{"took":7,"timed_out":false,"_shards":{"total":6,"successful":6,"skipped":0,"failed":0},"hits":{"total":{"value":84,"relation":"eq"},"max_score":null,"hits":[{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"SK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-31","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation #MAZ 22002","InstInvContrNumF004a":"TS 2020.1.19","essay":"This quilt was created to document 137 migrant deaths discovered in the Tucson Sector of the US Border Patrol during the 2018-2019 federal fiscal year. Every known migrant death from that period is inscribed on the quilt either with the individuals’ names, if known, or the word “desconocido” or “desconocida” (Spanish for “unknown”). The Migrant Quilt Project is grassroots, collaborative effort of artists, quiltmakers, and activists to express compassion for migrants who died in the Southern Arizona deserts on their way to create better lives for themselves and their families. Materials used in the quilts were collected at migrant layup sites used for rest and shelter on established trails in the Sonoran Desert. The Migrant Quilts carry the stories of those who died so that viewers of the quilts may understand the real, personal, and fatal results of inhumane immigration policies.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2018-2019","AltNameF011":"Rail fence","SubjQuiltF025":"Migrant, death, butterfly, fence, stamps, Arizona, family, hope","OverallWidthF12a":"42\"","OverallLengthF012b":"56.25\"","OtherShapeEdgeF013a":"Curved","PredomColorsF014":["Beige","Black","Blue","Brown","Cream","Green","White"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Block pattern","NumBlockF026":"54","SizeBlockF027":"7.5 inches","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"UniqueF037b":"Denim","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Machine Applique"],"ConstrucF038d":["Other novelty technique"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)","Embroidery","Other embellishment technique"],"UniqueF039a":"Postage stamps, letters made from fabric pieces, embroidery simulating barbed wire.","MatUsedF048":"Cannot tell","QuiltTechF049":["Machine quilting"],"DesignF052d":"Zig-zagged edges","ThrTypeF049a":"Cotton poly","ThrColorF049b":"Multi","MatUsedF044":["Linen"],"FabStrucF045":["Twill weave"],"ConstrucBindF046":["Separate binding applied","Bias grain","Machine sewn"],"BindWidthF047a":"3/8\"","FabFiberTypesF040":["Cotton or polyester blend"],"DescBackF043":["Different fabrics","Machine sewn"],"NumPiecesF042":"3","WidthPiecesF042a":"17.5 in, 4.75 in, 20 in","TypeInscripF019":["Date","Multiple Names","Place"],"MethodInscripF021":["Attached label","Computer generated"],"LocInscripF022":["multiple locations","on back"],"DateInscripF020a":"2018-2019 (made in 2019)","ContInscripF020":"Front: 2018-2019 Tucson Sector, Family, Hope, Security, Safety, Work, Better Life, Gangs, Fear, Drugs, Violence, Rape, Hunger. Back: Designed and constructed in 2019. By Reilly Zoda & Gerry Murano. In Memory of these 137 people who have lost their lives in the Tucson Sector of the borderlands. https://migrantquiltproject.org/. Front includes 137 names or the word desconocido/desconocida. ","OverCondF015":"Very good/almost new","DamageF016":["Fading","Open seams","Stains"],"RepairHistF018":"Stains and fading are inherent in the materials. ","FeaturesF053":"The quiltmakers depicted the border wall on the quilt and placed words on one side or the other suggesting possible reasons why migrants might have left their homeland and what they hope for in the United States. Dimensional butterflies attached to the quilt symbolize the souls of the deceased migrants, and actual postage stamps arranged in the shape of a cross represent the countries they came from.","DateBegunF023a":"2019","DateFinishF023b":"2019","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative","Memorial","Mourning"],"OtherF060a":"Social justice/human rights awareness","PresUseF062":["Exhibit","Museum collection"],"LocMadeF057a":"Tucson","ProvCountyF057b":"Pima","ProvStateF057d":"Arizona (AZ)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Discarded migrant clothing collected in the desert (not from deceased migrants), and found objects including postage stamps.","TopSourceF064":["Original to maker"],"ExhibitListF067a":"Aug. 20-Dec. 16, 2021: Trying to Make Sense of It: 9/11, Loss, and Memorial Quilts, International Quilt Museum, Lincoln, Nebraska. https://www.internationalquiltmuseum.org/exhibition/trying-make-sense-it-9/11-loss-and-memorial-quilts \r\nJan. 20, 2022-Feb. 28, 2023: Los Desconocidos: The Migrant Quilt Project, Arizona History Museum, 949 E 2nd St, Tucson, Arizona. http://arizonahistoricalsociety.org","AddNotesF132":"It was a great honor to have the privilege of creating the 2018-2019 Tucson Sector Migrant Quilt. In collaboration with Gerry Murano, I put the 137 names received from the Pima County Coroner’s Office, on a field of migrant denim taken from the desert, in a traditional quilting pattern, “Rail Fence.”
\r\nI added an actual rail fence, and below it put some of the reasons why so many of the migrants hazard such a dangerous journey. The words above the fence are some of the hopes that I imagine they have for a new life in America. Lastly, 137 butterflies symbolize each soul on their final journey, no longer hungry, scared and despairing. I think about these men and women frequently!
\r\nI want to thank Jody and Peggy so much for this wonderful project which tells the tale of these travelers throughout the country. It makes a difference when one can humanize the people. (Reilly Zoda)
\r\nI was honored to be asked to contribute to the Migrant Quilt Project. I believe it takes something remarkable and frightening for people to risk everything and leave their home country, so at the Postal History Foundation in Tucson, I located stamps from the homelands these migrants left and incorporated them as part of their stories. As I have had the privilege since March 2018, of helping serve many of the migrants who were fortunate and arrived safely at the Casa Alitas shelter, memorializing these lost ones holds a special meaning for me. (Gerry Murano)\r\n","QuiltTopF054":"Zoda, Reilly","QuiltedByF055":"Zoda, Reilly","OthPeopleF056":"Murano, Gerry","CityF106a":"Tucson","StateF107":"Arizona (AZ)","CountyF106":"Pima","CountryF108":["United States"],"OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","SourceOtherF006a":"Joyce Harrison, Rebecca Aparicio, and Peggy Hazard","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd Street","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"9/2/2022","QuiltHistF059":"Quilt was made by volunteers for the Migrant Quilt Project.","photocredit079a1":"Wilson Graham","DateF079":"2020-01-31","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-31/2018.2019.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-31/2018.2019d1.jpg"],"Detail 2":["https://kora.quiltindex.org/files/45-46-31/2018.2019d2.jpg"],"Detail 3":["https://kora.quiltindex.org/files/45-46-31/2018.2019d3.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2022-09-07","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2018-2019","Maker":"[\"ZODA, REILLY\"]","Date":"2000-2025","Contributing Institutions":"MATRIX, Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","project_id":"45","form_id":"46","owner":"7","created_at":"2022-09-07 18:37:27","updated_at":"2024-02-26 14:36:16"},"sort":["[\"ZODA, REILLY\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"XK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-51","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","InstInvContrNumF004a":"2001:150.4","essay":"This memory cloth, intended to be sold as a wall hanging, was made as part of a cooperative of beadworkers and doll makers who have had a marketing agreement with the African Art Gallery in Durban, South Africa. This textile and others made as part of this project mark a slight departure from their regular work but was intended to help them develop new product to attract new customers. The artists were each asked to think about some pivotal experience they had in recent years, and to express this experience in narrative form using embroidery, applique, and beadwork. The first set of these narrative textiles were shown at the African Art Center and at the Durban Art Gallery. Each textile carries the name of the artist and, attached on paper, a very brief statement (in Zulu and English) of the scene or incident the woman has depicted. The narrative for this piece reads, “There is something I shall not forget, the enemies were here at home to kill us.”1 — Lobolile Ximba
1Marsha MacDowell, statement accompanying memory cloth when it was purchased from the African Art Gallery by the MSU Museum, MSU Museum document file for # 2001:150.4.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Memory Cloth","OverallWidthF12a":"15 1/2\"","OverallLengthF012b":"12\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Green","Red","Yellow","White"],"LayFormatF024":"Pictorial","FiberTypesF035":["Cotton"],"UniqueF037b":"Embroidery thread, beads","ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"UniqueF038h":"Beadwork","DateFinishF023b":"2001","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative","Personal income"],"PresUseF062":["Museum collection"],"LocMadeF057a":"Durban","ProvCountryF057f":["South Africa"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 116-117.","QuiltTopF054":"Ximba, Lobolile","OwnerNameF082a":"Michigan State University Museum","OwnershipF082":"Public Museum, Library, or Institution","OwnerCityF084":"East Lansing","OwnerStateF086":"Michigan (MI)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Michigan State University Museum, all rights reserved","DateDataF006b":"2013","photocredit079a1":"Pearl Yee Wong","ReposFile":["https://kora.quiltindex.org/files/45-46-51/070-StoryCloth-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-51/070-StoryCloth-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"MEMORY CLOTH","Maker":"[\"XIMBA, LOBOLILE\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:13","updated_at":"2024-07-18 04:11:34"},"sort":["[\"XIMBA, LOBOLILE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Jq5iWZEB8akQsUwe6hGu","_score":null,"_source":{"kid":"22-18-1834","InstProjNameF003a":"Quilts of Tennessee","InstInvContrNumF004":"1868","InstInvContrNumF004a":"1868a","AcquiredF058":"Gift","QuiltHistF059":"Elva Wilson lived alone in a cabin--living a 19th century existence. The quilt owner visited her on a regular basis. ","QuiltTitleF009":"String","LocMadeF057a":"Clifty Community","ProvCountyF057b":"Cumberland","ProvStateF057d":"Tennessee (TN)","ProvCountryF057f":["United States"],"DateQuiltF023":"1930-1949","OtherExDateF023d":"1930","OtherDateF023e":"Merikay Waldvogel","QuiltTopF054":"Wilson, Elva","BirthplaceCityF098a":"Cumberland County","BirthplaceStateF098b":"Tennessee","BirthplaceCountryF098d":"United States","QuiltedByF055":"Wilson, Elva","RelItemsF088a":"Merikay Waldvogel Soft Covers for Hard Times: Quiltmaking and the Great Depression (Nashville, TN: Rutledge Hill Press, 1990), 51.","MaidenF097b":"Wilson, Elva","GenderF098":["Female"],"EnviroF104c":["Rural"],"OverallWidthF12a":"64 inches","OverallLengthF012b":"75.5 inches","ShapeCornersF013b":"Straight","TypeObjF008":"Finished quilt","SourceMatF063":["Sewing scraps"],"TopSourceF064":["Traditional pattern variation"],"LayFormatF024":"Crazy","NumBlockF026":"288","ConstrucF038":["Strip/string Piecing"],"ConstrucF038g":["Embroidery"],"OverCondF015":"Good/moderate use","FiberTypesF035":["Cotton"],"FabPrintF037":["Print"],"OverallColorF14b":["Multicolor"],"ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"ShapeEdgeF013":"Straight","FabFiberTypesF040":["Cotton"],"ColorBackingF040b":["Turqoise or Teal"],"ConstrucBindF046":["Straight grain","Hand sewn"],"FeaturesF053":"The tiny size of pieces is remarkable. Embroidered edges of the quilt squares in briar stitch is somewhat of a throw-back to crazy quilt style several decades earlier.","QuiltTechF049":["Hand quilting"],"DesignF052a":["Elbow/fan"],"ExhibitListF067a":"“Soft Covers for Hard Times: Quiltmaking and the Great Depression” curated by Merikay Waldvogel and sponsored by the Knoxville Museum of Art and Smith-Kramer, Inc. Touring exhibit of quilts showcasing 1930s Great Depression of the US. \r\nKnoxville Museum of Art, Knoxville, TN (June-August 1990); \r\nOklahoma City Art Museum, Oklahoma City, OK (September – November, 1990); \r\nGalleries of the Philharmonic Performing Arts Center, Naples, FL (March-April 1991);\r\nWichita Falls Museum & Art Center, Wichita Falls, Texas (May-July 1991); \r\nDane G. Hansen Memorial Museum, Logan, KS (August – October 1991); \r\nAlbany Museum of Art, Albany, GA (November 1991-January 1992); \r\nBergstrom-Mahler Museum, Neenah, WI (February-March 1992); \r\nChicago Public Library Cultural Center, Chicago, IL (April-May 1992); \r\nTennessee State Museum, Nashville, TN (June-August 1992)","InstNameF003":["Tennessee State Library and Archives","Quilts and Human Rights"],"RelnQuiltF007":["Quilt owner"],"IfQmakerF007a":["Made entire quilt"],"IfQownerF007b":["Purchased the quilt"],"InvenNumF075":"1868a","ImageConF075a":"quilt","ImageTypeF076":"Color","SourceF077":"Slide","DigDateF079a":"2004-09-04","DigDateF079a_era":"CE","AccessF080":"Restricted","HolderF080a":"Quilts of Tennessee","CreditLineF080b":"Courtesy of Tennessee State Library and Archives","DistribRestF080d":"Contact Tennessee State Library and Archives","function":"Image - medium display (250-550 pixels)","file medium":"image","file format":"jpeg","file size":"38.46K","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ReposFile":["https://kora.quiltindex.org/files/22-18-1834/TennesseeTSLA-a0a7m8-a_7865.jpg"],"verify":"yes","pbd":"TennesseeTSLA-a0a7m8-a","Pattern":"STRING","Maker":"[\"WILSON, ELVA\"]","Date":"1930-1949","legacy_kid":"4C-83-A0C","project_id":"22","form_id":"18","owner":"1","created_at":"2020-04-25 21:57:37","updated_at":"2024-02-23 19:09:36"},"sort":["[\"WILSON, ELVA\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Za5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-60","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"“On December 26th 1862, following six weeks war now referred to as the U.S.- Dakota War of 1862, thirty-eight Dakota men were hanged in Mankato Minnesota- a hanging that remains the largest one-day execution in American history. Among these men was Wicaŋḣpi Wastedaŋpi, or Good Little Stars. Within the Dakota culture, each child born has a name which denotes their birth order, and first born males are called Caske. Wicaŋḣpi Wastedaŋpi, among many others, often answered to Caske.
Wicaŋḣpi Wastedaŋpi and his family had protected Sarah Wakefield, the wife of a doctor at the Upper Sioux Agency, and her children during the war. In spite of protests and professions of his innocence by Mrs. Wakefield, he was sentenced to death, and she ostracized for her efforts to protect him.
There is much historical lore and conflicting accounts of whether or not this man was hanged by mistake or whether his execution was deliberate. One version of the story purports that because there were several men with the name Caske imprisoned, Wicaŋḣpi Wastedaŋpi simply answered the executioner’s call by mistake. A closer inspection of the historical record proves this version to be oversimplified and perhaps superficial.
Today, to many Dakota people, Wicaŋḣpi Wastedaŋpi represents a martyr or a lost hero. It can be seen that for his efforts in protecting other human lives, his only reward was a vindictive frontier justice. Through Gwen Westerman’s quilt, she gives voice to Caske who asks for pardon for those who wrongly executed him.”1 — Gwen Westerman
1Linda McShannock and Ben Gessner, email correspondence with Beth Donaldson, January 24, 2014.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Caske's Pardon","OverallWidthF12a":"34\"","OverallLengthF012b":"48\"","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Nontraditional or art","FiberTypesF035":["Cotton"],"UniqueF037b":"Glass, beads, hemp, paper.","ConstrucF038b":["Applique"],"UniqueF038h":"Thread sketching, stretched on canvas bars.","DateFinishF023b":"2012","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"PresUseF062":["Museum collection"],"LocMadeF057a":"Mankato","ProvStateF057d":"Minnesota (MN)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 164-165.","QuiltTopF054":"Westerman, Gwen","OwnerNameF082a":"Minnesota Historical Society","OwnershipF082":"Public Museum, Library, or Institution","OwnerCityF084":"Minneapolis","OwnerStateF086":"Minnesota (MN)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Minnesota Historical Society, all rights reserved","DateDataF006b":"2014-01-24","photocredit079a1":"Courtesy of Minnesota Historical Society","ReposFile":["https://kora.quiltindex.org/files/45-46-60/094-CaskesPardon-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-60/094-CaskesPardon-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"CASKES PARDON","Maker":"[\"WESTERMAN, GWEN\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:22","updated_at":"2024-07-18 04:11:34"},"sort":["[\"WESTERMAN, GWEN\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"ba5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-68","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Quilts and Health","essay":"A month after the bombing in April at the Boston Marathon, artist-activist Clara Wainwright began inviting individuals throughout Boston to work with her to make a quilt that would both serve as a means of individuals working through their own grief and trauma as well as serve as a memorial to those who died or were injured. Those who joined Wainwright in this endeavor included those who were only yards away from the blast and the mother of an officer who was shot during the pursuit of the bombers. According to Wainwright, two trauma surgeons who worked on the quilt “did all these stitches and then tied them off just like they do in surgery.”.1 Wainwright has worked on over 60 community quilts, including one called Mending Baghdad, following the 2003 invasion by the U.S. of Iraq \r\n \r\n1Greg Cook, “Quilting to Mend the Wounds of the Marathon Bombing,” The Artery (WBUR Radio Station) July 6, 2013. Accessed July 30, 2013.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Mending Boston","OverallWidthF12a":"64\"","OverallLengthF012b":"136\"","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Nontraditional or art","UniqueF037b":"Beads, embroidery thread, a variety of fabrics","ConstrucF038g":["Embroidery"],"UniqueF038h":"Mending stitches, beading","DateFinishF023b":"2014","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative","Memorial"],"PresUseF062":["Other collection"],"LocMadeF057a":"Cambridge","ProvStateF057d":"Massachusetts (MA)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 186-187.","QuiltTopF054":"Wainwright, Clara","OwnerNameF082a":"Spaulding Rehabilitation Hospital","OwnershipF082":"Public","OwnerCityF084":"Charlestown","OwnerStateF086":"Massachusetts (MA)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Spaulding Rehabilitation Hospital, all rights reserved","DateDataF006b":"2014-06-20","photocredit079a1":"Courtesy of Spaulding Rehabilitation Hospital","ReposFile":["https://kora.quiltindex.org/files/45-46-68/105-MendingBoston-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-68/105-MendingBoston-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"MENDING BOSTON","Maker":"[\"WAINWRIGHT, CLARA\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:29","updated_at":"2024-07-18 04:11:34"},"sort":["[\"WAINWRIGHT, CLARA\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Oa5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-16","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation Project #MAZ170010","InstInvContrNumF004a":"TS 2020.1.16","essay":"This piece was commissioned by the Migrant Quilt Project to honor and call attention to those who died crossing the border in the 2015-2016 fiscal year. It is made in part with clothing discarded at the border by migrants. The Project commissions a quilt each year, and the quilt must have the names of those whose have died while crossing, or, in the case of unidentified bodies, the word desconocido (unknown or stranger in Spanish). It was an honor to make this piece with Julia Moore, a high school intern who worked with me this winter. \r\n \r\nAt the corner of East 15th Street and Kino Blvd. in Tucson is a monumental equestrian statue of Fr. Eusebio Francisco Kino. He was the first European to come to the area. Fr. Kino is, in a sense, our first border crosser. The statue (by Julian Martinez) looms large above the intersection and for years, I confess, I have wanted to quilt bomb it with an immigration theme. I am not sure how that is possible without access to a cherry picker. (Not so subtle!) I made a transparent silhouette of the statue to incorporate into this piece. The quilt also features a Virgin of Guadalupe, a marijuana-themed bandanna, and 400 pesos (which I found secreted into the hems of two pairs of jeans \r\n \r\nThe number of desconocidos for the Migrant Quilt Project this year? One hundred forty-four deaths. Aged 18-51 years. Ten women,128 men, 6 unknown. Three teenagers.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2015-2016","SubjQuiltF025":"Migrant deaths in the Arizona deserts","OverallWidthF12a":"61\"","OverallLengthF012b":"84.5\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Beige","Blue"],"OverallColorF14b":["Two color"],"LayFormatF024":"Nontraditional or art","FiberTypesF035":["Cotton","Cotton or polyester blend","Other synthetic"],"UniqueF037b":"Migrant clothing scraps, nylon fabric.","ConstrucF038b":["Machine Applique","Fusible Applique"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)","Photography/ photo transfer"],"UniqueF038h":"Nylon fabric lettering is burned on the edges. Webbing of metallic thread used to connect the two separate pieces of this work.","UniqueF039a":"Back of migrant jeans, bandana, Mexican paper pesos. ","MatUsedF048":"No filling","QuiltTechF049":["Machine quilting"],"DesignF052d":"Wavy lines, with outline stitching on letters.","ThrTypeF049a":"polyester","ThrColorF049b":"beige","FabFiberTypesF040":["Cotton or polyester blend"],"DescBackF043":["Same fabric used throughout","Solid/plain"],"ColorBackingF040b":["Beige"],"NumPiecesF042":"2","WidthPiecesF042a":"60.5\" x 20.5\"; 60.5\" x 63\"","TypeInscripF019":["Date","Multiple Names","Message","Place"],"MethodInscripF021":["Attached label","Computer generated"],"LocInscripF022":["multiple locations"],"ContInscripF020":"Multiple names of deceased migrants and the word \"desconocido\" to indicate each unidentified migrant. \"Father Kino was Tucson's first border crosser.\" ","OverCondF015":"Excellent/like new","DateBegunF023a":"2017","DateFinishF023b":"2017","DateQuiltF023":"2000-2025","ReasonsF060":["Anniversary","Memorial","Mourning","Therapy"],"OtherF060a":"Made as a memorial to migrants who have died during the given year and to raise consciousness about their deaths.","PresUseF062":["Exhibit"],"LocMadeF057a":"Tucson","ProvCountyF057b":"Pima","ProvStateF057d":"Arizona (AZ)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Migrant clothing--blue jeans and other items salvaged from migrant layup sites in the Sonoran Desert.","ExhibitListF067a":"March/April 2017: Amado Unitarian Universalist Church, Amado AZ \r\nJune/July 2017: Sky Island Unitarian Universalist Church, Sierra Vista AZ \r\nAugust 25-September 22, 2017: Tempe History Museum, Tempe AZ \r\nNovember 2017: Dia de los Muertos exhibit, Arizona History Museum, Tucson AZ \r\nFebruary 2018: Pimeria Alta Museum, Nogales, AZ \r\nMarch 1-26, 2018: St. Francis in the Valley Episcopal Church, Green Valley, AZ \r\nMay 1-July 15 2018: New England Quilt Museum, Lowell, MA \r\nAugust 6-September 4, 2018: Loutit District Library, Grand Haven, MI \r\nSeptember 15-October 14, 2018: Urban Edge Gallery, Waukegan Arts Council, Waukegan, IL","RelItemsF088a":"migrantquiltproject.org \r\n \r\nhttps://www.facebook.com/migrantquiltproject/ \r\n \r\nLocal Library Hosts Migrant Quilt Project, by Krystle Wagner. Grand Haven Tribune, August 13, 2018. https://www.grandhaventribune.com/Local/2018/08/13/Library-hosts-Migrant-Quilt-Project.html?ci=content&lp=2&p=1 \r\n \r\n"With Paint and Patchwork, Artists Offer a New Perspective on Immigration," by Donna Bryson. Christian Science Monitor, July 17, 2018. https://www.csmonitor.com/The-Culture/Arts/2018/0717/Immigration-debate-appears-in-the-art-world \r\n \r\n"The Migrant Quilt, by Valarie Lee James. Kosmos Journal, Summer 2018. https://www.kosmosjournal.org/kj_article/the-migrant-quilt/ \r\n \r\n"Migrant Quilt Project brings border tragedies to the surface, stitch by stitch," by Mark Pratt, AP. Los Angeles Times, May 7, 2018. (and picked up by other papers) http://www.latimes.com/entertainment/arts/la-et-cm-migrant-quilt-project-20180507-story.html \r\n \r\n"The Migrant Quilt Project: Stitching Compassion and Change," by Mary Fons. Quiltfolk, issue 6, pp. 98-111. www.quiltfolk.com \r\n \r\nVideo feature about the Migrant Quilt Project's exhibition at the Pimeria Alta Historical Museum in Nogales, Arizona. February 11 &12, 2018. https://www.kgun9.com/news/local-news/quilts-honor-migrants-who-died-while-crossing-the-border \r\n \r\n"Quilts honoring migrants come to Nogales museum," by Kendal Blust. Nogales International, January 30, 2018. http://migrantquiltproject.org/wp-content/uploads/2009/06/Nogales-exhibit.html \r\n \r\n"The Migrant Quilt Project Remembers Lives Lost Along the U.S.-Mexico Border," by Katherine Davis-Young. Atlas Obscura, November 27, 2017. https://www.atlasobscura.com/articles/migrant-quilt-project-border-tucson-arizona-mexico \r\n \r\nVideo about the Migrant Quilt Project by Al Jazeera!http://share.ajplus.net/shared/36014 \r\n \r\n"How Arizona Artists Are Using Quilts in the Border Debate," by Lynn Trimble. Phoenix New Times, September 21, 2017. https://www.phoenixnewtimes.com/arts/arizona-migrant-quilt-project-9705139 \r\n \r\n"Migrant Quilt Project raises awareness of migrant deaths through tangible message," by Angela Martinez. Daily Wildcat, April 22, 2017. www.wildcat.arizona.edu/article/2017/04/migrant-quilt-project-raises-awareness-of-migrant-deaths-through-tangible-message \r\n \r\n"Migrant memorials: Quilts honor migrants who died in the Arizona desert," by Kendal Blust. Arizona Daily Star, January 5, 2017. http://tucson.com/entertainment/arts-and-theatre/migrant-memorials-quilts-honor-migrants-who-died-in-the-arizona/article_4d863933-be96-56ea-9f86-972068698253.html \r\n \r\n"Quilt project remembers border crossers," by Ellen Sussman. Special to the Green Valley News, March 15, 2017. http://www.gvnews.com/news/quilt-project-remembers-border-crossers/article_d9a8aaec-0999-11e7-bf14-2b7a2df9c509.html","QuiltTopF054":"Vaneecke, Mary","QuiltedByF055":"Vaneecke, Mary","OthPeopleF056":"Moore, Julia (intern)","GenderF098":["Female"],"CityF106a":"Tucson","StateF107":"Arizona (AZ)","CountyF106":"Pima","CountryF108":["United States"],"LearnedToQuiltF117":["From Class"],"WhenQuiltF118":["Age 40-49"],"WhyQuiltF119":["Income","Pleasure"],"NumQuiltsF123":"more than 50","SellQuiltF127":"yes","TeachF129":"yes","NameGroupF120":"Tucson Quilters Guild, Studio Art Quilt Associates, Surface Design Association, Fiber Artists of Southern Arizona ","OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","IdentPersonF006":["Author/researcher"],"SourceOtherF006a":"Curator of the Migrant Quilt Project","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd St.","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"2017","interviewerF007e":"Mary Vaneecke","QuiltHistF059":"Quilt was made by volunteers for the Migrant Quilt Project.","photocredit079a1":"Wilson Graham Photography","DateF079":"2018-01-22","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-16/2015.2016.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-16/2015.2013.zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-16/2015.2016.detail1.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2018-08-15","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2015-2016","Maker":"[\"VANEECKE, MARY\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University and Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","LocGroupF121":"Tucson and national","ImageTypeF076":"Color","SourceF077":"Digital","legacy_kid":"6F-11F-A","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:37","updated_at":"2024-02-26 14:36:16"},"sort":["[\"VANEECKE, MARY\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Xa5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-52","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"“This piece is dedicated to the courageous, homeless women of Seattle and everywhere. They get up each morning facing challenges that are incomprehensible to most of us. They need the basics of food, a warm, dry place to stay, shower — not just for themselves but for their children too. The "fabrics" used in this piece are bits from their daily lives — plastic bags, corrugated cardboard, used tarp, newspaper — cast-offs of society as are they. It uses the conventional squares and triangles of the world of the housed, my world. Is there beauty in this piece? I don't know. How can you fit together the homeless world of rejection and uncertainty with my world of comfort and security?”1 — Jo Van Patten \r\n \r\n1Contemporary Quilt Art Association. Accessed January 6, 2013.","TypeObjF008":"Finished quilt","QuiltTitleF009":"The Fabrics of Homelessness","OverallWidthF12a":"27\"","OverallLengthF012b":"36\"","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Nontraditional or art","UniqueF037b":"Tarp, plastic bags, cardboard, thread, glue","DateFinishF023b":"2005","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression"],"LocMadeF057a":"Greenbank or Whidbey Island","ProvStateF057d":"Washington (WA)","ProvCountryF057f":["United States"],"OthSourceF063a":"Bits of materials from a homeless person's daily life.","TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 118-119.","QuiltTopF054":"Van Patten","OthPeopleF056":"Jo","AccessF080":"Restricted","DateDataF006b":"2014-02-17","photocredit079a1":"Jo Van Patten","ReposFile":["https://kora.quiltindex.org/files/45-46-52/071-FabricsOfHomelessness-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-52/071-FabricsOfHomelessness-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"THE FABRICS OF HOMELESSNESS","Maker":"[\"VAN PATTEN\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:14","updated_at":"2024-07-18 04:11:34"},"sort":["[\"VAN PATTEN\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"aa5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-64","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"“I have never quite been able to erase images from my mind of photographs taken at the prison in Abu Ghraib where our own US military used horrific methods of torture on Iraqui prisoners in 2008. Especially disturbing were the photos of our military women seeming to actually enjoy the inhumane treatment of these prisoners…………even treating them like trained and collared animals or stacking their nude bodies one atop another; these were among the many forms of sexual humiliation inflicted.
Also horrifically disturbing were photos of hooded prisoners being tortured with electrical shock to their extremities and to their genitals. My quilt represents a particular photo known as “The Man behind the Hood”, a man named Al Shalal who is an Iraqui Professor of Theology and eventually testified at the War Crimes Commission held in Kuala Lumpur against the US administration.
These photographs quickly circulated around the globe. They were widely rebroadcast throughout every country for months if not years. The only country that seemed not to express widespread outrage and universal condemnation was the United States, where such conduct was deemed an aberration and therefore non-representative.
But the damage to the image of the United States is irreversible. I have therefore recreated in my piece the image of the prisoner tortured with electrical shock. He wears, over his hood, the face of “V” (Guy Hawkes) which has become a global symbol for the common man protesting the outrages of our times and promoting the camaraderie and unification of fellow protestors.
