rural"],"StAddressF105":"9314 Cottage Grove","CityF106a":"Chicago","CountyF106":"Cook","StateF107":"Illinois (IL)","CountryF108":["United States"],"FatherNameF109":"Mihalovits, Istvan","BplaceF109a":"Hungary","EthBkgrndF110":"Hungarian","MotherNameF111":"Mihalovits, Vidoszava","BplaceF111a":"Hungary","EthBkgrndF112":"Hungarian","SpouseF113":"Gasperik, Stephen","EthBkgrndF114":"Hungarian","OccupationF115":"Milk Dealer/Grocery Store Owner/Butcher","NoChildF116":"3","NoFemF116a":"1 (Elsie 1909-1988)","NoMaleF116b":"2 (Elmer and Stephen)","LearnedToQuiltF117":["From guild or club member","Self-Taught"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Pleasure","Other"],"OtherF119a":"Mary Gasperik made quilts because it was her life passion and greatest talent. As opportunities arose, she entered contests and exhibited them publicly. She also made special quilts for her family.","NameGroupF120":"Tuley Park Quilt Club and Detroit News Quilt Club","LocGroupF121":"Chicago, IL and Detroit, MI","SpecialGroupF122":"Chicago group met to quilt and held periodic quilt shows; Detroit group held national exhibits and contests.","NumQuiltsF123":"more than 50","SellQuiltF127":"no","TeachF129":"no","ImageConF075a":"whole quilt block","ImageTypeF076":"Color","SourceF077":"CD-ROM","DateF079":"2006-01-30","DateF079_era":"CE","photocredit079a1":"Kathy Jacob","DigDateF079a":"2006-01-30","DigDateF079a_era":"CE","AccessF080":"Restricted","HolderF080a":"Kathy Jacob","CopyRestF080c":"Kathy Jacob","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/18-14-93/48-7C-79-224-quiltiGasperik-a0a0k2-a_13049.jpg"],"verify":"yes","verifiedby":"Salser, Susan","dateverified":"2008-12-23","dateverified_era":"CE","pbd":"quiltiGasperik-a0a0k2-a","Maker Associator":"18-47-2","Pattern":"INDIAN BLOCK ","Date":"1950-1975","Maker":"[\"GASPERIK, MARY\"]","legacy_kid":"48-7C-79","project_id":"18","form_id":"14","owner":"1","created_at":"2020-04-25 20:02:28","updated_at":"2024-02-23 19:07:39"},"sort":["INDIAN BLOCK "]}]}}

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