In essence, my message is that the unwanted consequences of actions such as the torture perpetrated at Abu Ghraib are far reaching, irreparable, and devastating for our country’s future.”1 — Patricia Anderson Turner
1Patricia Anderson Turner, Quilts and Human Rights Documentation Record, 2014, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Aftermath Abu Ghraib","OverallWidthF12a":"40\"","OverallLengthF012b":"30\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Gold","Black","White"],"LayFormatF024":"Pictorial","UniqueF037b":"Artist-dyed archival paper, silk charmeuse, chenille yarn, commercial fabric, artist dyed and painted cotton, rayon thread","ConstrucF038b":["Applique"],"ConstrucF038g":["Painting"],"UniqueF038h":"Dyeing, quilting, thread painting","DateFinishF023b":"2013","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"LocMadeF057a":"Charlotte Harbor","ProvStateF057d":"Florida (FL)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 174-175.","QuiltTopF054":"Turner, Patricia Anderson","OwnerNameF082a":"Patricia Anderson Turner","OwnershipF082":"Private","OwnerCityF084":"Charlotte Harbor","OwnerStateF086":"Florida (FL)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Patricia Anderson Turner, all rights reserved","DateDataF006b":"2014-01-16","photocredit079a1":"William Begg Photography","ReposFile":["https://kora.quiltindex.org/files/45-46-64/099-AftermathAbuGhraib-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-64/099-AftermathAbuGhraib-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"AFTERMATH ABU GHRAIB","Maker":"[\"TURNER, PATRICIA ANDERSON\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:25","updated_at":"2024-07-18 04:11:34"},"sort":["[\"TURNER, PATRICIA ANDERSON\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"T65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-38","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Black Disapora Quilt History Project","essay":"At the beginning of the community based Lynch Quilts Project, artist activist Lashawnda Crowe Storm made a nationwide plea for fabric contributions. She received baby bibs, wedding dresses, handmade fabrics and more which are used in the making of quilts that address racism. \r\n \r\n[I started the project to] “explore the history and ramifications of racial violence, specifically lynching, in the United States through the textile tradition of quilting. The project consists of a series of six quilts tackling the lynching phenomenon from various perspectives such as collective memory, communal conflict, gender, healing and politics. The quilts combine a variety of traditional and contemporary quilting techniques to examine how the past, present and future are intricately connected. \r\n \r\nThe physical expression of this project is revealed when the softness and malleability of fabric intersects the hard and steady puncture of the needle. Quilting is the ideal choice to explore this history because of the great metaphors the quilting process personifies and the communal aspect of quilt making. Quilting is about piecing together remnants of fabric and lost history, reclaiming tossed garments and forgotten lives, stitching together all of these fragments into a whole cloth that reflects a more balanced and total view of history, revealing multiple truths along the way. While the act of sewing opens and reveals, then comforts and hides the complexity of the history and ramifications of racial violence and intolerance. Each stitch acts as a guide on the journey towards this possible future. \r\n \r\nThe historic roots of quilting lie within the context of the communal circle. Thus, as the fabric can absorb the pain and the needle can guide the way through the process, the act of circling to sew for the purpose of healing acts as the balancing force in the face of the legacy of lynching, leading the way towards a more tolerant and healed community. Quilt making is a complex or simple mundane task, which can produce fantastically, beautiful objects that are both utilitarian and necessary. More importantly, these are the same characteristics needed to build a new society. \r\n \r\nEach time the project is exhibited complex discussions on race and lynching occur with many engaging in open conversation about their struggle with race and racism issues as they exist in America. Many also talk about the impact this violence had directly on their families, either as victims or perpetrators. At each exhibition, viewers have the opportunity to record their stories in a project journal and contribute fabric to the project. To date, dozens of stories and more than 150 pounds of fabric donations have been collected.” — Lashawnda Crowe Storm \r\n \r\nDr. Nancy Dawson uses the documentary quilt top she created as a tool to inform members of the Stewart County Historical Society about the history of slavery in their area as they quilt around the frame at an event in 2011. The quilt contains images of documents related to slavery, including slave auction notices, ads for slave catchers for hire and notices of runaways. The educational event was designed as a quilting bee to make it easier for people to talk about slavery in all its aspects without fear of repercussion or ridicule.1 \r\n \r\n1“Quilting bee preserves Stewart County slavery history.”","TypeObjF008":"Finished quilt","QuiltTitleF009":"Her Name Was Laura Nelson","OverallWidthF12a":"90 1/2\"","OverallLengthF012b":"123 1/2\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Black","Gray","Red","White"],"LayFormatF024":"Medallion or framed center","ArrangeBlockF028":"Straight","NumBordersF033":"2","BordDescF034":"Inner red, outer red appliqued on black","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"UniqueF037b":"Glass beads, donated fabric.","ConstrucF038b":["Applique"],"ConstrucF038g":["Photography/photo transfer"],"UniqueF038h":"Raw edge machine piecing","QuiltTechF049":["Hand quilting","Tied or tufted"],"DateBegunF023a":"2003","DateFinishF023b":"2004","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"LocMadeF057a":"Indianapolis, IN and Chicago","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"OthSourceF063a":"Fabric was donated.","TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 40.","QuiltTopF054":"Storm, Lashawnda Crowe","OthPeopleF056":"Williams, Patricia M.","OwnerNameF082a":"Lawanda Crowe Storm","OwnershipF082":"Private","AccessF080":"Restricted","HolderF080a":"Lawanda Crowe Storm, all rights reserved","DateDataF006b":"2013-09-22","photocredit079a1":"Courtesy of Lawanda Crowe Storm","ReposFile":["https://kora.quiltindex.org/files/45-46-38/027-HerNameWasLauraNelson-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-38/027-HerNameWasLauraNelson-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"HER NAME WAS LAURA NELSON","Maker":"[\"STORM, LASHAWNDA CROWE\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:01","updated_at":"2024-07-18 04:11:34"},"sort":["[\"STORM, LASHAWNDA CROWE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"bK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-67","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Quilts and Health","essay":"“My nephew was a first grader at Sandy Hook Elementary School on December 14, 2012, when his carefree childhood came to an abrupt end as a murderer came into his school and killed 20 of his classmates and 6 school employees. One of his best friends was among the victims. In order to help make sense of the tragedy, my nephew suggested writing the names of his friends on balloons and then releasing them with his classmates.
“Shattered Childhood” shows my nephew and his friend as silhouettes behind the words of a news article about the shooting. This article is cut into 26 pieces to represent the 26 victims and to resemble broken glass. The balloons in the upper left corner are a symbol of hope that the community will rise from this tragedy, carrying with it the memory of those lost.”1 — Heather G. Stoltz
1Heather G. Stoltz, Quilts and Human Rights Documentation Record, 2014, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Shattered Childhood","OverallWidthF12a":"14\"","OverallLengthF012b":"11\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Gray","Black","Gold","Blue","Purple","Red"],"LayFormatF024":"Pictorial","DateFinishF023b":"2014","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative","Memorial"],"LocMadeF057a":"White Plains","ProvStateF057d":"New York (NY)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 184-185.","QuiltTopF054":"Stoltz, Heather G.","OwnerNameF082a":"Heather G. Stoltz","OwnershipF082":"Private","OwnerCityF084":"White Plains","OwnerStateF086":"New York (NY)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Heather G. Stoltz, all rights reserved","DateDataF006b":"2014-01-20","photocredit079a1":"Courtesy of Heather G. Stoltz","ReposFile":["https://kora.quiltindex.org/files/45-46-67/104-ShatteredChildhood-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-67/104-ShatteredChildhood-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"SHATTERED CHILDHOOD","Maker":"[\"STOLTZ, HEATHER G.\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:28","updated_at":"2024-07-18 04:11:34"},"sort":["[\"STOLTZ, HEATHER G.\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"U65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-42","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"In 2011, The Advocacy Project (AP) partnered with the office of the Special Representative for Roma Issues at the Council of Europe, to help eight Roma women from the Strasbourg area tell their story through quilting. They were helped by a local artist and AP Peace Fellow Kerry McBroom. Their quilt celebrates the Council’s Dosta! campaign to end discrimination against Roma, and each panel depicts a struggle that the Roma community faces from land rights to discrimination in education, from domestic violence and deportation to begging. The lively designs also show that Roma culture can thrive in adversity and serves as a tool to produce real social change for the Roma community. \r\n \r\nAfter completion of the quilt, it toured throughout Europe and the U.S. Eventually the mayor of Strasbourg was persuaded by the Council of Europe to provide the quilt artists with housing and a work permit in recognition of their fine work. Each of the quilters and their families were relocated to a site in Strasbourg, where they have housing, water, electricity, and other basic utilities. All of the children were enrolled at a local school, and the city government was seeking a way to reintegrate the Roma into commercial life by providing them with training and apprenticeships in French.1 \r\n \r\n1Karin Orr representing the Advocacy Project, Quilts and Human Rights Documentation Form, January 3, 2014, Collection of MSU Museum and The Dosta! (Enough!) Quilt. The Advocacy Project. Accessed October 1, 2013.","TypeObjF008":"Finished quilt","QuiltTitleF009":"The Dosta (Enough) Quilt","OverallWidthF12a":"94\"","OverallLengthF012b":"74\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Black"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Block pattern","NumBlockF026":"12","ArrangeBlockF028":"Straight","SpacingF029":["Separated by plain sashing"],"FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Machine Applique"],"TypeInscripF019":["Message"],"LocInscripF022":["on border"],"OtherTypeInscripF019a":"Appliqued and embroidered","DateFinishF023b":"2011","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"LocMadeF057a":"Strasbourg","ProvCountryF057f":["France"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 60.","QuiltTopF054":"Stancu, Ramona","OwnerNameF082a":"The Advocacy Project","OwnershipF082":"Public","OwnerStateF086":"Washington D.C.","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"The Advocacy Project, all rights reserved","DateDataF006b":"2014-01-20","photocredit079a1":"Brian Gohacki","ReposFile":["https://kora.quiltindex.org/files/45-46-42/040-DostaEnough-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-42/040-DostaEnough-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"THE DOSTA ENOUGH QUILT","Maker":"[\"ROMA WOMEN FROM STRASBOURG, ASSEMBLED BY COUNCIL OF EUROPE:\", \"NEDA, FLOREDA\", \"BERCUTA, CLAUDIA\", \"BOTI, VESNA\", \"NEDA, ECATERINA\", \"MOLDOVAN, MIHAELA\", \"NEDA, ROXANA\", \"NICOLA, DOMINICA\", \"STANCU, RAMONA\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:05","updated_at":"2024-07-18 04:11:34"},"sort":["[\"ROMA WOMEN FROM STRASBOURG, ASSEMBLED BY COUNCIL OF EUROPE:\", \"NEDA, FLOREDA\", \"BERCUTA, CLAUDIA\", \"BOTI, VESNA\", \"NEDA, ECATERINA\", \"MOLDOVAN, MIHAELA\", \"NEDA, ROXANA\", \"NICOLA, DOMINICA\", \"STANCU, RAMONA\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"dq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-77","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"“In 1989, I took a class at a local junior college in “Women’s Studies.” I was impressed by the history of women’s lives and the trouble it took to pass the 19th Amendment. Our family has always voted, and I hadn’t realized how different it was for others.
The anniversary of the passage of the amendment, together with the class, gave me the idea for the quilt. The blue stars are made of Courthouse Log Cabin blocks, representing the Constitution and the courts. The hands holding the ballots represent women of all races and ethnicities. Although I started the quilt in 1996, a move to Arizona created a delay and it was not finished until 2003. My purpose for the quilt was to encourage ALL women to vote. I hope maybe it has, but I will never know for sure.”1 — Louise Robertson
1Louise Robertson, Quilts and Human Rights Documentation Record, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"The Women's Vote","AltNameF011":"Log Cabin","OverallWidthF12a":"54\"","OverallLengthF012b":"54\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Navy","White","Red","Gold","Yellow","Brown"],"LayFormatF024":"Block pattern","NumBlockF026":"25","SpacingF029":["Side by side"],"OtherSpaceF029a":"Courthouse Step blocks alternate with plain blocks; appliques scattered over all blocks.","NumBordersF033":"4","BordDescF034":"Inner to outer, red, white, blue, gold","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain","Print"],"UniqueF037b":"Floss, buttons","ConstrucF038":["Piecing"],"ConstrucF038b":["Applique"],"ConstrucF038g":["Painting"],"UniqueF038h":"Embellished","TypeInscripF019":["Message","Date","Multiple Names"],"ContInscripF020":"The 19th Amendment to the Constitution The Womens' Vote August 26, 1920 Vote! Seneca Falls New York 1848 Lucretia Mott Responsibility Susan B. Anthony Duty It's A Man's World Unless Women Vote Equality Carrie Chapman Call Citizenship Elizabeth Cady Stanton","OtherTypeInscripF019a":"August 26, 1920; 1848","DateBegunF023a":"1996","DateFinishF023b":"2003","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"LocMadeF057a":"Started in California, finished in Tucson","ProvStateF057d":"Arizona (AZ)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 142-143.","QuiltTopF054":"Robertson, Louise","QuiltedByF055":"Jensen, Karolyn","OwnerNameF082a":"Louise Robertson","OwnershipF082":"Private","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Louise Robertson, all rights reserved","DateDataF006b":"2013-12-09","photocredit079a1":"Michael Shea Muscarello","ReposFile":["https://kora.quiltindex.org/files/45-46-77/083-WomensVote-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-77/083-WomensVote-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"THE WOMENS VOTE","Maker":"[\"ROBERTSON, LOUISE\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 16:21:32","updated_at":"2024-07-18 04:11:34"},"sort":["[\"ROBERTSON, LOUISE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Uq5jWZEB8akQsUweERat","_score":null,"_source":{"kid":"24-20-209","InstNameF003":["Rocky Mountain Quilt Museum","Quilts and Human Rights"],"InstProjNameF003a":"Rocky Mountain Quilt Museum Collection","InstInvContrNumF004":"PQ.1991.012.001","InstInvContrNumF004a":"CQC1120","TypeObjF008":"Finished quilt","QuiltTitleF009":"Japanese Crazy Quilt","AltNameF011":"Crazy","OverallWidthF12a":"55.000 inches","OverallLengthF012b":"83.000 inches","ShapeCornersF013b":"Rounded","OverCondF015":"Excellent/like new","DateQuiltF023":"Timespan","DateBegunF023a":"1940","DateFinishF023b":"1970","LayFormatF024":"Crazy","SubjQuiltF025":"Nature - Landscape","BordDescF034":"Dim/Block: none\r\nDim/Sash: none\t\r\nDim/Border1: none\t\r\nDim/Border2: none\t\r\nDim/Border3: none\t\r\nDim/Binding: 0.5\"\t\r\nOther Dim Dtls (see Descr)","FiberTypesF035":["Polyester","Silk"],"FabricTypeF036":["Satin"],"FabPrintF037":["Geometric","Plaid","Solid/plain","Striped"],"ConstrucF038":["Hand Piecing"],"EmbellTechF038f":"Yes","ConstrucF038g":["Embroidery","Painting"],"FabFiberTypesF040":["Flannel"],"ColorBackingF040b":["Beige or Tan"],"DescBackF043":["Hand sewn"],"ConstrucBindF046":["Bias grain","Hand sewn","Machine sewn"],"MatUsedF048":"No filling","QuiltTechF049":["Not quilted"],"DesignF052d":"Embroidery holds quilt together","FeaturesF053":"RMQM Search Terms:\r\n\r\nOther Block: \r\nOther Sash: \r\nOther Border1: \r\nOther Border2: \r\nOther Border3: \r\nOther Binding: hand/machine-bound, bias, from scraps\r\nOther Dim Dtls: \r\n-------------------------------------------------------\r\nOther Artist Names/Info: \r\n-------------------------------------------------------\r\nOther Medium/FiberT: \r\nOther Material/FabricT: \r\nOther Technique/Fab Prts: \r\n-------------------------------------------------------\r\nOther Layout Fmt: medallion center with wagon-wheel rays and two outer circular borders surrounding a center circle with a hand-painted landscape\r\n-------------------------------------------------------\r\nOther Piecing Techn: \r\nOther Appliq Techn: \r\nOther Novelty Techn: \r\nOther Embell Techn & Items: cotton hand embroidery, hand-painted center medallion\r\nUnique Constr Techn: \r\n-------------------------------------------------------\r\nOther Quilting Techn: Embroidery holds the quilt together\r\nQStitches/Inch Place1: \r\nQStitches/Inch Place2: \r\nThread: \r\nQuilting Designs Used: \r\n-------------------------------------------------------\r\nOverall Color Scheme: \r\nOther PredomCol: multi\r\nOther QSpecificCol: \r\n-------------------------------------------------------\r\nBatting: none\r\nBacking: hand-pieced tan flannel sheet\r\nEdge Shape: \t\r\nCorner Shape: rounded\r\n-------------------------------------------------------\r\nAdd'l Info re Q's Appear/Matls/Constr: \r\nAdd'l Info re Q's Design/Sources: \r\n","QuiltTopF054":"Quiltmaker, Unknown","QuiltedByF055":"Mitchell, Eugenia","OthPeopleF056":"Mitchell, Eugenia","LocMadeF057a":"Golden","ProvStateF057d":"Colorado (CO)","ProvCountryF057f":["United States"],"AcquiredF058":"Gift","QuiltHistF059":"This quilt is hand pieced with solid, plaid, striped, and geometric prints and embroidered with cotton embroidery floss in green, navy, and rose. There is no batting. The binding is made of bias multicolored fabrics with rounded corners. There is no quilting. The backing is a handsewn pieced tan flannel sheet. \r\n\r\nThe quilt is made from ties brought from Japan by the maker who was born in Japan, immigrated to California, and was sent to Colorado during World War II. She met Eugenia Mitchell at a museum in Littleton.\r\n\r\nHowAcquired: donation\r\n\r\nOwnership/History: Made by a Japanese woman who originally immigrated to California, but was placed in an internment camp in Colorado during WWII. She says she met Eugenia Mitchell at a \"little depot museum\" in Littleton, CO. The unknown Japanese woman started the quilt and Eugenia Mitchell finished it. \r\n\r\nLocMade: ///CO//USA\r\n\r\n","ReasonsF060":["Unknown"],"QDesignF060b":["Unknown"],"PresUseF062":["Museum collection"],"OwnershipF082":"Public Museum, Library or Institution","OwnerNameF082a":"Rocky Mountain Quilt Museum","OwnerCityF084":"Golden","OwnerStateF086":"Colorado (CO)","OwnerCountryF086b":["United States"],"SourceInfoF088b":"RMQM","AccessF080":"Restricted","HolderF080a":"Rocky Mountain Quilt Museum","ReposFile":["https://kora.quiltindex.org/files/24-20-209/RockyMountainQuiltMuseum-a0a0i6-a_12371.jpg"],"verify":"yes","verifiedby":"Roxburgh, Karen","dateverified":"2008-08-08","dateverified_era":"CE","Pattern":"JAPANESE CRAZY QUILT","Maker":"[\"QUILTMAKER, UNKNOWN\"]","Date":"Timespan","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","ImageConF075a":"whole quilt","ImageTypeF076":"Color","SourceF077":"Digital","CreditLineF080b":"Rocky Mountain Quilt Museum","CopyRestF080c":"RMQM","DistribRestF080d":"RMQM","DisplayResF080e":"RMQM","LicenseF080f":"RMQM","pbd":"RockyMountainQuiltMuseum-a0a0i6-a","legacy_kid":"4E-86-55","project_id":"24","form_id":"20","owner":"1","created_at":"2020-04-25 22:10:24","updated_at":"2024-02-23 19:10:02"},"sort":["[\"QUILTMAKER, UNKNOWN\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"S65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-34","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"This quilt with blocks in the crazy quilt style was made by Queen Lili’uokalani and her companions while the Queen was under house arrest in Honolulu. An embroidered inscription reads, “Her Majesty Queen Liliuokalani. Imprisoned at Iolani Palace. January 17th 1895. Companion Mrs Eveline Melita Kiloulani Kaopaokalani Wilson. Released Sept 6th 1895. We began this quilt here.” 1
1Heather Diamond, Quilts and Human Rights Documentation Record, December 4, 2013, Collection of MSU Museum. Diamond is Curator of the Friends of Iolani Palace. See also Rhoda E. A. Hackler and Loretta G. H. Woodard, The Queen’s Quilt (Honolulu: The Friends of Iolani Palace, 2004), p. 20.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Queen Lili'uokalani Quilt","OverallWidthF12a":"98 3/8\"","OverallLengthF012b":"96\"","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Block pattern","NumBlockF026":"9","ArrangeBlockF028":"Straight","SpacingF029":["Separated by plain sashing"],"FiberTypesF035":["Silk"],"FabricTypeF036":["Velvet"],"UniqueF037b":"Including pieces of Lili’uokalani’s clothing.","ConstrucF038":["Hand Piecing"],"ConstrucF038g":["Embroidery"],"DateFinishF023b":"1895","DateQuiltF023":"1876-1900","ReasonsF060":["Commemorative"],"PresUseF062":["Museum collection"],"LocMadeF057a":"Honolulu","ProvStateF057d":"Hawaii (HI)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes"],"OthSourceF063a":"Fabrics included pieces of Lili'uokalani's clothing.","OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 16.","QuiltTopF054":"Queen Lili’uokalani and companions","OwnerNameF082a":"Friends of 'Iolani Palace","OwnershipF082":"Public Museum, Library, or Institution","OwnerCityF084":"Honolulu","OwnerStateF086":"Hawaii (HI)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Friends of 'Iolani Palace, all rights reserved","DateDataF006b":"2013-11-20","photocredit079a1":"Courtesy of the Friends of ‘Iolani Palace","ReposFile":["https://kora.quiltindex.org/files/45-46-34/010-QueenLili-uokalani-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-34/010-QueenLili-uokalani-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"QUEEN LILIUOKALANI QUILT","Maker":"[\"QUEEN LILI","Date":"1876-1900","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:55:57","updated_at":"2024-08-16 04:16:32"},"sort":["[\"QUEEN LILI"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Mq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-9","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004a":"TS 2020.1.4","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2003-2004","SubjQuiltF025":"Migrant Deaths in the Southern Arizona deserts","DateBegunF023a":"2007","DateFinishF023b":"2008","DateInfoF023f":"these dates are estimated","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression","Memorial","Mourning","Therapy"],"OtherF060a":"Made as a memorial to migrants who died during the given year and to raise consciousness about their deaths.","PresUseF062":["Exhibit","Study or teaching aid"],"OthPresUseF062a":"The Migrant Quilt Project is seeking exhibit opportunities.","LocMadeF057a":"Tucson","ProvCountyF057b":"Pima","ProvStateF057d":"Arizona (AZ)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Made from blue jeans salvaged from migrant layup sites in the Sonoran Desert.","TopSourceF064":["Original to maker"],"ExhibitListF067a":"2008-2005 (January): Annual Border Issues Fairs at The Good Shepherd United Church of Christ, Sahuarita AZ \r\nFebruary 2012: Tucson Peace Fair \r\nOctober 12-14, 2012: Quilts Making a Difference exhibit at Tucson Meet Yourself Folklife Festival, Tucson, Arizona","RelItemsF088a":"migrantquiltproject.org \r\n \r\nhttps://www.facebook.com/migrantquiltproject/ \r\n \r\nUncoverings 2016: The Research Papers of the American Quilt Study Group","AddNotesF132":"This was first Migrant Quilt created, by Project Amor, a Tucson non-profit organization serving low-income Spanish-speaking families of children with disabilities and literacy needs. The quilt was made by Project Amor's staff members along with adults and children receiving services from the organization. Participants wrote migrants' names or 'Desconocido' on four-inch denim patches cut from blue jeans and used dimensional fabric pens to write the deceased migrants' names and painted often-whimsical motifs on the patches, such as hearts, flowers, stars, rosaries, crosses, and hand, and applied embellishments. The patches were glued onto a red canvas panel and covered the patches' raw edges with red braid. This textile creation is not a true quilt but is a quilt in spirit, assembled from fabric cut into squares and arranged in a grid format. It was inspired by earlier social justice quilts such as the NAMES Project quilt.","QuiltTopF054":"Project Amor Staff","OthPeopleF056":"Adults and children who received services from Project Amor","GenderF098":["Group"],"CityF106a":"Tucson","CountyF106":"Pima","OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","IdentPersonF006":["Author/researcher"],"AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd St.","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"10-May-16","interviewerF007e":"Peggy Hazard for the Migrant Quilt Project","QuiltHistF059":"Quilt was made by volunteers for the Migrant Quilt Project.","photocredit079a1":"All photos by Wilson Graham Photography","DateF079":"2016-01-21","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-9/2003-2004.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-9/2003-2004-zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-9/2003-2004.detail1.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2016-06-02","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2003-2004","Maker":"[\"PROJECT AMOR STAFF\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","DateObtainedF088c":"5/10/2016","UniqueF104b":"It is not actually sewn, other than the channel for a stick to be inserted in the bottom, and is glued together.","legacy_kid":"6F-11F-3","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:30","updated_at":"2024-02-26 14:36:16"},"sort":["[\"PROJECT AMOR STAFF\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"da5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-76","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Quilts and Health","essay":"“Childhood Trauma Game is designed as a game board, and actually is a game that can be played. It is made to invite the viewer to interact with the subject matter through the eyes of an abused child. Game pieces are little toy children of various ages and colors, contained in a bag that hangs from the bottom of the quilt. At bottom right is a spinner (made from a doll’s arm) that tells how many spaces to move. It is a difficult game to play, since the players keep getting pushed back to go through the same events over and over again, and there is really no way of winning the game. Since abuse frequently runs in families, the game is designed to resemble a family tree. The spaces are based on incidents from the quilter’s family. Here are samples: ‘Mother is jailed for breaking a hand mirror across your face. The authorities feel that it is important to keep the family together. You are reunited the next day. Go back to space one.’ ‘You are left alone for a long time. You accidentally set the house on fire.’ [I was five when this happened.] Nobody loves you.’
The quilt is bound in ‘Caution’ tape. Small toys are scattered here and there. On the right, a little stuffed doll is trying to escape. Near it is written, ‘Don’t worry, some day everything will change.’
As a child, I was abused: beaten, neglected, and constantly insulted and humiliated until my mother threw me out at age fourteen. I found out that my family has a history of abuse. It is now absolutely necessary to my mental health for me to express myself artistically. Finishing this quilt was a leap out of my own private hell. Putting all these memories in writing moves them one step away from my soul and makes room for my first real childhood. Through this experience, I have been cleansed - I am now happier than I have ever been.”1 — Linda Platt
1Linda Platt, correspondence with authors, November 20, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Childhood Trauma Game","OverallWidthF12a":"49\"","OverallLengthF012b":"52\"","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Nontraditional or art","UniqueF037b":"Shredded fabrics, charms","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Applique"],"UniqueF038h":"Hand printing","TypeInscripF019":["Message"],"DateFinishF023b":"1999","DateQuiltF023":"1976-1999","ReasonsF060":["Art or personal expression"],"LocMadeF057a":"Chicago","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 100-101.","QuiltTopF054":"Platt, Linda","OwnerNameF082a":"Linda Platt","OwnershipF082":"Private","OwnerCityF084":"Chicago","OwnerStateF086":"Illinois (IL)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Linda Platt, all rights reserved","DateDataF006b":"2013-09-14","photocredit079a1":"Linda Platt","ReposFile":["https://kora.quiltindex.org/files/45-46-76/062-ChildhoodTraumaGame-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-76/062-ChildhoodTraumaGame-z.JPG"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"CHILDHOOD TRAUMA GAME","Maker":"[\"PLATT, LINDA\"]","Date":"1976-1999","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 16:21:31","updated_at":"2024-07-18 04:11:34"},"sort":["[\"PLATT, LINDA\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"UK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-39","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"The production of this large memory quilt was coordinated by the American-Arab Anti-Discrimination Committee in Washington, D.C. and was made in the style of the NAMES Project AIDS Memorial Quilt. It consists of 418 embroidered blocks, each bearing the name of a Palestinian village destroyed in 1948, during the founding of Israel. The quilt is made in the colors of the Palestinian flag and is embellished with traditional embroidered designs and lettering. The word “nakba” in the quilt’s title is the Arabic word for catastrophe. The quilt was displayed in many venues around the U.S. in 1998 and again in 2008 on the anniversary of and to call attention to events surrounding the 1948 creation of Israel. To make way for Israel, 750,000 Palestinians were expelled from their homes and 418 of their villages were destroyed or depopulated.1
1Nabil Mohammad, American-Arab Anti Discrimination Committee (ADC), phone conversation with authors, January 10, 2014 and brochure, Commemorating 50 Years of Palestinian Dispossession (1948 – 1998) A National Quilt Tour, and http://www.washingtonpost.com/wp-dyn/content/article/2008/05/17/AR2008051702471.html","TypeObjF008":"Finished quilt","QuiltTitleF009":"Palestinian Nabka quilt","ShapeEdgeF013":"Straight","PredomColorsF014":["Red","Black","White","Green"],"LayFormatF024":"Block pattern","NumBlockF026":"418","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"FiberTypesF035":["Polyester","Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038":["Machine Piecing"],"ConstrucF038g":["Embroidery"],"DateFinishF023b":"1998","DateQuiltF023":"1976-1999","ReasonsF060":["Commemorative"],"ProvCountryF057f":["Jordan","Lebanon"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 47.","QuiltTopF054":"Palestinian women from occupied territories and refugee camps in Lebanon and Jordan","AccessF080":"Restricted","DateDataF006b":"2014-02-19","photocredit079a1":"Photograph by Nikki Kahn, courtesy of the Washington Post, Getty Images","ReposFile":["https://kora.quiltindex.org/files/45-46-39/031-PalestinianNakba-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-39/031-PalestinianNakba-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"PALESTINIAN NABKA QUILT","Maker":"[\"PALESTINIAN WOMEN FROM OCCUPIED TERRITORIES AND REFUGEE CAMPS IN LEBANON AND JORDAN\"]","Date":"1976-1999","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:02","updated_at":"2024-07-18 04:11:34"},"sort":["[\"PALESTINIAN WOMEN FROM OCCUPIED TERRITORIES AND REFUGEE CAMPS IN LEBANON AND JORDAN\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Yq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-57","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"[I started making this quilt] “right about the time I got pink-slipped from work (I’m a teacher) for about the third year in a row. This time around looked really serious…it’s bad enough when you don’t get paid over the summer, but when you spend three months of your actual job thinking you won’t have a job at the end of the summer, it can be very stressful. As a single mom with two teenagers, money is always really tight, and you get this feeling in your gut about not being able to pay the bills, not being able to feed them. I really wanted to show the vulnerability of being a mom and being one paycheck away from not being able to pay the bills; one paycheck away from being desperate. One paycheck away from begging for help. One paycheck away from not being able to hide it from the kids. You don’t want them to know how close you are…just one paycheck away, feeling it in your gut. One paycheck away from not being able to provide for them.”1 — Kathy Nida
1Kathy Nida, Quilts and Human Rights Documentation Form, January 24, 2014, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"One Paycheck","OverallWidthF12a":"38\"","OverallLengthF012b":"38 1/2\"","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Pictorial","FiberTypesF035":["Cotton"],"UniqueF037b":"Hand-dyed and commercial, ink","ConstrucF038b":["Machine Applique","Fusible Applique"],"QuiltTechF049":["Machine quilting"],"DateFinishF023b":"2010","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression"],"LocMadeF057a":"El Cajon","ProvStateF057d":"California (CA)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 148-149.","QuiltTopF054":"Nida, Kathy","OwnerNameF082a":"Victoria Chang","OwnershipF082":"Private","AccessF080":"Restricted","HolderF080a":"Victoria Chang, all rights reserved","DateDataF006b":"2014-01-22","photocredit079a1":"Gary Conaughton","ReposFile":["https://kora.quiltindex.org/files/45-46-57/086-OnePaycheck-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-57/086-OnePaycheck-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"ONE PAYCHECK","Maker":"[\"NIDA, KATHY\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:19","updated_at":"2024-07-18 04:11:34"},"sort":["[\"NIDA, KATHY\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"ca5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-72","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","InstInvContrNumF004a":"AWM REL/14235","essay":"This is one of three quilts made by women interned by the Japanese government in Changi Prison, Singapore during World War II. Prisoner Ethel Mulvany hatched the idea to create the quilts as a means to relieve boredom and boost morale of the 400 female prisoners, and to pass information to the men in other camps that the women and children were alive. Mulvaney was given permission by the Japanese commandant to pass the quilts, ostensibly made for the wounded, to Changi hospitals where soldiers were being treated by the Australian, British and Japanese Red Cross. The quilts were made in a sampler style, each block embroidered with words and symbols, and signed by the makers. Each woman was asked to include “something of herself” on her quilt block. Unfortunately, the meaning of the personal messages in each block has been lost.
This quilt contains 66 blocks and is inscribed in embroidery on the back of the quilt “Presented by the women of Changi internment camp 1942 to the wounded Australian soldiers with our sympathy for their suffering. It is our wish that on the cessation of hostilities that this quilt be presented to the Australian Red Cross Society. It is advisable to dry clean this quilt.”1
1http://www.awm.gov.au/collection/REL/14235/ Accessed December 4, 2013","TypeObjF008":"Summer spread","QuiltTitleF009":"Changi Quilt","ShapeEdgeF013":"Straight","PredomColorsF014":["Tan","Cream"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Block pattern","NumBlockF026":"66","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"NumBordersF033":"1","BordDescF034":"Cream","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038":["Hand Piecing"],"ConstrucF038g":["Embroidery"],"TypeInscripF019":["Message","Date"],"MethodInscripF021":["Embroidery"],"LocInscripF022":["on back"],"ContInscripF020":"Presented by the women of Changi internment camp 1942 to the wounded Australian soldiers with our sympathy for their suffering. It is our wish that on the cessation of hostilities that this quilt be presented to the Australian Red Cross Society. It is advisable to dry clean this quilt.","OtherTypeInscripF019a":"1942","DateFinishF023b":"1942","DateQuiltF023":"1930-1949","ReasonsF060":["Commemorative"],"PresUseF062":["Museum collection"],"LocMadeF057a":"Changi Prison","ProvCountryF057f":["Singapore"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 18.","QuiltTopF054":"Austin-Hofer, Eunice","OwnerNameF082a":"The Australian War Memorial","OwnershipF082":"Public Museum, Library, or Institution","OwnerCountryF086b":["Australia"],"AccessF080":"Restricted","HolderF080a":"The Australian War Memorial, all rights reserved","DateDataF006b":"2014-01-17","photocredit079a1":"Courtesy of The Australian War Memorial","ReposFile":["https://kora.quiltindex.org/files/45-46-72/011-Changi.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-72/011-Changi.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-72/11-Changi-d.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"CHANGI QUILT","Maker":"[\"MULVANY, ETHEL\", \"ALLEN, SHEILA\", \"GOOD, JODY\", \"LATTA, HELEN\", \"SMALLWOOD, DR. MARGARET\", \"MCINTYER, VERA\", \"MILLARD, BETSEY\", \"BARNES, BETSEY NEA\", \"WATSON, ALICE MAY\", \"AUSTIN-HOFER, EUNICE\"]","Date":"1930-1949","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 16:21:27","updated_at":"2024-07-18 04:11:34"},"sort":["[\"MULVANY, ETHEL\", \"ALLEN, SHEILA\", \"GOOD, JODY\", \"LATTA, HELEN\", \"SMALLWOOD, DR. MARGARET\", \"MCINTYER, VERA\", \"MILLARD, BETSEY\", \"BARNES, BETSEY NEA\", \"WATSON, ALICE MAY\", \"AUSTIN-HOFER, EUNICE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Ya5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-56","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Black Disapora Quilt History Project; Women of Color Quilters Network","essay":"“As a young person growing up in Louisiana, I vividly remember watching the news report on television of 600 peaceful, unarmed demonstrators in Selma, Alabama violently attacked. State troopers and local police used tear gas, whips, and clubs to drive the marchers back. The demonstrators, led by Rev. Martin Luther King, Jr., were trying to cross the Pettus Bridge in Selma, Alabama to march to Montgomery. All this brutality happened in plain sight of photographers and journalists. The marchers were demonstrating for African American voting rights and to commemorate the death of Jimmie Lee Jackson; shot three weeks earlier by a state trooper while trying to protect his mother at a civil rights demonstration. Fifty marchers were hospitalized. That day, March 7, 1965, became known as ‘Bloody Sunday’. Civil rights leaders sought and received court protection for a full-scale march from Selma to the state capitol in Montgomery. The television coverage of the violence shocked the nation. It provoked an outpouring of support for the voting rights movement from whites throughout the country: religious leaders from numerous faiths, labor leaders, students, and ordinary citizens poured into Selma to stand with the marchers. An estimated 800 volunteers from 22 states arrived in Selma in the days after Bloody Sunday. On Sunday, March 21, 1965, about 3,200 marchers set out for Montgomery, walking 12 miles a day and sleeping in fields. By the time they reached the capitol on Thursday, March 25, 1965, they were 25,000-strong. The march is considered a catalyst for the Civil Rights Movement. President Lyndon Johnson and key members of Congress who had been dubious about the need for a voting rights bill now committed themselves to its passage. Less than five months after the last of the three marches, President Lyndon Johnson signed the Voting Rights Act of 1965, guaranteeing every American twenty-one and over the right to register to vote.”1 — Carolyn L. Mazloomi \r\n \r\n1Carolyn L. Mazloomi, Quilts and Human Rights Documentation Record, December 3, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Ain't Gonna Let Nobody Turn Me Around","OverallWidthF12a":"44\"","OverallLengthF012b":"62\"","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Pictorial","FiberTypesF035":["Cotton"],"ConstrucF038b":["Machine Applique"],"ConstrucF038g":["Photography/photo transfer"],"MatUsedF048":"Cotton","QuiltTechF049":["Machine quilting"],"DateFinishF023b":"2009","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"LocMadeF057a":"Westchester","ProvStateF057d":"Ohio (OH)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 144-145.","Maker Associator":"50-146-2","QuiltTopF054":"Mazloomi, Carolyn","OwnerNameF082a":"Carolyn Mazloomi","OwnershipF082":"Private","OwnerCityF084":"Westchester","OwnerStateF086":"Ohio (OH)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Carolyn Mazloomi, all rights reserved","DateDataF006b":"2013-11-25","photocredit079a1":"Charles E. and Mary Martin","ReposFile":["https://kora.quiltindex.org/files/45-46-56/084-AintGonnaLetNobodyTurnMeAround-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-56/084-AintGonnaLetNobodyTurnMeAround-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"AINT GONNA LET NOBODY TURN ME AROUND","Maker":"[\"MAZLOOMI, CAROLYN\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:19","updated_at":"2024-07-18 04:11:34"},"sort":["[\"MAZLOOMI, CAROLYN\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"VK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-43","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"“This quilt was at the planning stage for several years. Finally I came up with the idea of representing with a little bit of red fabric each person who had died as a result of the troubles in Northern Ireland. I must have talked a lot about my idea because many people sent me little bits of red material, asking me if I would include them. One piece had little white birds; they became the doves of peace; another fabric had toy pandas, this suggested the sadness so many children experienced. People who have lost someone close to them say they like the idea that they are remembered in my wall hanging.”1 Irene MacWilliam
1Irene MacWilliam, Quilts and Human Rights Documentation Record, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Peace Quilt 1","OverallWidthF12a":"59\"","OverallLengthF012b":"90\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Red","Black"],"FiberTypesF035":["Cotton","Cotton or polyester blend"],"ConstrucF038b":["Applique"],"UniqueF038h":"Free machine work","TypeInscripF019":["Message"],"MethodInscripF021":["Embroidery"],"LocInscripF022":["on block"],"DateInscripF020a":"1969; 1994","ContInscripF020":"Each of the 3161 red pieces represents someone killed in the troubles.","DateFinishF023b":"1996","DateQuiltF023":"1976-1999","ReasonsF060":["Commemorative"],"LocMadeF057a":"Belfast","ProvCountryF057f":["Northern Ireland"],"OthSourceF063a":"Fabric was donated.","OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 64.","QuiltTopF054":"MacWilliam, Irene","OwnerNameF082a":"Irene MacWilliam","OwnershipF082":"Private","OwnerCityF084":"Belfast","OwnerCountryF086b":["Northern Ireland"],"AccessF080":"Restricted","HolderF080a":"Irene MacWilliam, all rights reserved","DateDataF006b":"2013-12-04","photocredit079a1":"Irene MacWilliam","ReposFile":["https://kora.quiltindex.org/files/45-46-43/042-Peace-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-43/042-Peace-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"PEACE QUILT 1","Maker":"[\"MACWILLIAM, IRENE\"]","Date":"1976-1999","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:06","updated_at":"2024-07-18 04:11:34"},"sort":["[\"MACWILLIAM, IRENE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"c65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-74","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"The center of this quilt is a banner composed of 80 rectangular pieces of linen sewn together and bordered by green and purple panels. Each of the pieces are embroidered in purple cotton with the signature of a suffragette hunger-striker who, had ‘faced death without flinching’. Along the top is embroidered ‘Women’s Social and Political Union’ in Scottish Art Nouveau style along with the names of the suffragette leaders Emmeline and Christabel Pankhurst and Annie Kenney. The banner was first carried in the ‘From Prison to Citizenship’ procession in June 1910 to symbolize the spirit of comradeship that gave suffragette prisoners the strength and courage to endure hunger strike and force feeding.1
1Museum of London, http://collections.museumoflondon.org.uk/Online/object.aspx?objectID=object-91239. Accessed November 22, 2013.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Suffragette Banner","OverallWidthF12a":"87 1/2\"","OverallLengthF012b":"97 2/3\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Green","Cream"],"LayFormatF024":"Medallion or framed center","NumBlockF026":"80","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"NumBordersF033":"4","BordDescF034":"Inner to outer: Navy, green, cream, navy","FiberTypesF035":["Linen","Silk","Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038":["Hand Piecing"],"ConstrucF038g":["Embroidery"],"TypeInscripF019":["Multiple Names"],"MethodInscripF021":["Embroidery"],"LocInscripF022":["on front"],"DateFinishF023b":"1910","DateQuiltF023":"1901-1929","ReasonsF060":["Commemorative"],"PresUseF062":["Museum collection"],"LocMadeF057a":"Glasgow","ProvCountryF057f":["Scotland"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 23.","QuiltTopF054":"WSPU Holloway Prisoners","OwnerNameF082a":"Museum of London","OwnershipF082":"Public Museum, Library, or Institution","OwnerCityF084":"London","OwnerCountryF086b":["England"],"AccessF080":"Restricted","HolderF080a":"Museum of London, all rights reserved","DateDataF006b":"2013-11-11","photocredit079a1":"Couretsy of Museum of London","ReposFile":["https://kora.quiltindex.org/files/45-46-74/016-SuffragetteBanner-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-74/016-SuffragetteBanner-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"SUFFRAGETTE BANNER","Maker":"[\"MACBETH, ANN\", \"WSPU HOLLOWAY PRISONERS\"]","Date":"1901-1929","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 16:21:29","updated_at":"2024-07-18 04:11:34"},"sort":["[\"MACBETH, ANN\", \"WSPU HOLLOWAY PRISONERS\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Zq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-61","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Black Disapora Quilt History Project; Quilts and Health","essay":"The Lake Apopka Farmworker Memorial Quilts are tributes to African-American farmworkers who, over a period of five decades, have endured serious health problems or lost their lives from exposure to organochorine pesticide as they worked on corporate farms in Florida. The Apopka farmworkers also lost their livelihood when the land and water on and surrounding the farms were found to be too polluted to continue using for food production. Three quarters of the farm workers suffer from birth defects, cancer, lupus, and other diseases, and have received no compensation from the land owners or the state. Each quilt square pictorially conveys an individual worker’s story; the collective quilts illustrate personal histories, tragedies, and small victories the injustices which still occur beneath our dinner tables.1 \r\n \r\n1Jeannie Economos, Farmworker Association of Florida, Quilts and Human Rights Documentation Record, November, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Lake Apopka Farmworkers Memorial Quilt","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Block pattern","NumBlockF026":"1 large, 32 smaller","SpacingF029":["Separated by plain sashing"],"FiberTypesF035":["Cotton","Polyester"],"UniqueF037b":"Mixed media","ConstrucF038":["Hand Piecing","Machine Piecing"],"ConstrucF038b":["Machine Applique"],"ConstrucF038g":["Photography/photo transfer"],"TypeInscripF019":["Message"],"ContInscripF020":"Lake Apopka Farmworker Memorial Quilt","OtherTypeInscripF019a":"Appliqued in center block","DateFinishF023b":"2012","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative","Memorial"],"LocMadeF057a":"Lake Apopka","ProvStateF057d":"Florida (FL)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 166-167.","QuiltTopF054":"Lake Apopka Farmworkers","OwnerNameF082a":"Lake Apopka Farmworkers Association","OwnerCityF084":"Lake Apopka","OwnerStateF086":"Florida (FL)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Lake Apopka Farmworkers Association, all rights reserved","DateDataF006b":"2013-11-18","photocredit079a1":"Farmworkers Association of Florida - Lake Apopka African American Farmworkers Committee","ReposFile":["https://kora.quiltindex.org/files/45-46-61/095-LakeApopkaFarmworkers-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-61/095-LakeApopkaFarmworkers-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"LAKE APOPKA FARMWORKERS MEMORIAL QUILT","Maker":"[\"LAKE APOPKA FARMWORKERS\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:23","updated_at":"2024-07-18 04:11:34"},"sort":["[\"LAKE APOPKA FARMWORKERS\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"dK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-75","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Black Disapora Quilt History Project","essay":"This work is from the artist’s “For the Fallen Comrades” series in which she honored and memorialized victims of activism against the apartheid government in South Africa. In the center is a photograph of black South African young men anti-apartheid activists known as the Cradock Four. Above and below the image are the embroidered words “Order to Kill, June 7 1985” and “Killed June 17, 1985”. Also embroidered are the names of those killed: Matthew Goniwe, Mbulelo Goniwe, Fort Calata, Sparrow Mkhonoto and Sicelo Mhlauli. Kriel rendered the piece in mixed media, using techniques drawn from both Western European and South African ethnic textile and craft traditions. In 1993, after 20 years of South Africans not participating in the Venice Biennale, one white artist, Kriel, and one black artist, Jackson Hlungwane, were the two principal artists picked to represent their country. In an interview at the time, Kriel said, if the selection had not included diversity of race, she would have declined participation. The South African government offered transport to each artist to so that they could be present in Venice for the exhibition. Kriel attended but Hlungwane did not, stating publicly, "The radio is good but the message is not good."1 \r\n \r\n1Alan Cowell, “South African Artists on Show at the Biennale”, New York Times , June 26, 1993, http://www.nytimes.com/1993/06/26/arts/south-african-artists-on-show-at-the-biennale.html. Accessed January 2, 2014. See also "Solo Exhibition of Works on Textile by Sandra Kriel”, Absolute Arts, accessed January 28, 2014; Thami Mnyele Foundation, accessed January 28, 2014; Alan Cowell, “South African Artists on Show at the Biennale”, New York Times , June 26, 1993, http://www.nytimes.com/1993/06/26/arts/south-african-artists-on-show-at-the-biennale.html, accessed January 2, 2014; “Warm and Fuzzy”, Mail & Guardian , August 7, 1998, http://mg.co.za/article/1998-08-07-warm-and-fuzzy, accessed January 28, 2014; Kim Miller, “Interweaving Narratives of Art and Activism: Sandra Kriel's Heroic Women,” in Joanna Grabski and Carol Magee, eds., African Art, Interviews, Narratives: Bodies of Knowledge at Work (Bloomington, Indiana: Indiana University Press, 2013), pp. 98-109; and Matthew Goniwe” South Africa History Online , http://www.sahistory.org.za/people/matthew-goniwe, accessed January 24, 2014.","TypeObjF008":"Finished quilt","QuiltTitleF009":"For the Fallen Comrades: The Cradock Four","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Medallion or framed center","FiberTypesF035":["Cotton"],"UniqueF037b":"Buttons, Coca Cola aluminum cans","ConstrucF038":["Piecing"],"ConstrucF038g":["Embroidery","Photography/photo transfer"],"UniqueF038h":"Beadwork, button embellishment","TypeInscripF019":["Date","Multiple Names","Message"],"MethodInscripF021":["Embroidery"],"DateInscripF020a":"1985","ContInscripF020":"Order to Kill, June 7 1985 Killed June 7 1985 Matthew Goniwe, Mbulelo Goniwe, Fort Calata, Sparrow Mkhonoto, Sicelo Mhlauli","DateFinishF023b":"c1992","DateQuiltF023":"1976-1999","ReasonsF060":["Commemorative"],"PresUseF062":["Museum collection"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 88-89.","QuiltTopF054":"Kriel, Sandra","OwnerNameF082a":"Mayibuye Collection, University of Western Cape and Robben Island Museum","OwnershipF082":"Public Museum, Library, or Institution","OwnerCityF084":"Robben Island","OwnerCountryF086b":["South Africa"],"AccessF080":"Restricted","HolderF080a":"Mayibuye Collection, University of Western Cape and Robben Island Museum, all rights reserved","DateDataF006b":"2014-03-18","photocredit079a1":"Courtesy of Mayibuye Collection, University of Western Cape and Robben Island Museum","ReposFile":["https://kora.quiltindex.org/files/45-46-75/056-ForFallenComrades-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-75/056-ForFallenComrades-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"FOR THE FALLEN COMRADES THE CRADOCK FOUR","Maker":"[\"KRIEL, SANDRA\"]","Date":"1976-1999","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 16:21:30","updated_at":"2024-07-18 04:11:34"},"sort":["[\"KRIEL, SANDRA\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Rq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-29","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation #MAZ 22004","InstInvContrNumF004a":"TS 2020.1.15","essay":"This quilt was created to document 137 migrant deaths that were discovered in the Tucson Sector of the US Border Patrol during the 2014-2015 federal fiscal year. Some of the materials used in the quilt include discarded migrant clothing collected in the Tucson Sector. Every known migrant death from that period is inscribed on the quilt either with the individuals’ names, if known, or the word “desconocido” (Spanish for “unknown”). The Migrant Quilt Project is grassroots, collaborative effort of artists, quiltmakers, and activists to express compassion for migrants who died in the Southern Arizona deserts on their way to create better lives for themselves and their families. Materials used in the quilts were collected at migrant layup sites used for rest and shelter on established trails in the Sonoran Desert. The Migrant Quilts carry the stories of those who died so that viewers of the quilts may understand the real, personal, and fatal results of inhumane immigration policies.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2014-2015","AltNameF011":"5 Patch","SubjQuiltF025":"Migrant, death, Arizona, family, day of dead, skull","OverallWidthF12a":"45\"","OverallLengthF012b":"47\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Beige","Black","Blue","Brown","Cream","Gray","Green","Orange","Pink","Purple","Red","Teal","Yellow","White"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Block pattern","NumBlockF026":"42","SizeBlockF027":"5 x 5 inches","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"NumBordersF033":"1 and 2","BordDescF034":"Pieced border around blocks, with additional border/banner at top","FiberTypesF035":["Cotton"],"FabricTypeF036":["Broadcloth","Other"],"FabPrintF037":["Conversation Prints","Floral","Mourning Prints","Novelty","Solid/plain"],"UniqueF037b":"Denim","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Machine Applique"],"UniqueF038h":"Machine embroidery","MatUsedF048":"No filling","QuiltTechF049":["Not quilted"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Separate binding applied"],"BindWidthF047a":"1 – 1.75 in irregular","UniqueBindF045a":"Chinese coins","FabFiberTypesF040":["Cotton or polyester blend"],"DescBackF043":["Solid/plain"],"ColorBackingF040b":["Red"],"NumPiecesF042":"1","TypeInscripF019":["Date","Multiple Names"],"MethodInscripF021":["Embroidery","Other"],"LocInscripF022":["multiple locations"],"DateInscripF020a":"2014-2015 and April 2016","ContInscripF020":"Front: Tucson Sector 2014-2015 Back: Sharon K. Peake, April 2016, Holiday Utah. Front includes 137 names or the word “Desconocido” in machine embroidery.","OverCondF015":"Excellent/like new","DateBegunF023a":"2016","DateFinishF023b":"2016","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative","Memorial","Mourning"],"OtherF060a":"Social justice/human rights awareness","PresUseF062":["Exhibit","Museum collection"],"LocMadeF057a":"Holiday","ProvCountyF057b":"Salt Lake","ProvStateF057d":"Utah (UT)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Discarded migrant clothing collected in the desert (not from deceased migrants).","TopSourceF064":["Original to maker"],"ExhibitListF067a":"Jan. 20, 2022-Feb. 28, 2023: Los Desconocidos: The Migrant Quilt Project, Arizona History Museum, Tucson, Arizona. \r\nJan 14-Mar 15, 2020: Migrant Quilts Exhibit, The Mathers Museum of World Cultures, Indiana University, Bloomington, \r\nOct 28-Dec 9, 2019: Migrant Quilt Project, Capitol Hill Arts Workshop and Lutheran Church of the Reformation, Washington, D.C. \r\nAug 3-Sep 26, 2019: Migrant Quilts Exhibit, Indiana Interchurch Center and St. Peter’s UCC, Indianapolis, Indiana \r\nMay 12 -Jul 7, 2019: Migrant Quilts Exhibit, Valley Unitarian Universalist Congregation, Chandler, Arizona \r\nMar 15-Jun 27, 2019: Los Desconocidos, International Quilt Study Center & Museum, University of Nebraska, Lincoln, Nebraska \r\nFeb 25-Apr 20, 2019: Broken Threads, Lives Unraveled: Fuentes Rojas and the Migrant Quilt Project, University of Arizona Poetry Center, Tucson, Arizona \r\nJan. 17-19, 2019: Border Issues Fair, The Good Shepherd United Church of Christ, Sahuarita, Arizona \r\nNov 13 – Dec 7, 2018: Migrant Quilts exhibit, Brown Popular Culture Library, Bowling Green State University, Bowling Green, Ohio \r\nSep 14 – Oct 14, 2018: Migrant Quilts exhibit, Urban Edge Gallery, Waukegan Arts Council, Waukegan, Illinois \r\nAug 6 – Sep 4, 2018: Migrant Quilts exhibit, Loutit District Library, Grand Haven, Michigan \r\nMay 1, 2018 – Jul 15, 2018: Beyond the Border Wall: The Migrant Quilt Project, New England Quilt Museum, Lowell, Massachusetts \r\nMar 1-26, 2018: The Migrant Quilt Project, St. Francis in the Valley Episcopal Church, Green Valley, Arizona \r\nFeb 1 – 28, 2018: What the Eye Doesn’t See Doesn’t Move the Heart: Migrant Quilts of the Southern Arizona Borderlands, Pimeria Alta Historical Society & Museum, Nogales, Arizona \r\nJan 12 – 13, 2018: Border Issues Fair, The Good Shepherd United Church of Christ, Sahuarita, Arizona \r\nAug 24 – Sep 22, 2017: What the Eye Doesn’t See Doesn’t Move the Heart: Migrant Quilts of the Southern Arizona Borderlands, Tempe History Museum, Tempe, Arizona \r\nJun-Jul 2017: Migrant Quilts Exhibit, Sky Island Unitarian Universalist Church, Sierra Vista AZ \r\nMar – Apr 2017: Migrant Quilts Exhibit, Amado Unitarian Universalist Church, Amado Arizona \r\nJan 2017: Border Issues Fair, The Good Shepherd United Church of Christ, Sahuarita Arizona","AddNotesF132":"I began the quilt with Day of the Dead-style fabrics and added migrant jeans to the border when I received them later. I made 5 patch squares surrounded by dark sky fabric to hold the many unknowns’ names. I created the binding, called Chinese coins, from all the fabric used. While I prepared the fabric for the quilt, I removed several pockets from the jeans and sand fell onto my cutting mat. It was surreal, and it was humbling just knowing that sand is a part of the journey some of these people took. Maybe they made it to America, maybe they didn’t. I hope they did. I love the way the quilt turned out and am very proud to have been asked to make it. I feel it is part of me as much as it is a part of them. I hope that I honored the unknowns in a way they would want to be honored. I’m pretty sure they were there with me on this journey.","QuiltTopF054":"Kisselberg-Peake, Sharon","CityF106a":"Holiday","StateF107":"Utah (UT)","CountyF106":"Salt Lake","CountryF108":["United States"],"OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","SourceOtherF006a":"Joyce Harrison, Rebecca Aparicio, and Peggy Hazard","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd Street","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"9/2/2022","QuiltHistF059":"Quilt was made by volunteers for the Migrant Quilt Project.","photocredit079a1":"Wilson Graham","DateF079":"2018-01-23","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-29/2014.2015.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-29/2014.2015d1.jpg"],"Detail 2":["https://kora.quiltindex.org/files/45-46-29/2014.2015d2.jpg"],"Detail 3":["https://kora.quiltindex.org/files/45-46-29/2014.2015d3.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2022-09-07","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2014-2015","Maker":"[\"KISSELBERG-PEAKE, SHARON\"]","Date":"2000-2025","Contributing Institutions":"MATRIX, Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","project_id":"45","form_id":"46","owner":"7","created_at":"2022-09-07 16:34:28","updated_at":"2024-02-26 14:36:16"},"sort":["[\"KISSELBERG-PEAKE, SHARON\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"N65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-14","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation Project #MAZ170009","InstInvContrNumF004a":"TS 2020.1.1","essay":"I was so moved by the quilts in the Migrant Quilt Project that I requested to have the honor of also creating a memorial. To be given the privilege to participate in the designing and creating of this quilt has been moving. The needle, the thread, the fabric, the names; the quilt took on its own creation. The depth of meaning in this quilt and the opportunity to make it is a once-in-a-lifetime experience. Each name I embroidered, each milagro placed on a name, each rose made for the Shrine of Our Lady of Guadalupe called me to mourn the loss of precious life. The loss of family, the pain for the Mothers, Fathers, brothers, sisters, daughters and sons, grandmas and grandpas. The loss for our human race. Betty Kersting \r\n \r\nWhen I first began working on the migrant quilt, I felt as if I knew a lot about the situation on the border. I had traveled a number of times to Nogales with Borderlinks and for the SOA Watch last year. I have Mexican friends who are undocumented. I knew the horrifying statistics. I am appalled that the President thinks that a wall is an effective deterrent for people who just want to make a better life for themselves and for their families. But what I didn't expect to happen was the painful flood of emotions I felt as I embroidered each name while praying for their families and thinking of the difficult deaths suffered. I hope that people viewing the quilt will become informed about the border crossings, and feel the need to become involved in a positive action that will prevent more deaths. Judy Crawford \r\n \r\nIt was my heartfelt honor to participate in the embroidery and embellishment of this beautiful quilt. I was deeply touched as I stitched each name and I will cherish this experience. LuAnn Watkins \r\n \r\nIt has been my great honor to contribute in a small way to this memorial quilt. My part was limited to some embroidery of names, fabric, and small embellishments. The tragedy of these precious lives lost in the desert is overwhelming. All that remains are bits and pieces ad memories among their loved ones. Most of my names were "Desconodidos/as," unknowns. At least their lives are documented in a small and very heartfelt way by this beautiful quilt. Liz Hinds \r\n \r\nI am an artist and a friend of Betty Kersting. We were talking and she mentioned this quilt project. This quilt was quite far along when I got involved but I realized I could add the desert landscape at the top of the quilt. Betty gave me fabric from an off-white pair of jeans discarded in the desert and showed me photographs of the region. I painted with acrylics on the jean material. Love was in every brushstroke. I am honored to add to this quilt. We are all One. Nancy Dean Kreger \r\n \r\nMy thoughts and feelings were of horror, at the strife that engulfs these people and forced them to take a huge risk through an unforgiving landscape. And grief at the manner of their dying and the clinical information provided on the lists. Dear God, we are better than this, why can't we as a free people solve this crisis? Judi Haines \r\n \r\nI love their stories and when I was embroidering the names I did, I felt such a deep sadness for these lives and what a bad place our world is in, but was glad to have had the opportunity to have a really small part in honoring these lives.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2000-2001","SubjQuiltF025":"Migrant deaths in the Arizona deserts","OverallWidthF12a":"50\"","OverallLengthF012b":"54\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Black","Blue","Burgundy","Green","Orange","Red","Yellow"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Pictorial","NumBlockF026":"45","SizeBlockF027":"variable","ArrangeBlockF028":"Straight","SpacingF029":["Separated by floated or random sashing"],"NumBordersF033":"1","BordDescF034":"Desert pictorial painting across the top of the quilt.","FiberTypesF035":["Cotton"],"FabPrintF037":["Batiks","Floral","Geometric","Multiple scrap","Novelty","Solid/plain"],"UniqueF037b":"Guatemalan huipil","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Fusible Applique"],"ConstrucF038d":["Yo-yo"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)","Embroidery","Ink drawing","Painting","Photography/ photo transfer"],"EmbMatF039":["Beads attached","Buttons attached","Charms attached","Cotton thread","Metallic thread","Ribbon thread","Wool thread"],"UniqueF039a":"Pieces of jeans/pants: pocket, belt loop, patches. A brown seed pod.","MatUsedF048":"No filling","QuiltTechF049":["Machine quilting"],"DesignF052a":["Meander/free motion"],"ThrTypeF049a":"cotton","ThrColorF049b":"blue, orange, gray","MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Back turned to front"],"DescBackF043":["Same fabric used throughout"],"WidthPiecesF042a":"50\" wide x 54\" long","OtherFabF040a":"1","TypeInscripF019":["Date","Multiple Names","Place"],"MethodInscripF021":["Embroidery","Ink"],"LocInscripF022":["multiple locations"],"ContInscripF020":"Many names of deceased migrants and the word \"desconocido\" to indicate unidentified migrants. \"Arivaca, Arizona\" beneath the center shrine, and the message: \"This quilt is a memorial to those who struggled to make life better for themselves and their families and lost their lives in the struggle.\"","OverCondF015":"Excellent/like new","FeaturesF053":"Many milagros (ex voto \"charms\").\r\n\r\nSome of the names of the dead are embroidered or spelled out with hospital alphabet beads.\r\n\r\nOn the back of the quilt is a label with the names of those who made the quilt with Betty Kersting, and a sewn-on plastic sleeve that contains computer printed information about the quilt.\r\n\r\nThe Virgin of Guadalupe shrine in the center of the quilt represents an actual shrine in the Sonoran Desert near Arivaca, Arizona.","DateBegunF023a":"2017","DateFinishF023b":"2017","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression","Memorial","Mourning","Therapy"],"PresUseF062":["Exhibit"],"LocMadeF057a":"Santa Fe","ProvCountyF057b":"Santa Fe","ProvStateF057d":"New Mexico (NM)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Clothing--denim jeans salvaged from migrant layup sites in the Sonoran Desert. A Guatemalan huipil (embroidered blouse).","TopSourceF064":["Original to maker"],"ExhibitListF067a":"March/April 2017: Amado Unitarian Universalist Church, Amado AZ \r\nJune/July 2017: Sky Island Unitarian Universalist Church, Sierra Vista AZ \r\nAugust 25-September 22, 2017: Tempe History Museum, Tempe AZ \r\nNovember 2017: Dia de los Muertos exhibit; Arizona History Museum, Tucson AZ \r\nFebruary 2018: Pimeria Alta Museum, Nogales, AZ \r\nMarch 1-26, 2018: St. Francis in the Valley Episcopal Church, Green Valley, AZ \r\nMay 1-July 15 2018: New England Quilt Museum, Lowell, MA \r\nAugust 6-September 4, 2018: Loutit District Library, Grand Haven, MI \r\nSeptember 15-October 14, 2018: Urban Edge Gallery, Waukegan Arts Council, Waukegan, IL","RelItemsF088a":"migrantquiltproject.org \r\n \r\nhttps://www.facebook.com/migrantquiltproject/ \r\n \r\n“Local Library Hosts Migrant Quilt Project,” by Krystle Wagner. Grand Haven Tribune, August 13, 2018. https://www.grandhaventribune.com/Local/2018/08/13/Library-hosts-Migrant-Quilt-Project.html?ci=content&lp=2&p=1 \r\n \r\n"With Paint and Patchwork, Artists Offer a New Perspective on Immigration," by Donna Bryson. Christian Science Monitor, July 17, 2018. https://www.csmonitor.com/The-Culture/Arts/2018/0717/Immigration-debate-appears-in-the-art-world \r\n \r\n“The Migrant Quilt,” by Valarie Lee James. Kosmos Journal, Summer 2018. https://www.kosmosjournal.org/kj_article/the-migrant-quilt/ \r\n \r\n“Migrant Quilt Project brings border tragedies to the surface, stitch by stitch,” by Mark Pratt, AP. Los Angeles Time, May 7, 2018. (and picked up by other papers) http://www.latimes.com/entertainment/arts/la-et-cm-migrant-quilt-project-20180507-story.html \r\n \r\n“The Migrant Quilt Project: Stitching Compassion and Change,” by Mary Fons. Quiltfolk, issue 6, pp. 98-111. www.quiltfolk.com \r\n \r\nVideo feature about the Migrant Quilt Project's exhibition at the Pimeria Alta Historical Museum in Nogales, Arizona. February 11 &12, 2018. \r\nhttps://www.kgun9.com/news/local-news/quilts-honor-migrants-who-died-while-crossing-the-border \r\n \r\n“Quilts honoring migrants come to Nogales museum,” by Kendal Blust. Nogales International, January 30, 2018. http://migrantquiltproject.org/wp-content/uploads/2009/06/Nogales-exhibit.html \r\n \r\n“The Migrant Quilt Project Remembers Lives Lost Along the U.S.-Mexico Border,” by Katherine Davis-Young. Atlas Obscura, November 27, 2017. https://www.atlasobscura.com/articles/migrant-quilt-project-border-tucson-arizona-mexico \r\n \r\nVideo about the Migrant Quilt Project by Al Jazeera!http://share.ajplus.net/shared/36014 \r\n \r\n“How Arizona Artists Are Using Quilts in the Border Debate,” by Lynn Trimble. Phoenix New Times, September 21, 2017. https://www.phoenixnewtimes.com/arts/arizona-migrant-quilt-project-9705139 \r\n \r\n“Migrant Quilt Project raises awareness of migrant deaths through tangible message,” by Angela Martinez. Daily Wildcat, April 22, 2017. www.wildcat.arizona.edu/article/2017/04/migrant-quilt-project-raises-awareness-of-migrant-deaths-through-tangible-message \r\n \r\n“Migrant memorials: Quilts honor migrants who died in the Arizona desert,” by Kendal Blust. Arizona Daily Star, January 5, 2017. http://tucson.com/entertainment/arts-and-theatre/migrant-memorials-quilts-honor-migrants-who-died-in-the-arizona/article_4d863933-be96-56ea-9f86-972068698253.html \r\n \r\n“Quilt project remembers border crossers,” by Ellen Sussman. Special to the Green Valley News, March 15, 2017. http://www.gvnews.com/news/quilt-project-remembers-border-crossers/article_d9a8aaec-0999-11e7-bf14-2b7a2df9c509.html","QuiltTopF054":"Kersting, Betty","OthPeopleF056":"Ormerod, Donna","MakerGroupNameF097":"First Presbyterian Church of Santa Fe women","GenderF098":["Female","Group"],"CityF106a":"Santa Fe","StateF107":"New Mexico (NM)","CountyF106":"Santa Fe","CountryF108":["United States"],"OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","IdentPersonF006":["Author/researcher"],"SourceOtherF006a":"Curator of the Migrant Quilt Project","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd St.","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"2017","interviewerF007e":"Betty Kersting, Judy Crawford, LuAnn Watkins, Liz Hinds, Nancy Dean Kreger, Judi Haines, and Donna Ormerod","QuiltHistF059":"Quilt was made by volunteers for the Migrant Quilt Project.","photocredit079a1":"Wilson Graham Photography","DateF079":"2018-01-22","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-14/2000.2001.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-14/2000.2001.zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-14/2000.2001.Detail01.jpg"],"Detail 2":["https://kora.quiltindex.org/files/45-46-14/2000.2001.Detail02.jpg"],"Detail 3":["https://kora.quiltindex.org/files/45-46-14/2000.2001.Detail04.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2018-08-15","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2000-2001","Maker":"[\"KERSTING, BETTY\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University and Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","WidthBindF047":"half inch - one inch","ImageTypeF076":"Color","SourceF077":"Digital","legacy_kid":"6F-11F-8","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:35","updated_at":"2024-02-26 14:36:16"},"sort":["[\"KERSTING, BETTY\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Vq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-45","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"“Our Say, Our Rights” is an electronic quilt of images of 147 blocks made by people with intellectual disabilities in Ireland. Lorraine Keating and Fintan Sheerin organized the project in 2011 as a way to inspire individuals with intellectual disabilities to voice opinions about their rights, and to raise awareness about human rights for this constituency.1
1Fintan Sheerin and Lorraine Keeting, Quilts and Human Rights Documentation Form December 4, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Our Say, Our Rights","ShapeEdgeF013":"Straight","PredomColorsF014":["Turquoise","White","Red"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Medallion or framed center","NumBlockF026":"1 large, 20 smaller","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"FabPrintF037":["Solid/plain"],"TypeInscripF019":["Message"],"OtherTypeInscripF019a":"Appliqued and inked","DateFinishF023b":"2011","DateQuiltF023":"2000-2025","OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 71.","QuiltTopF054":"Sheerin, Fintan","OwnerNameF082a":"IDRights: Human Rights and People With Disabilities","AccessF080":"Restricted","HolderF080a":"IDRights: Human Rights and People With Disabilities, all rights reserved","DateDataF006b":"2013-09-30","photocredit079a1":"Courtesy of IDRights: Human Rights and People With Disabilities","ReposFile":["https://kora.quiltindex.org/files/45-46-45/048-OurSayOurRights.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-45/048-OurSayOurRights.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"OUR SAY OUR RIGHTS","Maker":"[\"KEATING, LORRAINE\", \"SHEERIN, FINTAN\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:07","updated_at":"2024-07-18 04:11:34"},"sort":["[\"KEATING, LORRAINE\", \"SHEERIN, FINTAN\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Ra5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-28","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation #MAZ 22006","InstInvContrNumF004a":"TS 2020.1.7","essay":"This quilt was created to 237 migrant deaths that were discovered in the Tucson Sector of the US Border Patrol during the 2006-2007 federal fiscal year. Some of the materials used in the quilt include discarded migrant clothing collected in the Tucson Sector. Every known migrant death from that period is inscribed on the quilt either with the individuals’ names, if known, or the word “desconocido” or “desconocida” (Spanish for “unknown” in male and female word forms). The Migrant Quilt Project is grassroots, collaborative effort of artists, quiltmakers, and activists to express compassion for migrants who died in the Southern Arizona deserts on their way to create better lives for themselves and their families. Materials used in the quilts were collected at migrant layup sites used for rest and shelter on established trails in the Sonoran Desert. The Migrant Quilts carry the stories of those who died so that viewers of the quilts may understand the real, personal, and fatal results of inhumane immigration policies.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2006-2007","SubjQuiltF025":"Migrant, death, skull, Arizona, desert, stars, cactus","OverallWidthF12a":"60\"","OverallLengthF012b":"81\" + fringe","ShapeEdgeF013":"Straight","OtherShapeEdgeF013a":"Fringe on the bottom.","PredomColorsF014":["Beige","Black","Blue","Brown","Burgundy","Cream","Fuchsia","Gold","Gray","Green","Navy","Orange","Pink","Purple","Red","Rust","Teal","Turquoise","Yellow","White"],"OverallColorF14b":["Multicolor"],"OtherColorF014c":"Neon lime green","LayFormatF024":"Block pattern","NumBlockF026":"20","SizeBlockF027":"14.5\" x 14.5\"","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"NumBordersF033":"1","BordDescF034":"Woven sash as border on top of quilt","FiberTypesF035":["Cotton","Cotton or polyester blend","Linen"],"FabricTypeF036":["Broadcloth","Handwoven","Other"],"FabPrintF037":["Batiks","Floral","Hand-dyed","Novelty","Solid/plain","Striped","Unknown"],"UniqueF037b":"Denim","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Machine Applique","Fusible Applique","Blanket, buttonhole, or other decorative applique stitch"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)","Embroidery","Painting"],"EmbMatF039":["Beads attached","Buttons attached","Charms attached","Cotton thread","Metallic thread","Ribbon thread","Synthetic thread","Other attachments"],"MatUsedF048":"No filling","QuiltTechF049":["Machine quilting"],"DesignF052a":["Meander/free motion","Outline","Stipple"],"DesignF052c":["Stipple"],"ThrTypeF049a":"cotton","ThrColorF049b":"mutli","ConstrucBindF046":["Unfinished/raw edge"],"FabFiberTypesF040":["Cotton"],"DescBackF043":["Same fabric used throughout","Solid/plain"],"ColorBackingF040b":["Purple"],"NumPiecesF042":"1","TypeInscripF019":["Date","Multiple Names","Message","Place"],"MethodInscripF021":["Attached label","Computer generated","Embroidery"],"DateInscripF020a":"Tucson Sector 06-07 and 1/2-0/18","ContInscripF020":"Front: a poem, a story, Tucson Sector 06-07, and 237 migrant names or the words desconocido/a. Back label: This quilt was lovingly created by the Tucson Community, Jody Ipsen, Diana Rix, Laurel Wilson, Sharon K. Peake, & Rev Bobbi W Harglerod, Mary Vaneecke, & others 1/20/18","OverCondF015":"Excellent/like new","FeaturesF053":"This quilt was created over a period of years, by many people, including members of the general public who decorated precut denim patches at community events. As such, each block is unique, but the quilt achieves visual unity with the use of color and balanced arrangement of its varied motifs.","DateBegunF023a":"about 2010","DateFinishF023b":"2018","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative","Memorial","Mourning"],"OtherF060a":"Social justice/human rights awareness","PresUseF062":["Exhibit","Museum collection"],"LocMadeF057a":"Tucson","ProvCountyF057b":"Pima","ProvStateF057d":"Arizona (AZ)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Discarded migrant clothing collected in the desert (not from deceased migrants), and found objects.","TopSourceF064":["Original to maker"],"ExhibitListF067a":"List exhibitions quilt was shown at: \r\nJan. 20, 2022-Feb. 28, 2023: Los Desconocidos: The Migrant Quilt Project, Arizona History Museum, Tucson, Arizona. \r\nJan 14-Mar 15, 2020: Migrant Quilts Exhibit, The Mathers Museum of World Cultures, Indiana University, Bloomington, \r\nOct 28-Dec 9, 2019: Migrant Quilt Project, Capitol Hill Arts Workshop and Lutheran Church of the Reformation, Washington, D.C. \r\nAug 3-Sep 26, 2019: Migrant Quilts Exhibit, Indiana Interchurch Center and St. Peter’s UCC, Indianapolis, Indiana \r\nMay 12 -Jul 7, 2019: Migrant Quilts Exhibit, Valley Unitarian Universalist Congregation, Chandler, Arizona \r\nMar 15-Jun 27, 2019: Los Desconocidos, International Quilt Study Center & Museum, University of Nebraska, Lincoln, Nebraska \r\nFeb 25-Apr 20, 2019: Broken Threads, Lives Unraveled: Fuentes Rojas and the Migrant Quilt Project, University of Arizona Poetry Center, Tucson, Arizona \r\nJan. 17-19, 2019: Border Issues Fair, The Good Shepherd United Church of Christ, Sahuarita, Arizona \r\nNov 13 – Dec 7, 2018: Migrant Quilts exhibit, Brown Popular Culture Library, Bowling Green State University, Bowling Green, Ohio \r\nSep 14 – Oct 14, 2018: Migrant Quilts exhibit, Urban Edge Gallery, Waukegan Arts Council, Waukegan, Illinois \r\nAug 6 – Sep 4, 2018: Migrant Quilts exhibit, Loutit District Library, Grand Haven, Michigan \r\nMay 1, 2018 – Jul 15, 2018: Beyond the Border Wall: The Migrant Quilt Project, New England Quilt Museum, Lowell, Massachusetts \r\nMar 1-26, 2018: The Migrant Quilt Project, St. Francis in the Valley Episcopal Church, Green Valley, Arizona \r\nFeb 1 – 28, 2018: What the Eye Doesn’t See Doesn’t Move the Heart: Migrant Quilts of the Southern Arizona Borderlands, Pimeria Alta Historical Society & Museum, Nogales, Arizona","AddNotesF132":"For over a decade I’ve hiked in the rugged Sonoran Desert to prevent migrants from dying of dehydration and exposure. In 2007 I decided to create the Migrant Quilt Project out of the abandoned clothing that migrants deliberately left behind. The border crossers’ personal items became the fabric for the quilts as they best represented the difficult journey they made in order to find a better life inside the United States. The clothing, often sun bleached and worn, created the backdrop in which all the quilts were made. Sometimes the quilts are embellished with rosaries, prayer cards, pesos, and milagros in order to illuminate the plight of their migration.
\r\nAs I worked to prevent the deaths in the desert, I enlisted quilters and textile artists to create quilts that would highlight the border deaths. Through the alchemy of found items we drew attention to the border crossers’ stories through quilting, an American folk tradition that often speaks to human rights issues.
\r\nOver the course of several years, I worked on the 2006-2007 quilt with others. The names we embroidered or painted onto jeans and shirts were a rallying cry for humane immigration reform. I found the work profoundly sad yet cathartic. I decorated the quilt with dignity for the deceased so that if family members of the decedents found their loved ones’ names on it, they would know that someone created a memorial for them and that their lives and deaths were not in vain.\r\nWhile the quilts carry a political message, they are first and foremost a living memorial to all those who died while pursuing the American Dream. It is my greatest hope that you find these quilts inspirational so that you may champion humane immigration reform.
\r\n(Statements by other makers of this quilt can be found in the Quilt Gallery at https://migrantquiltproject.org/)","QuiltTopF054":"Tucson community members","QuiltedByF055":"Vaneecke, Mary","CityF106a":"Tucson","StateF107":"Arizona (AZ)","CountyF106":"Pima","CountryF108":["United States"],"OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","SourceOtherF006a":"Terry Grzyb-Wysocki and Peggy Hazard","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd Street","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"9/2/2022","photocredit079a1":"Wilson Graham","DateF079":"2018-03-21","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-28/2006.2007d1.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-28/2006.2007d2.jpg"],"Detail 2":["https://kora.quiltindex.org/files/45-46-28/2006.2007d3.jpg"],"Detail 3":["https://kora.quiltindex.org/files/45-46-28/2006.2007d4.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2022-09-07","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2006-2007","Maker":"[\"IPSEN, JODY\", \"RIX, DIANA\", \"WILSON, LAUREL\", \"PEAKE, SHARON K.\", \"HARGLEROD, REV. BOBBI\", \"TUCSON COMMUNITY MEMBERS\"]","Date":"2000-2025","Contributing Institutions":"MATRIX, Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","project_id":"45","form_id":"46","owner":"7","created_at":"2022-09-07 15:39:10","updated_at":"2024-02-26 14:36:16"},"sort":["[\"IPSEN, JODY\", \"RIX, DIANA\", \"WILSON, LAUREL\", \"PEAKE, SHARON K.\", \"HARGLEROD, REV. BOBBI\", \"TUCSON COMMUNITY MEMBERS\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"La5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-4","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum"],"InstProjNameF003a":"Quilts and Human Rights; The Black Diaspora Quilt History Project","InstInvContrNumF004":"08.0013","essay":"This hanging was made especially for an event at the University of South Africa reflecting on the demise of apartheid. Coordinated by UNISA faculty Gwenneth Miller and Wendy Ross, the multimedia project included the creation of two embroidered memory quilts as well as a digital animation. Each square represents one woman's memories. It includes such historical events as the Sharpeville Massacre of 1960, in which the police fired on a crows of black protesters, killing 69; the student uprising and massacre in Soweto in 1968; and the first elections under the new democratic government. The figures with tires around their necks are being "necklaced" (burned to death when gasoline is poured on the tire and ignited) on the suspicion of collaborating with the authorities.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Journey to Freedom: Memory Quilt","OverallWidthF12a":"61 1/2\"","OverallLengthF012b":"90\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Black","Blue","Red","Yellow"],"LayFormatF024":"Block pattern","FiberTypesF035":["Cotton"],"UniqueF037b":"Cotton floss","QuiltTechF049":["Machine quilting","Tied or tufted"],"OverCondF015":"Like new","DateFinishF023b":"2004","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"PresUseF062":["Artwork/wall hanging"],"LocMadeF057a":"Etwatwa","ProvCountryF057f":["South Africa"],"TopSourceF064":["Original to maker"],"ExhibitListF067a":"Quilts and Human Rights, Michigan State University Museum, January 15 - August 24, 2008","OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016. page 56.","QuiltTopF054":"Intuthuko Sewing Group; Celia de Villiers, Sonja Barac, PInky Lubisi, Thembisile Mabizela, Zanele Mabuza, Angie Namaru, Lindo Mnguni, Julie Mokoena, Salaminha Motoung, Angelina Mucavele, Thabitha Nare, Nomsa Ndala, Maria Nkabinde, Cynthia Radebe, Sannah Sasebola, Rosinah Teffo, Lizzy Tsotetsi, Dorothy Xaba.","MakerGroupNameF097":"Intuthuko Sewing Group: Celia de Villiers and Sonja Barac were the professional artists who facilitated and mentored the following individual artists in the Intuthuko Sewing Group: Pinky Lubisi, Thembisile Mabizela, Zanele Mabuza, Angie Namaru, Lindo Mnguni, Julie Mokoena, Salaminha Motloung, Angelina Mucavele, Thabitha Nare, Nomsa Ndala, Maria Nkabinde, Cynthia Radebe, Sannah Sasebola, Rosinah Teffo, Lizzy Tsotetsi, Dorothy Xaba","CountryF108":["South Africa"],"OwnerNameF082a":"Gwen Miller UNISA Department of Art History, Visual Arts and Musicology","AcquiredF058":"Gift","OwnershipF082":"Public Museum, Library, or Institution","AccessF080":"Restricted","HolderF080a":"Michigan State University Museum","DateDataF006b":"2/8/2008","QuiltHistF059":"This hanging was made especially for an event at the University of South Africa reflecting on the demise of apartheid. Coordinated by UNISA faculty Gwenneth Miller and Wendy Ross, the multimedia project included the creation of two embroidered memory quilts as well as a digital animation. Each square represents one woman's memories. It includes such historical events as the Sharpeville Massacre of 1960, in which the police fired on a crows of black protesters, killing 69; the student uprising and massacre in Soweto in 1968; and the first elections under the new democratic government. The figures with tires around their necks are being \"necklaced\" (burned to death when gasoline is poured on the tire and ignited) on the suspicion of collaborating with the authorities.
The group has won various prizes for their collective quilts and hangings including the prestigious FNB (First National Bank) Vita Crafts Award for their Journey to Freedom embroideries celebrating10 Years of Democracy in South Africa. Please watch the VIDEO animation of the embroidery showing the ending of apartheid.","photocredit079a1":"Image courtesy of the University of South Africa","ReposFile":["https://kora.quiltindex.org/files/45-46-4/08.0013.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-4/08.0013-zoom.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2018-12-11","dateverified_era":"CE","Pattern":"JOURNEY TO FREEDOM MEMORY QUILT","Maker":"[\"INTUTHUKO SEWING GROUP; CELIA DE VILLIERS, SONJA BARAC, PINKY LUBISI, THEMBISILE MABIZELA, ZANELE MABUZA, ANGIE NAMARU, LINDO MNGUNI, JULIE MOKOENA, SALAMINHA MOTOUNG, ANGELINA MUCAVELE, THABITHA NARE, NOMSA NDALA, MARIA NKABINDE, CYNTHIA RADEBE, SANNAH SASEBOLA, ROSINAH TEFFO, LIZZY TSOTETSI, DOROTHY XABA.\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University; Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","DateObtainedF088c":"2/8/2008","ImageConF075a":"Quilt","ImageTypeF076":"Color","CopyRestF080c":"All rights reserved, Michigan State University Museum","legacy_kid":"6F-11F-11","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:27","updated_at":"2024-07-10 15:30:13"},"sort":["[\"INTUTHUKO SEWING GROUP; CELIA DE VILLIERS, SONJA BARAC, PINKY LUBISI, THEMBISILE MABIZELA, ZANELE MABUZA, ANGIE NAMARU, LINDO MNGUNI, JULIE MOKOENA, SALAMINHA MOTOUNG, ANGELINA MUCAVELE, THABITHA NARE, NOMSA NDALA, MARIA NKABINDE, CYNTHIA RADEBE, SANNAH SASEBOLA, ROSINAH TEFFO, LIZZY TSOTETSI, DOROTHY XABA.\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"YK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-55","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"This work was made as part of the World Reclamation Art Project (WRAP), a project designed to promote sustainable living through recycled art. The Quilted Gas Station Wrap, led by Jennifer Marsh, aimed to create a piece of urban art that made a statement about the world’s dependency on oil. Over 3,000 panels were made by people from all over the world then brought together to cover an abandoned gas station in Syracuse, New York. “It’s important that we take the necessary steps to reduce and reverse the damage we’ve done to the environment,” said Marsh. “Through the WRAP, we can help to beautify our community and artistically express the need for change.”1
1Jennifer Marsh, Quilts and Human Rights Documentation Record, 2014, Collection of MSU Museum.","TypeObjOtherF008a":"Building cover","QuiltTitleF009":"Gas Station Wrap","OverallWidthF12a":"27'","OverallLengthF012b":"30'","OverallColorF14b":["Multicolor"],"LayFormatF024":"Nontraditional or art","FiberTypesF035":["Cotton","Silk","Polyester"],"UniqueF037b":"Digital images cut and sewn, ribbon, acrylic paint, plastic tarp, fabrics, buttons, beads, dolls, jute, share, handmade fabric, felt, fusible fibers, water proof glue, yarns, nylon, permanent ink markers, batik, Wonder Under, Misty Fuse, Angelina fibers, rayon thread, aead, beads-glass, acrylic paint, recyclables, plastics, candy wrappers, recycled clothing, oil pastels, trash bags, old cassette tape, soda labels, burlap, canvas.","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Applique"],"ConstrucF038g":["Painting","Embroidery"],"UniqueF038h":"Stitching, hand sewing, beadwork, weaving, felting, binding, collage, knitting, crocheting, laminating, dyeing, patchwork, printing, screen printing.","QuiltTechF049":["Machine quilting"],"DateBegunF023a":"2007","DateFinishF023b":"2008","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression"],"PresUseF062":["Museum collection"],"LocMadeF057a":"Syracuse","ProvStateF057d":"New York (NY)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 140-141.","QuiltTopF054":"International Fiber Collaborative, Inc.","OwnerNameF082a":"International Fiber Collaborative, Inc.","OwnershipF082":"Public","AccessF080":"Restricted","HolderF080a":"International Fiber Collaborative, Inc., all rights reserved","DateDataF006b":"2014-01-03","photocredit079a1":"International Fiber Collaborative, Inc.","ReposFile":["https://kora.quiltindex.org/files/45-46-55/082-GasStationWrap-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-55/082-GasStationWrap-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"GAS STATION WRAP","Maker":"[\"INTERNATIONAL FIBER COLLABORATIVE, INC.\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:18","updated_at":"2024-07-18 04:11:34"},"sort":["[\"INTERNATIONAL FIBER COLLABORATIVE, INC.\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"aq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-65","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Quilts and Health","essay":"The Saginaw Chippewa Indian Tribe of Michigan works with boarding school descendants to honor their family members who were forced to endure a new way of life, and to celebrate the preservation of culture, language and spirituality.
“We have been researching the names of students at the school who we know died or were listed as missing. We are writing their names on the back of the quilt. When we first finished the quilt in 2013 we had 190 names, now we are up to 210 and we are constantly discovering new names to add. Many of the children we now know died of tuberculosis or influenza, diseases that were introduced to our people from outside. We know some of them were sent home, deathly ill and barely alive, so that the school could avoid both the stigma of the death or the expense of a funeral or sending a body back. When the children got home they infected their families and now we are trying to document those who died because of exposure from a student. Other students died because of mysterious circumstances; they were said to have drowned, fallen down stairs, or from heat stroke (likely from being overworked from mandatory labor chores at the school). Some were listed as having run away from school to home but their families have no records of them ever returning home. Some are listed as cause of death unknown or, even more simply, 'passed.' Many families have no idea where their children were buried. The school closed in June 6, 1934. The quilt itself and the documentation work that the Ziibiwing team is doing is providing comfort to those whose ancestors were part of this cruel period of history.”1 — Robin Spencer
1Robin Spencer, telephone communication with Marsha MacDowell, February 14, 2014.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Honoring, Healing and Remembering Quilt","OverallWidthF12a":"95\"","OverallLengthF012b":"95\"","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Block pattern","NumBlockF026":"1 large, 98 smaller","SpacingF029":["Separated by plain sashing"],"FiberTypesF035":["Cotton"],"ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Machine Applique","Hand Applique"],"ConstrucF038g":["Painting","Photography/photo transfer"],"UniqueF038h":"Tufting, drawing, beading.","QuiltTechF049":["Tied or tufted"],"TypeInscripF019":["Multiple Names","Message"],"DateFinishF023b":"2013","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative","Memorial"],"PresUseF062":["Museum collection"],"LocMadeF057a":"Mt. Pleasant","ProvStateF057d":"Michigan (MI)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 178-179.","QuiltTopF054":"Wagner, Colleen","OwnerNameF082a":"Ziibiwing Center of Anishinabe Culture and Lifeways, Saginaw Chippewa Indian Tribe of Michigan","OwnershipF082":"Public Museum, Library, or Institution","OwnerCityF084":"Mt. Pleasant","OwnerStateF086":"Michigan (MI)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Ziibiwing Center of Anishinabe Culture and Lifeways, Saginaw Chippewa Indian Tribe of Michigan, all rights reserved","DateDataF006b":"2014-01-15","photocredit079a1":"Pearl Yee Wong","ReposFile":["https://kora.quiltindex.org/files/45-46-65/101-HonoringHealingRemembering-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-65/101-HonoringHealingRemembering-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"HONORING HEALING AND REMEMBERING QUILT","Maker":"[\"IN STITCHES QUILTING GROUP:\", \"HIGH, ROGER\", \"HUGHES, ELIZABETH\", \"LUCAS, DORIS\", \"MARTIN, SARAH\", \"VAN HORN, ELLIE\", \"PAMP-ETTINGER, BECKY\", \"WAGNER, COLLEEN\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:26","updated_at":"2024-07-18 04:11:34"},"sort":["[\"IN STITCHES QUILTING GROUP:\", \"HIGH, ROGER\", \"HUGHES, ELIZABETH\", \"LUCAS, DORIS\", \"MARTIN, SARAH\", \"VAN HORN, ELLIE\", \"PAMP-ETTINGER, BECKY\", \"WAGNER, COLLEEN\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Qa5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-24","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum"],"InstProjNameF003a":"Quilts and Human Rights","TypeObjF008":"Finished quilt","QuiltTitleF009":"Freedom Quilt Hungary","SubjQuiltF025":"Free speech, democracy","OverallWidthF12a":"15'","OverallLengthF012b":"11'","ShapeEdgeF013":"Straight","PredomColorsF014":["Blue","White"],"OverallColorF14b":["Two color"],"LayFormatF024":"Block pattern","NumBlockF026":"108","SizeBlockF027":"15\"","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"BlockStyleF030a":["Sampler"],"FiberTypesF035":["Cotton","Polyester"],"UniqueF037b":"kékfestö cloth, resist block print & indigo submersion dyed","ConstrucF038":["Hand Piecing","Machine Piecing","English template Piecing"],"ConstrucF038b":["Hand Applique","Machine Applique","Fusible Applique","Reverse Applique"],"ConstrucF038g":["Embroidery"],"UniqueF038h":"sewn felt, fabric marker","MatUsedF048":"Polyester","BattLoftF048a":"Thick","QuiltTechF049":["Machine quilting","Quilt as you go"],"DesignF052a":["All-over-design"],"ThrTypeF049a":"Polyester","ThrColorF049b":"Navy Blue","MatUsedF044":["Cotton or polyester blend"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Separate binding applied","Hand sewn","Machine sewn","Home cut"],"FabFiberTypesF040":["Cotton or polyester blend"],"DescBackF043":["Machine sewn","Solid/plain"],"ColorBackingF040b":["Blue"],"NumPiecesF042":"4","WidthPiecesF042a":"45\"","OverCondF015":"Excellent/like new","DateBegunF023a":"May 31, 2019","DateFinishF023b":"February 20, 2020 (Christalena put it together and bound it)","DateQuiltF023":"2000-2025","ProvCountryF057f":["Hungary"],"OthSourceF063a":"vintage and new kékfestö cloth","ExhibitListF067a":"Andrew Rafacz Gallery, Chicago USA from February - July, 2020","QuiltTopF054":"Hughmanick, Christalena","QuiltedByF055":"Tótné, Teri","MakerGroupNameF097":"Magyar Foltvarró Céh / Hungarian Patchwork Guild & members of public","OwnerNameF082a":"Christalena Hughmanick","IdentPersonF006":["Quilt owner"],"AcquiredF058":"Made by owner","OwnershipF082":"Private","OwnerCityF084":"East Quogue","OwnerStateF086":"New York (NY)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","DateDataF006b":"March 6, 2021","interviewerF007e":"Christalena Hughmanick","photocredit079a1":"Courtesy Andrew Rafacz Gallery","DateF079_era":"CE","DateF079":"2020-02","ReposFile":["https://kora.quiltindex.org/files/45-46-24/Hungarian.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-24/Hungarian-zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-24/Hungarian-2.jpg"],"Detail 1 Caption":"detail","verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2021-03-09","dateverified_era":"CE","Pattern":"FREEDOM QUILT HUNGARY","Maker":"[\"HUGHMANICK, CHRISTALENA\"]","Date":"2000-2025","Contributing Institutions":"MATRIX, Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","WidthBindF047":"half inch - one inch","OthTopSourceF064a":"There are many sources.","FoundDateF099a":"1989","UniqueF104b":"Contributions came from many different people, some traveling from parts of Hungary, Serbia, Romania as well as British, American and Canadian xpats living in the country. Quilters, students, activists, artists and more. The youngest was 4 and oldest 93.","CopyRestF080c":"All rights reserved, Christalena Hughmanick","project_id":"45","form_id":"46","owner":"7","created_at":"2021-03-09 20:23:52","updated_at":"2024-02-23 19:15:38"},"sort":["[\"HUGHMANICK, CHRISTALENA\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"OK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-15","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation Project #MAZ170011","InstInvContrNumF004a":"TS 2020.1.5","essay":"Two things struck me emotionally working on our migrant quilt. One was a pair of female size 4 jeans. So small. The other was writing ‘baby boy_________’ on a strip of denim. Numbers are not names! So sad that ‘baby boy’ is just a number and wasn’t able to be named. Carol Hood \r\n \r\nI found myself seeking solitude while working on our migrant quilt. We met as a group in a large room but drifted to separate tables, recording each name on cloth in silence. When working at home alone I played no music, listened to no radio. I felt these sounds deserved my attention. In the past I’ve been part of special quilts for specific people. The migrant quilt; however, was unique. A time for silent reflection. Sandra Klapp \r\n \r\nMy heart goes out to the families of the ‘Unknown’ people. They will never know what happened to their loved ones. Phyllis Sager \r\n \r\nPicked from the desert, I’m gazing at the tiny pieces of Jeans. These are what’s left of real lives. They had hopes and dreams of better and safer futures. Virginia Wenzel","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2004-2005","SubjQuiltF025":"Migrant deaths in the Arizona deserts","OverallWidthF12a":"45\"","OverallLengthF012b":"89\"","ShapeEdgeF013":"Straight","OtherShapeEdgeF013a":"bottom edge has applied crocheted lace trim","PredomColorsF014":["Blue","Brown","Red"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Nontraditional or art","FiberTypesF035":["Cotton"],"FabPrintF037":["Novelty"],"UniqueF037b":"Day of the Dead Calavera print","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Machine Applique"],"ConstrucF038g":["Embroidery"],"UniqueF038h":"Crochet trim on bottom edge.","UniqueF039a":"crochet trim, pieces of embroidery","MatUsedF048":"No filling","QuiltTechF049":["Tied or tufted"],"ThrTypeF049a":"cotton","ThrColorF049b":"blue","FabFiberTypesF040":["Cotton"],"DescBackF043":["Solid/plain"],"ColorBackingF040b":["Blue"],"NumPiecesF042":"1","WidthPiecesF042a":"45\" x 89\"","TypeInscripF019":["Date","Multiple Names","Place"],"MethodInscripF021":["Ink"],"LocInscripF022":["multiple locations"],"ContInscripF020":"Multiple names and word \"unknown\" to indicate unidentified migrants.","OverCondF015":"Excellent/like new","DateBegunF023a":"2015","DateFinishF023b":"2016","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression","Memorial","Mourning","Therapy"],"PresUseF062":["Exhibit"],"OthPresUseF062a":"Eventually will enter the collection of the Arizona Historical Society","LocMadeF057a":"Prescott","ProvCountyF057b":"Yavapai","ProvStateF057d":"Arizona (AZ)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Clothing--blue jeans, embroidered cloths and other items--were salvaged from migrant lay up sites in the Sonoran Desert.","ExhibitListF067a":"March/April 2017: Amado Unitarian Universalist Church, Amado AZ \r\nJune/July 2017: Sky Island Unitarian Universalist Church, Sierra Vista AZ \r\nAugust 25-September 22, 2017: Tempe History Museum, Tempe AZ \r\nNovember 2017: Dia de los Muertos exhibit Arizona History Museum, Tucson AZ \r\nFebruary 2018: Pimeria Alta Museum Nogales, AZ \r\nMay 1-July 15 2018: New England Quilt Museum Lowell, MA \r\nAugust 6-September 4, 2018: Loutit District Library Grand Haven, MI \r\nSeptember 15-October 14, 2018: Urban Edge Gallery Waukegan Arts Council, Waukegan, IL","RelItemsF088a":"migrantquiltproject.org \r\n \r\nhttps://www.facebook.com/migrantquiltproject/ \r\n \r\nLocal Library Hosts Migrant Quilt Project, by Krystle Wagner. Grand Haven Tribune, August 13, 2018. https://www.grandhaventribune.com/Local/2018/08/13/Library-hosts-Migrant-Quilt-Project.html?ci=content&lp=2&p=1 \r\n \r\n"With Paint and Patchwork, Artists Offer a New Perspective on Immigration," by Donna Bryson. Christian Science Monitor, July 17, 2018. https://www.csmonitor.com/The-Culture/Arts/2018/0717/Immigration-debate-appears-in-the-art-world \r\n \r\n"The Migrant Quilt, by Valarie Lee James. Kosmos Journal, Summer 2018. https://www.kosmosjournal.org/kj_article/the-migrant-quilt/ \r\n \r\n"Migrant Quilt Project brings border tragedies to the surface, stitch by stitch," by Mark Pratt, AP. Los Angeles Times, May 7, 2018. (and picked up by other papers) http://www.latimes.com/entertainment/arts/la-et-cm-migrant-quilt-project-20180507-story.html \r\n \r\n"The Migrant Quilt Project: Stitching Compassion and Change," by Mary Fons. Quiltfolk, issue 6, pp. 98-111. www.quiltfolk.com \r\n \r\nVideo feature about the Migrant Quilt Project's exhibition at the Pimeria Alta Historical Museum in Nogales, Arizona. February 11 &12, 2018. https://www.kgun9.com/news/local-news/quilts-honor-migrants-who-died-while-crossing-the-border \r\n \r\n"Quilts honoring migrants come to Nogales museum," by Kendal Blust. Nogales International, January 30, 2018. http://migrantquiltproject.org/wp-content/uploads/2009/06/Nogales-exhibit.html \r\n \r\n"The Migrant Quilt Project Remembers Lives Lost Along the U.S.-Mexico Border," by Katherine Davis-Young. Atlas Obscura, November 27, 2017. https://www.atlasobscura.com/articles/migrant-quilt-project-border-tucson-arizona-mexico \r\n \r\nVideo about the Migrant Quilt Project by Al Jazeera!http://share.ajplus.net/shared/36014 \r\n \r\n"How Arizona Artists Are Using Quilts in the Border Debate," by Lynn Trimble. Phoenix New Times, September 21, 2017. https://www.phoenixnewtimes.com/arts/arizona-migrant-quilt-project-9705139 \r\n \r\n"Migrant Quilt Project raises awareness of migrant deaths through tangible message," by Angela Martinez. Daily Wildcat, April 22, 2017. www.wildcat.arizona.edu/article/2017/04/migrant-quilt-project-raises-awareness-of-migrant-deaths-through-tangible-message \r\n \r\n"Migrant memorials: Quilts honor migrants who died in the Arizona desert," by Kendal Blust. Arizona Daily Star, January 5, 2017. http://tucson.com/entertainment/arts-and-theatre/migrant-memorials-quilts-honor-migrants-who-died-in-the-arizona/article_4d863933-be96-56ea-9f86-972068698253.html \r\n \r\n"Quilt project remembers border crossers," by Ellen Sussman. Special to the Green Valley News, March 15, 2017. http://www.gvnews.com/news/quilt-project-remembers-border-crossers/article_d9a8aaec-0999-11e7-bf14-2b7a2df9c509.html","QuiltTopF054":"Wenzel, Virginia","QuiltedByF055":"Wenzel, Virginia","MakerGroupNameF097":"They are members of Heritage Quilt Study Group -- at Sharlot Hall Museum, but this is not an official project of the group","GenderF098":["Female"],"OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","IdentPersonF006":["Author/researcher"],"SourceOtherF006a":"Curator of the Migrant Quilt Project","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd St.","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"2016","interviewerF007e":"Carol Hood, Sandra Klapp, Phyllis Sager, Virginia Wenzel","QuiltHistF059":"Quilt was made by volunteers for the Migrant Quilt Project.","photocredit079a1":"Wilson Graham Photography","DateF079":"2018-01-23","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-15/2004.2005.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-15/2004.2005.zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-15/2004.2005.label.JPG"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2018-08-15","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2004-2005","Maker":"[\"HOOD, CAROL\", \"KLAPP, SANDRA\", \"SAGER, PHYLLIS\", \"WENZEL, VIRGINIA\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University and Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","ImageTypeF076":"Color","SourceF077":"Digital","legacy_kid":"6F-11F-9","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:37","updated_at":"2024-02-26 14:36:16"},"sort":["[\"HOOD, CAROL\", \"KLAPP, SANDRA\", \"SAGER, PHYLLIS\", \"WENZEL, VIRGINIA\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"O65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-18","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation Project #MAZ170013","InstInvContrNumF004a":"TS 2020.1.14","essay":"My name is Dana Hollifield and I worked on this quilt with Debbie Maloney and Linda Knapp. We began the design process in September of 2015 and completed the project in November of 2015. Debbie’s goal was to hand deliver the quilt in January of 2016 during an annual church mission trip to the border. \r\n \r\nWe chose the Zia image which symbolizes many things. First and foremost, it is a sacred symbol. It was found on a pottery piece in the Zia Native American Pueblo during the 19th century. It represents the sun with groups of rays pointing in four directions. Four is the sacred number which symbolizes the Circle of Life, the four directions, the four times of day, the four stages of life, and the four seasons. Lastly, we chose it because it is also on the New Mexico state flag. The group consists of members of the United Church Santa Fe in Santa Fe, New Mexico. \r\n \r\nOnce the overall design was confirmed, we divided the quilt into four quadrants for each of us to work on simultaneously. The design process began with choosing the background fabric. We wanted to maintain a yellow and red color scheme. We found the perfect background fabric which had gradations of yellow, orange, and red at the local quilt store. It was then cut on the bias and pieced in a way to mimic the suns rays radiating from the center. The Zia symbol was done in a black fabric. The sun’s rays are represented by small rectangles of fabric cut from the pants that were provided. Debbie enlisted members of the church to hand write the names and dates provided to us, on these small rectangles. They were then sewn on the diagonal in each quadrant. \r\n \r\nThe side borders include a random display of different clothing items. \r\n \r\nThe bottom border is made from the fringe of a shawl. For me it was a very emotional project unlike the long arm quilting projects I complete for friends and clients. As I worked, I imagined the heat from the sun parching the skin of each individual, the pain and agony of crossing a barren desert without water, and ultimately perishing in an attempt to reach a place safe without fear. These individuals came during all four seasons, in all stages and ages of life, struggling night and day, in a fruitless attempt, unfortunately completing there abrupt circle of life much too early It is with faith, hope, prayers, and the work of our church that reigns hope for future immigrants – all immigrants – desiring freedom in these United States.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2013-2014","SubjQuiltF025":"Migrant deaths in the Arizona deserts","OverallWidthF12a":"72\"","OverallLengthF012b":"86\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Beige","Black","Orange","Yellow","White"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Pictorial","NumBordersF033":"1","BordDescF034":"Black fabric on top and sides, black fringe on bottom","FiberTypesF035":["Cotton","Cotton or polyester blend","Other synthetic"],"FabPrintF037":["Print"],"UniqueF037b":"Denim from jeans","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Machine Applique","Fusible Applique"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)"],"UniqueF038h":"Pieces of migrant clothing: jeans pockets, collars and cuffs from shirts, bits of bandana; embroidered flowers from migrant cloths, pictures of desert critters and bits of lace, are sewn onto the borders. Black fringe from a shawl was sewn onto bottom edge of quilt.","MatUsedF048":"No filling","QuiltTechF049":["Machine quilting"],"DesignF052d":"Wavy lines, with spider webs, cactus. gecko in the border.","ThrTypeF049a":"cotton/polyester","ThrColorF049b":"Black, tan variegated","WidthF051a":".75\"-3\"","MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Back turned to front"],"FabFiberTypesF040":["Cotton"],"DescBackF043":["Machine sewn","Solid/plain"],"ColorBackingF040b":["Black"],"NumPiecesF042":"3","WidthPiecesF042a":"8\" x 56.25\" + 64\" x 56.25\" + 71.5\" x 19.5\" + 10\" wide","TypeInscripF019":["Date","Multiple Names","Place"],"MethodInscripF021":["Ink"],"LocInscripF022":["multiple locations"],"ContInscripF020":"Many names of deceased migrants and the word \"desconocida\" or \"desconocido\" to indicate female or male unidentified migrants.","OverCondF015":"Excellent/like new","DateBegunF023a":"2014","DateFinishF023b":"2015","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression","Memorial","Mourning","Therapy"],"OtherF060a":"Made as a memorial to migrants who have died during the given year and to raise consciousness about their deaths.","PresUseF062":["Exhibit"],"LocMadeF057a":"Santa Fe","ProvCountyF057b":"Santa Fe","ProvStateF057d":"New Mexico (NM)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Denim jeans, shirts, bandana, and embroidered cloth were salvaged from migrant layup sites in the Sonoran Desert.","TopSourceF064":["Original to maker"],"ExhibitListF067a":"November-December 2015: Adult Forum Discussion on Immigration, United Church of Christ, Santa Fe, New Mexico \r\nJanuary 2016: Border Issues Fair, The Good Shepherd United Church of Christ, Sahuarita AZ \r\nOctober 7, 2016: Symposium, Activist Quilters and the Migrant Quilt Project, Student Union, University of Arizona, Tucson, AZ January 2017: Border Issues Fair,The Good Shepherd United Church of Christ, Sahuarita AZ \r\nMarch/April 2017: Amado Unitarian Universalist Church, Amado AZ \r\nJune/July 2017: Sky Island Unitarian Universalist Church, Sierra Vista AZ \r\nAugust 25-September 22, 2017: Tempe History Museum, Tempe AZ \r\nNovember 2017: Dia de los Muertos exhibit, Arizona History Museum, Tucson AZ \r\nFebruary 2018: Pimeria Alta Museum, Nogales, AZ \r\nMarch 1-26, 2018: St. Francis in the Valley Episcopal Church, Green Valley, AZ \r\nMay 1-July 15 2018: New England Quilt Museum, Lowell, MA \r\nAugust 6-September 4, 2018: Loutit District Library, Grand Haven, MI \r\nSeptember 15-October 14, 2018: Urban Edge Gallery, Waukegan Arts Council, Waukegan, IL","RelItemsF088a":"migrantquiltproject.org \r\n \r\nhttps://www.facebook.com/migrantquiltproject/ \r\n \r\nLocal Library Hosts Migrant Quilt Project, by Krystle Wagner. Grand Haven Tribune, August 13, 2018. https://www.grandhaventribune.com/Local/2018/08/13/Library-hosts-Migrant-Quilt-Project.html?ci=content&lp=2&p=1 \r\n \r\n"With Paint and Patchwork, Artists Offer a New Perspective on Immigration," by Donna Bryson. Christian Science Monitor, July 17, 2018. https://www.csmonitor.com/The-Culture/Arts/2018/0717/Immigration-debate-appears-in-the-art-world \r\n \r\n"The Migrant Quilt, by Valarie Lee James. Kosmos Journal, Summer 2018. https://www.kosmosjournal.org/kj_article/the-migrant-quilt/ \r\n \r\n"Migrant Quilt Project brings border tragedies to the surface, stitch by stitch," by Mark Pratt, AP. Los Angeles Times, May 7, 2018. (and picked up by other papers) http://www.latimes.com/entertainment/arts/la-et-cm-migrant-quilt-project-20180507-story.html \r\n \r\n"The Migrant Quilt Project: Stitching Compassion and Change," by Mary Fons. Quiltfolk, issue 6, pp. 98-111. www.quiltfolk.com \r\n \r\nVideo feature about the Migrant Quilt Project's exhibition at the Pimeria Alta Historical Museum in Nogales, Arizona. February 11 &12, 2018. https://www.kgun9.com/news/local-news/quilts-honor-migrants-who-died-while-crossing-the-border \r\n \r\n"Quilts honoring migrants come to Nogales museum," by Kendal Blust. Nogales International, January 30, 2018. http://migrantquiltproject.org/wp-content/uploads/2009/06/Nogales-exhibit.html \r\n \r\n"The Migrant Quilt Project Remembers Lives Lost Along the U.S.-Mexico Border," by Katherine Davis-Young. Atlas Obscura, November 27, 2017. https://www.atlasobscura.com/articles/migrant-quilt-project-border-tucson-arizona-mexico \r\n \r\nVideo about the Migrant Quilt Project by Al Jazeera!http://share.ajplus.net/shared/36014 \r\n \r\n"How Arizona Artists Are Using Quilts in the Border Debate," by Lynn Trimble. Phoenix New Times, September 21, 2017. https://www.phoenixnewtimes.com/arts/arizona-migrant-quilt-project-9705139 \r\n \r\n"Migrant Quilt Project raises awareness of migrant deaths through tangible message," by Angela Martinez. Daily Wildcat, April 22, 2017. www.wildcat.arizona.edu/article/2017/04/migrant-quilt-project-raises-awareness-of-migrant-deaths-through-tangible-message \r\n \r\n"Migrant memorials: Quilts honor migrants who died in the Arizona desert," by Kendal Blust. Arizona Daily Star, January 5, 2017. http://tucson.com/entertainment/arts-and-theatre/migrant-memorials-quilts-honor-migrants-who-died-in-the-arizona/article_4d863933-be96-56ea-9f86-972068698253.html \r\n \r\n"Quilt project remembers border crossers," by Ellen Sussman. Special to the Green Valley News, March 15, 2017. http://www.gvnews.com/news/quilt-project-remembers-border-crossers/article_d9a8aaec-0999-11e7-bf14-2b7a2df9c509.html","QuiltTopF054":"Knapp, Linda","QuiltedByF055":"Knapp, Linda","OthPeopleF056":"Parish members of the United Church of Santa Fe","GenderF098":["Female","Group"],"CityF106a":"Santa Fe","StateF107":"New Mexico (NM)","CountyF106":"Santa Fe","CountryF108":["United States"],"OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","IdentPersonF006":["Author/researcher"],"SourceOtherF006a":"Curator of the Migrant Quilt Project","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"929 E. 2nd St.","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"2015","interviewerF007e":"Dana Hollifield","QuiltHistF059":"Quilt was made by volunteers for the Migrant Quilt Project.","photocredit079a1":"Wilson Graham Photography","DateF079":"2016-01-21","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-18/2013.2014.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-18/2013.2014.zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-18/2013.2014.detail1.jpg"],"Detail 1 Caption":"detail","Detail 2":["https://kora.quiltindex.org/files/45-46-18/2013.2014.detail2.jpg"],"Detail 2 Caption":"detail","verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2018-08-20","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2013-2014","Maker":"[\"HOLLIFIELD, DANA\", \"MALONEY, DEBBIE\", \"KNAPP, LINDA\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University and Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","WidthBindF047":"less than a half inch","UniqueF104b":"The quiltmakers are from the United Church of Santa Fe and enlisted the help of parish members to make the name patches.","ImageTypeF076":"Color","SourceF077":"Digital","legacy_kid":"6F-11F-C","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:39","updated_at":"2024-02-26 14:36:16"},"sort":["[\"HOLLIFIELD, DANA\", \"MALONEY, DEBBIE\", \"KNAPP, LINDA\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Lq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-5","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum"],"InstProjNameF003a":"Quilts and Human Rights; The Black Diaspora Quilt History Project","InstInvContrNumF004":"08.0018","description":"Prison Quilt\r\nBarbara Hogan\r\nSouth Africa\r\n1990\r\nFabric, foundation paper from a correspondence course book she had from UNISA (University of South Africa).\r\n78 ¾” x 59”\r\nCollection of the artist","essay":"In 1982 Barbara Hogan, a thirty-year-old post-graduate student working part-time for the Environmental Development Agency in South Africa and an ardent member of the African National Congress (ANC), the anti-apartheid political party. That year, she was detained for sending labor related material out of the country on behalf of the ANC and, after being interrogated, ill-treated and held in solitary confinement for one year she was charged with treason, Hogan admitted ‘furthering the aims of a banned organization’ but denied the charge of treason. The judge, however, found her guilty of high treason and sentenced Hogan to ten years in jail; Hogan was the first white woman to be tried for treason under apartheid and the first individual in South Africa to be tried for treason in a case that didn’t involve violence against the State. She served seven years of her sentence and was released from prison in 1990 only when the South African government lifted the ban on involvement in the ANC. \r\n \r\nAfter her first year of solitary confinement during which she was only allowed a Bible and a book of poetry, Hogan was allowed to take a correspondence study course from UNISA (University of South Africa), to read other books, and to take up a craft. She taught herself how to quilt in the English pieced paper method, using torn out pages from her correspondence study books for the backing of the pieced blocks. Her warders chose and delivered fabric to her. She was still working on this quilt when, in 1990, the South African government lifted the ban on involvement in the ANC and she was unexpectedly released from prison. Now a member of the South African parliament, she says, “I think I would have gone crazy all those years in prison if I did not have my quilting.”","TypeObjF008":"Quilt top with unfinished edge","OwnerNameF010":"Prison Quilt","QuiltTitleF009":"Prison Quilt","OverallWidthF12a":"59\"","OverallLengthF012b":"78 3/4\"","ShapeEdgeF013":"Sawtooth","PredomColorsF014":["Cream","Green","Orange","Yellow"],"OtherColorF014c":"Peach orange print","LayFormatF024":"Block pattern","NumBlockF026":"20 with 4, half blocks","SizeBlockF027":"14 1/4\" x 14 1/4\"","FiberTypesF035":["Cotton"],"ConstrucF038":["Foundation Piecing"],"UniqueF038h":"Hand whip stitched","QuiltTechF049":["Not quilted"],"ConstrucBindF046":["Edges turned in/no separate binding"],"OtherFabF040a":"Paper","OverCondF015":"Like new","DateBegunF023a":"1990","DateQuiltF023":"1976-1999","ReasonsF060":["Therapy"],"PresUseF062":["Keepsake/memento"],"LocMadeF057a":"Pretoria","ProvCountryF057f":["South Africa"],"ExhibitListF067a":"Quilts and Human Rights, Michigan State University Museum, January 15 - August 24, 2008","OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016. page 80-81.","QuiltTopF054":"Hogan, Barbara","CountryF108":["South Africa"],"OwnerNameF082a":"Barbara Hogan","AcquiredF058":"Made by owner","OwnershipF082":"Private","AccessF080":"Restricted","HolderF080a":"Michigan State University Museum","DateDataF006b":"2/8/2008","QuiltHistF059":"In 1982 Barbara Hogan, a thirty-year-old post-graduate student working part-time for the Environmental Development Agency in South Africa and an ardent member of the African National Congress (ANC), the anti-apartheid political party. That year, she was detained for sending labor related material out of the country on behalf of the ANC and, after being interrogated, ill-treated and held in solitary confinement for one year she was charged with treason, Hogan admitted 'furthering the aims of a banned organization' but denied the charge of treason. The judge, however, found her guilty of high treason and sentenced Hogan to ten years in jail; Hogan was the first white woman to be tried for treason under apartheid and the first individual in South Africa to be tried for treason in a case that didn't involve violence against the State. She served seven years of her sentence and was released from prison in 1990 only when the South African government lifted the ban on involvement in the ANC.
After her first year of solitary confinement during which she was only allowed a Bible and a book of poetry, Hogan was allowed to take correspondence study course from UNISA (University of South Africa), to read other books, and to take up a craft. She taught herself to quilt in the English pieced paper method, using torn out pages from her correspondence study books for the backing of the pieced blocks. Her warders chose and delivered fabric to her. She was still working on this quilt when, in 1990, the South African government lifted the ban on involvement in the ANC and she was unexpectedly released from prison. Now a member of the South African parliament, she says \"I think I would have gone crazy all those years in prison if I did not have my quilting.\"","ReposFile":["https://kora.quiltindex.org/files/45-46-5/08.0018.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-5/08.0018-zoom.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2018-12-11","dateverified_era":"CE","Pattern":"PRISON QUILT","Maker":"[\"HOGAN, BARBARA\"]","Date":"1976-1999","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University; Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","DateObtainedF088c":"2/8/2008","ImageConF075a":"Quilt","ImageTypeF076":"Color","CopyRestF080c":"All rights reserved, Michigan State University Museum","legacy_kid":"6F-11F-12","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:27","updated_at":"2024-07-11 14:39:17"},"sort":["[\"HOGAN, BARBARA\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Sa5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-32","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation #MAZ 22007","InstInvContrNumF004a":"TS 2020.1.20","essay":"This quilt was created to document 212 migrant deaths that were discovered in the Tucson Sector of the US Border Patrol during the 2019-2020 federal fiscal year. Some of the materials used in the quilt include discarded migrant clothing collected in the Tucson Sector. Every known migrant death from that period is inscribed on the quilt either with the individuals’ names, if known, or the word “desconocido” or “desconocida” (Spanish for “unknown” in male and female word forms). The Migrant Quilt Project is grassroots, collaborative effort of artists, quiltmakers, and activists to express compassion for migrants who died in the Southern Arizona deserts on their way to create better lives for themselves and their families. Materials used in the quilts were collected at migrant layup sites used for rest and shelter on established trails in the Sonoran Desert. The Migrant Quilts carry the stories of those who died so that viewers of the quilts may understand the real, personal, and fatal results of inhumane immigration policies.","TypeObjF008":"Finished quilt","OwnerNameF010":"Human Movement, Jose, Angel & Guadalupe","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2019-2020","SubjQuiltF025":"Migrant, death, Arizona, mountains, sunset, Baboquivari","OverallWidthF12a":"83\"","OverallLengthF012b":"98\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Beige","Black","Blue","Brown","Burgundy","Cream","Gold","Gray","Green","Lavender","Navy","Orange","Peach","Pink","Purple","Red","Tan","Teal","Turquoise","Yellow","White"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Pictorial","NumBordersF033":"3","BordDescF034":"1 solid, 2 pieced","FiberTypesF035":["Cotton","Cotton or polyester blend"],"FabricTypeF036":["Broadcloth","Flannel"],"FabPrintF037":["Batiks","Multiple scrap","Solid/plain"],"ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Hand Applique","Fusible Applique"],"ConstrucF038d":["Dimensional applique","Gathering/ruching","Other novelty technique"],"ConstrucF038g":["Painting"],"EmbMatF039":["Cotton thread","Other attachments"],"MatUsedF048":"Cannot tell","BattLoftF048a":"Medium","QuiltTechF049":["Hand quilting"],"DesignF052a":["Single parallel lines"],"ThrTypeF049a":"Cotton?","ThrColorF049b":"Salmon","NumStitchedF050":"5","NumStitchF051":"5","WidthF051a":"1 5/8\"","MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Back turned to front"],"BindWidthF047a":".75\"","FabFiberTypesF040":["Cotton"],"DescBackF043":["Solid/plain"],"ColorBackingF040b":["Navy"],"NumPiecesF042":"1","TypeInscripF019":["Date","Multiple Names","Place"],"LocInscripF022":["multiple locations"],"DateInscripF020a":"2019-2020 and 2020","ContInscripF020":"Front label: Tucson Sector 2019-2020 Back label: Human Movement: Jose, Angel & Guadalupe, Susan Hoffman 2020. Any other notes on inscriptions:\tBorder on front of quilt with names of deceased migrants, or desconocido/a.","OverCondF015":"Excellent/like new","FeaturesF053":"The quiltmaker used actual migrant clothing (collected in the desert; not from deceased migrants) to “dress” the migrants depicted on her quilt. The size and scale of the quilt gives an impression to the viewer that she is walking along the trail with the migrants. The mountain peak depicted in the background is Baboquivari, a sacred mountain on the Tohono O’odham Reservation, an area where many migrants cross the international border.","DateBegunF023a":"2019","DateFinishF023b":"2020","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative","Memorial","Mourning"],"OtherF060a":"Social justice/human rights awareness","PresUseF062":["Exhibit","Museum collection"],"LocMadeF057a":"Germantown","ProvCountyF057b":"Columbia","ProvStateF057d":"New York (NY)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Discarded migrant clothing collected in the desert (not from deceased migrants).","TopSourceF064":["Original to maker"],"ExhibitListF067a":"Jan. 20, 2022-Feb. 28, 2023: Los Desconocidos: The Migrant Quilt Project, Arizona History Museum, 949 E 2nd St, Tucson, Arizona. http://arizonahistoricalsociety.org","AddNotesF132":"See quiltmaker’s website: http://sdhoffman.com","QuiltTopF054":"Hoffman, Susan","QuiltedByF055":"Hoffman, Susan","OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","SourceOtherF006a":"Terry Grzyb-Wysocki and Peggy Hazard","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd Street","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"9/2/2022","QuiltHistF059":"Quilt was made by volunteers for the Migrant Quilt Project.","photocredit079a1":"Amy Wainwright","DateF079":"2021-07-28","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-32/2019.2020.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-32/2019.2020z.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-32/2019.2020d1.jpg"],"Detail 2":["https://kora.quiltindex.org/files/45-46-32/2019.2020d2.jpg"],"Detail 3":["https://kora.quiltindex.org/files/45-46-32/2019.2020d3.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2022-09-07","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2019-2020","Maker":"[\"HOFFMAN, SUSAN\"]","Date":"2000-2025","Contributing Institutions":"MATRIX, Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","project_id":"45","form_id":"46","owner":"7","created_at":"2022-09-07 18:50:45","updated_at":"2024-02-26 14:36:16"},"sort":["[\"HOFFMAN, SUSAN\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"bq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-69","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","InstInvContrNumF004a":"25:25.5","essay":"Sua Her made this story cloth during the time she lived in a refugee camp in Thailand. During the Viet Nam War, Hmong from Laos sided with the United States in fighting against the Laotian Army; subsequently Hmong became targets of genocide by the Laotian Army. In this story cloth, Hmong refugees are shown crossing the Mekong River from Laos to safety in Thailand while overhead helicopters and planes fire at them, killing people and setting housed on fire. Also depicted here is one Laotian soldier executing a blindfolded Hmong man, while another uses a rice pounder to torture another Hmong man. Story cloths like this one have been made by Hmong refugees and immigrants as tools to cope with the stress of memories of war, as well as to provide income.1
1Ia Her, the artist’s cousin, in a statement accompanying story cloth when it was purchased from Her by the MSU Museum, MSU Museum document file for # 2005:25.5.","TypeObjF008":"Summer spread","AltNameF011":"Story Cloth","OverallWidthF12a":"34 3/4\"","OverallLengthF012b":"34 1/2\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Blue"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Medallion or framed center","ArrangeBlockF028":"Straight","NumBordersF033":"6","BordDescF034":"Inner to outer: Gray, white, pieced triangles, gray, white, blue.","FiberTypesF035":["Cotton or polyester blend"],"FabPrintF037":["Solid/plain"],"UniqueF037b":"Embroidery floss","ConstrucF038":["Hand Piecing"],"ConstrucF038g":["Embroidery"],"EmbMatF039":["Cotton thread"],"DateFinishF023b":"2004","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression","Commemorative"],"PresUseF062":["Museum collection"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 3.","QuiltTopF054":"Her, Sua","OwnerNameF082a":"Michigan State University Museum","OwnershipF082":"Public Museum, Library, or Institution","OwnerCityF084":"East Lansing","OwnerCountyF085":"Ingham","OwnerStateF086":"Michigan (MI)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Michigan State University Museum, all rights reserved","DateDataF006b":"2013","photocredit079a1":"Pearl Yee Wong","ReposFile":["https://kora.quiltindex.org/files/45-46-69/003-StoryCloth-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-69/003-StoryCloth-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"STORY CLOTH","Maker":"[\"HER, SUA\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 16:21:24","updated_at":"2024-07-18 04:11:34"},"sort":["[\"HER, SUA\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"P65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-22","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum"],"InstProjNameF003a":"Quilts and Human Rights","description":"After the Party\r\nHelen Pedersen and Janice Dowdeswell\r\nWanganui 4501, New Zealand\r\n2007\r\nCotton; hand painted and commercial prints, leather belt, cotton batting and backing\r\nRaw edge machine appliqué, free-form machine quilting, 'distressed' edge treatments \r\n66 ½” x 62”\r\nCollection of the artist","essay":"The quilt refers to mathematics teacher Pedersen’s own personal story of escape from domestic violence. She said, “It has not been easy for me to reveal this, but making the quilt allowed me to close a chapter.” \r\n \r\nDowdeswell explains more: “The title refers to the fact that alcohol fuels a lot of domestic violence. The time immediately after, or before, social occasions is often the catalyst. The warm spectrum colors on the outer part of the quilt portray the bright exterior victims often show the world when everything on the inside is dark. The spiral background shows the feeling of being sucked down into a black pit of despair. Reducing the size of the words as we read the story depicts the shrinking of one's spirit and the feeling of smallness and insignificance. The cross shape, for others, may represent the death of a family member of the death of the relationship; for Helen it is the death that could have occurred (but, thankfully, didn't). The cross itself and the edge treatments illustrate some of the methods of physical abuse that are used. The first three words of the story hint at a solution: "Please Stop Hitting".” \r\n \r\nThe quilt was one of two top prize winners in a juried exhibition held at New Zealand’s National Quilt Symposium in Palmerston North, New Zealand, under a thematic category sponsored by the New Zealand Human Rights Commission in which entrants were asked to consider human rights abuses, their effects, and possible healing. The quilt was subsequently included in the Contest May Offend exhibition, organized by the Human Rights Commission and the School of Education at University of Waikato, New Zealand.","TypeObjF008":"Finished quilt","QuiltTitleF009":"After the Party","SubjQuiltF025":"Domestic violence","OverallWidthF12a":"66.5\"","OverallLengthF012b":"62\"","LayFormatF024":"Nontraditional or art","FiberTypesF035":["Cotton"],"FabPrintF037":["Print"],"ConstrucF038b":["Machine Applique"],"ConstrucF038g":["Painting"],"UniqueF039a":"Leather belt","MatUsedF048":"Cotton","QuiltTechF049":["Machine quilting"],"DesignF052d":"Free form","FabFiberTypesF040":["Cotton"],"OverCondF015":"Excellent/like new","DateFinishF023b":"2007","DateQuiltF023":"2000-2025","LocMadeF057a":"Wanganui","ProvCountryF057f":["New Zealand"],"ExhibitListF067a":"The quilt was one of two top prize winners in a juried exhibition held at New Zealand’s National Quilt Symposium in Palmerston North, New Zealand, under a thematic category sponsored by the New Zealand Human Rights Commission in which entrants were asked to consider human rights abuses, their effects, and possible healing. The quilt was subsequently included in the Contest May Offend exhibition, organized by the Human Rights Commission and the School of Education at University of Waikato, New Zealand. \r\n \r\nQuilts and Human Rights, Michigan State University Museum, 2008.","OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016. page 65.","QuiltTopF054":"Janice Dowdeswell","OwnerCountryF086b":["United States"],"ReposFile":["https://kora.quiltindex.org/files/45-46-22/08.0008.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2020-05-21","dateverified_era":"CE","Pattern":"AFTER THE PARTY","Maker":"[\"HELEN PEDERSEN\", \"JANICE DOWDESWELL\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University and Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","project_id":"45","form_id":"46","owner":"7","created_at":"2020-05-21 17:51:40","updated_at":"2024-07-11 14:27:35"},"sort":["[\"HELEN PEDERSEN\", \"JANICE DOWDESWELL\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"K65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-2","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation Project #MAZ160002","InstInvContrNumF004a":"TS 2020.1.6","essay":"Fabric inspires me. I love to collect it and stitch quilts, bags and other objects from my stash of new and vintage cloth. But when the opportunity arose to collaborate with two other women to create a Migrant Quilt, I encountered fabric as something other than pretty designs and colors. To me, the discarded items of clothing from which we were to sew this unique quilt still contained vestiges of the spirits of the people who had worn them and later discarded them on their journeys north to what they hoped would be a better life in the United States. It was a humbling and emotionally-fraught experience to handle the shirts, jeans, bandanas and embroidered serviettes that were left behind, and then to deconstruct them and reconnect the pieces into the form of a quilt documenting the demise of fellow travelers whose dreams were cut short in the inhospitable deserts surrounding Tucson. I had never worked on such an evocative art object or been involved in such a meaningful act of consciousness-raising. Thank you for allowing me to be a part of the Los Desconocidos project. \r\n(Peggy Hazard)","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2005-2006","SubjQuiltF025":"Migrant deaths in the Southern Arizona deserts","OverallWidthF12a":"60\"","OverallLengthF012b":"85.5\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Black","Blue","Cream","Red","Yellow"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Crazy","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"FiberTypesF035":["Cotton","Unknown"],"FabPrintF037":["Checked","Floral","Novelty","Paisley","Plaid","Solid/plain","Striped"],"UniqueF037b":"Cut-up denim jeans, bandanas, shirts, embroidered cloths","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Machine Applique","Fusible Applique","Reverse Applique","Blanket, buttonhole, or other decorative applique stitch"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)","Embroidery","Painting"],"UniqueF038h":"Raw edge","EmbMatF039":["Buttons attached","Cotton thread","Other attachments"],"UniqueF039a":"Crocheted lace, shirt collars, denim jeans pockets, embroidered flowers.","MatUsedF048":"No filling","QuiltTechF049":["Machine quilting"],"OthQuiltTechF049c":"Machine stitched to backing","DesignF052d":"Each front/top piece was machine stitched to the backing canvas fabric.","ThrTypeF049a":"Cotton","ThrColorF049b":"Multi-color","WidthF051a":"Variable","ConstrucBindF046":["Unfinished/raw edge"],"FabFiberTypesF040":["Cotton"],"DescBackF043":["Machine sewn","Solid/plain"],"ColorBackingF040b":["Cream"],"NumPiecesF042":"2","WidthPiecesF042a":" 13.5 x 60 and 71.5 x 60","TypeInscripF019":["Date","Multiple Names","Place"],"MethodInscripF021":["Computer generated","Embroidery","Printed in the fabric"],"LocInscripF022":["multiple locations","on block"],"ContInscripF020":"\"Tucson Border Sector 10/2005-9/2006\" (front)\r\n\"Los Desconocidos\" by Peggy Hazard, Suzanne Hesh, Alice Vinson\" back","OverCondF015":"Good/moderate use","FeaturesF053":"This is an art quilt with embroidery, painting and applique. It is made from worn clothing and embroidered cloths discarded in the desert by migrants.","DateBegunF023a":"2010","DateFinishF023b":"2010","DateQuiltF023":"2000-2025","ReasonsF060":["Memorial","Mourning","Teaching or learning sample"],"OtherF060a":"Made as a memorial to migrants who died in a given year and to raise consciousness about their deaths.","PresUseF062":["Exhibit","Study or teaching aid"],"LocMadeF057a":"Tucson","ProvCountyF057b":"Pima","ProvStateF057d":"Arizona (AZ)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new","Sewing scraps"],"TopSourceF064":["Original to maker"],"ExhibitListF067a":"January 2011-2016 (annually): Border Issues Fair, The Good Shepherd United Church of Christ, Sahuarita AZ February 2012: Tucson Peace Fair June 30-July 1, 2012: Part of a program on Immigration at the United Church of Christ Church, Bethesda, Maryland October 12-14, 2012: Quilts Making a Difference exhibit, Tucson Meet Yourself Folklife Festival, Tucson, Arizona 2013: Oracle Artists Studio Tour, Triangle L Ranch, Oracle, Arizona November 2-10, 2014: All Souls Day exhibit, Mercado San Agustin, Tucson, Arizona","OtherSourceMat":"Hazard, Peggy. \"What the Eye Doesn't See, Doesn't Move the Heart: Migrant Quilts of Southern Arizona,\" Uncoverings 2016: The Research Papers of the American Quilt Study Group. https://quiltindex.org//view/?type=page&kid=35-90-374
\r\nMacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016. page 49.
\r\nMargaret Regan, \"The Fabric of Our Lives: Quilts with powerful messages are on display at Tucson Meet Yourself,\" Tucson Weekly, October 12, 2012.
","QuiltTopF054":"Vinson, Alice","QuiltedByF055":"Vinson, Alice","GenderF098":["Female","Group"],"CityF106a":"Tucson","StateF107":"Arizona (AZ)","CountyF106":"Pima","MaidenF097b":"Burba","BirthplaceCityF098a":"Elizabeth City","BirthplaceStateF098b":"North Carolina","BirthDateF099":"5/13/1954","EnviroF104c":["Urban"],"EdBkgdF102":"MA in Art History","RelAffF103":"Roman Catholic","OccupationF104":"Art curator","LearnedToQuiltF117":["From Class"],"WhenQuiltF118":["Age 20-29"],"WhyQuiltF119":["Gifts","Pleasure"],"OtherF119a":"Artistic expression","SellQuiltF127":"no","TeachF129":"no","NameGroupF120":"Groovy Art Chicks","OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","IdentPersonF006":["Author/researcher","Quiltmaker"],"AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd St.","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"2010","interviewerF007e":"Peggy Hazard","QuiltHistF059":"Quilt was made by volunteers for the Migrant Quilt Project.","photocredit079a1":"Wilson Graham Photography","DateF079":"1910-08-27","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-2/2005-2006.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-2/2005.2006-zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-2/2005.2006.detail.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2016-04-14","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2005-2006","Maker":"[\"HAZARD, PEGGY\", \"HESH, SUZANNE\", \"VINSON, ALICE\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum, Alliance For American Quilts","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","LocGroupF121":"Tucson, AZ","SpecialGroupF122":"Not only quilts, but other textile arst and clay art.","ImageTypeF076":"Color","SourceF077":"Digital","legacy_kid":"6F-11F-1","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:26","updated_at":"2024-07-10 15:15:12"},"sort":["[\"HAZARD, PEGGY\", \"HESH, SUZANNE\", \"VINSON, ALICE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"b65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-70","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"In 1816, Elizabeth Fry founded the British Ladies Society for the Reformation of Female Prisoners, an organization concerned with the well being of women prisoners. The work of the society included implementing needlecraft among the prisoners and donating sewing supplies to enable this craft. \r\n \r\nWhen the ship named Rajah left England in 1841 bound for Hobart, Tasmania, it carried 180 female prisoners. During its journey Kezia Hayter, a free passenger who had been sent by Elizabeth Fry to assist in the formation of the Tasmanian Ladies’ Society for the Reformation of Female Prisoners, is believed to have led the creation of the Rajah Quilt. Upon the ship’s arrival in Australia, the quilt was presented to Lady Jane Franklin, wife of Tasmania’s lieutenant governor. \r\n \r\nThe border of the quilt includes the stitched inscription, “To the ladies of the convict ship committee, this quilt worked by the convicts of the ship Rajah during their voyage to Van Dieman’s Land is presented as a testimony of the gratitude with which they remember their exertions for their welfare while in England and during their passage and also as a proof that they have not neglected the ladies kind admonitions of being industrious. June 1841.” 1 \r\n \r\n1Robert Bell, “The Rajah Quilt,” National Gallery of Australia. Accessed January 2, 2014.","TypeObjF008":"Summer spread","QuiltTitleF009":"Rajah Quilt","OverallWidthF12a":"132 3/4\"","OverallLengthF012b":"128\"","ShapeEdgeF013":"Straight","LayFormatF024":"Medallion or framed center","ArrangeBlockF028":"Straight","NumBordersF033":"Multiple","BordDescF034":"Pieced and appliqued","FiberTypesF035":["Cotton"],"FabricTypeF036":["Chintz"],"FabPrintF037":["Print"],"UniqueF037b":"Sheeting","ConstrucF038":["Hand Piecing"],"ConstrucF038b":["Hand Applique"],"ConstrucF038g":["Embroidery"],"EmbMatF039":["Silk thread"],"TypeInscripF019":["Date","Message"],"MethodInscripF021":["Ink"],"LocInscripF022":["on block"],"DateInscripF020a":"1841","DateFinishF023b":"1841","DateQuiltF023":"1800-1849","ReasonsF060":["Commemorative"],"PresUseF062":["Museum collection"],"OthSourceF063a":"Donated by the Quaker group, the British Ladies Society for the Reformation of Female Prisoners.","OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 6.","QuiltTopF054":"Female convicts","OwnerNameF082a":"National Gallery of Australia","OwnershipF082":"Public Museum, Library, or Institution","OwnerCityF084":"Canberra","OwnerCountryF086b":["Australia"],"AccessF080":"Restricted","HolderF080a":"National Gallery of Australia, all rights reserved","DateDataF006b":"2013-06-13","photocredit079a1":"Courtesy of the National Gallery of Australia, Canberry","ReposFile":["https://kora.quiltindex.org/files/45-46-70/004-Rajah-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-70/004-Rajah-z.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-70/004-Rajah-d.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"RAJAH QUILT","Maker":"[\"HAYTER, KEZIA\", \"FEMALE CONVICTS\"]","Date":"1800-1849","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 16:21:25","updated_at":"2024-07-18 04:11:34"},"sort":["[\"HAYTER, KEZIA\", \"FEMALE CONVICTS\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"eK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-79","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Black Disapora Quilt History Project","essay":"“Reconstruction, ending in 1877, was the failed post Civil War policy of the Federal government to provide some basic civil rights for African Americans. The withdrawal of Federal troops from the south once again left African American’s vulnerable to the jagged edges of racism. The pointed hoods of white-sheeted nightriders were symbols of terror and bloodshed and were an American form of masking at it’s worst.
This quilt is also part of an ongoing series of works that incorporate multiple hanging panels that were inspired by the Egungun masking ceremony of the Yoruba People of Africa. For many years, I have been fascinated by and inspired by the movement created by the layering of fabrics, colors, and the repetitive patterns used in the creation of those ceremonial costumes. The layering and use of overlapping panels is a device that I employ to distort the optical delineation between foreground and background, or in masking terms blurring the distinction between what is revealed and what is concealed.”1 — Carole Harris
1Carole Harris, Quilts and Human Rights Documentation Record, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Reconstruction","OverallWidthF12a":"36\"","OverallLengthF012b":"55\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Gray","Black","Red","White"],"LayFormatF024":"Nontraditional or art","FiberTypesF035":["Cotton"],"UniqueF037b":"Hand printed cottons","ConstrucF038":["Machine Piecing"],"QuiltTechF049":["Machine quilting"],"DateFinishF023b":"2012","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"LocMadeF057a":"Detroit","ProvCountyF057b":"Wayne","ProvStateF057d":"Michigan (MI)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 170-171.","Maker Associator":"12-51-81","QuiltTopF054":"Harris, Carole","OwnerNameF082a":"Carole Harris","OwnershipF082":"Private","OwnerCityF084":"Detroit","OwnerCountyF085":"Wayne","OwnerStateF086":"Michigan (MI)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Carole Harris, all rights reserved","DateDataF006b":"2013-11-13","photocredit079a1":"Eric Law","ReposFile":["https://kora.quiltindex.org/files/45-46-79/097-Reconstruction-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-79/097-Reconstruction-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"RECONSTRUCTION","Maker":"[\"HARRIS, CAROLE\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 16:21:34","updated_at":"2024-07-18 04:11:34"},"sort":["[\"HARRIS, CAROLE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Sq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-33","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation #MAZ 22008","InstInvContrNumF004a":"TS 2020.1.21","essay":"This quilt was created to document 225 migrant deaths that were discovered in the Tucson Sector of the US Border Patrol during the 2020-2021 federal fiscal year. Some of the materials used in the quilt include discarded migrant clothing collected in the Tucson Sector. Every known migrant death from that period is inscribed on the quilt either with the individuals’ names, if known, or the word “desconocido” or “desconocida” (Spanish for “unknown” in male and female word forms). The Migrant Quilt Project is grassroots, collaborative effort of artists, quiltmakers, and activists to express compassion for migrants who died in the Southern Arizona deserts on their way to create better lives for themselves and their families. Materials used in the quilts were collected at migrant layup sites used for rest and shelter on established trails in the Sonoran Desert. The Migrant Quilts carry the stories of those who died so that viewers of the quilts may understand the real, personal, and fatal results of inhumane immigration policies.","TypeObjF008":"Finished quilt","OwnerNameF010":"Our Backyard Graveyard","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2020-2021","SubjQuiltF025":"Migrant, death, Arizona, desert, graveyard, cross","OverallWidthF12a":"80.5\"","OverallLengthF012b":"87\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Beige","Black","Blue","Brown","Burgundy","Cream","Fuchsia","Gold","Gray","Green","Lavender","Navy","Peach","Pink","Red","Rust","Tan","Teal","Yellow","White"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Medallion or framed center","MedallionF031":"29.5\" x 26.5\"","NumBordersF033":"4 and 3","BordDescF034":"4 on bottom and sides, 3 on top","FiberTypesF035":["Cotton or polyester blend","Polyester"],"FabricTypeF036":["Broadcloth"],"FabPrintF037":["Batiks","Multiple scrap","Plaid","Solid/plain"],"ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Hand Applique","Machine Applique","Fusible Applique","Blanket, buttonhole, or other decorative applique stitch"],"ConstrucF038d":["Dimensional applique","Gathering/ruching","Other novelty technique"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)","Ink drawing","Other embellishment technique"],"EmbMatF039":["Buttons attached","Cotton thread","Other attachments"],"UniqueF039a":"Patches from old clothing, fringe, and old bandanas attached.","MatUsedF048":"No filling","QuiltTechF049":["Not quilted"],"MatUsedF044":["Cotton"],"FabStrucF045":["Twill weave"],"ConstrucBindF046":["Separate binding applied"],"BindWidthF047a":"1\"","UniqueBindF045a":"Binding pieced from raw edge denim scraps.","FabFiberTypesF040":["Cotton"],"DescBackF043":["Different fabrics","Machine sewn","Print","Solid/plain"],"NumPiecesF042":"8","WidthPiecesF042a":"Varied: 27 in, 37 in, 44 in","TypeInscripF019":["Date","Multiple Names"],"MethodInscripF021":["Attached label","Ink"],"LocInscripF022":["multiple locations"],"DateInscripF020a":"2021-2022 and February 2022","ContInscripF020":"Front; names of the deceased migrants and “Tucson Sector 2020-2021” \r\nBack: Our Backyard Graveyard by Gale Hall February 2022\r\n","OverCondF015":"Excellent/like new","DamageF016":["Dirty"],"RepairsF017":["Cut down to smaller size"],"FeaturesF053":"Fabrics are raw edged to create an intentionally crude effect. Center medallion depicts a deceased migrant beneath a tree with branches hanging over him like a canopy. Pieces of clothing such as cuffs and sleeves are appliqued on the quilt.","DateBegunF023a":"2021","DateFinishF023b":"2022","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative","Memorial","Mourning"],"OtherF060a":"Social justice/human rights awareness","PresUseF062":["Exhibit","Museum collection"],"LocMadeF057a":"Saddlebrooke","ProvCountyF057b":"Pinal","ProvStateF057d":"Arizona (AZ)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Discarded migrant clothing collected in the desert (not from deceased migrants).","TopSourceF064":["Original to maker"],"ExhibitListF067a":"Jan. 20, 2022-Feb. 28, 2023: Los Desconocidos: The Migrant Quilt Project, Arizona History Museum, Tucson, Arizona. \r\nSpring 2022: Church of the Apostles, Oro Valley, Arizona.","AddNotesF132":"What an honor and great responsibility it was to make this quilt. How could I help people who examine this quilt to see the humanity and lived lives of the people represented here who died in our desert? How could I make it more visceral and less cerebral? How could I honor their lives and bear witness to their deaths with dignity and respect? I wanted the quilt to say to the viewer, “Except for the accident of your birth, this could have been you.”
\r\nThese were some of the ideas I pondered after learning I would make this quilt. Then I received the clothing that the migrants had worn. I spent quite some time simply touching and exploring the clothing. Then I started to pay attention to as many different familiar details in the clothing as I could, and that is what guided me. I imagined that I had picked out the various pieces of clothing – or that they had somehow been gifted to me. I noticed the beautiful embroidery that decorated the sleeve of a shirt and imagined myself looking at such a design on my own clothing during my day and having it give me pleasure. I noticed the patch of membership to an organization sewn onto a shirt and thought of groups that I had belonged to and proudly displayed on my own clothing. I noticed the tags in the clothing indicating its manufacturer, its size, what it was made of and how to care for it. And then, one day, it was as if these were my own clothes.
\r\nI pictured myself putting my own arm into the sleeve of a top, snapping or buttoning a cuff in place around my wrist. I imagined pulling on a pair of jeans, zipping the zipper, and putting something important into my pockets. I visualized choosing a hat to protect my face from the sun and wrapping food in a manta for the journey. Suddenly, it was very personal. I wrote Desconocido/a (unknown) on a cross and stitched the cross through the clothing and onto the background desert-colored fabric. I wanted the section of clothing to be able to hang loose from the background of the quilt so that one could appreciate the owner’s interaction with that piece of clothing. I used a crisscross embroidery stitch to help adhere the clothing to the background, to represent everything that is naturally sharp and harmful in the desert that would assault the clothes and body on the dangerous journey.
\r\nThe centerpiece image of the quilt is of a person who had died sitting under the shade of a mesquite tree. It was designed by my friend Michelina Nicotera-Taxiera. Around this centerpiece I included the names on the crosses of the 95 people identified as dying in our desert. Beyond this central image are the 130 crosses of people who died nameless in the desert.
\r\nAs I sewed on the crosses and presented each name to God, I was suddenly aware of reading Maria’s name. My mom’s middle name was Marie. Another name I read was Rogelino. My dad’s name was Roger. As I sewed, through my tears I imaged that Maria and Rogelino were my parents. My parents loved me and my brother so much that if we were living in danger or poverty, they would have decided to leave to find a place of safety for us. And then realizing that they died in the desert, I understood Rogelino and Maria’s sacrifice of love and hope.
\r\nAs you examine this quilt, imagine that you are one of the people here – or that you know one of them. Make it personal. Maybe you were with them when they purchased that pair of jeans. Maybe you gave that shirt as a present to the person. Maybe you have a picture of the person wearing that hat in your photo album. How will we put an end to this graveyard growing in our backyard? The danger of the desert isn’t a big enough deterrence when your life is at stake. They are us, and we are them. How big are we willing to let this graveyard become?","QuiltTopF054":"Hall, Gale","OthPeopleF056":"Nicotera-Taxiera, Michelina","CityF106a":"Saddlebrooke","StateF107":"Arizona (AZ)","CountyF106":"Pinal","CountryF108":["United States"],"OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","IdentPersonF006":["Quilt owner"],"SourceOtherF006a":"Terry Grzyb-Wysocki and Peggy Hazard","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd Street","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"9/2/2022","QuiltHistF059":"Quilt was made by volunteers for the Migrant Quilt Project.","photocredit079a1":"Wilson Graham","DateF079":"2022-07-28","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-33/2020.2021.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-33/2020.2021d1.jpg"],"Detail 2":["https://kora.quiltindex.org/files/45-46-33/2020.2021d2.jpg"],"Detail 3":["https://kora.quiltindex.org/files/45-46-33/2020.2021d3.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2022-09-07","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2020-2021","Maker":"[\"HALL, GALE\"]","Date":"2000-2025","Contributing Institutions":"MATRIX, Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","project_id":"45","form_id":"46","owner":"7","created_at":"2022-09-07 18:56:06","updated_at":"2024-02-26 14:36:16"},"sort":["[\"HALL, GALE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Oq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-17","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation Project #MAZ170012","InstInvContrNumF004a":"TS 2020.1.9","essay":"I have found this a very sobering process. Working on it while listening to the plight of the Syrian refugees in Hungary and elsewhere in Europe, has made me realize, once again, how fortunate I am. My grandparents came to the U.S. one legally and one illegally in 1913 and were able to stay, succeed and raise their children in a mostly safe environment.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2008-2009","SubjQuiltF025":"Migrant deaths in the Arizona deserts","OverallWidthF12a":"51\"","OverallLengthF012b":"59\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Beige","Blue","Navy"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Pictorial","FiberTypesF035":["Cotton","Polyester","Other synthetic"],"FabricTypeF036":["Broadcloth"],"FabPrintF037":["Solid/plain","Striped"],"UniqueF037b":"Denim from jeans","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Fusible Applique"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)","Embroidery"],"EmbMatF039":["Beads attached","Charms attached","Cotton thread","Ribbon thread"],"UniqueF039a":"Attached embroidered cloths with crocheted lace trim, crocheted doilies, holy card and ribbon roses.","MatUsedF048":"No filling","QuiltTechF049":["Not quilted"],"MatUsedF044":["Cotton"],"FabStrucF045":["Plain weave"],"ConstrucBindF046":["Front turned to back"],"FabFiberTypesF040":["Cotton"],"DescBackF043":["Same fabric used throughout","Machine sewn","Solid/plain"],"ColorBackingF040b":["Beige"],"NumPiecesF042":"2","WidthPiecesF042a":"41\" x 59\"; 10\" x 59\"","TypeInscripF019":["Date","Multiple Names","Place"],"MethodInscripF021":["Ink"],"LocInscripF022":["multiple locations"],"ContInscripF020":"Many names of deceased migrants and the words \"Los Desconocidos\" to indicate unidentified migrants. ","OverCondF015":"Very good/almost new","FeaturesF053":"4 embroidered and crocheted cloths (napkins, probably) and 3 crocheted doilies are attached to the quilt; these were salvaged from a migrant layup site in the desert.","DateBegunF023a":"2015","DateFinishF023b":"2015","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression","Memorial","Mourning","Therapy"],"OtherF060a":"Made as a memorial to migrants who have died during the given year and to raise consciousness about their deaths.","PresUseF062":["Exhibit"],"LocMadeF057a":"Columbus","ProvCountyF057b":"Franklin","ProvStateF057d":"Ohio (OH)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Denim jeans and needlework left by migrants were from a migrant layup site in the Sonoran Desert. The center piece of fabric in the quilt may have been a bed sheet.","TopSourceF064":["Original to maker"],"ExhibitListF067a":"January 2016: Border Issues Fair, The Good Shepherd United Church of Christ, Sahuarita AZ \r\nOctober 7, 2016: Symposium, Activist Quilters and the Migrant Quilt Project, Student Union, University of Arizona, Tucson, AZ January 2017: Border Issues Fair,The Good Shepherd United Church of Christ, Sahuarita AZ \r\nMarch/April 2017: Amado Unitarian Universalist Church, Amado AZ \r\nJune/July 2017: Sky Island Unitarian Universalist Church, Sierra Vista AZ \r\nAugust 25-September 22, 2017: Tempe History Museum, Tempe AZ \r\nNovember 2017: Dia de los Muertos exhibit, Arizona History Museum, Tucson AZ \r\nFebruary 2018: Pimeria Alta Museum, Nogales, AZ \r\nMarch 1-26, 2018: St. Francis in the Valley Episcopal Church, Green Valley, AZ \r\nMay 1-July 15 2018: New England Quilt Museum, Lowell, MA \r\nAugust 6-September 4, 2018: Loutit District Library, Grand Haven, MI \r\nSeptember 15-October 14, 2018: Urban Edge Gallery, Waukegan Arts Council, Waukegan, IL","RelItemsF088a":"migrantquiltproject.org \r\n \r\nhttps://www.facebook.com/migrantquiltproject/ \r\n \r\nLocal Library Hosts Migrant Quilt Project, by Krystle Wagner. Grand Haven Tribune, August 13, 2018. https://www.grandhaventribune.com/Local/2018/08/13/Library-hosts-Migrant-Quilt-Project.html?ci=content&lp=2&p=1 \r\n \r\n"With Paint and Patchwork, Artists Offer a New Perspective on Immigration," by Donna Bryson. Christian Science Monitor, July 17, 2018. https://www.csmonitor.com/The-Culture/Arts/2018/0717/Immigration-debate-appears-in-the-art-world \r\n \r\n"The Migrant Quilt, by Valarie Lee James. Kosmos Journal, Summer 2018. https://www.kosmosjournal.org/kj_article/the-migrant-quilt/ \r\n \r\n"Migrant Quilt Project brings border tragedies to the surface, stitch by stitch," by Mark Pratt, AP. Los Angeles Times, May 7, 2018. (and picked up by other papers) http://www.latimes.com/entertainment/arts/la-et-cm-migrant-quilt-project-20180507-story.html \r\n \r\n"The Migrant Quilt Project: Stitching Compassion and Change," by Mary Fons. Quiltfolk, issue 6, pp. 98-111. www.quiltfolk.com \r\n \r\nVideo feature about the Migrant Quilt Project's exhibition at the Pimeria Alta Historical Museum in Nogales, Arizona. February 11 &12, 2018. https://www.kgun9.com/news/local-news/quilts-honor-migrants-who-died-while-crossing-the-border \r\n \r\n"Quilts honoring migrants come to Nogales museum," by Kendal Blust. Nogales International, January 30, 2018. http://migrantquiltproject.org/wp-content/uploads/2009/06/Nogales-exhibit.html \r\n \r\n"The Migrant Quilt Project Remembers Lives Lost Along the U.S.-Mexico Border," by Katherine Davis-Young. Atlas Obscura, November 27, 2017. https://www.atlasobscura.com/articles/migrant-quilt-project-border-tucson-arizona-mexico \r\n \r\nVideo about the Migrant Quilt Project by Al Jazeera!http://share.ajplus.net/shared/36014 \r\n \r\n"How Arizona Artists Are Using Quilts in the Border Debate," by Lynn Trimble. Phoenix New Times, September 21, 2017. https://www.phoenixnewtimes.com/arts/arizona-migrant-quilt-project-9705139 \r\n \r\n"Migrant Quilt Project raises awareness of migrant deaths through tangible message," by Angela Martinez. Daily Wildcat, April 22, 2017. www.wildcat.arizona.edu/article/2017/04/migrant-quilt-project-raises-awareness-of-migrant-deaths-through-tangible-message \r\n \r\n"Migrant memorials: Quilts honor migrants who died in the Arizona desert," by Kendal Blust. Arizona Daily Star, January 5, 2017. http://tucson.com/entertainment/arts-and-theatre/migrant-memorials-quilts-honor-migrants-who-died-in-the-arizona/article_4d863933-be96-56ea-9f86-972068698253.html \r\n \r\n"Quilt project remembers border crossers," by Ellen Sussman. Special to the Green Valley News, March 15, 2017. http://www.gvnews.com/news/quilt-project-remembers-border-crossers/article_d9a8aaec-0999-11e7-bf14-2b7a2df9c509.html","QuiltTopF054":"Halchin-Smith, Bonnie","GenderF098":["Female"],"CityF106a":"Columbus","StateF107":"Ohio (OH)","CountyF106":"Frankling","CountryF108":["United States"],"WhyQuiltF119":["Pleasure"],"OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","IdentPersonF006":["Author/researcher"],"SourceOtherF006a":"Curator of the Migrant Quilt Project","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd St.","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"2015","interviewerF007e":"Bonnie Halchin-Smith","QuiltHistF059":"Quilt was made by volunteers for the Migrant Quilt Project.","photocredit079a1":"Wilson Graham Photography","DateF079":"2016-01-21","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-17/2008.2009.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-17/2008.2009.zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-17/2008.2009.detai2.jpg"],"Detail 1 Caption":"detail","Detail 2":["https://kora.quiltindex.org/files/45-46-17/2008.2009.detail1.jpg"],"Detail 2 Caption":"detail","verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2018-08-20","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2008-2009","Maker":"[\"HALCHIN-SMITH, BONNIE\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University and Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","WidthBindF047":"half inch - one inch","ImageTypeF076":"Color","SourceF077":"Digital","legacy_kid":"6F-11F-B","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:38","updated_at":"2024-02-26 14:36:16"},"sort":["[\"HALCHIN-SMITH, BONNIE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Ua5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-40","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"The Kindertransport Association (KTA) began the Kindertransport Memory Quilt Project in 1994 as a means of creating a non-verbal memorial to the painful experiences of kindertransport, the children who were separated from parents and families and transported by train out of harm’s way in WWII-era Europe. Kirsten Grosz, whose spouse was a kindertransport, coordinated the project. Members of the KTA created 65 squares recalling memories of their experience with kindertransport and the war, and Grosz sewed the squares into a series of quilts. The Kindertransport Quilts have been exhibited at museums around the country, and are now on permanent loan at the Holocaust Memorial Center in Farmington Hills, Michigan. Lecturers tour the country with a replica set. An accompanying book provides details of each of the stories.1
1Kirsten Grosz, Quilts and Human Rights Documentation Record, November 11, 2013, Collection of MSU Museum, and Kirsten Hanus and Anita Grosz. Kindertransport Memory Quilt (United States: Privately published, 2000).","TypeObjF008":"Finished quilt","QuiltTitleF009":"Kindertransport quilt","OverallWidthF12a":"49\"","OverallLengthF012b":"60\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Blue","Cream"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Block pattern","NumBlockF026":"20","ArrangeBlockF028":"Straight","SpacingF029":["Separated by plain sashing"],"NumBordersF033":"3","BordDescF034":"Inner navy, middle light green, outer blue","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038":["Hand Piecing"],"QuiltTechF049":["Hand quilting"],"DateFinishF023b":"2000","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"PresUseF062":["Museum collection"],"LocMadeF057a":"Indianapolis","ProvStateF057d":"Indiana (IN)","ProvCountryF057f":["United States"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 48.","QuiltTopF054":"Grosz, Kirsten","OthPeopleF056":"members of the Kindertransport Association","OwnerNameF082a":"Kirsten Grosz","OwnershipF082":"Private","OwnerCityF084":"Indianapolis","OwnerStateF086":"Indiana (IN)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Kirsten Grosz, all rights reserved","DateDataF006b":"2013-11-18","photocredit079a1":"Image courtesy of the Kindertransport Association; photograph by Kirsten Grosz (in memory of Hanus Grosz, the Kinder and their brave parents)","ReposFile":["https://kora.quiltindex.org/files/45-46-40/032-Kindertransport-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-40/032-Kindertransport-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"KINDERTRANSPORT QUILT","Maker":"[\"GROSZ, KIRSTEN\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:03","updated_at":"2024-07-18 04:11:34"},"sort":["[\"GROSZ, KIRSTEN\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Na5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-12","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation Project #MAZ160004","InstInvContrNumF004a":"TS 2020.1.10","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2009-2010","SubjQuiltF025":"Migrant deaths in the Southern Arizona deserts","OverallWidthF12a":"66","OverallLengthF012b":"62","ShapeEdgeF013":"Straight","PredomColorsF014":["Black","Red"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Nontraditional or art","FiberTypesF035":["Cotton"],"FabricTypeF036":["Unknown"],"FabPrintF037":["Solid/plain","Striped"],"UniqueF037b":"made from denim and a US flag","ConstrucF038":["Hand Piecing","Machine Piecing"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)","Painting"],"EmbMatF039":["Beads attached"],"UniqueF039a":"star-shaped sequins attached with beads","FabFiberTypesF040":["Cotton"],"DescBackF043":["Different fabrics","Machine sewn"],"ColorBackingF040b":["Beige","Black","Brown","Gray","Red","White"],"NumPiecesF042":"3","WidthPiecesF042a":"28.5 x 41.4\"; 27 x 26\"; 32.5 x 67\".","TypeInscripF019":["Date","Multiple Names","Place"],"MethodInscripF021":["Ink"],"LocInscripF022":["multiple locations"],"OverCondF015":"Very good/almost new","RepairHistF018":"materials used were worn to begin with; no further damage","FeaturesF053":"This Migrant Quilt was made from a blanket or bedspread discarded by migrants, with a US flag attached to it. The usual blue field of stars on the flag instead contains a pieced landscape with a road leading into a mountainous background. The front of the quilt is embellished with star sequins. The back was curiously pieced, with a rose print in the upper left, and a skull print on the right and across the bottom, as if to suggest a US flag design.","DateBegunF023a":"2010","DateFinishF023b":"2011","DateInfoF023f":"Quilt dates are approximate.","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression","Memorial"],"OtherF060a":"Made as a memorial to migrants who died during the given year and made to raise consciousness about their deaths.","PresUseF062":["Exhibit","Study or teaching aid","Other"],"OthPresUseF062a":"The Migrant Quilt Project is seeking exhibition opportunities.","LocMadeF057a":"Tucson","ProvCountyF057b":"Pima","ProvStateF057d":"Arizona (AZ)","ProvCountryF057f":["United States"],"SourceMatF063":["Purchased new"],"OthSourceF063a":"Made from a blanket and clothes left behind by migrants and an old US flag.","ExhibitListF067a":"2012-2016 Border Issues Fairs, The Good Shepherd United Church of Christ, Sahuarita, AZ \r\nFebruary 2012, Peace Fair, Tucson, AZ","RelItemsF088a":"migrantquiltproject.org \r\n \r\nhttps://www.facebook.com/migrantquiltproject/ \r\n \r\nUncoverings 2016: The Research Papers of the American Quilt Study Group","AddNotesF132":"Working with the materials felt like a sacred act. Not beautiful in and of themselves, the cotton knit and denim reflect the sacrifice and embody the remnants of deceased immigrants' dreams and hopes of a new life in 'El Norte.' By virtue of being born in the U.S., most Americans never need to sacrifice for freedom and opportunity and may misunderstand or feel threatened by those who strive to join them. My intent was to make the harrowing journey tangible and real for others, like me, who were blessed to be Americans by birth. Through my choice of fabric and subject matter I tried to bridge the gap between viewer and the deceased and have the viewer see through the migrants' eyes.","QuiltTopF054":"Greenfield, Verni","GenderF098":["Female"],"CountryF108":["United States"],"OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","IdentPersonF006":["Author/researcher"],"SourceOtherF006a":"Curator of the Migrant Quilt Project","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd St.","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","interviewerF007e":"Peggy Hazard for the Migrant Quilt Project","QuiltHistF059":"Quilt was made by a volunteer for the Migrant Quilt Project.","photocredit079a1":"All photos by Wilson Graham Photography","DateF079":"2015-03-22","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-12/2009.2010.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-12/2009.2010-zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-12/2009.2010.detail1.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2016-06-02","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2009-2010","Maker":"[\"GREENFIELD, VERNI\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","DateObtainedF088c":"5/10/2016","legacy_kid":"6F-11F-6","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:34","updated_at":"2024-02-26 14:36:16"},"sort":["[\"GREENFIELD, VERNI\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Pa5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-20","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum"],"InstProjNameF003a":"Quilts and Human Rights","InstInvContrNumF004":"08.0010","description":"Incest\r\nCecily Gordon, Margaret Perowne, Megan Cooper, and Kay Lamport\r\nSydney, Australia\r\n2006\r\nCalico painted with acrylics, embroidery thread, beads, sequins, and barbed wire \r\nPainted, embroidered, machine quilted\r\n69” x 64”\r\nCollection of the artist","essay":"This quilt was one of two top prize winners in a juried exhibition held in 2007 at New Zealand’s National Quilt Symposium in Palmerston North, New Zealand, under a thematic category sponsored by the New Zealand Human Rights Commission in which entrants were asked to consider human rights abuses, their effects, and possible healing. The quilt was subsequently included in the Content May Offend exhibition, organized by the Human Rights Commission and the School of Education at University of Waikato, New Zealand. As Human Rights Commissioner Rosslyn Noonan says, “the winners truly bring home how a traditional domestic art can become a powerful medium for the important message that to be free from violence is a human right we should all cherish.” Cecily Gordon, a psychotherapist and one of the makers of this quilt, provided this statement on a separate cloth: “This quilt is for the hundreds of children and women who have told their stories. It’s about bringing these stories home to Palmerston North [a town she lived in for 20 years] where they began.”","TypeObjF008":"Finished quilt","QuiltTitleF009":"Incest","OverallWidthF12a":"69\"","OverallLengthF012b":"64\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Black","Blue","Gray","Green","Red"],"OtherColorF014c":"Peach","LayFormatF024":"Block pattern","NumBlockF026":"12","SizeBlockF027":"varied","ArrangeBlockF028":"Straight","FiberTypesF035":["Cotton"],"ConstrucF038g":["Embroidery","Ink drawing","Painting"],"UniqueF038h":"Blocks are machine appliqued onto background.","UniqueF039a":"Embroidery thread, beads, barbed wire, jewels, mirrors","MatUsedF048":"Polyester","QuiltTechF049":["Machine quilting"],"DesignF052a":["Outline"],"MatUsedF044":["Cotton"],"ConstrucBindF046":["Bias grain"],"BindWidthF047a":"1\"","FabFiberTypesF040":["Cotton"],"ContInscripF020":"Words are written in wide, black marker on the background: menace, innoncence, denial, inadequacy, unsafe, shock, terror, no safe place, shame, self loathing, disclosure, grief, how could you, grief, confrontation. There is a fabric label that accompanies and explains the quilt. It starts: INCEST: This is the story of incest in a \"normal happy\" family.","OverCondF015":"Like new","DateFinishF023b":"2006","DateQuiltF023":"2000-2025","ReasonsF060":["Therapy"],"PresUseF062":["Artwork/wall hanging"],"LocMadeF057a":"Sydney","ProvCountryF057f":["Australia"],"TopSourceF064":["Original to maker"],"ExhibitListF067a":"Quilts and Human Rights, Michigan State University Museum, January 15 - August 24, 2008","QuiltTopF054":"Lamport, Kay","QuiltedByF055":"Lamport, Kay","CountryF108":["Australia"],"OwnerNameF082a":"Cecily Gordon","AcquiredF058":"Made by owner","OwnershipF082":"Private","AccessF080":"Restricted","HolderF080a":"Michigan State University Museum","DateDataF006b":"2/8/2008","QuiltHistF059":"This quilt was one of two top prize winners in a juried exhibition held in 2007 at New Zealand's National Quilt Symposium in Palmerston North, New Zealand, under a thematic category sponsored by the New Zealand Human Rights Commission in which entrants were asked to consider human rights abuses, their effects, and possible healing. The quilt was subsequently included in the Content May Offend exhibition, organized by the Human Rights Commission and the School of Education at University of Waikato, New Zealand. As Human Rights Commissioner Rosslyn Noonan says, \"the winners truly bring home how a traditional domestic art can become a powerful medium for the important message that to be free from violence is a human right we should all cherish.\" Cecily Gordon, a psychotherapist and one of the makers of this quilt, provided this statement on a separate cloth: \"This quilt is for the hundreds of children and women who have told me their stories. It's about bringing these stories home to Palmerston North [a town she lived in for 20 years] where they began.\"","ReposFile":["https://kora.quiltindex.org/files/45-46-20/08.0010.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-20/08.0010-zoom.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2018-12-11","dateverified_era":"CE","Pattern":"INCEST","Maker":"[\"GORDON, CECILY\", \"PEROWE, MARGARET\", \"COOPER, MEGAN\", \"LAMPORT, KAY\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University; Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","DateObtainedF088c":"2/8/2008","ImageConF075a":"Quilt","ImageTypeF076":"Color","CopyRestF080c":"All rights reserved, Michigan State University Museum","legacy_kid":"6F-11F-E","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:41","updated_at":"2024-02-23 19:15:38"},"sort":["[\"GORDON, CECILY\", \"PEROWE, MARGARET\", \"COOPER, MEGAN\", \"LAMPORT, KAY\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Ma5kWZEB8akQsUwe91uG","_score":null,"_source":{"kid":"36-34-1312","InstNameF003":["International Quilt Museum","Quilts and Human Rights"],"InstProjNameF003a":"International Quilt Museum; General Collection","InstInvContrNumF004":"1998.008.0001","OwnerNameF010":"Menschen","description":"Menschen\r\nGisela Rikeit, et al\r\nGraben-Neudorf, Germany\r\n1998\r\nCotton, paint\t\r\n71\" x 58\"\r\nCollection of the International Quilt Study Center, acc.#1998.008.0001","OverallWidthF12a":"71\"","OverallLengthF012b":"58\"","DateQuiltF023":"1976-1999","FamDateF023c":"1998","LayFormatF024":"Block pattern","NumBlockF026":"30","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"FiberTypesF035":["Cotton"],"ConstrucF038g":["Painting"],"QuiltTopF054":"Gisela Rikeit","LocMadeF057a":"Graben-Neudorf","ProvCountryF057f":["Germany"],"ExhibitListF067a":"This quilt was honored with the first prize in Expressions of Freedom: Quilts Celebrating Human Rights, a contest and exhibition held by the International Quilt Study Center, University of Nebraska-Lincoln in 1998 to honor the 50th anniversary of the United Nations Declaration of Human Rights.\r\n\r\nQuilts and Human Rights exhibit, Michigan State University Museum, 2008.","OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 94-95.","OwnershipF082":"Public Museum, Library or Institution","OwnerNameF082a":"International Quilt Study Center and Museum","essay":"Joy and pensiveness – this quilt shall evoke those reactions\r\n30 faces – produced in monotype highlighted by wax –\r\nrepresent peoples cultures, and religions of our world.\r\n\r\nThe bright colors demonstrate our positive\r\nEmotions, born by the knowledge of the\r\nAchievements in the fight for human rights\r\n\r\nThe black border, in places with barbed wire,\r\nExpresses our sadness, knowing that torture,\r\nImprisonment, and atrocity are still reality\r\nIn some countries\r\n\r\nOn the border to the left we have written\r\nSelected human rights articles on a fabric\r\nColored red – synonymous for pain and blood\r\n\r\nThis quilt was honored with the first prize in Expressions of Freedom: Quilts Celebrating Human Rights, a contest and exhibition held by the International Quilt Study Center, University of Nebraska-Lincoln in 1998 to honor the 50th anniversary of the United Nations Declaration of Human Rights.","AccessF080":"Restricted","HolderF080a":"International Quilt Study Center and Museum","ReposFile":["https://kora.quiltindex.org/files/36-34-1312/IQSG1998.008.001.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2020-05-22","dateverified_era":"CE","Pattern":"MENSCHEN","Maker":"[\"GISELA RIKEIT\"]","Date":"1976-1999","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","project_id":"36","form_id":"34","owner":"7","created_at":"2020-05-22 14:44:48","updated_at":"2024-07-11 14:55:40"},"sort":["[\"GISELA RIKEIT\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"ZK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-59","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"“This quilt is deeply personal and was inspired by my husband's work in the Chicago Public Schools. As educators, children are our passion and we both feel deeply about working to provide quality education for all children. Steve had been working in Chicago for less than a year, and I was seeing a significant change in him both physically and emotionally. He always wears the weight of the children he's responsible for on his shoulders, but with this job it was different. He looked down, stressed and worried all the time. One day I asked him to tell me what was different. He shared that each morning when he began his workday he would receive the Overnight Violence Report by email. The report listed the children in the school district who had been shot, hurt or killed in the city of Chicago the day before. Monday was always the worst. There was hardly a day when there were no children on the list. As he told me I could see the stress on his face and how the list created a sense of urgency for him. He knows that quality education and keeping children in school saves lives. That statement had taken on new meaning for him.
After he shared this story with me, it was all I could think about as I watched him work 15 hour days and every weekend. I watched the news and noticed that most of the children on the list either didn't make the news or were barely mentioned. These children seem to be collateral damage in the wake of a myriad of problems within the city: gang activity, lack of economic opportunity, and family issues to name a few.
Those of us who live in safe neighborhoods, have good schools our children attend and aren't affected by the problems of the city are blissfully unaware of these children or are aware, but choose to ignore the issue because we can. I wanted to make a quilt to draw attention to the problem of violence in an \"in your face\" kind of way. I chose a gun as the object of the quilt because in itself, it is both a symbol of violence and is provocative and controversial. I wanted people to pay attention to the quilt and be curious about the message behind it.
Though the subject of the quilt appears to be about guns, it is really about the children who have been the targets and victims of violence, whose lives are damaged or lost before they have had the chance to live, to make a difference, to change, to make up for mistakes, to find themselves. The gun on this quilt is one symbol of violence. There are many I could have chosen. The quilt wouldn't be complete without the blood dripping and forming a pool below. It is a reminder that when the gun is gone, when the act is over, destruction remains. Lives are lost or changed forever.
The quilt has already had impact on the cause of anti-violence. When I was working with the St. Louis Modern Quilt Guild in the summer of 2013, they added $5.00 to the price of each of my workshops and then donated that money to an anti-violence cause in their city. Without the quilt and the statement it and I made, this wouldn't have happened. Sometimes the problem of violence seems so large and complex that we feel powerless to make an impact. The quilters in the SLMQG showed that we can each make a difference in our own way and each of those small efforts add up to affect the lives of many people in a positive way.
I understand the scope of the problem is broad and there are many causes: mental illness, poverty, and gang culture to name a few. I am also not naive enough to say that eliminating or controlling guns will solve the problem. What I do know is that the solutions are many and we are in the position to contribute to the solution whether it be in our personal lives or in the jobs we do each day. It is important to continue the conversation and take action in our communities.”1 — Jacquie Gering
1Jacquie Gering, Quilts and Human Rights Documentation Record, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Bang You're Dead","OverallWidthF12a":"60\"","OverallLengthF012b":"75\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Red","White","Black"],"LayFormatF024":"Pictorial","FiberTypesF035":["Cotton"],"FabPrintF037":["Solid/plain"],"ConstrucF038":["Machine Piecing"],"QuiltTechF049":["Machine quilting"],"DateFinishF023b":"2012","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression"],"LocMadeF057a":"Chicago","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 162-163.","QuiltTopF054":"Gering, Jacquie","QuiltedByF055":"Christopher, Anne","OwnershipF082":"Private","AccessF080":"Restricted","DateDataF006b":"2013-11-06","photocredit079a1":"Greg Case","ReposFile":["https://kora.quiltindex.org/files/45-46-59/093-BangYoureDead-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-59/093-BangYoureDead-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"BANG YOURE DEAD","Maker":"[\"GERING, JACQUIE\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:21","updated_at":"2024-07-18 04:11:34"},"sort":["[\"GERING, JACQUIE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Z65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-62","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Black Disapora Quilt History Project; Women of Color Quilters Network","essay":"“It was not until 1964, that the 24th Amendment to the United States Constitution prohibited poll taxes. Poll taxes were payments required in order to vote; and when assessed upon African American voters who were often too poor to pay the tax, the poll tax prevented them from voting in federal elections. \r\n \r\nThe eleven states featured in my quilt enacted Voter ID laws right before the 2012 Presidential election. My home state of Pennsylvania has the most restrictive, cumbersome ID law, potentially disenfranchising 100,000 voters just in my city of Philadelphia. Like the poll taxes and literacy tests following Reconstruction, Voter ID is intentional in its design to inhibit and discourage African Americans and other minorities from casting their votes at the ballot box. \r\n \r\nI use Ghana’s Asafo flag imagery for my quilt because Asafo means “war people” and that is how we must be, as warriors fighting to maintain our hard fought freedoms.”1 — Michelle Framer \r\n \r\n1Michelle Framer as provided by Carolyn L. Mazloomi, Quilts and Human Rights Documentation Record, November 25, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"New Century Poll Tax","OverallWidthF12a":"39\"","OverallLengthF012b":"27\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Beige","Brown","Navy","Red","White"],"LayFormatF024":"Pictorial","FiberTypesF035":["Cotton","Linen"],"UniqueF037b":"Hand-dyed and commercial fabric.","ConstrucF038b":["Machine Applique"],"EmbMatF039":["Metallic thread"],"MatUsedF048":"Cotton","QuiltTechF049":["Machine quilting"],"TypeInscripF019":["Message","Place"],"ContInscripF020":"No 1; TX; RI; NH; SC; WI; MS; PA; TN; VA; KS; AL","OtherTypeInscripF019a":"Appliqued in center block","DateFinishF023b":"2012","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"LocMadeF057a":"Philadelphia","ProvStateF057d":"Pennsylvania (PA)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 168-169.","QuiltTopF054":"Framer, Michelle","Owner Associator":"50-146-2","OwnerNameF082a":"Carolyn Mazloomi","OwnershipF082":"Private","OwnerCityF084":"Westchester","OwnerStateF086":"Ohio (OH)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Carolyn Mazloomi, all rights reserved","DateDataF006b":"2013-11-25","photocredit079a1":"Charles E. and Mary Martin","ReposFile":["https://kora.quiltindex.org/files/45-46-62/096-NewCenturyPollTax-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-62/096-NewCenturyPollTax-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"NEW CENTURY POLL TAX","Maker":"[\"FRAMER, MICHELLE\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:24","updated_at":"2024-07-18 04:11:34"},"sort":["[\"FRAMER, MICHELLE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"NK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-11","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004a":"MAZ160008","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2012-2013","SubjQuiltF025":"Migrant Deaths in the Southern Arizona deserts","OverallWidthF12a":"54.5\"","OverallLengthF012b":"69\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Beige","Blue","Red","Yellow"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Nontraditional or art","OtherSpaceF029a":"Randomly pieced patches of denim create the surface","FiberTypesF035":["Cotton"],"UniqueF037b":"denim","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Fusible Applique"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)","Embroidery","Painting"],"EmbMatF039":["Beads attached","Other attachments"],"UniqueF039a":"Rope to create hangman's knot","MatUsedF044":["Cotton"],"ConstrucBindF046":["Other"],"BindWidthF047a":"overcast-stitched on edges","FabFiberTypesF040":["Cotton"],"DescBackF043":["Print"],"ColorBackingF040b":["Orange"],"NumPiecesF042":"1","WidthPiecesF042a":"54.5\" wide x 69\" long","TypeInscripF019":["Date","Multiple Names","Message","Place"],"MethodInscripF021":["Computer generated"],"LocInscripF022":["multiple locations"],"ContInscripF020":"Names of deceased and type of death","OverCondF015":"Excellent/like new","RepairHistF018":"Made from crude materials","DateBegunF023a":"2014","DateFinishF023b":"2014","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression","Memorial","Mourning","Teaching or learning sample"],"OtherF060a":"As a memorial to migrants who died during the given year and to raise consciousness about their deaths.","PresUseF062":["Exhibit","Study or teaching aid","Other"],"OthPresUseF062a":"The Migrant Quilt Project is seeking exhibit opportunites","LocMadeF057a":"Tucson","ProvCountyF057b":"Pima","ProvStateF057d":"Arizona (AZ)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Made from blue jeans left behind in migrant layup sites in the Sonoran Desert.","ExhibitListF067a":"November-December 2014: The Documented Border exhibit, Special Collections, University of Arizona Library The Center for Confluence, University of Arizona \r\nJanuary 2015 and January 2016: Border Issues Fair, The Good Shepherd United Church of Christ, Sahuarita AZ","RelItemsF088a":"migrantquiltproject.org \r\n \r\nhttps://www.facebook.com/migrantquiltproject/ \r\n \r\nUncoverings 2016: The Research Papers of the American Quilt Study Group","AddNotesF132":"Looking through the stacks of clothing and personal items that were collected in the desert turned the purpose of the quilt project from foreign to familiar. Handling the very clothing that the migrants wore as they attempted to cross the border made me feel a real connection to them as people rather than numbers. I was attracted to items that were clearly worn or stained because they had more energy.and I could imagine the person who wore them.\r\n\r\nEventually, my need for cohesiveness within the piece determined which articles I would include in the quilt. Since there was a large number of blue jeans, that seemed the most appropriate 'background'. I wanted the finished piece to be readable. I wanted their names to be written in an elegant font because that seemed respectful, so I printed them from my computer onto fabric. I placed the denim pieces on top of the names, stitched around and cut away the denim fabric to reveal the names underneath. Both the process and the final visual effect replicates the brutal circumstances of their deaths.\r\n\r\nIn addition to using the migrants' jeans, I incorporated three hand-embroidered handkerchiefs. The one with red and pink flowers reads 'Duerme amor mio', which translates 'Sleep with angels my love'. 'Contigo en la distancia' is embroidered on the other and means 'With you from a distance'. The fact that these handmade items were found in the desert makes me certain that the women who had stitched these had lost their loved ones to the harsh desert environment. I included a baseball cap with our Lady of Guadalupe embroidered on it because it represents the importance of religion in day-to-day life for many of the migrants.","QuiltTopF054":"Eschedor, Jennifer","QuiltedByF055":"Eschedor, Jennifer","GenderF098":["Female"],"CityF106a":"Tucson","CountyF106":"Pima","CountryF108":["United States"],"WhenQuiltF118":["Age 20-29"],"OtherF119a":"artistic expression","NumQuiltsF123":"5-20 quilts","OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","IdentPersonF006":["Author/researcher","Quiltmaker"],"SourceOtherF006a":"Friend of quiltmaker","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd St.","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"2012","interviewerF007e":"Peggy Hazarad for The Migrant Quilt Project","QuiltHistF059":"Makers were volunteers for the Migrant Quilt Project and made it for the organization.","photocredit079a1":"All photos by Wilson Graham Photography","DateF079":"2014-08-31","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-11/2012.2013.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-11/2012.2013-zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-11/2012.2013.detail1.jpg"],"Detail 2":["https://kora.quiltindex.org/files/45-46-11/2012.2013.detail2.jpg"],"Detail 3":["https://kora.quiltindex.org/files/45-46-11/2012.2013.detail3.jpg"],"Detail 4":["https://kora.quiltindex.org/files/45-46-11/2012.2013.detail4.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2016-06-02","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2012-2013","Maker":"[\"ESCHEDOR, JENNIFER\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","DateObtainedF088c":"5/10/2016","legacy_kid":"6F-11F-5","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:32","updated_at":"2024-02-26 14:36:16"},"sort":["[\"ESCHEDOR, JENNIFER\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"M65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-10","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum","Arizona Quilt Documentation Project"],"InstProjNameF003a":"Quilts and Human Rights; Migrant Quilt Project; Arizona Historical Society - Arizona History Museum","InstInvContrNumF004":"Arizona Quilt Documentation Project #MAZ160005","InstInvContrNumF004a":"TS 2020.1.12","TypeObjF008":"Finished quilt","QuiltTitleF009":"Migrant Quilt: Tucson Sector 2011-2012","SubjQuiltF025":"Migrant Deaths in the Southern Arizona deserts","OverallWidthF12a":"51.5\"","OverallLengthF012b":"46\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Blue","White"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Nontraditional or art","NumBlockF026":"20","SizeBlockF027":"varied","ArrangeBlockF028":"Straight","SpacingF029":["Side by side"],"OtherSpaceF029a":"Various sizes of denim were machine-pieced together to create a top of quilt.","FiberTypesF035":["Cotton"],"UniqueF037b":"denim, embroidered cloths, bandanas, and a baseball hat","ConstrucF038":["Machine Piecing"],"ConstrucF038b":["Reverse Applique"],"ConstrucF038g":["Attachments (beading, charms, buttons, etc)","Other embellishment technique"],"UniqueF038h":"Lino-cut skulls, a baseball hat and embroidered cloths (serviettes) attached to the front.","EmbMatF039":["Charms attached"],"UniqueBindF045a":"No applied binding; edges were machine sewn with a zig-zag stitch.","FabFiberTypesF040":["Cotton"],"DescBackF043":["Same fabric used throughout","Machine sewn","Print"],"ColorBackingF040b":["Beige"],"NumPiecesF042":"2","WidthPiecesF042a":"4.5 x 52\" and 42.5 x 52\"","TypeInscripF019":["Date","Multiple Names","Place"],"MethodInscripF021":["Computer generated","Embroidery","Printed in the fabric"],"LocInscripF022":["multiple locations"],"OverCondF015":"Very good/almost new","FeaturesF053":"Maker attached belt loops cut from blue jeans to the back of the quilt to hold a stick for hanging.","DateBegunF023a":"2012","DateFinishF023b":"2012","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression","Memorial","Mourning","Teaching or learning sample"],"OtherF060a":"As a memorial to migrants who died during the given year and to raise consciousness about their deaths.","PresUseF062":["Exhibit","Study or teaching aid","Other"],"OthPresUseF062a":"The Migrant Quilt Project is seeking exhibit opportunites","LocMadeF057a":"Tucson","ProvCountyF057b":"Pima","ProvStateF057d":"Arizona (AZ)","ProvCountryF057f":["United States"],"SourceMatF063":["Old clothes","Purchased new"],"OthSourceF063a":"Items discarded by migrants in the Sonoran Desert.","ExhibitListF067a":"January 2013-2016: Annaul Border Issues Fairs, The Good Shepherd United Church of Christ, Sahuarita AZ \r\nNovember 2-10, 2014: All Souls Day exhibit, Mercado San Agustin, Tucson, Arizona \r\nNovember-December 2015: United Church of Christ, Santa Fe, New Mexico","RelItemsF088a":"migrantquiltproject.org \r\n \r\nhttps://www.facebook.com/migrantquiltproject/ \r\n \r\nUncoverings 2016: The Research Papers of the American Quilt Study Group","AddNotesF132":"Looking through the stacks of clothing and personal items that were collected in the desert turned the purpose of the quilt project from foreign to familiar. Handling the very clothing that the migrants wore as they attempted to cross the border made me feel a real connection to them as people rather than numbers. I was attracted to items that were clearly worn or stained because they had more energy'.and I could imagine the person who wore them.\r\n\r\nEventually, my need for cohesiveness within the piece determined which articles I would include in the quilt. Since there was a large number of blue jeans, that seemed the most appropriate 'background'. I wanted the finished piece to be readable. I wanted their names to be written in an elegant font because that seemed respectful, so I printed them from my computer onto fabric. I placed the denim pieces on top of the names, stitched around and cut away the denim fabric to reveal the names underneath. Both the process and the final visual effect replicates the brutal circumstances of their deaths.\r\n\r\nIn addition to using the migrants' jeans, I incorporated three hand-embroidered handkerchiefs. The one with red and pink flowers reads 'Duerme amor mio', which translates 'Sleep with angels my love'. 'Contigo en la distancia' is embroidered on the other and means 'With you from a distance'. The fact that these handmade items were found in the desert makes me certain that the women who had stitched these had lost their loved ones to the harsh desert environment. I included a baseball cap with our Lady of Guadalupe embroidered on it because it represents the importance of religion in day-to-day life for many of the migrants.","QuiltTopF054":"Eschedor, Jennifer","QuiltedByF055":"Eschedor, Jennifer","GenderF098":["Female"],"CityF106a":"Tucson","CountyF106":"Pima","CountryF108":["United States"],"WhenQuiltF118":["Age 20-29"],"OtherF119a":"artistic expression","NumQuiltsF123":"5-20 quilts","OwnerNameF082a":"Arizona Historical Society - Arizona History Museum","IdentPersonF006":["Author/researcher","Quiltmaker"],"SourceOtherF006a":"Friend of quiltmaker","AcquiredF058":"Gift","ProvenanceF058a":"Donated to the collection by the Migrant Quilt Project.","OwnershipF082":"Public Museum, Library, or Institution","OwnerAddressF083":"949 E. 2nd St.","OwnerCityF084":"Tucson","OwnerCountyF085":"Pima","OwnerStateF086":"Arizona (AZ)","OwnerZipF087":"85719","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Contact: Arizona Historical Society - Arizona History Museum 949 E. 2nd Street, Tucson, AZ 85719 Registrar Jace Dostal jdostal@azhs.gov","DateDataF006b":"2012","interviewerF007e":"Peggy Hazard for The Migrant Quilt Project","QuiltHistF059":"Makers were volunteers for the Migrant Quilt Project and made it for the organization.","photocredit079a1":"Wilson Graham Photography","DateF079":"2013-02-04","DateF079_era":"CE","ReposFile":["https://kora.quiltindex.org/files/45-46-10/2011.2012.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-10/2011.2012-zoom.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-10/2011.2012.detail1.jpg"],"Detail 2":["https://kora.quiltindex.org/files/45-46-10/2011.2012.detail2.jpg"],"Detail 3":["https://kora.quiltindex.org/files/45-46-10/2011.2012.detail3.jpg"],"Detail 4":["https://kora.quiltindex.org/files/45-46-10/2011.2012.detail4.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2016-06-02","dateverified_era":"CE","Pattern":"MIGRANT QUILT TUCSON SECTOR 2011-2012","Maker":"[\"ESCHEDOR, JENNIFER\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University, Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","OtherMethodInscripF021a":"Names are visible through windows in the denim fabric; a reverse applique technique.","DateObtainedF088c":"5/10/2016","legacy_kid":"6F-11F-4","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:31","updated_at":"2024-02-26 14:36:16"},"sort":["[\"ESCHEDOR, JENNIFER\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"X65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-54","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Black Disapora Quilt History Project","essay":"“Many years ago, I came upon an old print dated 1788. This image showed a slave ship and how African slaves were positioned side by side to maximize the human cargo, men, women and children packed in side-by-side like sardines in a tin. For me this print became a powerful, iconic image of the inhumanity of the slave trade, and as a young African American at the time, seeing this image was painful. The image has always stayed with me. A few years ago, I started to consider translating that printed image into my art form, an appliqued quilt. I wanted my quilt to have a visual narrative with many sub-themes: death, packed bodies side by side, helplessness, inhumanity that lasted 300 years, images of a new world to be built with slave labor, spiritual images that were part of the African slaves’ religion meeting Christianity, symbolized by a cross. I wanted to project a haunting feeling with all the eyes. I used fabric that had printed images of the New York City skyline from 1940's to symbolize “the new world.” I placed bodies in the ocean to show how slaves escaped from the ship only to face death in the ocean...some actually preferred death to being chained on a slave ship. Everyone who sees this quilt talks about the power of the narrative.”1 — Michael Cummings \r\n \r\n1Michael Cummings, Quilts and Human Rights Documentation Record, September 18, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Slave Ship Henrietta Marie","OverallWidthF12a":"156\"","OverallLengthF012b":"120\"","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Pictorial","ConstrucF038":["Hand Piecing","Machine Piecing"],"ConstrucF038g":["Painting"],"UniqueF038h":"Embellished","DateFinishF023b":"2007","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"LocMadeF057a":"New York","ProvStateF057d":"New York (NY)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 136-137.","Maker Associator":"62-185-42","QuiltTopF054":"Cummings, Michael","OwnerNameF082a":"Michael Cummings","OwnershipF082":"Private","OwnerCityF084":"New York","OwnerStateF086":"New York (NY)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Michael Cummings, all rights reserved","DateDataF006b":"2013-09-19","photocredit079a1":"Greg Case","ReposFile":["https://kora.quiltindex.org/files/45-46-54/080-SlaveShipHenriettaMarie-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-54/080-SlaveShipHenriettaMarie-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"SLAVE SHIP HENRIETTA MARIE","Maker":"[\"CUMMINGS, MICHAEL\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:16","updated_at":"2024-07-18 04:11:34"},"sort":["[\"CUMMINGS, MICHAEL\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"aK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-63","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Black Disapora Quilt History Project","essay":"“The faces on this quilt are the faces of everyday people who should have had a bright future and the benefits afforded to us under the constitution but instead were cut down in the prime of their lives because someone consumed with hate felt it was okay to demand their blood and take their lives. Who’s next, who’s the next target of hate, who is the next person to die because they were at the wrong place at the wrong time when hate arrived on the scene? The question still remains unanswered, ‘Why Do You HATE Me?’”1 — Carolyn Crump
1Carolyn Crump, Quilts and Human Rights Documentation Form, January 10, 2014, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Why Do You Hate Me?","ShapeEdgeF013":"Straight","PredomColorsF014":["Gray","Black","Red","White"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Pictorial","FiberTypesF035":["Cotton"],"UniqueF037b":"Acrylic wash, colored pencil, felt, marker","QuiltTechF049":["Machine quilting"],"TypeInscripF019":["Multiple Names","Message"],"ContInscripF020":"Hate; Crime; Trayvon Martin; Teena Brandon; Matthew Shepard; Shaima Al Almadi; James Byrd (also known as bias-motivated crimes) occur when a perpetrator targets a victim because of his or her perceived membership in a certain social group, usually defined by racial group, religioun, secual orientation, disability, class, ethnicity, nationality, age, sex, or gender identity. A hate crime, bias-motivated violence:\" Assault, injury, and murder","DateFinishF023b":"March 2012","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative","Memorial"],"LocMadeF057a":"Houston","ProvStateF057d":"Texas (TX)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 172-173.","QuiltTopF054":"Crump, Carolyn","OwnerNameF082a":"Ashley Wilson","OwnershipF082":"Private","AccessF080":"Restricted","HolderF080a":"Ashley Wilson, all rights reserved","DateDataF006b":"2014-01-10","photocredit079a1":"Ashley Wilson","ReposFile":["https://kora.quiltindex.org/files/45-46-63/098-WhyDoYouHateMe-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-63/098-WhyDoYouHateMe-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"WHY DO YOU HATE ME","Maker":"[\"CRUMP, CAROLYN\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:25","updated_at":"2024-07-18 04:11:34"},"sort":["[\"CRUMP, CAROLYN\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"cK5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-71","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"Deborah Simmons Coates’ husband, Lindley Coates, became President of the American Anti-Slavery Society in 1840. Their farm was a station on the Underground Railroad. Coates herself later became a Hicksite Quaker minister.
At the quilt’s center is a cream-colored patch with an abolitionist stamped image depicting a kneeling slave in chains with the words, “Deliver me from the oppression of man.” This quilt was later cut in half to divide it between Coates’ two great-granddaughters, both of whom wanted the quilt. Both halves of the quilt are in the collection.1
1Wendell Zercher, Quilts and Human Rights Documentation Record, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Quaker Slavery Quilt","OverallWidthF12a":"89\"","OverallLengthF012b":"96\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Blue","Brown","Tan"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Block pattern","NumBlockF026":"Each half has 81 full blocks and 23 partial blocks","ArrangeBlockF028":"On point or rotated on 45 degrees","SpacingF029":["Side by side"],"FiberTypesF035":["Silk","Cotton"],"FabPrintF037":["Print"],"ConstrucF038":["English Template Piecing"],"MatUsedF048":"Cotton","TypeInscripF019":["Message"],"MethodInscripF021":["Printed in the fabric"],"LocInscripF022":["on block"],"ContInscripF020":"Deliver from the oppression of man","DateFinishF023b":"c1820-1850","DateQuiltF023":"1800-1849","PresUseF062":["Museum collection"],"LocMadeF057a":"Sadsbury Township","ProvCountyF057b":"Lancaster","ProvStateF057d":"Pennsylvania (PA)","ProvCountryF057f":["United States"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 10.","QuiltTopF054":"Coates, Deborah Simmons","OwnerNameF082a":"Lancaster History Heritage Center Collection","AcquiredF058":"Gift","ProvenanceF058a":"Gift of Marjorie A. Laidman","OwnershipF082":"Public Museum, Library, or Institution","OwnerCountyF085":"Lancaster","OwnerStateF086":"Pennsylvania (PA)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Lancaster History Heritage Center Collection, all rights reserved","DateDataF006b":"2013-11-26","photocredit079a1":"Courtesy of LancasterHistory.org","ReposFile":["https://kora.quiltindex.org/files/45-46-71/005-QuakerSlavery-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-71/005-QuakerSlavery-z.jpg"],"Detail 1":["https://kora.quiltindex.org/files/45-46-71/006-QuakerSlavery-d.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"QUAKER SLAVERY QUILT","Maker":"[\"COATES, DEBORAH SIMMONS\"]","Date":"1800-1849","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 16:21:26","updated_at":"2024-07-18 04:11:34"},"sort":["[\"COATES, DEBORAH SIMMONS\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"d65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-78","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Black Disapora Quilt History Project","essay":"“I was invited to make a quilt on the theme of racism, a political, economic, and social issue which plagues our nation and the world. Racism is partly about the color of one’s skin and is inflicted on people of many different races. Numerous colors used in the quilt fabrics seemed to be one way to express that.
Originally, I wanted to use the phrase,’Racism Comes in Many Colors,’ but I was told by friends that this statement implies that everyone is racist (which I believe to some extent we all are in this world) but leaves out the structural and power elements inherent in racism. So I changed the words: Racism Corrodes in Many Colors.”1 — Susanne Clawson
1Susanne Clawson, Quilts and Human Rights Documentation Record, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Racism Corrodes","OverallWidthF12a":"46 1/4\"","OverallLengthF012b":"25\"","ShapeEdgeF013":"Straight","OverallColorF14b":["Multicolor"],"LayFormatF024":"Nontraditional or art","SpacingF029":["Side by side"],"FiberTypesF035":["Cotton"],"FabPrintF037":["Batiks"],"ConstrucF038b":["Machine Applique"],"UniqueF038h":"Raw-edge applique","QuiltTechF049":["Machine quilting"],"TypeInscripF019":["Message"],"ContInscripF020":"Racism Corrodes In Many Colors","OtherTypeInscripF019a":"Appliqued in each block","DateFinishF023b":"2010","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression"],"LocMadeF057a":"Silber Springs","ProvStateF057d":"Maryland (MD)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 150-151.","QuiltTopF054":"Clawson, Susanne","OwnerNameF082a":"Susanne Clawson","OwnershipF082":"Private","OwnerCityF084":"Silver Springs","OwnerStateF086":"Maryland (MD)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Susanne Clawson, all rights reserved","DateDataF006b":"2013-12-08","photocredit079a1":"Uphoto","ReposFile":["https://kora.quiltindex.org/files/45-46-78/087-RacismCorrodes-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-78/087-RacismCorrodes-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"RACISM CORRODES","Maker":"[\"CLAWSON, SUSANNE\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 16:21:33","updated_at":"2024-07-18 04:11:34"},"sort":["[\"CLAWSON, SUSANNE\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Uq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-41","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights","essay":"Bess K. Chin was born in Alameda, California. In 1942 at the age of eighteen, she had just begun classes at San Jose State University when Japanese Americans were forcibly removed from their homes to internment camps. Bess, her mother, and her younger sister were sent to the camp in Heart Mountain, Wyoming. Eventually she moved back to California where she worked, married, and raised a family. She continued to take university courses but never finished. In 2010, at the age of 87, she and a small number of Japanese American students received an honorary degree by San Jose State University in a California Nisei Diploma Project to recognize the more than 2500 Japanese Americans who were denied their educational opportunities during the wartime hysteria. \r\n \r\nFor many years Chin has worked as a quilting instructor at the Japanese American Services of the East Bay Nutrition Center. In 1999, a community group asked her to engage her class in making a quilt to commemorate the internment experience but the recollections were a source of trauma and shame for her class members. As Chin shared with a reporter, "They didn't want to do it. It brought back memories. Japanese don't like to talk about anything that's bad about themselves… [But]"It turned out to be a good project," Chin said. "As we quilted the stories came out, and the tears and laughter. It was a really good healing process." The 12 squares depict a map of the camps, a guard tower, a special-occasion red kimono and broken dishes — reflecting the women who smashed their precious Japanese ceramics rather than sell them for a pittance at rushed sales before being herded onto trains bound for camp. Chin told the reporter that one woman told of watching her ill father being taken away on a stretcher. "He waved goodbye and told her to be a good girl. And she never saw him again," Chin said. Another told of leaving behind the family dog, and later hearing from a neighbor how the dog went to the train station every day to watch for their return. \r\n \r\nChin carries the quilt in the small suitcase she used years ago when she was deported to the internment camp and uses the quilt to talk with groups about this troubling period in U.S. history.1 \r\n \r\n1Bessie K. Chin, telephone communication with authors, November 8, 2013; Piecing Memories, video, produced by Bridge Media, Inc., 2000, and Sharon Noguchu, “Nisei woman, 87, and other Japanese-Americans to be honored by San Jose State,” Mercury News, May 23, 2010. Accessed October 1, 2013.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Piecing Memories - Recollections of Internment","OverallWidthF12a":"60\"","OverallLengthF012b":"72\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Blue","Pink","Tan"],"OverallColorF14b":["Multicolor"],"LayFormatF024":"Block pattern","NumBlockF026":"12","ArrangeBlockF028":"Straight","SpacingF029":["Separated by pieced pattern sashing"],"NumBordersF033":"2","BordDescF034":"Inner red, outer navy","FiberTypesF035":["Cotton"],"FabPrintF037":["Print","Solid/plain"],"ConstrucF038b":["Hand Applique"],"QuiltTechF049":["Machine quilting"],"TypeInscripF019":["Message"],"LocInscripF022":["on border"],"DateInscripF020a":"1945","DateFinishF023b":"1999","DateQuiltF023":"1976-1999","ReasonsF060":["Commemorative"],"LocMadeF057a":"Castro Valley","ProvStateF057d":"California (CA)","ProvCountryF057f":["United States"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 53.","QuiltTopF054":"Chin, Bess Kawachi","OthPeopleF056":"Takeuchi, Laura","OwnerNameF082a":"Bess Chin","OwnershipF082":"Private","OwnerCityF084":"Castro Valley","OwnerStateF086":"California (CA)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Bess Chin, all rights reserved","DateDataF006b":"2013-11-22","photocredit079a1":"Brian Lee","ReposFile":["https://kora.quiltindex.org/files/45-46-41/035-PiecingMemories-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-41/035-PiecingMemories-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"PIECING MEMORIES - RECOLLECTIONS OF INTERNMENT","Maker":"[\"CHIN, BESS KAWACHI\"]","Date":"1976-1999","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:04","updated_at":"2024-07-18 04:11:34"},"sort":["[\"CHIN, BESS KAWACHI\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"W65mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-50","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Quilts and Health","essay":"“In the spring of 2000, I dreamed of a yellow piece that spoke to me of the continual droughts that threaten so many places on our planet. In my dream, the images were from all over the world. They showed our needs for water and how we use it. We need water to drink (like the boy from India, representing Asia), we grow our food with water (like the farmer from the USA representing North America), we wash with water (like the Ecuadorian woman representing South America) and we share our planet with animals, who also need water (like the kangaroo from Australia).
I searched for these types of images and did many drawings to try to represent my dream as closely as possible.
Our fresh water is precious and limited. Over a billion people do not have easy access to potable water. This is a worldwide problem that affects us all and we must come to terms with it now for the future generations.”1 — Hollis Chatelain
1Hollis Chatelain, Quilts and Human Rights Documentation Record, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Precious Water","OverallWidthF12a":"85\"","OverallLengthF012b":"77\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Yellow","Gold"],"LayFormatF024":"Pictorial","FiberTypesF035":["Cotton"],"UniqueF037b":"Thickened fiber reactive dyes.","UniqueF038h":"Hand dye-painted","MatUsedF048":"Polyester","QuiltTechF049":["Machine quilting"],"DateFinishF023b":"2004","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression"],"LocMadeF057a":"Hillsborough","ProvStateF057d":"North Carolina (NC)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 114-115.","QuiltTopF054":"Chatelain, Hollis","OwnerNameF082a":"Hollis Chatelain","OwnershipF082":"Private","OwnerCityF084":"Hillsboro","OwnerStateF086":"North Carolina (NC)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Hollis Chatelain, all rights reserved","DateDataF006b":"2013-09-20","photocredit079a1":"Lynn Ruck","ReposFile":["https://kora.quiltindex.org/files/45-46-50/069-PreciousWater-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-50/069-PreciousWater-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"PRECIOUS WATER","Maker":"[\"CHATELAIN, HOLLIS\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:12","updated_at":"2024-07-18 04:11:34"},"sort":["[\"CHATELAIN, HOLLIS\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"eq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-81","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Black Disapora Quilt History Project","essay":"\"In February 2002, I dreamed Hope For Our World. The dream was in purple and Archbishop Tutu was standing in a field. Children from all over the world were approaching him like he was a Pied Piper. The dream seemed to be speaking about World Peace and the Future of our Children, Desmond Tutu represented Hope.
In May of 2005 I was honored to have a meeting with Archbishop Tutu to discuss my dream.
Hope For Our World was finished April 16th [2007] and I sent an image of it to my daughter. Her response was: 'How ironic that the piece is finally done on a day like today where you can't help feel sad about the world we live in, a world where massacres like the one at Virginia Tech this morning still happen. It makes me think that this piece is there to remind us that even when we wonder what this world is coming to, when we think that there can't possibly be hope in a world with such tragedies, we are reminded of people like Desmond Tutu. People that will fight for peace and never give up... we realize that there still is hope after all.\"1 ... Hollis Chatelain
1Hollis Chatelain, Quilts and Human Rights Documentation Record, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Hope For Our World","OverallWidthF12a":"82\"","OverallLengthF012b":"82\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Purple","Lavender","Tan"],"LayFormatF024":"Pictorial","FiberTypesF035":["Cotton"],"UniqueF037b":"Thickened fiber reactive dyes.","UniqueF038h":"Hand dye-painted","MatUsedF048":"Wool","QuiltTechF049":["Machine quilting"],"DateFinishF023b":"2007","DateQuiltF023":"2000-2025","ReasonsF060":["Art or personal expression"],"LocMadeF057a":"Hillsborough","ProvStateF057d":"North Carolina (NC)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 132-133.","QuiltTopF054":"Chatelain, Hollis","QuiltedByF055":"Chatelain, Hollis","OwnerNameF082a":"Hollis Chatelain","OwnershipF082":"Private","OwnerCityF084":"Hillsboro","OwnerStateF086":"North Carolina (NC)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Hollis Chatelain, all rights reserved","DateDataF006b":"2013-09-20","photocredit079a1":"Lynn Ruck","ReposFile":["https://kora.quiltindex.org/files/45-46-81/078-HopeForOurWorld-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-81/078-HopeForOurWorld-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"HOPE FOR OUR WORLD","Maker":"[\"CHATELAIN, HOLLIS\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 16:29:18","updated_at":"2024-07-18 04:11:34"},"sort":["[\"CHATELAIN, HOLLIS\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Pq5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-21","InstNameF003":["Quilts and Human Rights Project at Michigan State University Museum"],"InstProjNameF003a":"Quilts and Human Rights","InstInvContrNumF004":"08.0014","description":"Iraq War Memorial Quilt \r\nCynthia Catlett \r\nHouston, Texas \r\n2007 \r\nCotton linen curtain; red, white & blue striped fabric; yellow silk ribbons and red fabric roses \r\nPhoto transfer with HP inkjet printer \r\n88\" x 99\" \r\nCollection of the artist","essay":"“This quilt was made to recognize the faces of 3600 men and women of the military who have died in line of service in Iraq and Afghanistan since GW Bush ordered troops into Iraq in March 2003. It is the first pictorial memorial in U.S. history to honor the fallen heroes of a military conflict. These are the faces of those who have served this country, those who have died for this country and the loved ones they left behind. IT CAN NO LONGER BE ENOUGH TO SAY SUPPORT OUR TROOPS! TODAY WE MUST SAVE OUR TROOPS!”","TypeObjF008":"Finished quilt","OwnerNameF010":"Iraq War Memorial","AltNameF011":"Nine Patch","OverallWidthF12a":"88\"","OverallLengthF012b":"99\"","ShapeEdgeF013":"Straight","PredomColorsF014":["Beige","Blue","Red","Yellow","White"],"LayFormatF024":"Pictorial","NumBlockF026":"9","SizeBlockF027":"22\" x 29\"","ArrangeBlockF028":"Straight","NumBordersF033":"1","BordDescF034":"7\" red, white, and blue striped fabric","FiberTypesF035":["Cotton","Linen"],"UniqueF037b":"Yellow silk ribbons, red fabric roses","ConstrucF038g":["Ink drawing","Painting","Photography/photo transfer"],"UniqueF038h":"Yellow ribbons are inked on","UniqueF039a":"Ribbon roses","MatUsedF048":"Polyester","QuiltTechF049":["Machine quilting","Tied or tufted"],"ConstrucBindF046":["Edges turned in/no separate binding"],"OtherFabF040a":"Drapery lining","OverCondF015":"Like new","DateFinishF023b":"2007","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"PresUseF062":["Study or teaching aid"],"LocMadeF057a":"Houston","ProvStateF057d":"Texas (TX)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"ExhibitListF067a":"Quilts and Human Rights, Michigan State University Museum, January 15 - August 24, 2008","QuiltTopF054":"Catlett, Cynthia","QuiltedByF055":"Catlett, Cynthia","CountryF108":["United States"],"OwnerNameF082a":"Cynthia Catlett","AcquiredF058":"Made by owner","OwnershipF082":"Private","AccessF080":"Restricted","HolderF080a":"Michigan State University Museum","DateDataF006b":"2/8/2008","QuiltHistF059":"\"This quilt was made to recognize the faces of 3600 men and women of the Military who have died in line of service in Iraq and Afghanistan since GW Bush ordered troops into Iraq in March 2003. It is the first pictoral memorial in U.S. history to honor the fallen heroes of a military conflict. These are the faces of those who have served this country, those who have died for this country and the loved ones they left behind. IT CAN NO LONGER BE ENOUGH TO SAY SUPPORT OUR TROOPS! TODAY WE MUST SAVE OUR TROOPS!\"
For more information on the Iraq Memorial Quilt, see http://www.iraqmemorialquilt.com.","ReposFile":["https://kora.quiltindex.org/files/45-46-21/08.0014.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-21/08.0014-zoom.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2018-12-11","dateverified_era":"CE","Pattern":"IRAQ WAR MEMORIAL","Maker":"[\"CATLETT, CYNTHIA\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University; Michigan State University Museum","Publisher":"Quilt Index","Resource Type":"StillImage","function":"Image - large display (550 or more pixels)","file medium":"image","file format":"jpeg","DateObtainedF088c":"2/8/2008","ImageConF075a":"Quilt","ImageTypeF076":"Color","CopyRestF080c":"All rights reserved, Michigan State University Museum","legacy_kid":"6F-11F-F","project_id":"45","form_id":"46","owner":"1","created_at":"2020-04-26 04:54:41","updated_at":"2024-02-23 19:15:38"},"sort":["[\"CATLETT, CYNTHIA\"]"]},{"_index":"main_quilt_index_quilt_1_25_","_type":"_doc","_id":"Va5mWZEB8akQsUwexZsm","_score":null,"_source":{"kid":"45-46-44","InstNameF003":["Quilts and Human Rights"],"InstProjNameF003a":"Quilts and Human Rights; Black Disapora Quilt History Project; Women of Color Quilters Network","essay":"“This fiber art wall hanging is dedicated to all of the mothers who fear for the safety of their children and seek to protect them from violence. The murder of Trayvon Martin was the inspiration for this quilt. This African American teen was killed as he returned from a neighborhood convenience store. To raise awareness about this incident, people from around the country participated in a “We are all Trayvon” campaign. As a mother, I designed this quilt to show my support and concern and to illustrate that Trayvon could be my son. The quilt was created from a photo of my great nephew, who was the youngest member of my family at the time. He was dressed in a hooded sweatshirt and carrying an ice tea and a bag of candy: mirroring Trayvon Martin, the day he was killed”.1 \r\n— Dorothy I. Burge \r\n \r\n1Dorothy I. Burge as provided by Carolyn Mazloomi, Quilts and Human Rights Documentation Record, 2013, Collection of MSU Museum.","TypeObjF008":"Finished quilt","QuiltTitleF009":"Trayvon Could Be My Son","OverallWidthF12a":"30\"","OverallLengthF012b":"48\"","OtherShapeEdgeF013a":"Follows the shape of the baby.","PredomColorsF014":["Blue","Brown","Gray","Red","Turquoise"],"LayFormatF024":"Pictorial","FiberTypesF035":["Cotton"],"ConstrucF038b":["Machine Applique"],"MatUsedF048":"Cotton","QuiltTechF049":["Machine quilting"],"DateFinishF023b":"2012","DateQuiltF023":"2000-2025","ReasonsF060":["Commemorative"],"LocMadeF057a":"Chicago","ProvStateF057d":"Illinois (IL)","ProvCountryF057f":["United States"],"TopSourceF064":["Original to maker"],"OtherSourceMat":"MacDowell, Marsha; Worrall, Mary; Swanson, Lynne; Donaldson, Beth. Quilts and Human Rights. Lincoln: University of Nebraska Press, 2016, page 67.","QuiltTopF054":"Burge, Dorothy I.","Owner Associator":"50-146-2","OwnerNameF082a":"Carolyn Mazloomi","OwnershipF082":"Private","OwnerCityF084":"West Chester","OwnerStateF086":"Ohio (OH)","OwnerCountryF086b":["United States"],"AccessF080":"Restricted","HolderF080a":"Carolyn Mazloomi, all rights reserved","DateDataF006b":"2013-12-10","photocredit079a1":"Charles E. and Mary Martin","ReposFile":["https://kora.quiltindex.org/files/45-46-44/045-Trayvon-r.jpg"],"zoom":["https://kora.quiltindex.org/files/45-46-44/045-Trayvon-z.jpg"],"verify":"yes","verifiedby":"Beth Donaldson","dateverified":"2024-07-17","dateverified_era":"CE","Pattern":"TRAYVON COULD BE MY SON","Maker":"[\"BURGE, DOROTHY I.\"]","Date":"2000-2025","Contributing Institutions":"MATRIX: Center for Humane Arts, Letters and Social Sciences Online at Michigan State University","Publisher":"Quilt Index","Resource Type":"StillImage","file medium":"image","file format":"jpeg","ImageConF075a":"quilt","ImageTypeF076":"Color","project_id":"45","form_id":"46","owner":"7","created_at":"2024-07-17 15:56:07","updated_at":"2024-07-18 04:11:34"},"sort":["[\"BURGE, DOROTHY I.\"]"]}]}}
